Reinterpretation: Situating Culture from Pedagogy to Politics
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Annual Report and Accounts 2014-2015
Annual Report and Accounts 2014-2015 Working together for a safer Scotland Laid before the Scottish Parliament by Mister Paul Wheelhouse MSP under Section 42A(1) of the Fire (Scotland) Act 2005 (inserted by section 118 of the Police and Fire Reform (Scotland) Act 2012) xxxxxxxxx2015 SG-2014-277 Contents Page Welcome and Introduction 1 Management Commentary: Strategic Report 4 > The Scottish Fire and Rescue Service 5 > Our vision, values and targets 6 > Strategic Plan 2016-19 7 > Financial Review 7 > Performance Scorecard 8 > Strategic Aim 1: Improved safety of our communities and staff 22 > Strategic Aim 2: More equitable access to fire and rescue services 32 > Strategic Aim 3: Improved outcomes through partnership 38 > Strategic Aim 4: Develop a culture of continuous improvement 44 Sustainability Report 51 Directors Report 59 Remuneration Report 62 Annual Governance Statement 71 Business Risks 80 Statement of Accountable Officer’s Responsibilities 82 Independent Auditors Report 83 Annual Report and Accounts 85 To find out more, visit our website at www.firescotland.gov.uk Welcome and Introduction One of the things we are most pleased about is our community safety work which demonstrates the true value of our public service. PAT WATTERS Chair Scottish Fire and Rescue Service Board It gives us great pleasure to introduce our annual report Collaboration with the Scottish Government and for 2014-15. Within this document, you will find details engagement with a range of internal and external of the progress made by the Scottish Fire and Rescue stakeholders will ensure that as we move forward our Service (SFRS) in its second year operating as a national strategic direction and priorities continue to deliver organisation. -
Scotland the Perfect Stage Scotland’S Events Strategy 2015-2025 Scotland the Perfect Stage Scotland’S Events Strategy 2015-2025 // Contents
SCOTLAND THE PERFECT STAGE SCOTLAND’S EVENTS STRATEGY 2015-2025 SCOTLAND THE PERFECT STAGE SCOTLAND’S EVENTS STRATEGY 2015-2025 // CONTENTS // MOUNTAIN BIKE WORLD CUP, FORT WILLIAM © GARY WILLIAMSON ii// SCOTLAND THE PERFECT STAGE // SEPTEMBER 2015 // VISION FOR SCOTLAND //01// MINISTERIAL FOREWORD //03// INDUSTRY FOREWORD //05// 1 // DEVELOPING THE STRATEGY //07// 2 // WHAT WILL MAKE SCOTLAND THE PERFECT STAGE? //09// 3 // STRATEGY FOR SCOTLAND //13// 4 // DELIVERING THE STRATEGY //17// 5 // DEVELOPING PORTFOLIO OF EVENTS //19// 6 // DEVELOPING EVENTS – EVENT IMPACT //21// 7 // DEVELOPING EVENTS – INVESTMENT AND SUPPORT //27// 8 // DEVELOPING THE INDUSTRY – PARTNERSHIP AND COLLABORATION //29// 9 // DEVELOPING THE INDUSTRY – EDUCATION AND KNOWLEDGE SHARING //31// 10 // DEVELOPING THE INDUSTRY – QUALITY ORGANISATION AND DELIVERY //33// 11 // DEVELOPING SCOTLAND – INFRASTRUCTURE AND SERVICES //35// 12 // DEVELOPING SCOTLAND – REPUTATION //39// 13 // DEVELOPING SCOTLAND – VISITOR ECONOMY //43// 14 // COMMUNICATION //45// 15 // REPORTING AND REVIEW //47// SCOTLAND THE PERFECT STAGE //iii VISION FOR SCOTLAND SCOTLAND’S REPUTATION AS THE PERFECT STAGE FOR EVENTS IS RECOGNISED NATIONALLY AND INTERNATIONALLY. MISSION TO DELIVER THIS VISION TO DEVELOP, THROUGH A ONE SCOTLAND APPROACH, A STRONG AND DYNAMIC EVENTS INDUSTRY PRODUCING A PORTFOLIO OF EVENTS AND FESTIVALS THAT DELIVERS SUSTAINABLE IMPACT AND INTERNATIONAL PROFILE FOR SCOTLAND. 01// SCOTLAND THE PERFECT STAGE THE KELPIES, FALKIRK BY ANDY SCOTT SCOTLAND THE PERFECT STAGE //02 // MINISTERIAL FOREWORD // THE ROYAL NATIONAL MÒD © GRAHAM HOOD When Scotland the Perfect Stage was first Among the many legacy benefits secured for published in 2008, it set out this Government’s Scotland through the early planning and delivery vision for events and it highlighted the range of of these events, was the knowledge built, lessons benefits that a strong portfolio of events can yield learned and partnerships forged across the public, for Scotland. -
Marilyn Monroe, Lived in the Rear Unit at 5258 Hermitage Avenue from April 1944 to the Summer of 1945
