Continuing Education Bulletin Fall 2013

Total Page:16

File Type:pdf, Size:1020Kb

Continuing Education Bulletin Fall 2013 Film Web Design and Video Game Design www.sva.edu 212.592.2060 Fax 212.592.2050 Tel 10010-3994 NY York, New 23 Street, East 209 Voice-Over Studio Photography Advertising SCHOOL OF VISUAL ARTS VISUAL SCHOOL OF Jewelry Video Design Digital Copywriting Photography Design Acting Art for Kids Pre-College Animation • Program Visual Drawing Continuing Education Bulletin Education Continuing Effects Motion Graphics Computer Art Printmaking Cartooning Art History Interior further information. for sva.edu/cecredit at visit our website Please accepted. is credit Transfer is available. study Part-time needs. your meet to courses schedule of all with a flexible disciplines, in several courses as credit Design, as well in Graphic program a degree oers Education Continuing The Division of L Design OO Sculpture Illustration K Painting IN Advertising Computer Periodicals Postage Paid at New York, NY York, New at Paid Postage Periodicals G Animation TO Animation START START Computer Art, Computer Ceramics • Children’s OR Fall 2013 Fall Animation and Visual Effects Book FINISH Illustration DDesignesign Woodworking Film and Video YOUR Fine Arts BACHELOR Blacksmithing Continuing Education Illustration and Cartooning Bulletin Fall 2013 Interior DDesignesign ’S D Photography Desktop EG Publishing Screenwriting REE Professional DDevelopmentevelopment ? Visual and Critical Studies Published by the Visual Arts Press, Ltd., © 2013 The School of Visual Arts does not discriminate on the basis of gender, race, color, creed, disability, age, sexual orientation, marital status, national origin School of Visual Arts Bulletin (USPS-004171) or other legally protected status. is published quarterly: fall, winter, spring, summer by School of Visual Arts The College reserves the right to make changes from time to time affecting 209 East 23 Street policies, fees, curricula and other matters announced in this or any other New York, NY 10010-3994 publication. Statements in this and other publications do not constitute a contract. Periodicals postage paid at New York, NY Volume LXXXIX number 3, August 1, 2013 Postmaster: Send address changes to: SCHOOL OF VISUAL ARTS BULLETIN PRINTED IN USA ON RECYCLED PAPER 30% POSTCONSUMER WASTE 209 East 23 Street New York, NY 10010-3994 CREDITS The School of Visual Arts has been authorized by the New York State Board of Regents (www.highered.nysed.gov) to confer the degree of Bachelor of CREATIVE DIRECTOR: Anthony P. Rhodes Fine Arts on graduates of programs in Advertising; Animation; Cartooning; ART DIRECTOR: Michael J. Walsh Computer Art, Computer Animation and Visual Effects; Design; Film and DESIGNER: Patrick Tobin Video; Fine Arts; Illustration; Interior Design; Photography; Visual and Critical ASSOCIATE EDITORS: Emily Olman, Sheilah Ledwidge Studies; and to confer the degree of Master of Arts on graduates of the C OVER ARTWORK: Patrick Tobin program in Critical Theory and the Arts; and to confer the degree of Master PHOTOGRAPHY: Elinor Carucci, David Corio, Michelle Mercurio, of Arts in Teaching on graduates of the program in Art Education; and to Keren Moscovitch, Alison Noel, Joseph P. Sinnott confer the degree of Master of Fine Arts on graduates of programs in Art Criticism and Writing; Art Practice; Computer Art; Design; Design Criticism; Design for Social Innovation; Fine Arts; Illustration as Visual Essay; Interaction Design; Photography, Video and Related Media; Products of Design; Social Documentary Film; Visual Narrative; and to confer the degree of Master of Professional Studies on graduates of the programs in Art Therapy; Branding; Digital Photography; Fashion Photography; Live Action Short Film. Data required by the U.S. Department of Education on “Gainful