A Gentleman in Moscow
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An Interview with Amor Towles
THE 1511 South 1500 East Salt Lake City, UT 84105 InkslingerSpring Issue 2 019 801-484-9100 The Arc of History: A Gentleman in Moscow, Amor Towles An Interview with Amor Towles— A young Russian count is saved from He’ll be in SLC April 2! a Bolshevik bullet because of a pre- by Betsy Burton revolution pro-revolution poem. Given his aristocratic upbringing he can’t go I called Amor Towles to talk to him free. So what is a Communist Commit- about A Gentleman in Moscow, but be- tee of the Commissariat to do? Put this fore we started with questions he won- unsuspicious suspect under house arrest dered who I was and whether we hadn’t in the grand hotel in which he’s staying, of met before at some book dinner or course. A hotel that, like Count Alexan- other. Knowing how often he speaks in der Ilyich Rostov himself, is allowed to exist for secret reasons public, I was surprised he remembered. of state. Our Count is nothing if not creative, and it isn’t long We had met, I said. Had sat next to one before his courtly manners and charm create a constella- another at a breakfast—an American tion of comrades that will inhabit your heart: Nina, a child Booksellers event at which he was the who teaches him the fine art of spying; her daughter Sophia, keynote speaker a couple of years ago. I decades later; his old friend, the poet Mishka; the glamorous thought so, he said. After chatting for a actress, Anna Urbanova; the hotel staff… As witty, cosmopoli- few minutes, I asked my first question tan, and unflappable as the Scarlet Pimpernel on the outside, Amor Towles, who will be in SLC as kind and as thoughtful as Tolstoy’s Pierre Bezukhov on the which was, admittedly, longwinded. -
Stalin General Secretary (Annotated and Highlighted)
Joseph Stalin : General Secretary In 1921 Lenin became concerned with the activities of Alexandra Kollontai and Alexander Shlyapnikov, the leaders of the Workers' Opposition group. In 1921 Kollantai published a pamphlet The Workers' Opposition, where she called for members of the party to be allowed to discuss policy issues and for more political freedom for trade unionists. She also advocated that before the government attempts to "rid Soviet institutions of the bureaucracy that lurks within them, the Party must first rid itself of its own bureaucracy." (49) The group also published a statement on future policy: "A complete change is necessary in the policies of the government. First of all, the workers and peasants need freedom. They don't want to live by the decrees of the Bolsheviks; they want to control their own destinies. Comrades, preserve revolutionary order! Determinedly and in an organized manner demand: liberation of all arrested Socialists and non-partisan working-men; abolition of martial law; freedom of speech, press and assembly for all who labour." (50) At the Tenth Party Congress in April 1922, Lenin proposed a resolution that would ban all factions within the party. He argued that factions within the party were "harmful" and encouraged rebellions such as the Kronstadt Rising. The Party Congress agreed with Lenin and the Workers' Opposition was dissolved. Stalin was appointed as General Secretary and was now given the task of dealing with the "factions and cliques" in the Communist Party. (51) (as a result of his extreme organizational skills) Stalin's main opponents for the future leadership of the party failed to see the importance of this position and actually supported his nomination. -
Stalin's Show Trials
Subject Support History Teaching the case study, Stalin’s show trials: exploring causation with students February, 2014 Efforts have been made to trace and acknowledge copyright holders. In cases where a copyright has been inadvertently overlooked, the copyright holders are requested to contact the Cultural and Environmental Education Administrator, Angie Grogan, [email protected] © 2014 Cultural and Environmental Education, Professional Development Service for Teachers (PDST), Dublin West Education Centre, Tallaght, Dublin 24 01-4528018, 01-4528010, [email protected], www.pdst.ie © PDST, 2014 1 Professional Development Service for Teachers (PDST) Subject Support History Contact details Administrator Angie Grogan Telephone 01-4528018 Fax 01-4528010 E-mail [email protected] Address Dublin West Education Centre, Tallaght, Dublin 24. Note: Every effort has been made to ensure the accuracy of the historical data contained herein. Any inadvertent errors are regretted. © PDST, 2014 2 CONTENTS Page Stalin’s show trials: exploring causation with students 4 The enquiry-focused approach 4 Linking your work on the case study to the National Literacy Strategy 5 A contextual overview of the case study 6 Glossary of important terms 7 Biographical notes 9 Timeline of important developments 15 Maps of Russia and the Soviet Union 16 Stalin’s show trials: possible lines of enquiry 17 A possible hook: an online film clip 17 Transcript of the film clip 18 Worksheet: analysis of the film clip 19 Enquiry, Step 1: What prompted the holding of the first show trial in Moscow in August 1936? 20 Enquiry, Step 2: Why was a second show trial held in Moscow in January 1937? 26 Enquiry, Step 3: What factors lay behind the holding of the ‘Great Purge Trial’ in March 1938? 31 A critical skills exercise 38 Historians’ views about Stalin’s show trials 42 Interrogating the historians 43 Your conclusions on the enquiry 44 © PDST, 2014 3 Stalin’s show trials: exploring causation with students In exploring the case study, “Stalin’s show trials”, students are following a narrative of events. -
