The BBC – ‘Not One of Us’
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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
'You'll Never Beat the System by Bombing Number 1O' Perceptions of the Utility of Political Violence in Anarcho- Punk
1. Title ‘You’ll never beat the system by bombing Number 1o’ Perceptions of the utility of political violence in anarcho- punk, 1977-1987 Rich Cross No Sir, I Won’t: Reconsidering the legacy of Crass and anarcho-punk, Oxford Brookes, 28 June 2013 2. Contention [As slide] Anarcho-punk should not be seen simply as a pacifist-punk culture. The culture’s self-identification as ‘peace punk’ was not immediate, and anarcho-punk quickly became diverse in political and cultural ambition, especially concerning the nature of opposition to the state Perceptions of the utility of political violence changed within a few short years, as anarcho-punk responded to a range of pressures and counter-pressures. Changing views of violence reflect shifts in the centre of political gravity within the movement 3. ‘Boring fucking politics will get us all shot’ Discussion about the recourse to political violence in Britain often starts from the assumption that the use of physical force in pursuit of political aims is somehow ‘alien’ to the British system. To provide the context for a discussion about anarcho-punk’s relationship to political violence means establishing the extent to which political violence (deployed by the state and its opponents) was a recurring feature of British political life in the late 1970s and 1980s. 4. Airey Neave Airey Neave, a senior conservative politician and notable establishment figure, was blow up and killed by the Irish National Liberation Army (INLA) as he left the House of Commons car park in March 1979. 5. Warrenpoint and Mountbatten In August 1979, the Provisional Irish Republican Army (PIRA) carried out its most devastating single attack against the British army, killing 18 paratroopers in a co-ordinated ambush at Warrenpoint. -
How the TV Debates Were Organised in #GE2015 and Their Impact: the Full Story
How the TV debates were organised in #GE2015 and their impact: the full story blogs.lse.ac.uk/polis/2017/04/19/how-were-the-tv-debates-organised-in-ge2015-and-what-was-their-impact- the-full-story/ 2017-4-19 I wrote the chapter on broadcasting for the Cowley/Kavanagh Election 2015 book. Here is the section on the negotiations that led to the TV ‘debates’ and their impact – for the full chapter and the authoritative record of all aspects of that campaign, get the book here! By Charlie Beckett, Professor in the Department of Media and Communications, LSE and director of Polis, the LSE’s journalism think-tank. @CharlieBeckett In this election broadcasting tried to reflect a changing political landscape. Television in particular was challenged to adjust to the impact of the smaller parties such as the Greens, UKIP and the SNP. Editorially, broadcasters had to cover a diverse range of issues of varying degrees of scale, importance and relevance to different audiences. All journalists, but most obviously broadcasters, found themselves limited in scope by the unprecedented levels of party stage-management. There were the usual concerns about delivering impartiality and information but perhaps the hardest task for the broadcast journalists was to fulfil their key democratic functions at election time: to engage the public and to hold politicians to account. The strategic reluctance of the main parties to conduct more open campaigns meant that the desire for dramatic broadcasting to match the significance of the stakes was frustrated. Like all journalists, broadcasters were also misled by erroneous polling to construct a false narrative around the relative success of the two main parties. -
Bernadette Devlin (Mcaliskey) John Hume Gerry
Bernadette Devlin John Hume Gerry Adams (McAliskey) Born Cookstown, Co.Tyrone 1947 Born Derry 1937 Born 1948 Student at Queen's University, Went to St. Columb's College in Derry Republican family Belfast University of Maynooth BA Left school at 17 to be a barman Involved in civil rights movement Worked as teacher in St. Columb's IRA 1969 and marches organised by NICRA 1964-1965 involved in campaign for Interned 1971 1968-69 university to be located in Derry Involved in secret talks with Northern 1968 involved in left-wing student Involved in civil rights campaign Secretary (Whitelaw) 1972 group People's Democracy Elected to DHAC (Derry Housing Rearrested 1973 ran against Chichester-Clarke in 1969 Action Committee) 1968 Maze Prison election to Stormont Parliament in NI Elected to Stormont Parliament in 1969 Wrote 'Brownie Articles' for Ran in Westminster by-election 1969 1970 helped set up SDLP (Social Republican News as nationalist 'Unity' candidate Democratic and Labour Party) Suggested IRA needed political as Elected MP to Westminster age 21 Involved in negotiations on power- well as military campaign (youngest woman ever elected to sharing which led to Sunningdale Released 1977 House of Commons) Agreement 1974 Vice President SF 1978 Retained her seat in 1970 General Minister for Commerce in NI President SF 1983 Election to Westminster Excecutive set up by Sunningdale 'Armalite in one hand and the ballot Involved in 'Battle of the Bogside' But Executive collapsed May 1974 after box in the other' 1969 general strike organised by unionist -