Employment” for each of the above programs may be found on each individual program page at sva.edu. The School of Visual Arts is accredited by the Commission on Higher Education of the Middle States Association of Colleges and Schools (msche.org), 3624 Market Street, Philadelphia, PA 19104, 215.662.5606. The Commission on Higher Education is an institutional accrediting agency recognized by the U.S. Secretary of Education and the Council on Higher Education Accreditation. The School of Visual Arts is an accredited institutional member of the National Association of Schools of Art and Design (nasad.arts-accredit.org). The Interior Design program leading to the Bachelor of Fine Arts in Interior Design is accredited by the Council for Interior Design Accreditation (accredit-id.org), 146 Monroe Center NW, Suite 1318, Grand Rapids, MI 49503-2822. The Master of Professional Studies in Art Therapy degree program is approved by the American Art Therapy Association, Inc., and as such meets the Education Standards of the art therapy profession. The Master of Arts in Teaching in Art Education program is accredited by the New York State Regents Accreditation of Teacher Education (RATE). contents 4 Registration Information COURSES BY AREA OF FOCUS 5 Calendar (Listed with catalog section and beginning page number) 6 Introduction 7 Information Sessions Acting: Film and Video, page 67 Advertising: page 17 SPECIAL PROGRAMS FALL 2013 Animation: page 23 8 Filmmakers Dialogue Art for Kids (K-9): Special Programs, page 10 10 Art for Kids (K-9) Art History, page 125 11 Pre-College Programs Arts Abroad: Special Programs, page 141 Blacksmithing: Fine Arts Sculpture, page 87 PROFESSIONAL DEVELOPMENT Cartooning: page 97 13 Course Listing Ceramics: Fine Arts Sculpture, page 84 Children’s Book Illustration: Illustration and Cartooning, page 101 STUDIO ARTS Clay Sculpture: Fine Arts Sculpture, page 84 17 Advertising Computer Animation: Computer Art, page 44 23 Animation Computer Art: page 31 31 Computer Art, Computer Animation and Visual Effects Copywriting: Advertising, page 20 47 Design Design: page 47 57 Film and Video Desktop Publishing: Computer Art, page 32 71 Fine Arts Digital Photography: Photography, page 113 97 Illustration and Cartooning Drawing: Fine Arts, page 71; Illustration and Cartooning, page 97 107 Interior Design Film and Video: page 57 111 Photography Graphic Design: page 48 Illustration: page 97 VIsuaL AND CRITICAL STUDIES Interior Design: page 107 125 Course Listing Jewelry Design: Fine Arts, page 94 COURSES FOR UNDERGRADuaTE CREDIT Metal Sculpture: Fine Arts Sculpture, page 86 129 Course Listing Motion Graphics and Visual Effects: Computer Art, page 42 Painting: Fine Arts, page 77 SPECIAL PROGRAMS SPRING AND SUMMER 2014 Photography: page 111 137 Summer Residency Programs Pre-College Program: Special Programs, page 11 141 Arts Abroad Printmaking: Fine Arts, page 89 Screenwriting: Film and Video, page 66 ADDITIONAL INFORMATION Sculpture: Fine Arts, page 84 146 General Information Summer Residency Programs: Special Programs, page 137 151 Continuing Education Degree Programs Video: Film and Video, page 57 152 Administration Visual and Critical Studies page 125 158 Faculty Index Voice-Over: Film and Video, page 68 162 Map of Buildings Web Design and Development: Computer Art, page 37 163 Directory Woodworking: Fine Arts Sculpture, page 88 Registration Form (insert at back cover) registration information REGISTRATION BEGINS NOW ONLINE REGISTRATION, CURRENT STUDENTS The Division of Continuing Education fall 2013 program offers a To register online, go to MySVA at: my.sva.edu. View the online variety of course schedules to accommodate students. We have bulletin for current listings of courses and their availability. courses and workshops that begin throughout the semester. Please refer to individual