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Bolton Scene 1 Saving energy and money all year round BolThe council newspaper for theton Bolton family www.bolton.gov.uk Scene Issue 136 Spring 2016 Central Your new Keep warm Scene slim bin is and well supplement on its way this winter See inside See page 5 See page 11 For help and advice on saving money on your energy bills and keeping warm and Developing the wellborough in your home Call 01204 328178 CURTAIN UP: A £2m grant from the council has seen the Octagon Theatre secure further funding from the Arts Council and other sources for their ambitious redevelopment plans tre by its owners the • Opening of the new scheme at the site of the This year will see several major developments come to fru- Moorgarth Group. Bolton Interchange former Horwich Loco- ition as part of ongoing plans to improve the town centre • Opening of new linking buses with motive Works, and for and the borough. Although the economy still remains dif- restaurants and bars, trains. the Academic Village in including Nando’s, • Opening of a new £6.5m the town centre will also ficult, projects funded with about £100m of private sector Prezzo, Gourmet office block, Boltontake place. The academ- investment are set to open. In this edition of Bolton Scene Burger Kitchen and Central fronting Great ic village forms part of we provide an update of what’s happening. the Great Ale Year Moor Street as part of a university masterplan Round pub, in The the interchange devel- which will enhance its Vaults development in opment. -
WLHG Peterloo Bi-Centenary(2019)
Westhoughton Local History Group LOCAL HISTORY GROUP UNCOVERS WESTHOUGHTON’S UNIQUE AND FASCINATING LINKS TO THE PETERLOO MASSACRE On 16th August 1819, a huge crowd, variously estimated at 60,000 – 100,000 people, assembled in the centre of Manchester, essentially as part of a peaceful process to demand major parliamentary reforms – especially extended suffrage, and representation at Westminster, since, despite a population of over 2 million, Lancashire had no Members of Parliament at that time. Two centuries ago, life for the vast majority of people – but especially those working in the newly- industrialised northern towns and cities – was verging on desperate, with widespread chronic poverty, famine, and mass unemployment. As a result of unbounded economic hardships in the wake of the hugely- expensive Napoleonic Wars, taxes had risen to crippling levels, and for many the introduction of the widely-despised Corn Laws in 1815 represented the last straw. For years, discontent amongst the lowest classes of society had increasingly simmered, to the point where the Establishment had feared a revolution similar to that in France just 30 years earlier. Accordingly, any mass meetings – no matter how innocent or peaceful – were viewed with great fear and suspicion by local magistrates, acting as agents for the Home Office in London, and were frequently banned or rapidly dispersed by the use of local militia and regiments of mounted Yeomanry, the latter being de facto private armies. The crowd in Manchester had gathered to hear renowned orator Henry Hunt, one of the country’s leading campaigners for political reform, but whose movements were constantly monitored by the authorities, as he was deemed no more than a dangerous ‘rabble-rouser’. -
Spinning and Winding Taro Nishimura
The_Textile_Machinery_Society_of_Japan_Textile_College_2-Day_Course_on_Cloth_Making_Introduction_to_Spinning_2014_05_22 Spinning and Winding Taro Nishimura 1. Introduction Since several thousand years ago, humans have been manufacturing linen, wool, cotton, and silk to be used as fibrous materials for clothing. In 繊維 (sen’i ), which is the word for “fiber,” the Chinese character 繊 (sen ) is a unit for decimal fractions of one ten-millionth (equal to approximately 30 Ǻ), while 維 (i) means “long and thin.” Usually, fibers are several dozen µ thick, and can range from around one centimeter long to nigh infinite length. All natural materials, with the exception of raw silk, are between several to several dozen centimeters long and are categorized as staple fibers. Most synthetic fibers are spun into filaments. Figure 1 shows how a variety of textile product forms are interrelated. Short fibers are spun into cotton (spun) yarns, whereas filaments are used just as they are, or as textured yarns by being twisted or stretched. Fabric cloths