Hotel Bristol” Question in the First Moscow Trial of 1936
New Evidence Concerning the “Hotel Bristol” Question in the First Moscow Trial of 1936 Sven-Eric Holmström Leon Sedov Leon Trotsky John Dewey 1. Introduction The purpose of this essay is to introduce new evidence regarding the Hotel Bristol in Copenhagen, the existence of which was questioned after the First Moscow Trial of August, 1936. The issue of Hotel Bristol has perhaps been the most used “evidence” for the fraudulence of the Moscow Trials. This essay examines the Hotel Bristol question as it was dealt with in the Dewey Commission hearings of 1937 in Mexico by carefully examining newly uncovered photographs and primary documents. The essay concludes that • There was a Bristol located where the defendant in question said it was. This Bristol was in more than one way closely connected to a hotel. • Leon Trotsky lied deliberately to the Dewey Commission more than once. • Trotsky’s son Leon Sedov and one of Trotsky’s witnesses also lied. • The examination of the Hotel Bristol question made by the Dewey Commission can at the best be described as sloppy. This means that the credibility of the Dewey Commission must be seriously questioned. Copyright © 2008 by Sven-Eric Holmström and Cultural Logic, ISSN 1097-3087 Sven-Eric Holmström 2 • The author Isaac Deutscher and Trotsky’s secretary, Jean Van Heijenoort, covered up Trotsky’s continuing contact with his supporters in the Soviet Union. • It was probably Deutscher and/or Van Heijenoort who purged the Harvard Trotsky Archives of incriminating evidence, a fact discovered by researchers during the early 1980s. • This is the strongest evidence so far that the testimony in the 1936 Moscow Trial was true, rather than a frame up. -
Images of the Worker in John Heartfield's Pro-Soviet Photomontages a Thesis Presented to the Faculty of the Graduate School A
Images of the Worker in John Heartfield’s Pro-Soviet Photomontages A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by DANA SZCZECINA Dr. James van Dyke, Thesis Supervisor DECEMBER 2020 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled IMAGES OF THE WORKER IN JOHN HEARTFIELD’S PRO=SOVIET PHOTOMONTAGES Presented by Dana Szczecina, a candidate for the degree of master of the arts , and hereby certify that in their opinion, it is worthy of acceptance. Professor James van Dyke Professor Seth Howes Professor Anne Stanton ACKNOWLEDGEMENTS I am deeply grateful for the guidance and support of my thesis adviser Dr. van Dyke, without whom I could not have completed this project. I am also indebted to Dr, Seth Howes and Dr. Anne Stanton, the other two members of my thesis committee who provided me with much needed and valuable feedback. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………………………….iv ABSTRACT……………………………………………………………………………………..vii Introduction………………………………………………………………………………………1 Chapter One……………………………………………………………………………………………...11 Chapter Two……………………………………………………………………………………………25 Chapter Three……………………………………………………………………………………………45 Conclusion……………………………………………………………………………………...68 BIBLIOGRAPHY……………………………………………………………………………….71 LIST OF ILLUSTRATIONS Figure Page 1. Film und Foto, Installation shot, Room 3, 1929. Photograph by Arthur Ohler. (Akademie der Künste, Berlin, Archiv Bildende Kunst.)…………………………….1 2. John Heartfield, Five Fingers Has the Hand, 1928 (Art Institute Chicago)…………………………………………………………………..1 3. John Heartfield, Little German Christmas Tree, 1934 (Akademie der Künste)…………………………………………………………………3 4. Gustav Klutsis, All Men and Women Workers: To the Election of the Soviets, 1930 (Art Institute Chicago)……………………………………………………………6 5. -
Spring Catalogue 2017
www.bookvica.com SPRING CATALOGUE 2017 1 F O R E W O R D Dear friends and collegues, Bookvica is happy to present to you a spring catalogue with 33 new items! Even though every book from our catalogue would be interesting to anyone dealing in early Soviet history, it’s more impressive to look at its general picture which tells us a story about the country that actually never happened. The period of 1920s was a time of big hopes, dreams and plans, still full of experiments and free artistic and scientific vision. A lof of ideas and projects were never brought to life but we can gather pieces of information about them from rare artefacts of the time. Once again we brought together a selection of items on 1920s -1930s architecture. Most of the striking constructivist designs from these