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-2179-HCM ENV-2015-2180-CE HEARING DATE: June 18, 2015 Location: 5258 N. Hermitage Avenue TIME: 10:30 AM Council District: 2 PLACE: City Hall, Room 1010 Community Plan Area: North Hollywood – Valley Village 200 N. Spring Street Area Planning Commission: South Valley Los Angeles, CA Neighborhood Council: Valley Village 90012 Legal Description: TR 9237, Block None, Lot 39 PROJECT: Historic-Cultural Monument Application for the DOUGHERTY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Hermitage Enterprises LLC c/o Joe Salem 20555 Superior Street Chatsworth, CA 91311 APPLICANT: Friends of Norma Jean 12234 Chandler Blvd. #7 Valley Village, CA 91607 Charles J. Fisher 140 S. Avenue 57 Highland Park, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. NOT take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal warrants further investigation. 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2015-2179-HCM 5258 N. Hermitage, Dougherty House Page 2 of 3 SUMMARY The corner property at 5258 Hermitage is comprised of two one-story buildings. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
Scotland the Perfect Stage Scotland’S Events Strategy 2015-2025 Scotland the Perfect Stage Scotland’S Events Strategy 2015-2025 // Contents // // September 2015
SCOTLAND THE PERFECT STAGE SCOTLAND’S EVENTS STRATEGY 2015-2025 SCOTLAND THE PERFECT STAGE SCOTLAND’S EVENTS STRATEGY 2015-2025 // CONTENTS // // SEPTEMBER 2015 // VISION FOR SCOTLAND //01// MOUNTAIN BIKE WORLD CUP, FORT WILLIAM © GARY WILLIAMSON MINISTERIAL FOREWORD //03// INDUSTRY FOREWORD //05// 1 // DEVELOPING THE STRATEGY //07// 2 // WHAT WILL MAKE SCOTLAND THE PERFECT STAGE? //09// 3 // STRATEGY FOR SCOTLAND //13// 4 // DELIVERING THE STRATEGY //17// 5 // DEVELOPING PORTFOLIO OF EVENTS //19// 6 // DEVELOPING EVENTS – EVENT IMPACT //21// 7 // DEVELOPING EVENTS – INVESTMENT AND SUPPORT //27// 8 // DEVELOPING THE INDUSTRY – PARTNERSHIP AND COLLABORATION //29// 9 // DEVELOPING THE INDUSTRY – EDUCATION AND KNOWLEDGE SHARING //31// 10 // DEVELOPING THE INDUSTRY – QUALITY ORGANISATION AND DELIVERY //33// 11 // DEVELOPING SCOTLAND – INFRASTRUCTURE AND SERVICES //35// 12 // DEVELOPING SCOTLAND – REPUTATION //39// 13 // DEVELOPING SCOTLAND – VISITOR ECONOMY //43// 14 // COMMUNICATION //45// 15 // REPORTING AND REVIEW //47// ii// SCOTLAND THE PERFECT STAGE SCOTLAND THE PERFECT STAGE //iii THE KELPIES, FALKIRK BY ANDY SCOTT VISION FOR SCOTLAND SCOTLAND’S REPUTATION AS THE PERFECT STAGE FOR EVENTS IS RECOGNISED NATIONALLY AND INTERNATIONALLY. MISSION TO DELIVER THIS VISION TO DEVELOP, THROUGH A ONE SCOTLAND APPROACH, A STRONG AND DYNAMIC EVENTS INDUSTRY PRODUCING A PORTFOLIO OF EVENTS AND FESTIVALS THAT DELIVERS SUSTAINABLE IMPACT AND INTERNATIONAL PROFILE FOR SCOTLAND. 01// SCOTLAND THE PERFECT STAGE SCOTLAND THE PERFECT STAGE //02 // MINISTERIAL FOREWORD // THE ROYAL NATIONAL MÒD © GRAHAM HOOD Following the successful delivery of these and The revised Scotland the Perfect Stage aims many other events and the appointment of a new to provide the strategic focus for all involved in First Minister, the One Scotland Programme for any aspect of planning, securing, supporting and Government was published, setting out the key delivering events of all sizes in Scotland for the priorities of creating more, better paid jobs in a next decade. -
Producing MIDS NAC Dems from MESSENGER Images
Producing MESSENGER DEMs from MDIS NAC Images MANHEIM1, HENRIKSEN, ROBINSON, AND THE MESSENGER TEAM 1ARIZONA STATE UNIVERSITY, TEMPE AZ—[email protected] Launched: August 2004 MESSENGER Mercury Orbit: March 2011 Completed: April 2015 Mercury Dual Imaging System (MDIS) 2 framing cameras: a monochrome NAC and a multispectral WAC NAC wasn’t a stereo camera, but off-nadir observations enable the creation of DEMs NACs have 5 m pixel scale at closest approach Mercury Laser Altimeter (MLA) Radial accuracy of < 20 m Only available between 90° N and 18° S Highly Elliptical Orbit Periapsis: 200 – 500 km (near North Pole) Apoapsis: 10,000 – 15,000 km Methodology: Overview Site Selection & Image Selection Illumination Conditions Imaging Geometry DEM Production Using the USGS Integrated Software for Imagers and Spectrometers (ISIS) and SOCET SET 5.6 Error analysis Creating data products for PDS release Image Selection Selecting stereo images requires compromise between finding optimal images and building up desired coverage. These parameters will dictate the precision of the final product. Strength of stereo: parallax between the two images / unit height Illumination compatibility: distance between the tips of shadows in two images / unit height *Guidelines adapted from Becker, et al. 2015. Images Selected for Our DEMs n=49 Selecting Images to Build Mosaics Sander Crater mosaic: 21 images Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Resulting DEMs can be mosaicked together (using ISIS) to create one large-area DEM Processing in SOCET SET: Overview Import into SOCET SET 5.6 Relative Triangulation Registration to MLA tracks DEM Extraction Orthophoto Generation Creating Additional Data Products PDS Release *This process is quite similar to that described for LROC NAC DEMs in Henriksen, et al. -