that are processed into two-dimensional forms using cotton (spun) yarns and filament yarns include woven fabrics, knit fabrics, nets, and laces. Non-woven fabrics are another type of two-dimensional form, in which staple fibers and filaments are directly processed into cloths without being twisted into yarns. Yet another two-dimensional form is that of films, which are not fiber products and are made from synthetic materials. Three-dimensional fabrics and braids are categorized as three-dimensional forms. This paper discusses spinning, or the process of making staple fibers into yarns, and winding, which prepares fibers for weaving. One-dimensional Two-dimensional Three-dimensional Natural Staple fibers Spun yarns Woven fabrics Three-dimensional materials Filaments Filament yarns Knit fabrics fabrics Synthetic Nets Braids materials Laces Non-woven fabrics Films Fig. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
SOCIAL COUNCIL Mtniiiimhiuhhmtiimiiitniiiimiriiuniiitriiiiiiiftihiu ECONOMIC COMMISSION Î0R LATIN AMERICA
UNITED NATI ONS GENERAL E/CN.I2/9I9 ECONOMIC September 1971 ENGLISH AND ORIGINAL: PORTUGUESE SOCIAL COUNCIL MtniiiimHiuHHmtiimiiitniiiimiriiuniiitriiiiiiiftiHiu ECONOMIC COMMISSION Î0R LATIN AMERICA THE TRAÍAS PER OF TECHNICAL KNOW-HOW IN THE TEXTILE AND CLOTHING INDUSTRIES IN BRAZIL prepared by Luigi Spreafico, Consultant J Note; This report foms part of a study undertaken ty the Economic Commission for Latin America (ECLA), the Interamerican Development Bank (IDB) and the Division of Public Finance and Financial Institutions of the United Nations Department of Economic and Social Affairs on the problems of the transfer of industrial technology in Brazil. I - iii - TABLE OF CONTENTS Page Chapter I. PRODUCTION IN THE TEXTILE INDUSTRY AND THE ACCUMULATION OF TECHNICAL KNOW-HOW OVER TIME 1 A. INTRODUCTION 1 B. THE ACCUMULATION OF TECHNICAL KNOW-HOW IN THE TEXTILE INDUSTRY 5 C. CHARACTERISTICS OF THE PRODUCTION PROCESS IN THE TEXTILE INDUSTRY 10 1. Basic concepts ........................... 10 2. Prospects of a radical change in the production processes of the textile industry 13 3i Classification of processes by type of fibre used 21 Chapter II. DIFFERENT WAYS OF TRANSFERRING KNOW-HOW IN THE TEXTILE INDUSTRY 26 A. BACKGROUND 26 1. The establishment of the textile industry in Latin America 26 2. Current trends 28 B. TRANSFER OF KNOW-HOW NEEDED TO ESTABLISH NEW MILLS 28 C. TRANSFER OF KNOW-HOW NEEDED FOR RE-STRUCTURING AND MODERNIZING OUT-OF-DATE FACTORIES 35 D. THE WAYS OF TRANSFERRING KNOW-HOW ON THE USE OF SPECIAL PROCESSES AND SYNTHETIC RAW MATERIALS 40 A. Use of - iV - Page 1. Use of synthetic raw materials .......... -
The Industrial Revolution - Making Cloth: the Start of the Industrial Revolution
The Industrial Revolution - Making Cloth: The Start of the Industrial Revolution The Industrial Revolution - Making Cloth: The Start of the Industrial Revolution by ReadWorks The Industrial Revolution got its start in the textile industry. Before the Industrial Revolution, making cloth was a very slow process. Cotton from cotton plants is puffy and full of seeds. First, the seeds had to be taken out, by hand. Next, the cotton had to be spun and stretched into thread, by hand. Finally, the thread was woven into cloth, by hand. Every step along the way required the full concentration of one person. Making cloth took a long time. In 1764, the process of turning cotton into cloth began to change. The three main steps stayed the same. But people began to use machines instead of doing everything manually. The machines did each step faster and faster. Some of the machines were huge. They couldn't fit into a person's home. The first factories were built to house machines and the workers needed to run them. Look at the timeline below. It describes the most important textile machines that were invented. Use it to answer the questions that follow. 1764: The spinning jenny was invented by James Hargreaves. This machine made it easier to make thread. 1769: Sir Richard Arkwright invented the water frame. Now weavers could keep up with all the thread that was being made. After the invention of the water frame, one weaver could weave the yarn from four spinners! The water frame was too big for homes. It only fit in factories. -
Please Click Here to Download a PDF of the Detailed Listing to Part 3