books were never realized, and their historical and artistic value is hard to overestimate. Children became one of the most discussed subjects as the first Soviet-born generation (‘children of the October’) was of a real interest as they were a complete new generation brought up by a new system of values and ideology. For this section we selected books on playgrounds, nurseries in kolkhoz, Soviet orphans’ labour, and children’s stories of the Civil war. Among the rarest items of the period are the artists’ exhibition catalogs as they were usually of a small print run and sometimes disregarded as important. Literature section reflects on dramatic changes of 1920s with Mandelstam’s autobigraphical sketches (The Noise of Time) which were almost not printed, and Mayakovsky’s critical work (How are Verses Made?) and rare lithographed book of poems in French printed in the year he died. -
LENIN the DICTATOR an Intimate Portrait
LENIN THE DICTATOR An Intimate Portrait VICTOR SEBESTYEN LLeninenin TThehe DDictatorictator - PP4.indd4.indd v 117/01/20177/01/2017 112:372:37 First published in Great Britain in 2017 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 © Victor Sebestyen 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher. The right of Victor Sebestyen to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. HB ISBN 978 1 47460044 6 TPB 978 1 47460045 3 Typeset by Input Data Services Ltd, Bridgwater, Somerset Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Weidenfeld & Nicolson The Orion Publishing Group Ltd Carmelite House 50 Victoria Embankment London EC4Y 0DZ An Hachette UK Company www.orionbooks.co.uk LLeninenin TThehe DDictatorictator - PP4.indd4.indd vvii 117/01/20177/01/2017 112:372:37 In Memory of C. H. LLeninenin TThehe DDictatorictator - PP4.indd4.indd vviiii 117/01/20177/01/2017 112:372:37 MAPS LLeninenin TThehe DDictatorictator - PP4.indd4.indd xxii 117/01/20177/01/2017 112:372:37 NORTH NORWAY London SEA (independent 1905) F SWEDEN O Y H C D U N D A D L Stockholm AN IN GR F Tammerfors FRANCE GERMANGERMAN EMPIRE Helsingfors EMPIRE BALTIC Berlin SEA Potsdam Riga -
[email protected] a Mino Argentieri Il Genitore Sovversivo. Il
_ n.3 Anno VII N. 59 | Marzo 2018 | ISSN 2431 - 6739 22 marzo 2017 ad un anno dalla scomparsa di Mino Argentieri professore, compagno, critico e storico del cinema, fondatore della Biblioteca del Cinema U. Barbaro Mino Argentieri. A Mino Argentieri Umberto Barbaro, Rigorosa mitezza e L’interesse e l’amore maestro di cultura autentica sapienza per il cinema lo devo al Alto, di corporatura mio babbo appassio- forte, un sorriso aperto di un “uomo di altri nato lettore di Cinema e cordiale, due occhi tempi” Nuovo ma soprattutto pungenti e una siga- a “Rinascita” settima- retta all’angolo della Personalmente ritengo nale dove puntualmen- bocca, Umberto Barba- che il maggior ricono- te Mino ci educava a ro portava su di sé tutti scimento cui si debba guardare il cinema con i tratti tipici della gen- aspirare oggi, tenendo occhio critico e leggere Ivano Cipriani te della sua terra, la Si- conto di come stanno nelle pieghe nascoste i cilia, dove era nato, ad Acireale, nel 1902. Negli andando le cose, sia valori di libertà, demo- anni cinquanta dello scorso secolo abitava a Nuccio Lodato quello di poter essere Jaures Baldeschi crazia e partecipazio- Roma, in Via Salaria, tra Villa Albani e Via Sa- definiti «un uomo [o ne e successivamente con “Cinema Sessanta”. voia, in un palazzetto di sapore ottocentesco, una donna, beninteso, per carità...] di altri Ho avuto la fortuna di conoscere Mino alla che, mi ricordo, era capace di imporre un cer- tempi». Mino Argentieri, per sua e nostra for- mostra internazionale del Nuovo Cinema a to rispetto a me che venivo da un vecchio casa- tuna, lo è stato a tuttotondo. -
The Great Terror: Violence, Ideology, and the Building of Stalin's Soviet Empire Michael David Polano Wayne State University
Wayne State University Wayne State University Theses 1-1-2017 The Great Terror: Violence, Ideology, And The Building Of Stalin's Soviet Empire Michael David Polano Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_theses Part of the Other History Commons Recommended Citation Polano, Michael David, "The Great Terror: Violence, Ideology, And The uiB lding Of Stalin's Soviet Empire" (2017). Wayne State University Theses. 583. http://digitalcommons.wayne.edu/oa_theses/583 This Open Access Thesis is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Theses by an authorized administrator of DigitalCommons@WayneState. THE GREAT TERROR: VIOLENCE, IDEOLOGY, AND THE BUILDING OF STALIN’S SOVIET EMPIRE by MICHAEL POLANO THESIS Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of MASTER OF ARTS 2017 MAJOR: HISTORY (Modern Europe) Approved by: ____________________________ Advisor Date DEDICATION TO MY MOTHER ii TABLE OF CONTENTS Dedication____________________________________________________________________ii Chapter 1 “Introduction”_________________________________________________________1 Chapter 2 “Soviet Ideology and the Enemies of History”______________________________15 Chapter 3 “After the Flood: The Interwar Crisis and the Rise of Stalin”___________________44 Chapter 4 “The Great Terror”____________________________________________________68 -
