Makhai Fascicle 1 (Raw) “Alala”
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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Table of Contents
Solar System Table of Contents Publisher's Note Editors' Introduction List of Contributors Complete List of Contents Archeaostronomy (new) Asteroids Auroras Big Bang Brown Dwarfs Callisto (new) Ceres (new) Comet Halley Comet Shoemaker-Levy 9 (new) Comets Coordinate Systems Coronal Holes and Coronal Mass Ejections (new) Cosmic Rays Cosmology Dwarf Planets (new) Earth-Moon Relations (new) Earth-Sun Relations Earth System Science Earth's Age Earth's Atmosphere Earth's Composition Earth's Core Earth's Core-Mantle Boundary Earth's Crust Earth's Crust-Mantle Boundary(new) Earth's Differentiation Earth's Magnetic Field: Origins Earth's Magnetic Field: Secular Variation Earth's Magnetic Field at Present Earth's Magnetosphere Earth's Mantle Earth's Oceans Earth's Origin Earth's Rotation Earth's Shape Earth's Structure Eclipses Electromagnetic Radiation: Thermal Emissions (new) Electromagnetic Radiation: Nonthermal Emissions (new) Enceladus (new) Eris and Dysnomia (new) Europa Extrasolar Planet Detection Methods (new) Extrasolar Planetary Systems Extraterrestrial Life in the Solar System Gamma-Ray Bursters Ganymede (new) General Relativity Gravity Measurement Greenhouse Effect Habitable Zones (new) Hertzsprung-Russell Diagram Iapetus (new) Impact Cratering Infrared Astronomy Interstellar Clouds and the Interstellar Medium Interplanetary Environment (new) Io Jovian Planets Jupiter's Atmosphere Jupiter's Great Red Spot Jupiter's Interior (new) Jupiter's Magnetic Field and Radiation Belts Jupiter's Ring System (new) Jupiter's Satellites Kuiper Belt -
Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
Chapter 4. Hatred in Hesiod
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Kilgallon, Silvie Title: Hatred in Hesiod General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hatred in Hesiod Silvie Kilgallon A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts, January 2019. Word Count: 75,322. 2 Abstract: This thesis examines the conception and role of hatred in the Theogony and Works and Days of Hesiod. -
Winter Camp News “ on Guard 2020 “Traditionally Unconventional” Since 1986”
December 29, Winter Camp News “ On Guard 2020 “Traditionally Unconventional” Since 1986” The Factions Meet Up: Winter Camp XLIV Online by Steve Donohue (WC@Home) We had a reasonably successful first night with 5 in attendance: Gavin Bottorff, Michael Bristol, Gabe, Church, Ste- Gadget Googolplex ve Donohue, Matt Grimble, and Michelle Matowski. After a few minutes of warmup and light conversation, Matt took his poor Winter Camp’s long history with improvised devices, D-A connection and went back to his tent. called “gadgets”, to improve the function of routine camp oper- We played several games on Jackbox. We started with ations, continued at Winter Camp XLIV on Day Two. Alan Fibbage where players were asked to make up their own an- Wilson warmed up cinnamon rolls left over from the night be- swers to trivia questions and try to fool others into picking their fore by building a contraption using a cardboard box, a space wrong answer. We also played Fibbage Let's Get Personal heater, and some electronics to set the temperature inside. where you tried to get people to get the right answer about you In Alan’s own words, and as befits Winter Camp, it was “only the finest in space heater prepared foods”. while the rest lied. Steve won at regular Fibbage and Gavin dominated at Fibbage Personal. Remember: The possibilities are limited The first round of Bracketeering called for everyone to only by our imagination. submit two ideas for the "Scariest New Campfire Story". The contestants were: Biggfoot on the Internet, Jeff's New Hike, Rand Rules Blind Hike, Change Your Underwear, You Ruined Winter Camp, Don', Summer Camp, and Pyrannosaurus Rex. -
What the Muses Sang: Theogony 1-115 Jenny Strauss Clay