course listings for dates and times. ONLINE REGISTRATION, NEW STUDENTS To register online, go to sva.edu and click Continuing Education. Select REGISTRATION LOCATION AND courses one at a time and click on “register for this course.” View the GENERAL REQUIREMENTS online bulletin for current listings of courses and their availability. The Registrar’s Office is located at: 205 East 23 Street Telephone: 212.592.2200 FAX REGISTRATION Fax: 212.592.2069 You may register by fax with American Express, Discover, JCB, E-mail: [email protected] MasterCard, Visa or bank debit card. Please complete the registration form and fax it to: 212.592.2069. The general requirements for registration are as follows: n Students must have a high school diploma or equivalency diploma. n Students under 18 years of age must have the signature of a parent TELEPHONE REGISTRATION or guardian on their registration form. n Monday–Thursday, 9:00 AM to 7:00 PM n Friday, 9:00 AM to 5:00 PM The Division of Continuing Education has advisors who will help you n Saturdays (September 14 and September 21), 9:00 AM to 1:00 PM choose courses that are appropriate for your needs. The telephone number for the Registrar’s Office is 212.592.2200. Toll-free telephone: 877.242.7200 Please have course number(s), credit card number and expiration Telephone: 212.592.2251 date ready. Fax: 212.592.2060 E-mail: [email protected] IN-PERSON REGISTRATION n Monday–Thursday, 9:00 AM to 7:00 PM n Friday, 9:00 AM to 5:00 PM n Saturdays (September 14 and September 21), 9:00 AM to 1:00 PM Please visit the Registrar’s Office. Payment may be made by check, money order, American Express, Discover, JCB, MasterCard, Visa or bank debit card. Checks should be made payable to: School of Visual Arts. Unfortunately, we cannot accept cash payments. MAIL REGISTRATION You may mail your completed registration form, with payment enclosed, to: Registrar’s Office School of Visual Arts 209 East 23 Street New York, NY 10010-3994 Payment may be made by check, money
Recommended publications
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • The Fondation Louis Vuitton
    THE FONDATION LOUIS VUITTON A new ambition for LVMH's corporate patronage Created by the LVMH group and its Maisons in 2006 on the initiative of Bernard Arnault, the Fondation Louis Vuitton forms part of the art and culture patronage programme developed by the group for over twenty years. It also marks a new step driven by a renewed ambition: – A lasting commitment with the desire to become firmly rooted in a particular place and bring an institution to life over the long term. – A major philanthropic gesture towards the city of Paris with the construction of an exceptional building on municipal state property and the signature of a 55-year occupancy agreement with Paris city council. Driven by a desire to work for the common good, the Fondation Louis Vuitton demonstrates a clear commitment to contemporary art and looks to make it accessible to as many people as possible. To foster the creation of contemporary art on a national and international scale, the Fondation Louis Vuitton calls on a permanent collection, commissions from artists, temporary modern and contemporary art exhibitions and multidisciplinary events. One of its priorities is to fulfil an educational role, especially among the young. A new monument for Paris Frank Gehry has designed a building that, through its strength and singularity, represents the first artistic step on the part of the Fondation Louis Vuitton. This large vessel covered in twelve glass sails, situated in the Bois de Boulogne, on the edge of avenue du Mahatma Gandhi, is attached to the Jardin d'Acclimatation. Set on a water garden created for the occasion, the building blends into the natural environment, amidst the wood and the garden, playing with light and mirror effects.
