Field. It Has Been Estimated That Picasso Created Over Fifty Thousand Works of Art
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FOR SALE Towned
Vol. XIX. -No- 58. VIRGINIA, MEVAJ3A; WEQNEB DAJ. i JXJHE^IB.:: 1881;' :i35 Ofe^ER?jWBEgi;g.,,,,, THBI AMD HOYf. <g»ciitiia (filjrtmitlt. AmnBemenUi Household SnppUes, Stsceilfliieons; Htlcrlal Rotlree. The Able Ohio Hcpu .Mean Editor. VIBOIN1A CITT. BUY. ana Bo.coe Conkling. tmUittea -KYEHT AFTEBBOoa, t Chicago Times i _ , if".?^^'?!.-'-^^? ' KSondoTS excepted.) Mr. Conklin^i opinion of tbe human PIPER'S OPERA-HOUSE, I7-ST0P OROAHS.' IrpedadvertliCTnentsaiwDoJiMoas^ U roductof Ohioknawu ns the Buckeye iniBlcdtSth*ETOiiaCBltOiKu.'.n_ mar" .wntf. - Block'. Unlldini. Yajloi E not likely to be amended, unless by FOR TWO NIGHT8 ONLY fa. a(Uiswooa, iod UdiCatT •_ lb* plod to " ilfcei. Beosnrt User be&w « deepening ma oonarming, upon s V COUPLER, TODS I sets Seeds, Sftj, te^.'i'IIfJLBfes?.'!". perossl oj lb. lUpnblioon organs of tbst WEDNESDAY and THUBSDAY, iDMCurno! Mm- Btnte and controlt of their utteiance* J.&J.B.Malloii anenl him mide lilllo less than a year o BtMn/Votcnriu, 3E>_____kZBroiS, Por Bale npj To UL 1 ago, Hols now bandied by the able Jane IB aad ita fi "'2ll!.n. " Three EWIIMI •text ie Basil at. caiuiwmla Baiidlns, glfSflw-"*-- --T»ea.,^l»0enu ipnVlican edilots witb a great variety I] and upmrds, mtt on iriil. OUlopu fl«l.ft-<aai-trtU.St™ H*ua*UirrH.^. 61 epithet, wicked snd arousing. Ho HATINBB ON TnEHSDAV I tnMsadeiiidBiUlDceiaaln . -JhE.yaEKiiY dimoKidii i. ability fs tWQceded him. Heiss"bsby "Einti JJlttX Tuodiy momtag, "d cootoliaiUI elephant," * Suit*, an sdulterer, mean, DANIEL V. BEAITr, S ; ITednesdsy Even Ian ;.,,.. Jane is Gtt5GERl^,>I|0YlSiQNE. CROCKERY Kotm - * ^w7lb. -
Fighf for Enactment of FEPC
A Newpaper WithA ' Constructive » Policy VOLUME II, NUMBER 98 4 CIO To Carry On Unrelenting Fighf For Enactment Of FEPC • ■ -W ' Conference Discusses Methods Of Warfare • CLEVELAND, Ohio—(NNPA)—The Congress of Indus- trial Organizations will carry on an "unrelenting fight” for the enactment of fair employment practice legislation, the CIO Staff Conference on Civil Rights, declared after a two- day meeting here last Wednesday and Thursday. The conference, called under thetional Union of Electrical, Radio and auspicies, , of... the OIO Committee to Machine .Workers; United Steel Abolish Discrimination discussed workers of America, Gas, Coke and nnliiods of improving and intensify Chemical Workers. United Paper ing the CIO fight against all form' workers, United Automobile Work of racial «nd religious discrimina ers. United Rubber Workers, Trans tion. port Workers Union, Amalgamated The statement, issued after the Clothing Workers. American News- two-day meeting held at the Ho l»aper Guild, Communication Work tel Hollenden said: er», Oil Workers International Un “The failure of the Senate to vote ion, National Maritime Union. Unit cloture on the motion to take up ed Transport Service Employees, and the FEPC bill was a callous and dis- the United Packinghouse Workers gracefulp lece of political jockeying The CIO Committee to Abolish on an issue involving the lives and Discrimination is headed by James welfare of millions of Americans B Carey. CIO secretary-treasurer. "The opposition to cloture could Its secretary is Willard 8. Town have been expected those reaction send. of Chicago, president of the ary Dlxiccrats who have always United Transport Service Employee., fought every form of forward-look and its director is George L P ing cjvil rights leglslation.-But there Weaver, of Washington. -
Gourmet Typography Training