STRAUSS CLAY, JENNY, What the Muses Sang: "Theogony" 1-115 , Greek, Roman and Byzantine Studies, 29:4 (1988:Winter) p.323 What the Muses Sang: Theogony 1-115 Jenny Strauss Clay HE PROEM to the Theogony has often been analyzed both in T terms of its formal structure and in relation to recurrent hym nic conventions;l it has also been interpreted as a fundamental statement of archaic Greek poetics.2 While differing somewhat in its perspective, the present investigation builds on and complements those previous studies. Dedicated to the Muses, the patronesses of poetry, the opening of the Theogony repeatedly describes these divini ties engaged in their characteristic activity, that is, singing. In the course of the proem, the Muses sing four times: once as they descend from Helicon (lines 11-21), twice on Olympus (44-50, 66f), and once as they make their way from their birthplace in Pieria and ascend to Olympus (71-75). In addition, the prologue describes the song the goddesses inspire in their servants, the aoidoi (99-101), as well as the song Hesiod requests that they sing for him, the invocation proper (105-15). My aim here is a simple one: to examine the texts and contexts of each of these songs and to compare them to the song the Muses instruct Hesiod to sing and the one he finally produces. I See, for example, P. Friedlander, "Das Pro6mium von Hesiods Theogonie" (1914), in E. HEITSCH, Hesiod (Darmstadt 1966: hereafter "Heitsch") 277-94; W. Otto, "Hesiodea," in Varia Variorum: Festgabe fUr Karl Reinhardt (Munster 1952) 49-53; P. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
Makhai Fascicle 2 (Raw) “P & P”
MAKHAI FASCICLE 2 (RAW) This is only an incomplete fraction of MAKHAI. MAKHAI’s release is planned as 5 fascicles, each going through the stages of raw, rough and ready. “P & P” This fascicle is RAW. Misspellings abound. Chapters may be incomplete, to be finished or abandoned. Lines shoot into margins, and text turns to notes which turn to gibberish. There are no illustrations. February 20th, 2015 Contents Contents 2 II PROIOXIS & PALIOXIS: back and forth 7 55 The adventures of zen master Goto 11 56 Death questions 15 56.1 The original questions . 15 56.2 Budgie did a go-go: a pet urnery . 19 56.3 The final blasphemies . 24 57 Soul questions 29 58 Cat porn questions 35 59 Aesop: The Cat and the Gods 41 60 Aesop: The Dog and the Pond 43 61 Aesop: The Cat and the Mice 45 62 Aesop: The Dog and the Pond II 47 63 Aesop: The Goose and the Eggs 49 2 CONTENTS 64 Aesop: The Tortoise and the Hare 51 65 Aesop: The Boy Who Cried Wolf 53 66 Aesop: The Frog and the Ox 57 67 Aesop: The King of the Frogs 59 68 Aesop: The Deer Without A Heart 63 69 Aesop: The Miser and His Gold 67 70 Aesop: The Pious Woodman 69 71 Aesop: The Bird in Borrowed Feathers 73 72 Aesop: The Farmer and the Viper 75 73 Aesop: The Revel 77 74 Aesop: Wolves, Sheep, Dogs 79 75 Aesop: The Turkey, the Duck and the Chicken 81 76 Aesop: The Cat and the Lid 83 77 Aesop: The Sick Raven 85 78 Short aesops 87 79 Grimm: Children Playing Slaughter 91 80 Grimm: The Fairy-Queen and the Woodman’s Children 93 81 Grimm: Snow White 95 82 Grimm: Little Red Hot 123 83 The Marriage of Nitokris 139 3 -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 Si Tantus Amor Belli Tibi, Roma, Nefandi. Love and Strife in Lucan's Bellum Civile Giulio Celotto Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES SI TANTUS AMOR BELLI TIBI, ROMA, NEFANDI. LOVE AND STRIFE IN LUCAN’S BELLUM CIVILE By GIULIO CELOTTO A Dissertation submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 Giulio Celotto defended this dissertation on February 28, 2017. The members of the supervisory committee were: Tim Stover Professor Directing Dissertation David Levenson University Representative Laurel Fulkerson Committee Member Francis Cairns Committee Member The Graduate School has verified and approved the above5na ed co ittee e bers, and certifies that the dissertation has been appro0ed in accordance 1ith uni0ersity require ents. ii ACKNOWLEDGEMENTS The co pletion of this dissertation could not ha0e been possible 1ithout the help and the participation of a nu ber of people. It is a great pleasure to be able to ac3no1ledge the here. I a ost grateful to y super0isor, Professor Ti Sto0er, for his guidance and dedication throughout the entire ti e of y research. I 1ish to e6tend y than3s to the other Co ittee e bers, Professors Laurel Ful3erson, Francis Cairns, and Da0id Le0enson, for their ad0ice at e0ery stage of y research. I 1ould li3e to e6press y deepest gratitude to Professor Andre1 7issos, 1ho read the entire anuscript at a later stage, and offered any helpful suggestions and criticis s. -
Pantes Theoi, Polemos and Ares on the Battlefield. the Greek Concept of the War Deity
SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XXI/1 • 2011 pp. 41–48. ISBN 978-83-7654-160-0. ISSN 0302-7384 Lucyna Kostuch Instytut Historii Uniwersytetu Humanistyczno-Przyrodniczego Jana Kochanowskiego ul. Żeromskiego 5, 25-369 Kielce Polska – Poland Pantes theoi, Polemos and Ares on the Battlefield. The Greek Concept of the War Deity AbstrAct. Kostuch Lucyna, Pantes theoi, Polemos and Ares on the Battlefield. The Greek Concept of the War deity. The Hellenes created a concept of potential military engagement by all the gods. In martial contexts, Greek authors often included the concepts of “all the gods” (pantes theoi), “the gods” (theoi), “god” (theos), divine being (daimonion) and holy power (hieros), which signify interference by unidentified divine forces. The relationship between war and gods may thus be defined ex definitione. The question arises as to the basis of this way of thinking. It seems that the answer should be sought in the basic definition of war – polemos. War is only occasionally personified. The answer to the question of why Polemos never became a clearly defined divine figure and mythological hero can be found in Homer. In the Iliad many deities, although not all, have military might (polemos) at their disposal and participate in directing martial activities. It is for this very reason that this force never became an independent one – war arises as a result of what can be termed a divine “chain reaction”. The existence of war is thus dependent on the gods who make it active as the result of a stimulus. It is significant that Ares, just like Polemos, is not fully autonomous. -
North Carolina State Champions
NORTH CAROLINA JUNIOR STATE CLOSED CHAMPIONS by age division Boys’ 10s 1979 Singles: Michael Leonard (Laurinburg) def Sammy Stinnet (Bess City) Doubles: Michael Leonard (Laurinburg) / Victor Meir (Raleigh) def John Bristow (Hendersonville) / Joel Adelman (Greensboro) 1980 Singles: Victor Meir (Raleigh) def Willie Ellison (Laurinburg) Doubles: Willie Ellison (Laurinburg) / Scott Fligel (Charlotte) def ?? 1981 Singles: John Moody (Greensboro) def Marshall Burroughs (Raleigh) Doubles: John Moody (Greensboro) / Jon Hodges (Henderson) def Thomas Arnold/ John Ferguson 1982 Singles: Chad Alala (Hickory) def Marshall Burroughs (Raleigh) Doubles: Chad Alala (Hickory) / Marshall Burroughs (Raleigh) def Ako Barnes (Greensboro) / David Kim (Hickory) 1983 Singles: Peter Ayers (Charlotte) def Matt Rogers (High Point) Doubles: Matt Rogers (High Point) / Robert Wein (Greensboro) def Peter Ayers (Charlotte) / Mark Smith (Morganton) 1984 Singles: Stuart Sherrill (Charlotte) def Chris Hill (Chapel Hill) Doubles: Stuart Sherill (Charlotte) / Chris Hill (Chapel Hill) def Chris Menocal (Wilmington) / Jay Parker (Goldsboro) 1985 Singles: Jimmy Jackson (Chapel Hill) def Quentin Huff (Winston-Salem) Doubles: Chris Menocal (Wilmington) / Dan Parham (Wilson) def Ben Rubin (Winston-Salem) / Quentin Huff (Winston-Salem) 1986 Singles: David Britt (Charlotte) def. Ted Kaplan (Chapel Hill) Doubles: David Britt (Charlotte) / Rashad Simpson (Greensboro) def Chad Copenhaver (Hendersonville) / Ryan Fleming (Asheville) 1987 Singles: Rashad Simpson (Greensboro) def Fritz -
The First Philosophers of Greece;
CORNELL UNIVERSITY LIBRARY GIFT OF E. T. Paine Cornell University Library B165 .F16 First philosophers of Greece- an edition 3 1924 029 013 162 olin 31 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029013162 THE FIEST PHILOSOPHEES OF GEEECE THE FIEST PHILOSOPHEES OF GEEEGE AN EDITION AND TRANSLATION OF THE EEMAINING FBAGMENTS OP THE PEE-SOKEATIC PHILOSOPHEES, TOGETHEE WITH A TRANSLATION OP THE MORE IMPORTANT ACCOUNTS OP THEIR OPINIONS CONTAINED IN THE EARLY EPITOMES OP THEIR WORKS BY AETHUE PAIEBANKS LONDON /C^>v ^'^ KEGAN PAUL, TEENCH, TEUBNEE & CO. Ltd. .:, PATEENOSTEB HOUSE, CHAEING CEOS^ IeIOAD f''> 1898 '^yi'*"".,,..,' S) IINIV!. 'r n, Y f\]}il^^ .-^^ j^,' {Thi rights PREFACE The Hegelian School, and in particular Zeller, have shown us the place of the earlier thinkers in the history of Greek thought, and the importance of a knowledge of their work for all who wish to understand Plato and Aristotle. Since Zeller's monumental work, several writers (e.g. Benn, Greek Philosophers, vol. i. London ,1883 ; Tannery, Science hellene, Paris 1887 ; Burnet, Early Greek Philosophy, London 1892) have traced for us the history of this development, but the student who desires to go behind these accounts and examine the evidence for himself still finds the material dif&cult of access. This material consists of numerous short fragments preserved by later writers, and of accounts of the opinions of these thinkers given mainly by Aristotle and by the Grreek doxographists (i.e.