    [Show full text]
  • Florida’S Best Community Newspaper Serving Florida’S Best Community 50¢ VOL
    Project1:Layout 1 6/10/2014 1:13 PM Page 1 Belmont: Will lead off Triple Crown for first time /A8 WEDNESDAY TODAY CITRUSCOUNTY & next morning HIGH 88 Brief morning LOW clouds, then sunny and warm. 64 PAGE A4 www.chronicleonline.com MAY 20, 2020 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 125 ISSUE 225 NEWS BRIEFS Town square takes shape Citrus COVID-19 information Opening still Two new positive COVID-19 cases were re- ported in Citrus County set for July 4 since the latest FDOH update. To date in the BUSTER county, 114 people have THOMPSON tested positive and 12 Staff writer have died. Crystal River’s undevel- For more information, oped plot of grassland on see Sunday’s edition. the corner of Citrus Avenue Elections office and U.S. 19 has always wel- comed highway motorists recruiting poll entering the heart of the workers city. In less than a couple Would you like to be a months, it will be an open part of the elections team hub of downtown recre- for the 2020 Primary and ation, events, gatherings General Elections? and transit. The Citrus County Su- After breaking ground pervisor of Elections of- mid-January with help fice is recruiting poll from Crystal River City workers. Council members, Lecanto To meet the new Flor- contractor Daly & Zilch Inc. ida guidelines, applicants still expects to wrap up the who are bilingual and first $820,683 phase of the city’s town square on time able to understand, in early July. speak, write and read En- “It’s really coming along; glish and Spanish fluently I’m excited to see the fin- are encouraged to apply.
    [Show full text]
  • BILLY SULLIVAN *1946 in New York, USA Lives and Works in New York City
    BILLY SULLIVAN *1946 in New York, USA Lives and works in New York City Education Depuis 1788 1968 School of Visual Arts, New York, NY, USA 1964 High School of Art and Design, New York, NY, USA Freymond-Guth Fine Arts Riehenstrasse 90 B Teaching CH-4058 Basel T +41 (0)61 501 9020 1997 The School of Visual Arts, New York: BFA Photo Thesis offi[email protected] 2012–14 New York University: MFA Program, Studio Art, Steinhardt School of www.freymondguth.com Culture, Education, and Human Development 2003–06, New York University, Interactive Telecommunication Program 2010–14 1999 Harvard University, The Department of Visual and Environmental Studies Solo Shows (selection) 2016 Monteverdi Art Gallery, Sarteano, Tuscany, curated by Sarah McCrory kaufmann repetto, New York 2015 Ille Arts, Amagansett, NY, USA 2014 Time after Time, Freymond-Guth Fine Arts, Zurich, CH Blush, Galerie Sabine Knust, Munich, DE 2012 Bird Drawings, Glenn Horowitz Bookseller, East Hampton, NY, USA Nicole Klagsbrun Gallery, New York, NY, USA 2011 Still, Looking, Kaufmann Repetto, Milan, IT Now & Then, Baldwin Gallery, Aspen, CO, USA 2010 Susanne Hilberry Gallery, Ferndale, MI, USA East End Photographs 1973-2009, Salomon Contemporary, East Hampton, NY, USA 2009 Galerie Sabine Knust, Munich, DE Conversations, Nicole Klagsbrun Gallery, New York, NY, USA 2008 Regen Projects, Los Angeles, CA, USA Rebecca Ibel Gallery, Columbus, OH, USA Texas Gallery, Houston, TX, USA 2007 Guild Hall, East Hampton, NY, USA Galleria Francesca Kaufmann, Milan, IT 2006 New Work, Rebecca Ibel Gallery,
    [Show full text]
  • Jobs and Education
    Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation.
