Temporality and Memory in Architecture: Hagia Sophia
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Architecture in Religion: the History of the Hagia Sophia and Proposals for Returning It to Worship
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-10-2011 Architecture in Religion: The History of the Hagia Sophia and proposals for returning it to worship Andrew Jonathan Cohen Florida International University, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Christianity Commons, and the Islamic Studies Commons Recommended Citation Cohen, Andrew Jonathan, "Architecture in Religion: The History of the Hagia Sophia and proposals for returning it to worship" (2011). FIU Electronic Theses and Dissertations. 2400. https://digitalcommons.fiu.edu/etd/2400 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ARCHITECTURE IN RELIGION: THE HISTORY OF THE HAGIA SOPHIA AND PROPOSALS FOR RETURNING IT TO WORSHIP A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Andrew Jonathan Cohen 2011 To: Dean Kenneth G. Furton College of Arts and Sciences This thesis, written by Andrew Jonathan Cohen, and entitled Architecture and Religion: The History of the Hagia Sophia and Proposals for Returning it to Worship, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read the thesis and recommend that it be approved. Ana Maria Bidegain Erik Larson Christine Gudorf, Major Professor Date of Defense: November 10, 2011 The thesis of Andrew Jonathan Cohen is approved. -
Conversion of Kariye Museum to Mosque in Turkey
Conversion of Kariye Museum to Mosque in Turkey August 24, 2020 A month after turning the iconic Hagia Sophia museum, originally a cathedral, into a mosque, Turkey’s government has decided to convert another Byzantine monument in Istanbul, which has been a museum for over 70 years, into a working mosque. Late last year, the Council of State, the highest administrative court in Turkey, had removed legal hurdles for the Chora (Kariye) museum’s reconversion into a mosque. President Recep Tayyip Erdogan, whose Islamist AK Party has long called for the reconversion of the Ottoman-era mosques that were secularised by Kemalists, signed a decree, transferring the management of the medieval monument to the Directorate of Islamic Affairs. Kariye Museum Originally built in the early 4th century as a chapel outside the city walls of Constantinople built by Constantine the Great, the Chora Church was one of the oldest religious monuments of the Byzantine era and of eastern Orthodox Christianity. It’s believed that the land where the chapel was built was the burial site of Babylas of Antioch, a saint of Eastern Christians, and his disciples. Emperor Justinian I, who built Hagia Sophia during 532-537, reconstructed Chora after the chapel had been ruined by an earthquake. Since then, it has been rebuilt many times. Today’s structure is considered to be at least 1,000 years old. Maria Doukaina, the mother-in-law of Emperor Alexios Komnenos I, launched a renovation project in the 11th century. She rebuilt Chora into the shape of a quincunx, five circles arranged in a cross which was considered a holy shape during the Byzantine era. -
Constructing the Underground Community: the Letters of Theodore the Studite and the Letter of Emperors Michael Ii and Theophilos to Louis the Pious
Vladimir Baranov Novosibirsk, Russia [email protected] CONSTRUCTING THE UNDERGROUND COMMUNITY: THE LETTERS OF THEODORE THE STUDITE AND THE LETTER OF EMPERORS MICHAEL II AND THEOPHILOS TO LOUIS THE PIOUS The Le er of the Iconoclastic Emperors Michael II and Theophilos to Louis the Pious1 (dated to 824) contains a list of off ences that were allegedly commi ed by the Iconodules against what they considered the right practices of the Church. Their list includes the substitution of images in churches for crosses, taking images as godparents, using images to perform the cu ing of children’s hair and monastic habit, scraping paint of images to be added to the Eucharist or distributing the Eucharistic bread from the hands of images, as well as using panel images as altars for serving the Liturgy in ordinary houses and church- es.2 Of course, these might have been easily treated as fi ction and pro- (1) Emperor Theophilus (b. 812/813) was crowned co-Emperor in 821 by his Father Michael II (820–829), and this is why his name appears on the Let- ter. However, since in 824 he was only a 12-year old boy, for the Le er I will use the short title “Le er of Michael II.” (2) The Le er is preserved in the MGH, Leg. Sect. III, Concilia, tomus II, pars 2, Concilia aevi Karolini I (Hannover—Leipzig, 1908, repr. 1979) 475–480; Mansi, XIV, 417–422; the pertinent passage is translated in C. Mango, The Art of the Byzantine Empire 312–1453: Sources and Documents (Toronto: University of Toronto Press, 1986) 157–158. -
Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
European Collection 2015
European Collection 2015 WESTERN MEDITERRANEAN & THE RIVIERAS EASTERN MEDITERRANEAN & GREEK ISLES NORTHERN EUROPE & BRITISH ISLES CONTINENTAL EUROPE CONTENTS 2 EXPERIENCE 96 TRANSOCEANIC VOYAGES The OlifeTM 104 gRAND VOYAGES 16 TASTE The Finest Cuisine at Sea 114 EXPLORE ASHORE Shore Excursion Collections & Land Tour Series 28 VALUE Best Value in Upscale Cruising 123 HOTEL PROGRAMS Pre- & Post-Cruise Hotel Programs 32 OcEANIA CLUB 126 SUITES & STATEROOMS 34 DESTINATION SPECIALISTS Culinary Discovery ToursTM & New Ports of Call 136 DECK PLANS 42 WESTERN MEDITERRANEAN 140 PROGRAMS & INFORMATION & THE RIVIERAS Travel Protection & Air Program Details 62 EASTERN MEDITERRANEAN 142 CRUISE CALENDAR & GREEK ISLES 144 EXPERIENCE OcEANIACRUISES.COM 74 NORTHERN EUROPE & BRITISH ISLES 145 GENERAL INFORMATION Oceania Club Terms & Conditions 90 CONTINENTAL EUROPE ON THE COVER Scottish kilts originate back to the 16th century and were traditionally worn as full length garments by Gaelic-speaking male Highlanders of northern Scotland POINTS OF DISTINCTION n FREE AIRFARE* on every voyage n Mid-size, elegant ships catering to just 684 or 1,250 guests n Finest cuisine at sea, served in a variety of distinctive open-seating Europe Collection restaurants, at no additional charge n Gourmet culinary program crafted 2015 by world-renowned Master Chef Jacques Pépin THE MAGIC OF THE OLD WORLD | When millenniums of history and great works n of art meet captivating cultures and generous smiles, you know you’ve arrived in Europe. Spectacular port-intensive itineraries featuring overnight visits and extended From Michelangelo’s David in Florence to Rembrandt’s masterpieces in Amsterdam, you evening port stays will be awed and inspired. Stand on the Acropolis in Athens or explore the gilded czar palaces in St. -
The Neonian Baptistery in Ravenna 359
Ritual and ReconstructedMeaning: The Neonian Baptisteryin Ravenna Annabel Jane Wharton The pre-modern work of art, which gained authority through its extension in ritual action, could function as a social integrator. This essay investigates the figural decoration of the Orthodox Baptistery in Ravenna, in an effort to explain certain features of the mosaic program. If the initiation ritual is reenacted and the civic centrality of the rite and its executant, the bishop, is restored, the apparent "icon- ographic mistakes" in the mosaics reveal themselves as signs of the mimetic re- sponsiveness of the icon. By acknowledging their unmediated character, it may be possible to re-empower both pre-modern images and our own interpretative strategy. The Neonian (or "Orthodox") Baptistery in Ravenna is the preciated, despite the sizable secondary literature generated most impressive baptistery to survive from the Early Chris- by the monument. Because the artistic achievement of the tian period (Figs. 1-5).1 It is a construction of the late fourth Neonian Baptistery lies in its eloquent embodiment of a or early fifth century, set to the north of the basilican ca- new participatory functioning of art, a deeper comprehen- thedral of Bishop Ursus (3897-96?) (Fig. 1).2 The whole of sion of the monument is possible only through a more thor- the ecclesiastical complex, including both the five-aisled ba- ough understanding of its liturgical and social context. The silica and the niched, octagonal baptistery, appears to have first section of this essay therefore attempts to reconstruct been modeled after a similar complex built in the late fourth the baptismal liturgy as it may have taken place in the century in Milan.3 Within two or three generations of its Neonian Baptistery. -
The Hagia Sophia in Its Urban Context: an Interpretation of the Transformations of an Architectural Monument with Its Changing Physical and Cultural Environment