presents GOURMET TYPOGRAPHY TRAINING Take control of your type instead of letting it control you! Gourmet Typography Training teaches and demonstrates the expert-level typographic skills and aesthetics that are rarely taught in schools or fully understood by professionals. Fill in the gaps in your typographic know-how and learn how to “see” type like you’ve never seen it before. Why Gourmet Typography Training? Every creative professional, regardless of specialty, can benefit from learning to communicate more effectively with type. Whether you are a beginner or seasoned pro, Gourmet Typography Training will sharpen your eye and give you practical, usable skills that will visibly improve the beauty, clarity and effectiveness of all your typographic projects. Subjects covered include: Who will benefit? What makes a good typeface Visual communicators of all kinds, including: OpenType demystified Graphic designers Type crimes: Are you a type criminal? Art directors Fine-tuning type, including alignment, Creative directors hyphenation, hung punctuation, etc. Creative services directors Tracking, kerning, and word spacing Web designers Tips for more professional typography Package designers Type on the Web, Web fonts Production specialists Type in motion Typographers Keyboard shortcuts and time-saving tips Web programmers and developers Every creative professional regardless of specialty can learn to communicate more effectively with type! For more information, call The Type Studio at 203.227.5929 or email us at [email protected]. www.thetypestudio.com (page 1 of 2) What they are saying about Ilene’s Gourmet Typography Training... “Your course was great! Since taking it, “I recently attended your Gourmet “As a working professional in the advertis- I can’t help but look at every book title, Typography workshop and wanted to ing industry with 10 years of creative magazine headline, and even company thank you again for an amazing day. -
„Bitstream“ Fonts
Key to the „Bitstream“ Fonts The history of typefaces is the history of forgeries. One of the greatest forgers of the 20th century was Matthew Carter. The Bitstream website (http://www.myfonts.com) describes him as follows: Matthew Carter of United Kingdom. Born: 1937 Son of Harry Carter, Royal Designer for Industry, contemporary British type designer and ultimate craftsman, trained as a punchcutter at Enschedé by Paul Rädisch, responsible for Crosfield's typographic program in the early 1960s, Mergenthaler Linotype's house designer 1965-1981. Carter co-founded Bitstream with Mike Parker in 1981. In 1991 he left Bitstream to form Carter & Cone with Cherie Cone. In 1997 he was awarded the TDC Medal, the award from the Type Directors Club presented to those „who have made significant contributions to the life, art, and craft of typography“. Carter’s „significant contribution to the life, art, and craft of typography“ consisted of forging the Linotype typeface collection. Carter can be characterized as a split personality. On the one hand, he has designed several original typefaces. On the other hand, he has forged hundreds of fonts. The following lists reveal that ca. 90% of the „Bitstream“ fonts are forgeries of the fonts contained in the catalog „LinoTypeCollection 1987“ („Mergenthaler Type Library“), i.e. the „Bitstream“ fonts are „nefarious evil knock-off clones“ (Bruno Steinert) of fonts sold by Linotype in the mid-1980s.1 „L“ in the following lists denotes that the font is contained in the „LinoTypeCollection 1987“. In the mid-1980s, the Linotype library comprised hundreds of typefaces with a total of 1700 fonts. -
Franklin Gothic: from Benton to Berlow
NUMBER TWO Franklin Gothic: from Benton to Berlow Sans serif, or gothic, typefaces became popular for advertising and promotional work in 19th century America. Their bold letterforms, brassy characteristics and efficient use of space were sought after then, just as they are now. By the time American Type Founders (ATF) was formed in 1892, more than 50 different sans serif faces were offered by the major American type suppliers. First Franklin Designs The Franklin Gothic™ typeface was the third in a series of sans serif faces designed after ATF was founded. In the early 1900s, Morris Fuller Benton, who was in charge of typeface development for ATF at the time, began to create the type designs that would influence American type design for more than 40 years. Globe Gothic was his first sans serif design, which was followed shortly thereafter by Alternate Gothic. Around 1902, Franklin