    [Show full text]
  • False Dilemma Wikipedia Contents
    False dilemma Wikipedia Contents 1 False dilemma 1 1.1 Examples ............................................... 1 1.1.1 Morton's fork ......................................... 1 1.1.2 False choice .......................................... 2 1.1.3 Black-and-white thinking ................................... 2 1.2 See also ................................................ 2 1.3 References ............................................... 3 1.4 External links ............................................. 3 2 Affirmative action 4 2.1 Origins ................................................. 4 2.2 Women ................................................ 4 2.3 Quotas ................................................. 5 2.4 National approaches .......................................... 5 2.4.1 Africa ............................................ 5 2.4.2 Asia .............................................. 7 2.4.3 Europe ............................................ 8 2.4.4 North America ........................................ 10 2.4.5 Oceania ............................................ 11 2.4.6 South America ........................................ 11 2.5 International organizations ...................................... 11 2.5.1 United Nations ........................................ 12 2.6 Support ................................................ 12 2.6.1 Polls .............................................. 12 2.7 Criticism ............................................... 12 2.7.1 Mismatching ......................................... 13 2.8 See also
    [Show full text]
  • This File Was Downloaded From
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive This is the author’s version of a work that was submitted/accepted for pub- lication in the following source: Brott, Simone (2012) Modernity’s opiate, or the crisis of iconic architecture. Log, 26, pp. 49-59. This file was downloaded from: http://eprints.qut.edu.au/47848/ c Copyright 2012 Anyone Corporation Notice: Changes introduced as a result of publishing processes such as copy-editing and formatting may not be reflected in this document. For a definitive version of this work, please refer to the published source: Brott DRAFT – 10/22/12 1 Modernity’s Opiate, or the Crisis of Iconic Architecture Log 26 Simone Brott Theodor Adorno was opposed to cinema because he felt it was too close to reality, and thus an extension of ideological capital.1 What troubled Adorno was the iconic nature of cinema – its ability to mimic the formal visual qualities of its referent.2 For the postwar, Hollywood-film spectator, Adorno said, “the world outside is an extension of the film he has just left,” because realism is a precise instrument for the manipulation of the mass spectator by the culture industry, for which the filmic image is an advertisement for the world unedited.3 Mimesis, or the reproduction of reality, is a “mere reproduction of the economic base.”4 It is precisely film’s iconicity, then, its “realist aesthetic . [that] makes it inseparable from its commodity character.”5 Adorno’s critique of what is facile in the cinematic image – its false immediacy – glimmers in the ubiquitous yet misunderstood term “iconic architecture” of our own episteme.
    [Show full text]
  • Global Infatuation: Explorations in Transnational Publishing and Texts. the Case of Harlequin Enterprises and Sweden
    GlobalGlobal Infatuation InfatuationExplorations in Transnational Publishing and Texts the case of harlequin enterprises and sweden HemmungsEvaEva Hemmungs Wirtén Wirtén Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala Publications from the Section for Sociology of Literature at the Department of Literature, Uppsala University Nr 38 Global Infatuation Explorations in Transnational Publishing and Texts the case of harlequin enterprises and sweden Eva Hemmungs Wirtén Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala Section for Sociology of Literature at the Department of Literature, Uppsala University Uppsala 1998 Till Mamma och minnet av Pappa Dissertation for the Degree of Doctor of Philosophy in literature presented at Uppsala University in 1998 Abstract Hemmungs Wirtén, E. 1998: Global Infatuation: Explorations in Transnational Publishing and Texts. The Case of Harlequin Enterprises and Sweden. Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala. Publications from the Section for Sociology of Literature at the Department of Literature, Uppsala University, 38. 272 pp. Uppsala. ISBN 91-85178-28-4. English text. This dissertation deals with the Canadian category publisher Harlequin Enterprises. Operating in a hundred markets and publishing in twenty-four languages around the world, Harlequin Enterprises exempliıes the increasingly transnational character of publishing and the media. This book takes the Stockholm-based Scandinavian subsidiary Förlaget Harlequin as a case-study to analyze the complexities involved in the transposition of Harlequin romances from one cultural context into another. Using a combination of theoretical and empirical approaches it is argued that the local process of translation and editing – here referred to as transediting – has a fundamental impact on how the global book becomes local.