Portfolio Approx. Earliest No: of Type Cylinder Horse RPM Owner of Other Details Number No: of Date on Engines of Diameter x Power Engine Drawings Drawings Engine Stroke REEL TWENTYNINE Scotland: Ayr 208 12 Sep 1800 1 28” 1/8 x 6’0 30 38 David Dale Cotton Mill. Later acquired by James Finlay & Co. Engine erected at Catrine. Lanark 13 1790 1 S 26” x 6’0 10 John & William Purchased from Folliot Scott & Wilson Co. Forge Mill Engine at Wilson Town, Lanark. 193 14 Sep 1799 1 D 29” x 6’0 32 John Pattison Parchment dated October 1, 1799. John Pattison of Glasgow. Cotton Mill, Glasgow. Payment £797. 106,000lbs. 10 feet high. Purchased by Mr Dunn. 199 7 April 1800 1 D 17” 2/3 x 4’0 10 John Cotton Mill. Brigtown near Bartholomew Glasgow. 202 8 April 1800 1 19” 1/4 x 4’0 12 James Cook & Flax Mill, Glasgow. Co 204 8 May 1800 1 16” x 4’0 8 Robert Brewery, Glasgow. Struthers & Co 209 8 Aug 1800 1 D 28” 1/8 x 6’0 30 Corporation of Flour Mill. Patrick Mills, Bakers Glasgow. 216 3 Feb 1801 1 16” x 4’0 8 50 James Monach Cotton Mill, Glasgow. Originally Matthew Boulton’s Mint Engine. Belonged to Indoe and Galbraith by 1813. 228 9 Aug 1801 1 19” 1/4 x 4’0 12 Tennant Knox Chemical Manufactory, & Co Glasgow. Portfolio Approx. Earliest No: of Type Cylinder Horse RPM Owner of Other Details Number No: of Date on Engines of Diameter x Power Engine Drawings Drawings Engine Stroke Renfrewshire 177 14 Dec 1798 1 D 21” 1/4 x 5’0 16 Underwood Parchment dated January 1, Spinning Co 1799. -
Download Case Study
Visit us at graham.co.uk Murrays’ Mills, Manchester Life Framework Reviving a relic of the past £22m January 2016 July 2017 / Project value / The build commenced / The duration Resurrecting the world’s oldest surviving steam-powered cotton mill, while preserving its historic 19th Century features, the Murrays’ Mills project is a £22 million innovative design-led development of a stunning Grade II* listed building. Housing 124 distinctive one, two and three bedroom apartments, the Phase One scheme, completed within 18 months, retains the historic fabric of the building, including the original stone circular staircase, amidst contemporary new build technology. The brief The focus was on sympathetically revitalising this irreplaceable heritage site and transforming it into an emerging residential area of a thriving, modern Manchester. Delivering cutting edge standards of new build development, the vision was for Murrays’ Mills to help meet the growing demand for high quality accommodation in the city. The challenges “The transformation of Murrays’ Mills is a As a Grade II* listed building, preserving the special character of this significant milestone in Ancoats’ emergence historic relic from the industrial revolution required creativity, skill and as a desirable and vibrant neighbourhood, expert care from our team throughout the design and construction it is a brilliant way to address the demand phases. Careful planning, and robust communication, with the client (Manchester Life), and the relevant local authorities, was critical to the for central accommodation in a way that successful completion of this transformative development. Located preserves and carefully evolves our former on a constrained city centre site within a ‘Conservation Area’, traffic industrial areas.” management and the phasing of works had to be carefully managed throughout the entire 18-month programme. -
Cotton Mills for the Continent
cotton mills_klartext.qxd 30.05.2005 9:11 Uhr Seite 1 Cotton mills for the continent Sidney Stott und der englische Spinnereibau in Münsterland und Twente Sidney Stott en de Engelse spinnerijen in Munsterland en Twente 1 cotton mills_klartext.qxd 30.05.2005 9:11 Uhr Seite 2 Cotton mills for the continent Bildnachweis/Verantwoording Sidney Stott und der englische Spinnereibau in afbeldingen Münsterland und Twente – Sidney Stott en de Engelse spinnerijen in Munsterland en Twente Andreas Oehlke, Rheine: 6, 47, 110, 138 Archiv Manz, Stuttgard: 130, 131, 132l Herausgegeben von/Uitgegeven door Axel Föhl, Rheinisches Amt für Denkmalpflege, Arnold Lassotta, Andreas Oehlke, Siebe Rossel, Brauweiler: 7, 8, 9 Axel Föhl und Manfred Hamm: Industriegeschichte Hermann Josef Stenkamp und Ronald Stenvert des Textils: 119 Westfälisches Industriemuseum, Beltman Architekten en Ingenieurs BV, Enschede: Dortmund 2005 111, 112, 127oben, 128 Fischer: Besteming Semarang: 23u, 25lo Redaktion/Redactie Duncan Gurr and Julian Hunt: The cotton mills of Oldham: 37, 81r Hermann Josef Stenkamp