Events, Festivals & Cultural Tourism
Events, Festivals & Cultural Tourism in Scotland opportunities 10for growth EVENTS, FESTIVALS & CultuRAL TOURISM... Contents Scotland’s events, festivals, culture and heritage are huge 1 Introduction 04 selling points and something we should be rightly proud of. The very best of our heritage and culture is currently being celebrated in the ‘Winning Years’, leading up to 2014 when Scotland will host 2 Overview of events, festivals mega events including The Ryder Cup and Glasgow Commonwealth and cultural tourism in Scotland 08 Games, as well as the second Year of Homecoming. “ 3 Who are our ‘culture’ visitors? 20 Such a global stage presents a fantastic opportunity to showcase Innovation in product and service development, and in business processes, is key the very best of Scotland to the rest of the world. We can only do to the future competitiveness of the Scottish tourism industry. In this fast-moving this successfully, however, if the whole industry comes together consumer marketplace, Scotland needs to continually make the most of its distinctive 4 Getting involved with to turn our cultural strengths into an appealing range of visitor strengths and keep up with growing competition. The more you know about your existing opportunities 28 experiences which are promoted to this global audience in an customers, the better you can cater for them, the more satisfied they will be and the imaginative and creative way. more money they are likely to spend with you. 5 Working together: tourism businesses, The new strategy for Scottish tourism outlines ways we can Gathering and using good market intelligence to drive innovation is a quick, easy, cultural providers and event organisers 34 achieve this, and it is therefore incumbent on destinations, cheap and effective way to improve your business. -
From Victorian Canonical Writers to Postmodernist Approaches
Professor PhD/Prof.univ.dr. VICTOR OLARU, Habilitation Thesis/Teza de abilitare From Victorian Canonical Writers to Postmodernist Approaches Victor Olaru Habilitation Thesis University of Craiova, 2015 1 Professor PhD/Prof.univ.dr. VICTOR OLARU, Habilitation Thesis/Teza de abilitare University of Craiova Universitatea din Craiova Faculty of Letters Facultatea de Litere Departamentul de Studii Anglo-Americane si Germane HABILITATION THESIS TEZĂ DE ABILITARE From Victorian Canonical Writers to Postmodernist Approaches De la scriitorii canonici victorieni la abordări postmoderniste Professor PhD VICTOR OLARU Prof.univ.dr. - Craiova, 2015- - Craiova- 2 Professor PhD/Prof.univ.dr. VICTOR OLARU, Habilitation Thesis/Teza de abilitare Contents Abstract Rezumat I. Short Introduction II. Scientific, Professional and Academic Accomplishments. Main lines of research. II.1.Victorian canonical literature. Theoretical background II.1.1.The place of women in a patriarchal society II.1.2. Woman’s status and roles – between subject and object II.1.3. Woman’s image-between inferiority and oppression II.1.4. Attitude to female body and mind- the dichotomy body / mind II.1.5. Body, sex and gender-studies of gender II.1.6. Femininity and sexuality (within Victorian boundaries)-references II.1.7. Realism vs. idealism II.1.8. Typological features of (female) Victorian characters II.1.8.a. Types: social and literary concepts II.1.8.b. Archetypes: psychological and literary concepts II.1.8.c. Stereotypes: social and gender delineation II.2. Literary Studies. Published books. II.2.1. Victorian Writers, vol. I (Craiova, Editura Universitaria, 2005), pp.258, ISBN 973-743-206 II.2.1.a. -
Steinhart Runaway Hollywood Chapter3
