Stalin General Secretary (Annotated and Highlighted)
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Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
Raisa Gorbacheva, the Soviet Union’S Only First Lady
Outraging the People by Stepping out of the Shadows Gender roles, the ‘feminine ideal’ and gender discourse in the Soviet Union and Raisa Gorbacheva, the Soviet Union’s only First Lady. Noraly Terbijhe Master Thesis MA Russian & Eurasian Studies Leiden University January 2020, Leiden Everywhere in the civilised world, the position, the rights and obligations of a wife of the head of state are more or less determined. For instance, I found out that the President’s wife in the White House has special staff to assist her in preforming her duties. She even has her own ‘territory’ and office in one wing of the White House. As it turns out, I as the First Lady had only one tradition to be proud of, the lack of any right to an official public existence.1 Raisa Maximovna Gorbacheva (1991) 1 Translated into English from Russian. From: Raisa Gorbacheva, Ya Nadeyus’ (Moscow 1991) 162. 1 Table of contents 1. Introduction ................................................................................................................................... 3 2. Literature review ........................................................................................................................... 9 3. Gender roles and discourse in Russia and the USSR ................................................................. 17 The supportive comrade ................................................................................................................. 19 The hardworking mother ............................................................................................................... -
The Bolshevil{S and the Chinese Revolution 1919-1927 Chinese Worlds
The Bolshevil{s and the Chinese Revolution 1919-1927 Chinese Worlds Chinese Worlds publishes high-quality scholarship, research monographs, and source collections on Chinese history and society from 1900 into the next century. "Worlds" signals the ethnic, cultural, and political multiformity and regional diversity of China, the cycles of unity and division through which China's modern history has passed, and recent research trends toward regional studies and local issues. It also signals that Chineseness is not contained within territorial borders overseas Chinese communities in all countries and regions are also "Chinese worlds". The editors see them as part of a political, economic, social, and cultural continuum that spans the Chinese mainland, Taiwan, Hong Kong, Macau, South East Asia, and the world. The focus of Chinese Worlds is on modern politics and society and history. It includes both history in its broader sweep and specialist monographs on Chinese politics, anthropology, political economy, sociology, education, and the social science aspects of culture and religions. The Literary Field of New Fourth Artny Twentieth-Century China Communist Resistance along the Edited by Michel Hockx Yangtze and the Huai, 1938-1941 Gregor Benton Chinese Business in Malaysia Accumulation, Ascendance, A Road is Made Accommodation Communism in Shanghai 1920-1927 Edmund Terence Gomez Steve Smith Internal and International Migration The Bolsheviks and the Chinese Chinese Perspectives Revolution 1919-1927 Edited by Frank N Pieke and Hein Mallee -
The Forgotten Victims: Childhood and the Soviet Gulag, 1929–1953
Number 2203 ISSN: 2163-839X (online) Elaine MacKinnon The Forgotten Victims: Childhood and the Soviet Gulag, 1929–1953 This work is licensed under a CreaƟ ve Commons AƩ ribuƟ on-Noncommercial-No DerivaƟ ve Works 3.0 United States License. This site is published by the University Library System of the University of PiƩ sburgh as part of its D-Scribe Digital Publishing Program, and is cosponsored by the University of PiƩ sburgh Press. Elaine MacKinnon Abstract This study examines a facet of Gulag history that only in recent years has become a topic for scholarly examination, the experiences of children whose par- ents were arrested or who ended up themselves in the camps. It fi rst considers the situation of those who were true “children of the Gulag,” born either in prison or in the camps. Second, the paper examines the children who were left behind when their parents and relatives were arrested in the Stalinist terror of the 1930s. Those left behind without anyone willing or able to take them in ended up in orphanages, or found themselves on their own, having to grow up quickly and cope with adult situations and responsibilities. Thirdly, the study focuses on young persons who themselves ended up in the Gulag, either due to their connections with arrested family members, or due to actions in their own right which fell afoul of Stalinist “legality,” and consider the ways in which their youth shaped their experience of the Gulag and their strategies for survival. The effects of a Gulag childhood were profound both for individuals and for Soviet society as a whole. -
