2019 Cultural Infrastructure Index
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Your Family's Guide to Explore NYC for FREE with Your Cool Culture Pass
coolculture.org FAMILY2019-2020 GUIDE Your family’s guide to explore NYC for FREE with your Cool Culture Pass. Cool Culture | 2019-2020 Family Guide | coolculture.org WELCOME TO COOL CULTURE! Whether you are a returning family or brand new to Cool Culture, we welcome you to a new year of family fun, cultural exploration and creativity. As the Executive Director of Cool Culture, I am excited to have your family become a part of ours. Founded in 1999, Cool Culture is a non-profit organization with a mission to amplify the voices of families and strengthen the power of historically marginalized communities through engagement with art and culture, both within cultural institutions and beyond. To that end, we have partnered with your child’s school to give your family FREE admission to almost 90 New York City museums, historic societies, gardens and zoos. As your child’s first teacher and advocate, we hope you find this guide useful in adding to the joy, community, and culture that are part of your family traditions! Candice Anderson Executive Director Cool Culture 2020 Cool Culture | 2019-2020 Family Guide | coolculture.org HOW TO USE YOUR COOL CULTURE FAMILY PASS You + 4 = FREE Extras Are Extra Up to 5 people, including you, will be The Family Pass covers general admission. granted free admission with a Cool Culture You may need to pay extra fees for special Family Pass to approximately 90 museums, exhibits and activities. Please call the $ $ zoos and historic sites. museum if you’re unsure. $ More than 5 people total? Be prepared to It’s For Families pay additional admission fees. -
St Vincent's Hospital Melbourne
St Vincent’s Hospital Melbourne – Aikenhead Wing Proposed demolition Referral report and Heritage Impact Statement 27 & 31 Victoria Parade, Fitzroy July 2021 Prepared by Prepared for St Vincent’s Hospital Melbourne Quality Assurance Register The following quality assurance register documents the development and issue of this report prepared by Lovell Chen Pty Ltd in accordance with our quality management system. Project no. Issue no. Description Issue date Approval 8256.03 1 Draft for review 24 June 2021 PL/MK 8256.03 2 Final Referral Report and HIS 1 July 2021 PL Referencing Historical sources and reference material used in the preparation of this report are acknowledged and referenced as endnotes or footnotes and/or in figure captions. Reasonable effort has been made to identify and acknowledge material from the relevant copyright owners. Moral Rights Lovell Chen Pty Ltd asserts its Moral right in this work, unless otherwise acknowledged, in accordance with the (Commonwealth) Copyright (Moral Rights) Amendment Act 2000. Lovell Chen’s moral rights include the attribution of authorship, the right not to have the work falsely attributed and the right to integrity of authorship. Limitation Lovell Chen grants the client for this project (and the client’s successors in title) an irrevocable royalty- free right to reproduce or use the material from this report, except where such use infringes the copyright and/or Moral rights of Lovell Chen or third parties. This report is subject to and issued in connection with the provisions of the agreement between Lovell Chen Pty Ltd and its Client. Lovell Chen Pty Ltd accepts no liability or responsibility for or in respect of any use of or reliance upon this report by any third party. -
PLANNING PANELS VICTORIA Expert Heritage Evidence
PLANNING PANELS VICTORIA Melbourne Planning Scheme Amendment C365 Heritage Overlay HO1205 Subject Site: “Chart House”, No. 372 - 378 Little Bourke Street Melbourne Expert Heritage Evidence Prepared for Berjaya Developments Pty Ltd By Robyn Riddett Director Anthemion Consultancies POB18183 Collins Street East Melbourne 8003 Tel. +61 3 9495 6389 Email: [email protected] December 2019 “Chart House” No. 372 - 378 Little Bourke Street, Melbourne 1.0 Introduction 1. I have been instructed by Best Hooper, on behalf of Berjaya Developments Pty Ltd, to prepare expert heritage evidence which addresses the heritage aspects of the proposal to grade the site as “Contibutory”, as a consequence of the Guildford and Hardware Laneways Heritage Study prepared by Lovell Chen in May 2017, as a consequence of Melbourne Planning Scheme Amendment C365. 2. The previous Property Schedule included in the Guildford & Hardware Laneways Precinct Citation graded the building as Contributory. In effect it graded the east wall abutting Niagara Lane but not the façade addressing Little Bourke Street which Lovell Chen had indicated was not of any significance. Subsequently the Amendment C271 Panel recommended that “Chart House” be included within HO1205 with a Non-contributory grading. When HO1205 came into effect on 12 August 2019, No. 372 – 378 Little Bourke Street was included within HO1205 but with a Contributory, rather than with a Non- contributory grading and on an interim basis as a consequence of Amendment C355melb. This change in grading appears to have been influenced by correspondence from Melbourne Heritage Action which put forward new information about “Chart House”. It is now proposed, as a consequence of Amendment C365melb, to include No. -