Wilson, MI5 and the Rise of Thatcher Covert Operations in British Politics 1974-1978 Foreword
• Forward by Kevin McNamara MP • An Outline of the Contents • Preparing the ground • Military manoeuvres • Rumours of coups • The 'private armies' of 1974 re-examined • The National Association for Freedom • Destabilising the Wilson government 1974-76 • Marketing the dirt • Psy ops in Northern Ireland • The central role of MI5 • Conclusions • Appendix 1: ISC, FWF, IRD • Appendix 2: the Pinay Circle • Appendix 3: FARI & INTERDOC • Appendix 4: the Conflict Between MI5 and MI6 in Northern Ireland • Appendix 5: TARA • Appendix 6: Examples of political psy ops targets 1973/4 - non Army origin • Appendix 7 John Colin Wallace 1968-76 • Appendix 8: Biographies • Bibliography Introduction This is issue 11 of The Lobster, a magazine about parapolitics and intelligence activities. Details of subscription rates and previous issues are at the back. This is an atypical issue consisting of just one essay and various appendices which has been researched, written, typed, printed etc by the two of us in less than four months. Its shortcomings should be seen in that light. Brutally summarised, our thesis is this. Mrs Thatcher (and 'Thatcherism') grew out of a right-wing network in this country with extensive links to the military-intelligence establishment. Her rise to power was the climax of a long campaign by this network which included a protracted destabilisation campaign against the Liberal and Labour Parties - chiefly the Labour Party - during 1974-6. We are not offering a conspiracy theory about the rise of Mrs Thatcher, but we do think that the outlines of a concerted campaign to discredit the other parties, to engineer a right-wing leader of the Tory Party, and then a right-wing government, is visible. -
'Pinkoes Traitors'
‘PINKOES AND TRAITORS’ The BBC and the nation, 1974–1987 JEAN SEATON PROFILE BOOKS First published in Great Britain in !#$% by Pro&le Books Ltd ' Holford Yard Bevin Way London ()$* +,- www.pro lebooks.com Copyright © Jean Seaton !#$% The right of Jean Seaton to be identi&ed as the author of this work has been asserted in accordance with the Copyright Designs and Patents Act $++/. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN +4/ $ /566/ 545 6 eISBN +4/ $ /546% +$6 ' All reasonable e7orts have been made to obtain copyright permissions where required. Any omissions and errors of attribution are unintentional and will, if noti&ed in writing to the publisher, be corrected in future printings. Text design by [email protected] Typeset in Dante by MacGuru Ltd [email protected] Printed and bound in Britain by Clays, Bungay, Su7olk The paper this book is printed on is certi&ed by the © $++6 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-!#6$ CONTENTS List of illustrations ix Timeline xvi Introduction $ " Mrs Thatcher and the BBC: the Conservative Athene $5 -
BBC TV\S Panorama, Conflict Coverage and the Μwestminster
%%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW -
198J. M. Thornton Phd.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD). -
Background Scottish Screen Is the National Government
Background Scottish Screen is the national government-backed agency responsible for developing all aspects of screen industry and culture across Scotland, focusing on the following five priority objectives: 1. Education – to ensure that people of all ages and backgrounds are inspired and equipped to analyse, appreciate, explore, create and share screen media; 2. Enterprise and Skills - to ensure that there are appropriate levels of skilled individuals and viable companies to sustain all aspects of the screen industries across Scotland; 3. Inward Investment - to promote Scotland as a dynamic, competitive and successful screen production hub; 4. Market Development - to ensure that the widest range of screen product reaches and is appreciated by a diversity of audiences; 5. Talent and Creativity - to identify nurture, develop, support and progress Scotland’s screen talent and screen production companies. Scottish Screen welcomes this opportunity to comment upon Phase One of Ofcom’s second Public Service Broadcasting (PSB) Review. We agree with Ofcom that PSB in Scotland faces some distinctive challenges and welcome its recognition that ‘one size does not fit all’ in relation to PSB in the Nations and regions. Our response is organised around answering the consultation questions which we believe to be most relevant to PSB in Scotland (see below). However, we also wish to signal up front the importance of one issue which is not specifically raised as a question by Ofcom, namely the close relationship between the PSB Review and the Digital Dividend Review. Ofcom’s recommendations regarding access to High Definition services by the current PSBs and its adoption of a purely market led approach to the release of new spectrum are two examples of the way in which the Digital Dividend Review methodology and timetable run a real risk of precluding an innovative approach to PSB in Scotland. -
The Birth of BBC Radio 4'S Analysis