THE HAGIA SOPHIA IN ITS URBAN CONTEXT: AN INTERPRETATION OF THE TRANSFORMATIONS OF AN ARCHITECTURAL MONUMENT WITH ITS CHANGING PHYSICAL AND CULTURAL ENVIRONMENT A Thesis Submitted to the Graduate School of Engineering and Sciences of İzmir Institute of Technology in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE in Architecture by Nazlı TARAZ August 2014 İZMİR We approve the thesis of Nazlı TARAZ Examining Committee Members: ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Department of Architecture, İzmir Institute of Technology _____________________________ Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM Department of Architecture, İzmir Institute of Technology ___________________________ Dr. Çiğdem ALAS 25 August 2014 ___________________________ Assist. Prof. Dr. Zeynep AKTÜRE Supervisor, Department of Architecture, İzmir Institute of Technology ____ ___________________________ ______________________________ Assoc. Prof. Dr. Şeniz ÇIKIŞ Prof. Dr. R. Tuğrul SENGER Head of the Department of Architecture Dean of the Graduate School of Engineering and Sciences ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Assist.Prof.Dr.Zeynep AKTÜRE for her guidance, patience and sharing her knowledge during the entire study. This thesis could not be completed without her valuable and unique support. I would like to express my sincere thanks to my committee members Assist. Prof. Dr. Ela ÇİL SAPSAĞLAM, Dr. Çiğdem ALAS, Assoc. Prof. Dr. Erdem ERTEN and Assist. Prof. Dr. Zoltan SOMHEGYI for their invaluable comments and recommendations. I owe thanks to my sisters Yelin DEMİR, Merve KILIÇ, Nil Nadire GELİŞKAN and Banu Işıl IŞIK for not leaving me alone and encouraging me all the time. And I also thank to Seçkin YILDIRIMDEMİR who has unabled to sleep for days to help and motivate me in the hardest times of this study. -
Revealed Mark 1:1-11 Baptism of the Lord (January 13, 2013)
First Presbyterian Church January 13, 2013 Rev. Pen Peery Revealed Mark 1:1-11 Baptism of the Lord (January 13, 2013) The beginning of the good news of Jesus Christ, the Son of God. As it is written in the prophet Isaiah, ‘See, I am sending my messenger ahead of you, who will prepare your way; the voice of one crying out in the wilderness: “Prepare the way of the Lord, make his paths straight” ’ John the baptizer appeared in the wilderness, proclaiming a baptism of repentance for the forgiveness of sins. And people from the whole Judean countryside and all the people of Jerusalem were going out to him, and were baptized by him in the river Jordan, confessing their sins. Now John was clothed with camel’s hair, with a leather belt around his waist, and he ate locusts and wild honey. He proclaimed, ‘The one who is more powerful than I is coming after me; I am not worthy to stoop down and untie the thong of his sandals. I have baptized you with water; but he will baptize you with the Holy Spirit.’ In those days Jesus came from Nazareth of Galilee and was baptized by John in the Jordan. And just as he was coming up out of the water, he saw the heavens torn apart and the Spirit descending like a dove on him. And a voice came from heaven, ‘You are my Son, the Beloved; with you I am well pleased.’ +++ In my life I have had the good fortune of being able to travel. -
Hypothesis / Research Question Sources of Study
Gillis and Keating 1 Hypothesis / Research Question Did Byzantine sport and the Constantinople Hippodrome influence modern day sporting events and venues? Sources of Study Primary Figure 1: The Serpent Column depicted three snakes intertwined and was one of three legs holding a gold cauldron and was erected on the spina of the Hippodrome. (Governorship Of Istanbul). Gillis and Keating 2 Figure 2: The walled obelisk stood at the southern end of the Hippodrome (Governorship of Istanbul) Figure 3: The Obelisk of Theodosius. This Obelisk of Theodosius stood in the Hippodrome. (Governorship of Istanbul) Gillis and Keating 3 Figure 4: Picture of one side of the base of the Obelisk of Theodosius. The other side’s depicts the emperor and his family watching chariot races from the imperial box (Governance of Istanbul). Secondary Wells, C. (2006). “Sailing From Byzanthium: How A Lost Empire Shaped The Word” Bantam Dell: New York, New York Guttmann, A. (1981). Sport Spectators from Antiquity to the Renaissance. Journal of Sport History. Vol. 8 No. 2 p. 5‐27 Schrodt, B. (1981). Sports of the Byzantine Empire. Journal of Sport History. Vol. 8, No. 3. Bassett, S. (1991). The Antiquities in the Hippodrome of Constantinople. Dumbarton Oaks Papers, 45, 87‐96 Gillis and Keating 4 Guilland, R.(1948). The Hippodrome at Byzantium. Speculum, 23 (4), 676‐682 Sultan Amhed Square. In ‘Governorship of Istanbul’. Retrieved Feb 19 2009 from: http://english.istanbul.gov.tr/Default.aspx?pid=300 Limitations The lack of primary accounts of the hippodrome and it’s sporting culture has affected our research by having interpretations of accounts rather than an un‐interpreted account of detail. -