Aportaciones Desde El Mundo Digital De Teamlab Al Panorama Del Arte Contemporáneo
Aportaciones desde el mundo digital de teamLab al panorama del arte contemporáneo. Pilar Cabañas Moreno Universidad Complutense de Madrid Esta comunicación pretende dar a conocer la investigación realizada en torno al grupo artístico japonés conocido como teamLab, formado por artistas, diseñadores, ingenieros informáticos, técnicos, etc., que trabajan piezas de arte digital de carácter proyectivo e interactivo de gran complejidad, que nadie de un modo independiente, no colaborativo podría lograr realizar. Fue fundado en 2001 por Inoko Toshiyuki (Tokushima, 1977), el mencionado Takashi Kudo, y tres amigos más, dos ingenieros Aoki Shunsuke graduado en Ingeniería Matemática y Física de la Información, Hironori Sugiro, graduado en Tecnología y Arte, que ejerce de Desarrollador interactivo y Yoshimura Jō, amigo de la infancia de Inoko, formado en el Instituto de Tecnología de Tokio. En 2019 eran ya un equipo con 650 personas, y en crecimiento, con profesionales de distintas nacionalidades y especialidades: artistas, programadores, ingenieros, dibujantes y “animadores” por ordenador, matemáticos y arquitectos. Las palabras elegidas para el nombre, tomadas del inglés para tener una mayor facilidad en su posicionamiento a nivel internacional, pero también por el carácter de modernidad que le otorga en el entorno japonés, reflejan bien lo que son y su propósito. Un equipo, team, y Laboratory, no un Studio or a Company. Buscaban una plataforma para auto-expresarse, experimentar y crear, y lo fundaron. Según sus propias definiciones teamLab es un -
Architecture Creating Connections Recognised in 2020 Victorian Architecture Awards Shortlist
Architecture creating connections recognised in 2020 Victorian Architecture Awards shortlist The best of Victoria’s architecture, showcasing the immense value architects add when embedded end to end in a project, has been revealed with the release today of the 2020 Victorian Architecture Awards shortlist. The awards program, run by the Victorian Chapter of the Australian Institute of Architects, features a shortlist recognising architecture in the public realm, residential sector, regional areas, embedded sustainability and much more. Spread across 14 categories, 108 entries have made the shortlist which encompasses 76 individual projects. Victorian Chapter President Amy Muir says the shortlisted projects define the significant role that quality built outcomes have in creating sustainable, resilient buildings that can endure for generations. The selected projects go beyond the parameters of the brief to deliver compelling results. ‘This year’s shortlisted projects are exemplars of the outcomes that can be achieved when architects are engaged in the entire process, resulting in a strong collaboration between client, consultants and contracted builders,’ said Ms Muir. ‘These projects are leading examples of how architects elevate quality through carefully considered outcomes in the building process. The selected projects create a lasting legacy that enable architecture to be accessed more broadly throughout the community. ‘During these strange times we are thrilled to celebrate architecture that continues to challenge the status quo. In -
2019 China Military Power Report
OFFICE OF THE SECRETARY OF DEFENSE Annual Report to Congress: Military and Security Developments Involving the People’s Republic of China ANNUAL REPORT TO CONGRESS Military and Security Developments Involving the People’s Republic of China 2019 Office of the Secretary of Defense Preparation of this report cost the Department of Defense a total of approximately $181,000 in Fiscal Years 2018-2019. This includes $12,000 in expenses and $169,000 in DoD labor. Generated on 2019May02 RefID: E-1F4B924 OFFICE OF THE SECRETARY OF DEFENSE Annual Report to Congress: Military and Security Developments Involving the People’s Republic of China OFFICE OF THE SECRETARY OF DEFENSE Annual Report to Congress: Military and Security Developments Involving the People’s Republic of China Annual Report to Congress: Military and Security Developments Involving the People’s Republic of China 2019 A Report to Congress Pursuant to the National Defense Authorization Act for Fiscal Year 2000, as Amended Section 1260, “Annual Report on Military and Security Developments Involving the People’s Republic of China,” of the National Defense Authorization Act for Fiscal Year 2019, Public Law 115-232, which amends the National Defense Authorization Act for Fiscal Year 2000, Section 1202, Public Law 106-65, provides that the Secretary of Defense shall submit a report “in both classified and unclassified form, on military and security developments involving the People’s Republic of China. The report shall address the current and probable future course of military-technological development of the People’s Liberation Army and the tenets and probable development of Chinese security strategy and military strategy, and of the military organizations and operational concepts supporting such development over the next 20 years. -