Gothic was cut, although it was not released as a font of metal type until 1905. As he designed Franklin Gothic, Benton was likely influenced by the earlier sans serif designs released in Germany. Berthold had issued the Akzidenz Grotesk® series of typefaces (later known to American printers as “Standard”) in 1898. Akzidenz Grotesk inspired the cutting of Reform Grotesk by the Stempel foundry of Frankfurt in 1903, and the Venus™ series of typefaces by the Bauer foundry, also of Frankfurt, in 1907. A Small Family At first, Benton drew only a single roman design for Franklin Gothic. However, this typeface caught the imagination of printers of the time, and ATF was compelled to add more variants to make a small type family. -
Fiske Wordpower
New_Fiske Final 5/10/06 9:14 AM Page 1 Raise A POWERFUL VOCABULARY WILL OPEN UP Your THE MOST EFFECTIVE SYSTEM FOR BUILDING A WORLD OF OPPORTUNITY Word IQ A VOCABULARY THAT GETS RESULTS FAST With Fiske WordPower you will quickly learn to write FISKE more effectively, communicate clearly, score higher Raise Your W Learn on standardized tests like the SAT, ACT or GRE Word IQ 1,000 Words and be more confident and persuasive in everything in Weeks you do. OR FISKE Using the exclusive Fiske system, you will no longer need to memorize words.You will learn their meanings and how to use them correctly. The Fiske system will enhance and expand your permanent vocabulary. This knowledge will stay with you longer and be easier to recall—and it doesn’t take any longer than less-effective memorization. D Fiske WordPower uses a simple three-part system: WORD 1. Patterns: Words aren’t arranged randomly or alphabetically, but in P similar groups that make words easier to remember over time. 2. Deeper Meanings, More Examples: Full explanations—not just brief definitions—of what the words mean, plus multiple examples of OW the words in sentences. POWER 3. Quick Quizzes: Frequent short quizzes help you test how much you’ve learned, while helping you retain word meanings. words you need to know (and can 1,0001,000 learn quickly) to: ✔ Build a powerful and persuasive vocabulary Fiske WordPower— E ✔ The MOST EFFECTIVE vocabulary-building Raise your word IQ ✔ Communicate clearly and effectively system that GETS RESULTS FAST. R ✔ Improve your writing skills ✔ Dramatically increase your reading comprehension Study Aids $11.95 U.S. -
Volume 23-2 (Low Res).Pdf
ITC 10.1,matk Ty peto ■ UPPER AND LOWER CASE THE INTERNATIONAL JOURNAL OF GRAPHIC DESIGN AND DIGITAL MEDIA PUBLISHED BY INTERNATIONAL TYPEFACE CORPORATION VOLUME 23, NUMBER 2, FALL 1996 $5.00 US, $9.90 AUD, £4.95 The Image Club's free monthly catalog is the essential design tool for today's creative masters. Over 800 fonts from the best foundries, thousands of stock photos on CD ROM (royalty free!) and tons of cool digital art, along with ideas, solutions and tips & tricks from other designers. New for you every month! Order your catalog: call 1.800.387.9193 fax 1.403.261.7013 http://www.imageclub.com/ Hey! The entire FONTEK and ITC type libraries featured throughout this issue of U&lc are available from Image Club. Call 1-800-661-9410 to order! Image Club Graphics is a division of Adobe Systems Incorporated Adobe ucLo8 Circle 1on Reader Service Card ATypI I Typelab The Hague, The Netherlands, oit) The Hague 1996 October 24-28, 1996 The Association Typographique Internationale (ATyp1), The Royal Academy of Art and The Royal Conservatory of Music Typography &... is a conference gathering of Art Directors, Graphic Designers, Type Designers, Musicians, Filmmakers, Business and Legal Executives, Users and Developers of Software, and anyone to whom type and typography are essential. Typography &... focuses on how typography is developing, evolving and changing with a speakers' program, debates and discussion groups, exhibitions, studio visits, special museum programs, and TypeLab, an interactive, experimental environment for typography, -
Typecon! We’Re Delighted to See So Many Typographic Aficionados Turn out for This Year’S Event in the Exciting City of New York