A Pilgrimage of Sacred Art
A pilgrimage of sacred art The sacred art of this world is not eternal, but it calls us to what is. This is never clearer than when art invites us to contemplate the “last things” in Christian hope. In relation to our end in God, all of life is a pilgrimage that begins in the fount of baptism. For centuries and centuries Christians have made pilgrimages all over the world, especially to Rome where the earthly pilgrimages of both St. Peter and St. Paul came to an end, followed by so many others after them. In the Middle Ages, pilgrims would walk great distances and undergo great trials to reach the Eternal City, while today all those roads leading to Rome include highways, railways and airport runways. Slowness or swiftness of travel alone does not a good pilgrimage make, though the willingness to be changed and even to struggle is necessary to journey as a true pilgrim. Today, with all the conveniences that could reduce our need to be inconvenienced on a pilgrim road, the return to sacred art can teach us how to allow ourselves to be changed along the way to our desired end. Pilgrims to Florence can see the mosaic-covered duomo (dome) of the Baptistry of San Giovanni. Shutterstock Immersed in Florence Let us begin our pilgrimage to Rome in Tuscany, a moderate distance from our journey’s end. Since we cannot go together physically, let us go together in prayer and imagination, slowing down to encounter the sacred art we would find there and along the way. -
Was Constantinople Founded As a Christian Capital?
WAS CONSTANTINOPLE FOUNDED AS A CHRISTIAN CAPITAL? by JOHN HOLLAND A thesis submitted to the University of Birmingham for the degree of MPhil (B) in Late Antiquity Institute of Ancient Antiquity School of Historical Studies University of Birmingham March 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the theory of Krautheimer that Constantinople was founded as a Christian Capital. This theory is compared to the work of Dagron who believed the city was founded with a much more dynastic motive in mind. Under discussion are the buildings, such as the Mausoleum and Hippodrome as well as the images used by Constantine in Constantinople. The conclusions are that it was not a Christian city and that although there are elements that suggest it was in competition to Rome this was not the primary motive in the foundation. Although there are elements of the city that would become important in the future as important to the creation of Byzantium as a successor to Rome it is argued this was not the situation when the city was founded. -
The Lamentation of Santa Sophia Marios Philippides
Tears of the Great Church: The Lamentation of Santa Sophia Marios Philippides URING THE PERIOD of the Ottoman occupation, the so- called Tourkokratia, the Greeks expressed their concerns D in folk songs, whose numerous variants were gradually collected and published in the nineteenth century to form an impressive corpus. Some songs reach back all the way to the last years of Byzantine Greece before its fall to the Ottoman Turks. One song in particular achieved a great deal of pop- ularity and perhaps qualifies as the most popular demotic song among Greek-speakers of the nineteenth century and the first decades of the twentieth. The poem is well known, but it has not received the scholarly attention it deserves. Entitled [The Song] of Santa Sophia, it is thought to describe the situation shortly before the fall of Constantinople to Sultan Mehmed II Fatih on May 29, 1453. This song survived orally and was finally recorded in the nineteenth century. Numerous versions existed in the eighteenth century; its nucleus dates to the period of the fall of Constantinople. I will attempt to demonstrate that at least one form of this poem dates to a specific event in 1452, six months before the conquest of Constantinople. Numerous variations of this poem have been collected.1 Fau- riel, in the first edition, presented a short version.2 Pouqueville 1 Variants from numerous regions are collected in A. Kriares, Πλήρηϛ Συλλογὴ Κρητικῶν Δηµωδῶν Ἀσµάτων (Athens 1920). A version was pub- lished in C. A. Trypanis, The Penguin Book of Greek Verse (Harmondsworth 1971) 469–470, no.