Australian Trade and Investment Commission Annual Report 2018–19 Australian Trade and Investment Commission Annual Report 2018–19
ANNUAL REPORT 2018–19 Austrade at a glance WHO ARE WE? OUR STAFF We are the Australian Trade and Investment Commission—or Austrade Austrade—and we’re responsible for promoting Australian trade, staff at investment and education to the world. We help Australian 1,073 30 June 2019, businesses grow by linking them to global export opportunities; 65 per cent of whom were we attract international investment to help Australia reach its employed in client-focused economic potential; we help startups innovate and go global and operations in Australia and we promote Australia’s leading-edge education services to the overseas. Staff turnover was world to help drive growth in this sector. Our tourism policy and 11.9 per cent and the gender programs also help to build a thriving tourism industry. balance was 58 per cent female and 42 per cent male. We also help Australian citizens by providing consular and passport services in designated overseas locations. WHERE WE WORK locations at OUR MISSION 117 30 June 2019, Our mission is to promote Australian exports and international including 79 overseas locations education, strengthen Australia’s tourism sector, and attract in 48 markets, with 14 of investment into Australia. We do this by providing quality advice those locations also providing and services to exporters, education institutions and investors, consular services on behalf including generating market information and insights, promoting of the Australian Government. Australian capabilities, making connections through an extensive Within Australia, Austrade had global network of contacts, leveraging the ‘badge of government’ 10 offices, complemented by a offshore, and working collaboratively with partner organisations. -
Inspirations from Europe's Leading Architects
SHADES OF WHITE Inspirations from Europe’s leading architects. DEAR BAUMIT FRIENDS AND PARTNERS, It has been almost 10 years since However, white on a facade not only has an aesthetic reason, We were inspired Baumit created Europe’s largest but also a very tangible one: climate change. Temperatures facade colour system, Baumit Life, are rising, our cities are getting hotter and hotter. The albedo by the idea with 888 unique colour shades. effect or the reflective power of the colour white can effectively Even though the trend-barometer counteract overheating in certain regions. We want to make has taken a turn in a more purist more use of this effect. of richness and variety direction, there remain a multitu- de of possibilities. In this book, renowned architects from our 25 Baumit countries of one colour tone answer questions such as “Why do architects wear black and In this book, and with our latest build white?” Their surprising answers and many insights into Baumit colour-coup, we take a the international world of architecture can be found on the when we created look at the colour that is the sum following pages. of all colours of the rainbow: the colour white. The Inuit tribe uses the Baumit colour series a variety of different names for white, depending on the colour Enjoy browsing and perusing! and texture. We were inspired by this idea of richness and variety “12 Shades of White”. of one colour tone when we created the Baumit colour series Sincerely, “Shades of White”. It is dedicated above all to our design specia- lists, the architects, for whom white has always been a popular colour choice. -
Teamlab: Digital Playgrounds
TEAMLAB: DIGITAL PLAYGROUNDS by Kim Phan Nguyễn Bachelor of General Studies, 2015 Texas Woman’s University Denton, Texas A Thesis Submitted to the Faculty of College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of Master of Arts in Art History May 2021 APPROVAL TEAMLAB: DIGITAL PLAYGROUNDS by Kim Phan Nguyễn Thesis approved: Major Professor, Dr. Jessica Fripp, Associate Professor of Art History Sara-Jayne Parsons, Director & Curator at the Art Galleries at TCU Dr. Vivian Li, The Lupe Murchison Curator of Contemporary Art at the Dallas Museum of Art TABLE OF CONTENTS List of Figures ................................................................................................................................. v Introduction ..................................................................................................................................... 1 Imagining a World without Borders ............................................................................................... 3 Super Happy!: The Digital Optimism of teamLab ....................................................................... 12 Unfolding and Flattening Worlds: The Ultrasubjective Space ..................................................... 17 A Legacy of Collectivism and Technology: Historicizing teamLab ............................................ 23 Playful Aesthetics ......................................................................................................................... 34 Conclusion ................................................................................................................................... -