The Birth of BBC Radio 4’s Analysis Hugh Chignell Hugh Chignell (Ph.D., Bournemouth University, 2005) is a Senior Lecturer in the Bournemouth Media School, Bournemouth University, United Kingdom. His research interests include broadcasting history with special reference to radio and radio archives. He is Chair of the (UK) Southern Broadcasting History Group. BBC Radio 4’s ‘Analysis’ was first broadcast in 1970 and represented a striking departure from the tendency to combine news and comment in radio current affairs. It was created by a small network of broadcasters who believed that current affairs was distinct from radio journalism. The publication of the controversial document ‘Broadcasting in the Seventies’ in 1969 and the outcry which followed it gave this group their opportunity to produce an elite form of radio. INTRODUCTION This article attempts to answer a series of very specific questions. Why was the flag ship BBC radio current affairs program, Analysis created when it was? What specific interpretation of ‘current affairs radio’ did it embody and what made its birth possible? And finally, who created it? Drawing mainly on interview evidence and memoirs of former BBC staff it is possible to answer these questions with some precision and to show the broadcasting context (the BBC in the 1960s) in which the conception of Analysis took place. It is not the intention here to describe the specific nature of the program’s account of current affairs or its decidedly right-leaning politics. This is a case study of how two men, George Fischer and Ian McIntyre, saw their opportunity to buck the populist trend in radio and impose their conservative and Reithian broadcasting values in this elitist experiment in current affairs radio. -
Accounting and Discounting for the International Contacts of the Provisional Irish Republican Army by Michael Mckinley
Conflict Quarterly Of "Alien Influences": Accounting and Discounting for the International Contacts of the Provisional Irish Republican Army by Michael McKinley NATURE OF INTERNATIONAL CONTACTS In a world where nation states are unanimous in their disavowal of terrorism — even if they are incapable of unanimously agreeing on a defini tion of what it is they are disavowing — and in a Western Europe which regards separatist and irredentist claims as anathema, mere is a natural ten dency for those who are so excluded to make common cause where they might Disparate as these groups are, they really have only themselves to meet as equals; though they might wish to be nation states or represent nation states in the fullness of time, they exist until then as interlopers in the relations between states: seldom invited and then almost always disappointed by their reception. It is a world with which the Provisional Irish Republican Army and its more political expression, Sinn Fein, are entirely familiar and also one in which, given their history, political complexion, strategy and objectives, it would be extraordinarily strange for them not to have a wide range of inter national contacts. But potent as the reflex of commonality by exclusion is, it does not completely determine these linkages because to argue this is to argue on the basis of default rather than purpose. For the Provisionals there is a utility not only of making such contacts but also in formalizing them where possible within the movements' organizational structure. Thus, in 1976 the Sinn Fein Ard Fheis moved to establish, under the directorship of Risteard Behal, a Foreign Affairs Bureau, with Behal as its first "sort of roving Euro pean ambassador . -
Edit Winter 2013/14
WINTER 2013|14 THE ALUMNI MAGAZINE + BILLET & GENERAL COUNCIL PAPERS LAUGHING MATTERS SKY HEAD OF COMEDY LUCY LUMSDEN ON THE FUNNY BUSINESS ROAD TO REFERENDUM HOW OUR EXPERTS ARE SHAPING THE DEBATE ALSO INSIDE AWARD-WINNING FILM'S STUNNING STORY | MEADOWS MEMORIES | ALUMNI WEEKEND PHOTOGRAPHS WINTER 2013|14 CONTENTS FOREWORD CONTENTS elcome to the Winter issue of Edit. The turn 12 26 W of 2014 heralds an exciting year for our staff, students and alumni, and indeed for Scotland. Our experts are part of history as they inform the debate on SAVE THE DATE the referendum (p10), while in a very different arena the 19 - 21 June 2014 University will play a major role in the Commonwealth Toronto, Canada Games in Glasgow (p5). In a nationwide public engagement project our researchers are exploring the 30 10 impact on Scotland of the First World War throughout the four years of its centenary (p17), and on p16 we look back at the heroism of an Edinburgh alumna during the conflict. If you are seeking light relief, you may have to thank Lucy Lumsden. She has commissioned some of 18 Britain's most successful television comedies of recent years, and in our interview (p8) she talks about the importance of making people laugh. We report on an exceptional string of successes, from Professor Peter Higgs's Nobel Prize (p5), to BAFTAs, including one for a documentary whose story is told by a remarkable 04 Update 18 What You Did Next Edinburgh graduate on pages 12-15. Find your friends in photos of our alumni weekend (p22) and, if you couldn't 08 The Interview 20 Edinburgh Experience Lucy Lumsden, make it, we hope to see you at the next one in 2015.