Art and Culture As Revolution
77 ART AND CULTURE AS REVOLUTION Maria Shevtsova In the glow of the Northern Lights, the terrestrial globe, its South Pole resting on a floor of ice. The entire globe is covered with rope ladders representing the parallels and meridians. Between two walruses supporting the world stands an ESKIMO HUNTER with his finger stuck into the Earth. He is shouting at an ESKIMO FISHERMAN reclining in front of a campfire. HUNTER Oh! Oh! Oh! FISHERMAN Just listen to that hollering! He's got nothing better to do than stick his finger into the world. HUNTER A hole! FISHERMAN Where? HUNTER It's leaking. FISHERMAN What's leaking? HUNTER The world! FISHERMAN (jumps up, runs over to the HUNTER, and looks under his finger) 0-o-o-oh! The work of unclean hands! Damn! I'll go and notify the Arctic Circle. (He starts to run off but encounters a GERMAN, who jumps out at him from behind the edge of the world, wringing out his wet coat sleeves. The GERMAN tries to buttonhole the ESKIMO FISHERMAN, but finding no buttons on the latter's parka, clutches the fur). GERMAN Herr Eskimo! Herr Eskimo! Something most urgent! Wait just a moment ...... 78 FISHERMAN Well, what is it1 GERMAN Let me explain. Today I was sitting in a restaurant on the Friedrichstrasse. Through the window the sunlight was so enticing! The day, like a bourgeois before the Revolution, was serene. People were sitting there quietly Scheidemannizing. When I'd finished my soup, I looked at the Eiffel towers of bottles on the shelf, and I asked myself: What kind of beef shall I have today1 Or should I have beef at all? I looked again, and my food stuck in my throat: something was wrong out there in the street! The statues of the Hohenzollems, which had been standing there among the camomiles, suddenly flew upward, head over heels! Then came a roar. -
Stalin's Show Trials
Subject Support History Teaching the case study, Stalin’s show trials: exploring causation with students February, 2014 Efforts have been made to trace and acknowledge copyright holders. In cases where a copyright has been inadvertently overlooked, the copyright holders are requested to contact the Cultural and Environmental Education Administrator, Angie Grogan, [email protected] © 2014 Cultural and Environmental Education, Professional Development Service for Teachers (PDST), Dublin West Education Centre, Tallaght, Dublin 24 01-4528018, 01-4528010, [email protected], www.pdst.ie © PDST, 2014 1 Professional Development Service for Teachers (PDST) Subject Support History Contact details Administrator Angie Grogan Telephone 01-4528018 Fax 01-4528010 E-mail [email protected] Address Dublin West Education Centre, Tallaght, Dublin 24. Note: Every effort has been made to ensure the accuracy of the historical data contained herein. Any inadvertent errors are regretted. © PDST, 2014 2 CONTENTS Page Stalin’s show trials: exploring causation with students 4 The enquiry-focused approach 4 Linking your work on the case study to the National Literacy Strategy 5 A contextual overview of the case study 6 Glossary of important terms 7 Biographical notes 9 Timeline of important developments 15 Maps of Russia and the Soviet Union 16 Stalin’s show trials: possible lines of enquiry 17 A possible hook: an online film clip 17 Transcript of the film clip 18 Worksheet: analysis of the film clip 19 Enquiry, Step 1: What prompted the holding of the first show trial in Moscow in August 1936? 20 Enquiry, Step 2: Why was a second show trial held in Moscow in January 1937? 26 Enquiry, Step 3: What factors lay behind the holding of the ‘Great Purge Trial’ in March 1938? 31 A critical skills exercise 38 Historians’ views about Stalin’s show trials 42 Interrogating the historians 43 Your conclusions on the enquiry 44 © PDST, 2014 3 Stalin’s show trials: exploring causation with students In exploring the case study, “Stalin’s show trials”, students are following a narrative of events. -
Zinoviev (Biography + Primary Sources)