Tripping the Light Fantastic
LIFE | ART The Japanese art collective was founded in 2001 by physics, mathematics and IT graduate Toshiyuki Inoko, who set out—with fellow University of Tokyo graduates, mainly majors ave you ever walked in science and engineering—to “explore art into a gallery and found through digital media. I wanted to create a a floating cube of LEDs place where people could collaborate and sorts of boundaries in the physical world programmed to shimmer explore across the different fields of science that can be eliminated through digital in patterns resembling a and technology and art,” he says. art,” says Inoko, explaining how teamLab’s fireplace? Or journeyed through a labyrinth of Through a clever combination of installations demand the involvement of Tripping the suspended crystals whose glittering patterns projectors, motion sensors, LEDs and the viewer. Unlike traditional art, which in you can control via smartphone? Or drawn a computers “hooked up to think and some senses is a one-way conversation, the fish and scanned it into a computer, only to communicate with each other,” says interactive elements of teamLab creations have it appear seconds later swimming across Kazumasa Nonaka, a member of the group, enable the artwork itself to change in Light Fantastic a vast seabed projection on an adjacent wall? teamLab creates large digital artworks response to the viewer’s behaviour. No. Then you probably haven’t encountered that envelop visitors in an audio-visual At a teamLab exhibition in Tokyo last With its highly Instagrammable one of teamLab’s ultra-technological, experience like no other. “There are all summer, for example, a dark room filled knee- installations, the creative collective interactive and synaesthetic visual, acoustic high with water was alive with projections (and occasionally olfactory) experiences. -
Victoria Harbour Docklands Conservation Management
VICTORIA HARBOUR DOCKLANDS CONSERVATION MANAGEMENT PLAN VICTORIA HARBOUR DOCKLANDS Conservation Management Plan Prepared for Places Victoria & City of Melbourne June 2012 TABLE OF CONTENTS LIST OF FIGURES v ACKNOWLEDGEMENTS xi PROJECT TEAM xii 1.0 INTRODUCTION 1 1.1 Background and brief 1 1.2 Melbourne Docklands 1 1.3 Master planning & development 2 1.4 Heritage status 2 1.5 Location 2 1.6 Methodology 2 1.7 Report content 4 1.7.1 Management and development 4 1.7.2 Background and contextual history 4 1.7.3 Physical survey and analysis 4 1.7.4 Heritage significance 4 1.7.5 Conservation policy and strategy 5 1.8 Sources 5 1.9 Historic images and documents 5 2.0 MANAGEMENT 7 2.1 Introduction 7 2.2 Management responsibilities 7 2.2.1 Management history 7 2.2.2 Current management arrangements 7 2.3 Heritage controls 10 2.3.1 Victorian Heritage Register 10 2.3.2 Victorian Heritage Inventory 10 2.3.3 Melbourne Planning Scheme 12 2.3.4 National Trust of Australia (Victoria) 12 2.4 Heritage approvals & statutory obligations 12 2.4.1 Where permits are required 12 2.4.2 Permit exemptions and minor works 12 2.4.3 Heritage Victoria permit process and requirements 13 2.4.4 Heritage impacts 14 2.4.5 Project planning and timing 14 2.4.6 Appeals 15 LOVELL CHEN i 3.0 HISTORY 17 3.1 Introduction 17 3.2 Pre-contact history 17 3.3 Early European occupation 17 3.4 Early Melbourne shipping and port activity 18 3.5 Railways development and expansion 20 3.6 Victoria Dock 21 3.6.1 Planning the dock 21 3.6.2 Constructing the dock 22 3.6.3 West Melbourne Dock opens -
PARTICLE POETRY: a Show Case by Teamlab
FOR IMMEDIATE RELEASE GAJAH GALLERY SINGAPORE PRESENTS PARTICLE POETRY: a show case by teamLab ÓteamLab Courtesy of Ikkan Art International Impermanent Life, at the Confluence of Spacetime New Space and Time is Born Digital Work, 4 Channels, Continuous Loop 121 x 271 x 15cm Edition of 8 teamLab Gajah Gallery Singapore presents Particle Poetry, a showcase of six single-channel and multiple- channel works by the art collective teamLab, presented in collaboration with Ikkan Art International. Known as “ultra technologists”, interdisciplinary art collective teamLab leads the field of digital installation and multimedia art, navigating the confluence of art, science, technology and the natural world. Several digital installations by teamLab can be found across Singapore in public and permanent collections, including Resonating Forest – Shiseido Forest Valley which opened at Jewel Changi Airport in April 2019, and has marvelled travellers and visitors from across the world. The digital works at Gajah Gallery span a six-year period of 2012 to 2018, including Impermanent Life, at the Confluence of Spacetime New Space and Time is Born, Sunflower Phoenix, Gold Waves, and Flower and Corpse Glitch. Particle Poetry opens on Friday, 26 February at Gajah Gallery, in Tanjong Pagar Distripark in Singapore. As Gajah Gallery celebrates our 25th Anniversary, we also look to the future of art within the region of Southeast Asia by presenting contemporary mediums and collaborative projects. FOR IMMEDIATE RELEASE teamLab (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world.