Welcome to TypeCon! We’re delighted to see so many typographic aficionados turn out for this year’s event in the exciting city of New York. This year, SOTA has partnered with the Type Directors Club and Parsons School of Design to present our annual event. A dedicated team of volunteers has put in countless hours in order to bring you an affordable, high-quality event designed to educate, entertain, and inspire. TypeCon2005 is designed to please everyone interested in typography and the related arts. We’re glad you could join us! Contents TypeCon at Parsons 2 Sponsors 3 Program Schedule 4 Speaker Bios 12 Credits 39 Sponsors & Partners 40 TC05 ProgramFINAL.indd 1 7/19/05 4:07:06 PM WeDnesday, July 20 Friday, July 22 Saturday, July 23 Sunday, July 24 9:00 am- Optional Workshops Begin 9:00 am Welcome and Announcements 9:00 am Welcome and Announcements 9:00 am Welcome and Announcements 4:30 pm Wednesday & Thursday See www.typecon.com for details. 9:15 Type in Motion 9:15 Custom Branding in the Age of Stock 9:15 Size Does Matter Registration open Jakob Trollbäck, Trollbäck and Company Gerard Huerta Dave Farey at Parsons 3:00Pm-6:00pm 10:00 The Ins, Outs, and Opening Nights of 10:00 Cosas de España: Interpretations of 10:00 Type in the Real World 7:00 pm- FiFFteen: An Evening with Neville Design on Broadway Eighteenth Century Spanish Types Alexander Isley 11:00 pm Brody and Erik Spiekermann Gail Anderson and Drew Hodges, SpotCo Mário Feliciano Fashion Institute of Technology 21 E 26th St., 5th Floor, New York, NY 10:45 Break 10:45 Break 10:45 Break Thursday, July 21 11:15 Let Them Eat Type 11:15 Lettering in a Flash! 11:15 Permanently Etched in Flesh: Louise Fili Ray Cruz Typographic Tattoos 9:00 am- Optional Workshops Begin Ina Saltz 4:30 pm Wednesday & Thursday See www.typecon.com for details. -
Typography + Form Type Classification
Typography + Form type classification Blackletter With the multitude of typefaces readily available it becomes Humanist/Old Style Italic essential to help to classify them to provide organization and Script continuity in type selection processes. A type family consists of Transitional Modern/Didot any number of typefaces that resemble one another in appear- Clarendon ance, proportion, weight, angle, texture, and sometimes design. Egyptian or Slab Serif Sans Serif Humanist Sans Serif Transitional Sans Serif Geometric Digital/Postmodern Handlettering University of Houston Type Classification ART 4395 / 6395 / 3330 Blackletter Blackletter is the earliest printed type, and is based on hand-copied texts. It is traditionally associated with medieval German and English (Old English). Blacklet- ter was revived as a ‘pure German’ form in Nazi Germany, and is extensively used by (particularly) Latino gangs as implying officialness or deep seriousness. Blackletter dates from around 1450. Humanist or Oldstyle Humanist, humanistic, or humanes include the first Roman typefaces created during the 15th century by Venetian printers, such as Nicolas Jenson. Oldstyle has uppercase letter forms based on Roman inscriptions, and lowercase based on Italian humanist book copying. It is typified by a gradual thick-to-thin stroke, gracefully bracketed serifs, and slanted stress, as indicted by the line through the uppercase ‘O’, and as measured through the thinnest parts of a letter form. It remains one of the most readable classes for text, due to the moderate stroke variations and good distinction between letter forms. Oldstyle dates from around 1475. > Garamond, Jenson, Caslon, Sabon, Palatino, Bembo, Hoefler Text. Italic Usually considered a component of the roman family of a font, italic really deserves its own class. -
=-~PR SSS \ I ' F•Uw• 16 17 M J L)Tl• 17 89 ...'8 I •\ Jun11 1118 ~ I I PBONJ: Olllole '•II Lsu..>N