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Institute of National Remembrance https://ipn.gov.pl/en/digital-resources/articles/4439,Jaroslaw-Szarek-The-Battle-of-Warsaw-1920-The-D efeat-of-the-Empire-of-Evil.html 2021-09-30, 09:43 14.08.2020 Jarosław Szarek: The Battle of Warsaw 1920. The Defeat of the Empire of Evil The text below written by the President of the Institute of National Remembrance on the 100th anniversary of the Battle of Warsaw appeared in the French daily "L'Opinion" (14 August 2020) alongside with articles by Prime Minister Mateusz Morawiecki and Prof. Andrzej Nowak. It was simultaneously published in the monthly "Wszstko co najważniejsze", and in newspapers in Latvia, Estonia and Algeria. Jarosław Szarek: The Battle of Warsaw 1920. The Defeat of the Empire of Evil The Battle of Warsaw in 1920 was not only a culminating moment of the Polish-Bolshevik war but also one of the decisive events in the history of Europe and the world. The British diplomat Lord Edgar Vincent D’Abernon, an eyewitness to those events, claimed in his book The Eighteenth Decisive Battle of the World that the Poles had saved the Western civilization from the fanatical tyranny of the Soviet. Unfortunately, the European nations are not aware of this historical fact. Led by Vladimir Lenin, once they seized power in Russia, the Bolsheviks strove to export the revolution to Europe. Their march to the West began in late 1918, when following the defeat of Germany in World War I, the Red Army entered the lands of Ukraine, Byelorussia, and the Baltic countries after the German occupational troops left. -
Cold War Introductory Work Welcome to the Summer Work for History a Level
Cold War Introductory Work Welcome to the summer work for History A Level. This sheet will guide you on how you can complete your summer work and where you can create your notes. If you find this a successful place to create your notes you can continue to work here during your A level and have it all in one place! SWAY LINK: This link will take you to all the work and allow you to scroll through information on your phone and click links taking you to articles, videos and readings https://sway.office.com/HG9aPBB1thInas6O?ref=Link This sheet will guide you on setting up a Notebook online and creating tabs. In each tab we would like you to complete some research to help develop your background understanding to the course. If you cannot access/create a Onenote book then feel free to use Word or PPT and then transfer the notes across when you start. All resources will be available in the appendix at the end of this document Organising your work on Onenote Firstly, create a new Onenote notebook by opening the program and then click Create THREE New Sections and rename them KEY WORDS, FACTFILES, KEY DATES Create FOUR more New Sections and change the tab colour to yellow and rename them INTRODUCTION, 1 – ORIGINS OF THE COLD WAR, 2 – WIDENING THE COLD WAR and 3 – GLOBAL WAR Secondly, under the KEY DATES tab for the first page change the title to Before 1945. You will use this page to create a timeline of events including images. -
Russian Cinema: a Very Short Story
Zhurnal ministerstva narodnogo prosveshcheniya, 2018, 5(2) Copyright © 2018 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Zhurnal ministerstva narodnogo prosveshcheniya Has been issued since 2014. E-ISSN: 2413-7294 2018, 5(2): 82-97 DOI: 10.13187/zhmnp.2018.2.82 www.ejournal18.com Russian Cinema: A Very Short Story Alexander Fedorov a , a Rostov State University of Economics, Russian Federation Abstract The article about main lines of russian feature film history: from 1898 to modern times. The history of Russian cinema goes back more than a century, it knew the stages of rise and fall, ideological repression and complete creative freedom. This controversial history was studied by both Russian and foreign scientists. Of course, Soviet and Western scientists studied Soviet cinema from different ideological positions. Soviet filmmakers were generally active in supporting socialist realism in cinema, while Western scholars, on the contrary, rejected this method and paid great attention to the Soviet film avant-garde of the 1920s. After the collapse of the Soviet Union, the situation changed: russian and foreign film historians began to study cinema in a similar methodological manner, focusing on both ideological and socio-cultural aspects of the cinematographic process. Keywords: history, film, movie, cinema, USSR, Russia, film historians, film studies. 1. Introduction Birth of the Russian "Great Mute" (1898–1917). It is known that the French brought the movies to Russia. It was at the beginning of 1896. However, many Russian photographers were able to quickly learn a new craft. Already in 1898, documentary plots were shot not only by foreign, but also by Russian operators.