Gregory Zinoviev was born in Yelizavetgrad, Ukraine, Russia on 23rd September, 1883. The son of a Jewish diary farmers, Zinoviev received no formal schooling and was educated at home. At the age of fourteen he found work as a clerk. Zinoviev joined the Social Democratic Party in 1901. He became involved in trade union activities and as a result of police persecution he left Russia and went to live in Berlin before moving on to Paris. In 1903 Zinoviev met Vladimir Lenin and George Plekhanov in Switzerland. At the Second Congress of the Social Democratic Party in London in 1903, there was a dispute between Vladimir Lenin and Jules Martov, two of the party's main leaders. Lenin argued for a small party of professional revolutionaries with alarge fringe of non-party sympathisers and supporters. Martov disagreed believing it was better to have a large party of activists. Martov won the vote 28-23 but Lenin was unwilling to accept the result and formed a faction known as the Bolsheviks. Those who remained loyal to Martov became known as Mensheviks. Leon Trotsky, who got to know him during this period compared him to Lev Kamenev: "Zinoviev and Kamenev are two profoundly different types. Zinoviev is an agitator. Kamenev a propagandist. Zinoviev was guided in the main by a subtle political instinct. Kamenev was given to reasoning and analyzing. Zinoviev was always inclined to fly off at a tangent. Kamenev, on the contrary, erred on the side of excessive caution. Zinoviev was entirely absorbed by politics, cultivating no other interests and appetites. -
„Lef“ and the Left Front of the Arts
Slavistische Beiträge ∙ Band 142 (eBook - Digi20-Retro) Halina Stephan „Lef“ and the Left Front of the Arts Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access S la v istich e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON JOHANNES HOLTHUSEN • HEINRICH KUNSTMANN PETER REHDER JOSEF SCHRENK REDAKTION PETER REHDER Band 142 VERLAG OTTO SAGNER MÜNCHEN Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 HALINA STEPHAN LEF” AND THE LEFT FRONT OF THE ARTS״ « VERLAG OTTO SAGNER ■ MÜNCHEN 1981 Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access Bayerische Staatsbibliothek München ISBN 3-87690-186-3 Copyright by Verlag Otto Sagner, München 1981 Abteilung der Firma Kubon & Sagner, München Druck: Alexander Grossmann Fäustlestr. 1, D -8000 München 2 Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 To Axel Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 CONTENTS Introduction ................................................................................................ -
Hotel Bristol” Question in the First Moscow Trial of 1936
New Evidence Concerning the “Hotel Bristol” Question in the First Moscow Trial of 1936 Sven-Eric Holmström Leon Sedov Leon Trotsky John Dewey 1. Introduction The purpose of this essay is to introduce new evidence regarding the Hotel Bristol in Copenhagen, the existence of which was questioned after the First Moscow Trial of August, 1936. The issue of Hotel Bristol has perhaps been the most used “evidence” for the fraudulence of the Moscow Trials. This essay examines the Hotel Bristol question as it was dealt with in the Dewey Commission hearings of 1937 in Mexico by carefully examining newly uncovered photographs and primary documents. The essay concludes that • There was a Bristol located where the defendant in question said it was. This Bristol was in more than one way closely connected to a hotel. • Leon Trotsky lied deliberately to the Dewey Commission more than once. • Trotsky’s son Leon Sedov and one of Trotsky’s witnesses also lied. • The examination of the Hotel Bristol question made by the Dewey Commission can at the best be described as sloppy. This means that the credibility of the Dewey Commission must be seriously questioned. Copyright © 2008 by Sven-Eric Holmström and Cultural Logic, ISSN 1097-3087 Sven-Eric Holmström 2 • The author Isaac Deutscher and Trotsky’s secretary, Jean Van Heijenoort, covered up Trotsky’s continuing contact with his supporters in the Soviet Union. • It was probably Deutscher and/or Van Heijenoort who purged the Harvard Trotsky Archives of incriminating evidence, a fact discovered by researchers during the early 1980s. • This is the strongest evidence so far that the testimony in the 1936 Moscow Trial was true, rather than a frame up. -
Images of the Worker in John Heartfield's Pro-Soviet Photomontages a Thesis Presented to the Faculty of the Graduate School A