    [Show full text]
  • Lower East Side Third Thursday Night – March 18, 2021, 4-8 Pm
    LOWER EAST SIDE THIRD THURSDAY NIGHT – MARCH 18, 2021, 4-8 PM Freight + Volume Perrotin 56 HENRY Fridman Gallery Peter Blum Gallery anonymous gallery FROSCH&CO Peter Freeman, Inc. ASHES/ASHES High Noon PROXYCO ATM Gallery NYC James Cohan Rachel Uffner Gallery Arsenal James Fuentes LLC RICHARD TAITTINGER GALLERY Betty Cuningham Gallery Kai Matsumiya Sargent's Daughters bitforms gallery Karma Shin Gallery Bureau Klaus von Nichtssagend SHRINE Callicoon Fine Arts Krause Gallery signs and symbols CANDICE MADEY LICHTUNDFIRE Simone Subal Gallery Cindy Rucker Gallery Lubov SITUATIONS Company Gallery Lyles & King Spencer Brownstone Cristin Tierney Gallery M 2 3 Sperone Westwater David Lewis Magenta Plains steven harvey fine art projects DEREK ELLER GALLERY MARC STRAUS GALLERY The Hole Downs & Ross Martos Gallery Thierry Goldberg Gallery Ed. Varie McKenzie Fine Art THOMAS NICKLES PROJECT Equity Gallery Miguel Abreu Gallery Tibor de Nagy Essex Flowers Gallery Milton Resnick & Pat Passlof TOTAH Essex Street/Maxwell Graham Foundation Ulterior Gallery Eva Presenhuber Mizuma & Kips Van Der Plas Gallery FIERMAN Nathalie Karg Gallery Zürcher Gallery Foley Gallery Olympia 56 HENRY 56 Henry Street 56henry.nyc THANK GOD YOU'RE HERE Nikita Gale Through March 29th anonymous gallery 136 Baxter Street New York, NY 10013 www.anonymousgallery.com G'ordiavonte Fold David-Jeremiah G’ordiavonte (Gee-or-día-von-te) Fold is an exhibition about Black inclusion in contemporary art discourse, wherein the black body is made central, while not only circumscribed by, but ultimately subsumed by whiteness. March 4 - April 4, 2021 ASHES/ASHES 56 Eldridge Street wwww.ashesonashes.com Gerold Miller 02/19/21–03/28/21 ATM Gallery NYC 54E Henry Street www.atmgallery.nyc Soul States Scott Kahn In his first comprehensive exhibition of portrait paintings in NYC, Scott Kahn presents six works of family members and friends spanning from 1975 to 2015.
    [Show full text]
  • Gourmet Typography Training
    presents GOURMET TYPOGRAPHY TRAINING Take control of your type instead of letting it control you! Gourmet Typography Training teaches and demonstrates the expert-level typographic skills and aesthetics that are rarely taught in schools or fully understood by professionals. Fill in the gaps in your typographic know-how and learn how to “see” type like you’ve never seen it before. Why Gourmet Typography Training? Every creative professional, regardless of specialty, can benefit from learning to communicate more effectively with type. Whether you are a beginner or seasoned pro, Gourmet Typography Training will sharpen your eye and give you practical, usable skills that will visibly improve the beauty, clarity and effectiveness of all your typographic projects. Subjects covered include: Who will benefit? What makes a good typeface Visual communicators of all kinds, including: OpenType demystified Graphic designers Type crimes: Are you a type criminal? Art directors Fine-tuning type, including alignment, Creative directors hyphenation, hung punctuation, etc. Creative services directors Tracking, kerning, and word spacing Web designers Tips for more professional typography Package designers Type on the Web, Web fonts Production specialists Type in motion Typographers Keyboard shortcuts and time-saving tips Web programmers and developers Every creative professional regardless of specialty can learn to communicate more effectively with type! For more information, call The Type Studio at 203.227.5929 or email us at [email protected]. www.thetypestudio.com (page 1 of 2) What they are saying about Ilene’s Gourmet Typography Training... “Your course was great! Since taking it, “I recently attended your Gourmet “As a working professional in the advertis- I can’t help but look at every book title, Typography workshop and wanted to ing industry with 10 years of creative magazine headline, and even company thank you again for an amazing day.