Eduard Westerhoff: 56, 57 Hans-Joachim Isecke, TECCON Ingenieurtechnik, Zugleich Begleitpublikation zur Ausstel- Stuhr: 86 lung/Tevens publicatie bij de tentoonstelling John A. Ledeboer: Spinnerij Oosterveld: 100 des Westfälischen Industriemuseums John Lang: Who was Sir Philip Stott?: 40 Museum Jannink, Enschede: 19, 98 – Textilmuseum Bocholt, Museum voor Industriële Acheologie en Textiel, des Museums Jannink in Enschede Gent: 16oben und des Textilmuseums Rheine Ortschronik (Stadtarchiv) Rüti: 110 Peter Heckhuis, Rheine: 67u, 137 Publikation und Ausstellung ermöglichten/ Privatbesitz: 15, 25u, 26u, 30, 31, 46, 65, 66, 67oben, 83oben, 87oben, 88u, 88r, 90, 92, 125l Publicatie en tentoonstelling werden Rheinisches Industriemuseum, Schauplatz Ratingen: mogelijk gemaakt door 11, 17 Europäische Union Ronald Stenvert: 26r, 39r, 97, 113oben, 113r, 114, 125r, Westfälisches Industriemuseum 126 Kulturforum Rheine Roger N. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
Britannia Rules the Waves
Working Paper No. 66/01 Britannia Ruled the Waves Timothy Leunig © Timothy Leunig Department of Economic History London School of Economics October 2001 Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0)20 7955 7857 Fax: +44 (0)20 7955 7730 Additional copies of this working paper are available at a cost of £2.50. Cheques should be made payable to ‘Department of Economic History, LSE’ and sent to the Economic History Department Secretary. LSE, Houghton Street, London WC2A 2AE, UK. 2 Britannia Ruled the Waves1 Timothy Leunig2 Abstract This paper uses new micro-level US data to re-examine productivity leadership in cotton spinning c. 1900. We find that output aggregation problems make the Census unreliable in this industry, and that Lancashire, not New England was the productivity leader for almost every type of yarn. This is true both for the operation of a given machinery type, and when comparing machinery typical in each country. Higher capital and labour productivity rates imply that Lancashire’s combination of a more favourable climate, external economies of scale and more experienced workers dominated the advantages that New England firms derived from greater scale. Keywords COTTON ¦ ECONOMIES OF SCALE ¦ LANCASHIRE ¦ MULES ¦ NEW ENGLAND ¦ PRODUCTIVITY ¦ RINGS ¦ SPINNING 1 This paper is based on work in my doctoral dissertation. I thank my supervisor, James Foreman-Peck for his advice. An earlier version of this paper was given at the 1996 Cliometrics meeting. I would like to thank participants there, especially Steve Broadberry and Greg Clark. I thank the Royal Economic Society, Nuffield College Oxford, and Oxford University’s Sir John Hicks Fund for financial support. -
Samuel Crompton (3 Dec 1753 - 26 Jun 1827)
Samuel Crompton (3 Dec 1753 - 26 Jun 1827) British inventor who contributed to the Industrial Revolution with his invention of the “spinning mule” to produce continuous, strong, fine yarn. (source) Samuel Crompton Crompton was born at Firwood Fold, near Bolton, England. He was 15 when he started working on a spinning jenny in the Hall'i'th'Wood1 mill, Bolton. The yarn then in use was soft, and broke frequently. He realized that an improved machine was needed. By 1774, at age 21, he began working on that project in his spare time, and continued for five years. He later wrote2 that he was in a “continual endeavour to realise a more perfect principle of spinning; and though often baffled, I as often renewed the attempt, and at length succeeded to my utmost desire, at the expense of every shilling I had in the world.” During this time, he supplemented his income from weaving, when the Bolton theatre was open, by earning eighteen pence a night as a violinist in the orchestra. Samuel Crompton (source) Drawing of the Spinning Mule Because of the machine-wrecking Luddites active during the Industrial Revolution, he worked as best he (1823) (source) could in secret while developing the machine. At one point, he kept it hidden in the roof of his house. (Luddites were handloom workers who violently rejected the changes produced by the Industrial Revolution, and destroyed mechanised looms, in their attempt to protect their livelihoods during harsh economic conditions.) In 1779, his invention was finished - the spinning mule. It was able to spin a continuous, strong, fine yarn by combining ideas from the spinning jenny of Richard Arkwright and the water frame of James Hargreaves.