) HAltlOI WIAntm I "'"l'er.. t Ul'M ror u. ,.. ~r•M •n dl• Newwort ~ HARBOR 1 • • • "' • ...,. IUOB WW "f '' J11n 11 J2 H IO I " 1;i _ HM \ J,.,... .. 72 ~ I 11 1~ \ 7, 18 82 .hint HI, ralnfalJ. =-~PR SSS \ I ' f•uw• 16 17 M J l)tl• 17 89 ...'8 I •\ Jun11 1118 ~ I I PBONJ: Olllole '•II lSu..>n. 11 ••. Ldt ~lat YEAR-NUMBER 45 NEWPORT BEACH. CALIJ'ORNIA. WEDNESDAY, JUNE 18, 1968 M.33o 10 CZNTS ) • • I 641 I ..... U.S. Official Affirms Santa Ana .Air Base Story * * * * * * * * * City Faces 1Jet Air .Base Story Based On Air Guard Gov't Facts, Official Admits to Receive Unbalanced TbP r<>ntrovf!rslal _,.. .tA>r)' of poealble plan" to actfftte the old Suta AM Air Bue u a jfot facWty, carried la lut Wf'CIDNda) '• edJUoa of U.. Newpon Bar bor Nrw•PrMs. wu ooa.ftnud yNt#rday by a Ualted 8tate. otftalal M .... a '59 Budget true Md attunte l"f'port of fact. ~d by a 1talf JDMtber of the Oorpe ol 51cre Site En.(iD~n, l!. S, Anny, With Mayor J&lrU!e 8todd&f\l Thfl ittol"y bad bfton labeled M falae and a oomplete fabricatloa by aa oppoel oa record ... oppoMd to &dOJ•I • tlon IM'•Hpapt"r. lnir an unbal&nt'Ald but11t•l, r• In made y.ierday to Tom vi.inn• a pproved by Ctly Cn•1n· a 11tat.f1nt.nt New•.,.,,_ Edttol' 11aticJlff11, loe Aabarf, clJ M••n1lav nlpt durlnir a rrlll· efHf'f of th.- ttt.hnk-al Ua.baon bl'IUldt of Loe ~ Dlatrtet. -
The Field Guide to Typography
THE FIELD GUIDE TO TYPOGRAPHY TYPEFACES IN THE URBAN LANDSCAPE THE FIELD GUIDE TO TYPOGRAPHY TYPEFACES IN THE URBAN LANDSCAPE PETER DAWSON PRESTEL MUNICH · LONDON · NEW YORK To my parents, John and Evelyn Dawson Published in North America by Prestel, a member of Verlagsgruppe Random House GmbH Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 Tel.: +1 212 995 2720 Fax: +1 212 995 2733 E-mail: [email protected] www.prestel.com © 2013 by Quid Publishing Book design and layout: Peter Dawson, Louise Evans www.gradedesign.com All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any other information storage and retrieval system, or otherwise without written permission from the publisher. Library of Congress Cataloging-in-Publication Data Dawson, Peter, 1969– The field guide to typography : typefaces in the urban landscape / Peter Dawson. pages cm Includes bibliographical references and index. ISBN 978-3-7913-4839-1 1. Lettering. 2. Type and type-founding. I. Title. NK3600.D19 2013 686.2’21—dc23 2013011573 Printed in China by Hung Hing CONTENTS_ Foreword: Stephen Coles 8 DESIGNER PROFILE: Rudy Vanderlans, Zuzana Licko 56 Introduction 10 Cochin 62 How to Use This Book 14 Courier 64 The Anatomy of Type 16 Didot 66 Glossary 17 Foundry Wilson 68 Classification Types 20 Friz Quadrata 70 Galliard 72 Garamond 74 THE FIELD GUIDE_ Goudy 76 Granjon 78 Guardian Egyptian 82 SERIF 22 ITC Lubalin Graph 84 Minion 86 Albertus 24 Mrs -
Adobe® Font Name Reference Table (Fntnames.Pdf)
® Adobe® Font Name Reference Table (Fntnames.pdf) © 1997 Adobe Systems Incorporated. All rights reserved. ® Contents Typeface Trademark Symbols . 3 Introduction . 7 Font Name Reference Table . 11 Package 100 . 25 Package 200 . 42 Package 300 . 57 Package 400 . 74 Appendix A: Font Menu Name Revisions . 82 Appendix B: Trademark Attribution Statements . 91 Adobe Technical Support Technical Adobe ® Typeface Trademark Symbols The following list of trademark attribution symbols is arranged alpha- betically by family name. The name of the originating company (e.g., ITC) and prefixes such as “new” in names like “New Baskerville” were not used for alphabetizing. The trademark attribution statements are in Appendix B of this document. A Aachen™, Agfa®, Aja®, Berthold® Akzidenz Grotesk®, Albertus®, Aldus*, Alexa®, ITC American Typewriter®, Americana®, Amigo™, Andreas™, ITC Anna®, Antique Olive®, Apollo™, Arcadia*, Ariadne*, Arnold Bocklin*, Ashley Script™, New Aster™, Auriol*, ITC Avant Garde Gothic®, Avenir* B Baker Signet™, Balzano™, Banco®, Banshee™, Barmeno™, Berthold Baskerville™, Berthold Baskerville Book®, ITC New Baskerville®, ITC Bauhaus®, ITC Beesknees®, Bellevue™, Belwe™, Bembo®, ITC Benguiat®, ITC Benguiat Gothic®, ITC Berkeley Old Style®, Berliner Grotesk™, Berling™, Bermuda™, Bernhard Bold Condensed*, New Berolina™, Berthold®, Bickham Script™, Biffo™, Birch®, Blackoak®, Block Berthold®, Bauer Bodoni™, Berthold Bodoni®, Berthold Bodoni Old Face™, AG Book™, ITC Bookman®, Boton®, Boulevard™, Briem®, Bulmer™ C PMN Caecilia*, Caflisch Script®,