Images of the Worker in John Heartfield’s Pro-Soviet Photomontages A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by DANA SZCZECINA Dr. James van Dyke, Thesis Supervisor DECEMBER 2020 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled IMAGES OF THE WORKER IN JOHN HEARTFIELD’S PRO=SOVIET PHOTOMONTAGES Presented by Dana Szczecina, a candidate for the degree of master of the arts , and hereby certify that in their opinion, it is worthy of acceptance. Professor James van Dyke Professor Seth Howes Professor Anne Stanton ACKNOWLEDGEMENTS I am deeply grateful for the guidance and support of my thesis adviser Dr. van Dyke, without whom I could not have completed this project. I am also indebted to Dr, Seth Howes and Dr. Anne Stanton, the other two members of my thesis committee who provided me with much needed and valuable feedback. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………………………….iv ABSTRACT……………………………………………………………………………………..vii Introduction………………………………………………………………………………………1 Chapter One……………………………………………………………………………………………...11 Chapter Two……………………………………………………………………………………………25 Chapter Three……………………………………………………………………………………………45 Conclusion……………………………………………………………………………………...68 BIBLIOGRAPHY……………………………………………………………………………….71 LIST OF ILLUSTRATIONS Figure Page 1. Film und Foto, Installation shot, Room 3, 1929. Photograph by Arthur Ohler. (Akademie der Künste, Berlin, Archiv Bildende Kunst.)…………………………….1 2. John Heartfield, Five Fingers Has the Hand, 1928 (Art Institute Chicago)…………………………………………………………………..1 3. John Heartfield, Little German Christmas Tree, 1934 (Akademie der Künste)…………………………………………………………………3 4. Gustav Klutsis, All Men and Women Workers: To the Election of the Soviets, 1930 (Art Institute Chicago)……………………………………………………………6 5. -
The Spectator and Dialogues of Power in Early Soviet Theater By
Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater By Howard Douglas Allen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria E. Bonnell, Chair Professor Ann Swidler Professor Yuri Slezkine Fall 2013 Abstract Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater by Howard Douglas Allen Doctor of Philosophy in Sociology University of California, Berkeley Professor Victoria E. Bonnell, Chair The theater played an essential role in the making of the Soviet system. Its sociological interest not only lies in how it reflected contemporary society and politics: the theater was an integral part of society and politics. As a preeminent institution in the social and cultural life of Moscow, the theater was central to transforming public consciousness from the time of 1905 Revolution. The analysis of a selected set of theatrical premieres from the Bolshevik Revolution in 1917 to the end of Cultural Revolution in 1932 examines the values, beliefs, and attitudes that defined Soviet culture and the revolutionary ethos. The stage contributed to creating, reproducing, and transforming the institutions of Soviet power by bearing on contemporary experience. The power of the dramatic theater issued from artistic conventions, the emotional impact of theatrical productions, and the extensive intertextuality between theatrical performances, the press, propaganda, politics, and social life. Reception studies of the theatrical premieres address the complex issue of the spectator’s experience of meaning—and his role in the construction of meaning. -
LENIN the DICTATOR an Intimate Portrait
LENIN THE DICTATOR An Intimate Portrait VICTOR SEBESTYEN LLeninenin TThehe DDictatorictator - PP4.indd4.indd v 117/01/20177/01/2017 112:372:37 First published in Great Britain in 2017 by Weidenfeld & Nicolson 1 3 5 7 9 10 8 6 4 2 © Victor Sebestyen 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owner and the above publisher. The right of Victor Sebestyen to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. HB ISBN 978 1 47460044 6 TPB 978 1 47460045 3 Typeset by Input Data Services Ltd, Bridgwater, Somerset Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Weidenfeld & Nicolson The Orion Publishing Group Ltd Carmelite House 50 Victoria Embankment London EC4Y 0DZ An Hachette UK Company www.orionbooks.co.uk LLeninenin TThehe DDictatorictator - PP4.indd4.indd vvii 117/01/20177/01/2017 112:372:37 In Memory of C. H. LLeninenin TThehe DDictatorictator - PP4.indd4.indd vviiii 117/01/20177/01/2017 112:372:37 MAPS LLeninenin TThehe DDictatorictator - PP4.indd4.indd xxii 117/01/20177/01/2017 112:372:37 NORTH NORWAY London SEA (independent 1905) F SWEDEN O Y H C D U N D A D L Stockholm AN IN GR F Tammerfors FRANCE GERMANGERMAN EMPIRE Helsingfors EMPIRE BALTIC Berlin SEA Potsdam Riga