Chapter 3 Lumière, Camera, Azione! the personnel and practices of hollywood’s mode of international production as hollywood filmmakers gained more experience abroad over the years, they devised various production strategies that could be shared with one another. A case in point: in May 1961, Vincente Minnelli was preparing the production of Two Weeks in Another Town (1962), part of which he planned to shoot in Rome. Hollywood flmmaker Jean Negulesco communicated with Minnelli, ofering some advice on work- ing in Italy, where Negulesco had directed portions of Tree Coins in the Fountain (1954) and Boy on a Dolphin (1957) and at the time was producing his next flm, Jessica (1962): I would say that the most difcult and the most important condition of mak- ing a picture in Italy is to adapt yourself to their spirit, to their way of life, to their way of working. A small example: Tis happened to me on location. As I arrive on the set and everything is ready to be done at 9 o’clock—the people are having cofee. Now, your assistant also is having cofee—and if you are foolish enough to start to shout and saying you want to work, right away you’ll have an unhappy crew and not the cooperation needed for the picture. But if you have cofee with them, they will work for you with no time limit or no extra expense.1 Negulesco’s letter underscores a key lesson that Hollywood moviemakers learned overseas when confronted with diferent working hours, production practices, and cultural customs. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
Postscripts Fall 2019
The Jacksonville State University English Department Alumni Newsletter Postscripts Fall 2019 Grand Prismatic Hot Spring in Yellowstone National Park taken by Stephen Kinney & submitted by Jennifer Foster 2-8 JSU’s Adventures Out West 9-12 Hail and Farewell: Dr. Harding Retires 12-14 The Shakespeare Project 15-18 All the World’s a Stage: Spotlight on Emily Duncan 19-20 Miscellany 20 Imagining the Holocaust 21-22 Writers Bowl 23 Writer’s Club 23 Southern Playwrights Competition 23 Sigma Tau Delta 24-31 Postscripts Bios 31 English Department Foundation 32-34 Student Sampler 1 JSU’s Adventures Out West by Jennifer Foster In December of 2017, JSU’s provost and long-time supporter of the American Democracy Project (ADP), Dr. Rebecca Turner, sent out a call for JSU faculty volunteers to attend a week- long seminar, scheduled for May 2018, on the stewardship of public lands in Yellowstone National Park (YNP). I quickly responded with a request to be considered as an attendee because while I had travelled to the park a couple of times, I had never been in the spring, and I had never been to the northern range. My initial justification for going was to experience, yet again, the beauty and diversity of ecosystems and wildlife unique to YNP. I wish I could truthfully write that I had the foresight to envision what would happen over the next year as a result of this trip, but that isn’t the case. I’m still not exactly sure how the ADP’s seminar evolved into a large JSU group returning in 2019 with the potential for subsequent groups to follow, and I have to fight myself not to overly romanticize my experiences. -
High-Resolution Local-Area Digital Elevation Models and Derived Products for Mercury from Messenger Images
3rd Planetary Data Workshop 2017 (LPI Contrib. No. 1986) 7001.pdf HIGH-RESOLUTION LOCAL-AREA DIGITAL ELEVATION MODELS AND DERIVED PRODUCTS FOR MERCURY FROM MESSENGER IMAGES. Madeleine R. Manheim1, Megan R. Henriksen1, Mark S. Robinson1, and the MESSENGER Team, 1School of Earth and Space Exploration, Arizona State University, 1100 South Cady Mall, Tempe, AZ 85287, [email protected]. Introduction: The Mercury Dual Imaging System acceptable stereo pairs were identified on the basis of (MDIS) on the MErcury Surface, Space ENvironment, common surface coverage, resolution ratio, stereo GEochemistry, and Ranging (MESSENGER) space- strength (parallax/height ratio), and illumination com- craft provided global images of Mercury’s surface. patibility [7]. MDIS consisted of two cameras: a monochrome nar- Pre-Processing. The selected images were ingested row-angle camera (NAC) and a multispectral wide- into ISIS, radiometrically calibrated, and initialized angle camera (WAC) [1]. Although MDIS was not with orientation parameters stored in SPICE kernels. designed as a stereo camera, off-nadir observations These parameters were converted to a format compati- acquired at different times resulted in near-global ste- ble with SOCET SET 5.6, and, along with the images, reo coverage and enabled the creation of digital eleva- imported into SOCET SET [6]. tion models (DEMs) [1]. Low altitude stereo sequences Relative Orientation. Before controlling the images acquired later in the mission allow the creation of local to the geodetically accurate MLA tracks, each image area DTMs with spatial scales more than 8x better than was corrected for relative orientation to the other im- the global product [2]. The local DEMs were computed ages in the stereo model.