    [Show full text]
  • Draft EIS ECF 80 Flatbush Avenue Part 4
    WILLOUGHBY STFLEET PL 2/5/2018 FLEET ST Fort Greene University Park Place FLATBUSH AVE EXTENSION DE KALB AVE HUDSON AVE Albee Square SOUTH PORTLAND AVE ASHLAND PL BOND ST SOUTH ELLIOTT PL HANOVER PL GROVE PL 230 Ashland Place POPS FULTON ST LIVINGSTON ST ST FELIX ST ROCKWELL PL Theatre for a New Audience Fowler Square VE TTE A FAYE Rockwell Place Bears LA SCHERMERHORN ST Community Garden Seating Sixteen Sycamores Area 2 Playground 300 Ashland Place Plaza FT GREENE PL STATE ST NEVINS ST FLATBUSH AVE HANSON PL North Pacific Plgd ATLANTIC AVE 3 AVE Atlantic PACIFIC ST Terminal Mall Plaza Barclay's Center DEAN ST Plaza 4 AVE E V A 5 BERGEN ST WYCKOFF ST Greenstreet Wykoff ST MARK'S PL Gardens Open Space Project Site 0 400 FEET Traffic Analysis Location Traffic Analysis Locations ECF 80 FLATBUSH AVENUE Figure 11-4 Chapter 11: Transportation Table 11-8 Traffic Level 2 Screening Analysis Results—Analysis Locations Incremental Vehicle Trips (Weekday) Intersection AM Midday PM Analysis Locations Fulton Street and DeKalb Avenue 0 0 0 Livingston Street and Bond Street 4 1 4 Schermerhorn Street and Bond Street 35 9 23 Flatbush Avenue and DeKalb Avenue 57 14 57 ✓ Flatbush Avenue and Fulton Street 72 19 92 ✓ Flatbush Avenue and Nevins Street 37 9 52 Livingston Street and Nevins Street 30 6 32 Schermerhorn Street and Nevins Street 61 13 51 ✓ State Street and Nevins Street 51 8 49 ✓ Atlantic Avenue and Nevins Street 32 7 36 Pacific Street and Nevins Street 10 0 7 DeKalb Avenue and Hudson Avenue 6 0 1 Hudson Avenue and Fulton Street 35 13 58 Flatbush
    [Show full text]
  • M a R K D I O N 1961 Born in New Bedford, MA Currently Lives In
    M A R K D I O N 1961 Born in New Bedford, MA Currently lives in Copake, NY and works worldwide Education, Awards and Residencies 1981-82, 86 University of Hartford School of Art, Hartford, CT, BFA 1982-84 School of Visual Arts, New York 1984-85 Whitney Museum of American Art, New York, Independent Study Program 2001 9th Annual Larry Aldrich Foundation Award 2003 University of Hartford School of Art, Hartford, CT, Doctor of Arts, PhD 2005 Joan Mitchell Foundation Award 2008 Lucelia Award, Smithsonian Museum of American Art, Washington D.C. 2012 Artist Residency, Everglades, FL 2019 The Melancholy Museum, Cantor Arts Center, Stanford University, Stanford, CA Academic Fellowships 2015-16 Ruffin, Distinguished Scholar, Department of Studio Art, University of Virginia Charlottesville, VA 2014-15 The Christian A. Johnson Endeavor Foundation Visiting Artist in Residence at Colgate University Department of Art and Art History, Hamilton, NY 2014 Fellow in Public Humanities, Brown University, Providence 2011 Paula and Edwin Sidman Fellow in the Humanities and Arts, University of Michigan, Ann Arbor, MI Solo Exhibitions (*denotes catalogue) 2020 The Perilous Texas Adventures of Mark Dion, Amon Carter Museum of American Art, Fort Worth* Mark Dion: Follies, Laumeier Sculpture Park, St. Louis, MO Mark Dion & David Brooks: The Great Bird Blind Debate, Planting Fields Foundation, Oyster Bay, NY Mark Dion & Dana Sherwood: The Pollinator Pavilion, Thomas Cole National Historic Site, Catskill, NY 2019 Wunderkammer 2, Esbjerg Museum of Art, Esbjerg, Denmark
    [Show full text]