BRISENDINE, ROBERT HAROLD, 1922-2002. Robert Harold Brisendine Papers, 1814-2002
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The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus. -
Dr. L. Dawn Larsen
Dr. L. Dawn Larsen Education 1999 Ph.D. Speech Communication with an Emphasis in Theatre and Performance Studies, Southern Illinois University at Carbondale. Areas of specialization: Theatre history and criticism, and Performance Studies Dissertation: Corn Under Canvas: Reconstructing Toby Shows in Tennessee, Southern Illinois University Carbondale, July 1999. 1991 M.A., Communication Arts, Austin Peay State University, Clarksville, TN Areas of specialization: Theatre history and performance, and Television Production Thesis: A Continuing History of Toby Shows With An Acknowledgment Of The Past And Plans For The Future, University Microfilms, May 1991. 1983 B.A., Speech and Theatre, University of Missouri – Columbia Area of Specialization: Performance 1981 A.A., Speech and Theatre, Cottey College, Nevada, MO Academic Experience Professor, Theatre, 2020-present Francis Marion University Assoc Professor, 2007-2020 Florence, SC Volunteer State College Assoc. Professor, Theatre and Comm. 2003-2007 Chair, Visual and Performing Arts Dept. 2003-2005 Asst. Professor, Theatre and Comm. 2000-2003 Director of Forensics 2000-2002 Gallatin, TN Middle Tennessee State Assistant Professor, Theatre and Speech University Murfreesboro, TN 1999-2000 Austin Peay State University Artistic Director Center Stage 1999-2000 Instructor - Speech, Communication, Mass Comm & Theatre 1993-1995 Director of Forensics, 1993 Clarksville, TN Southern Illinois University 1997 Theatre Youth Tour Director 1996-97 Graduate Teaching Assistant – Theatre 1996 Publicity Asst. Carbondale, -
Recollecting History Beyond Borders
Recollecting History beyond Borders Recollecting History beyond Borders: Captives, Acrobats, Dancers and the Moroccan-American Narrative of Encounters By Lhoussain Simour Recollecting History beyond Borders: Captives, Acrobats, Dancers and the Moroccan-American Narrative of Encounters, by Lhoussain Simour This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Lhoussain Simour All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6684-9, ISBN (13): 978-1-4438-6684-2 TABLE OF CONTENTS List of Illustrations .................................................................................... vii Foreword .................................................................................................... xi Susan Nance Acknowledgments ................................................................................... xvii Introduction ................................................................................................. 1 Chapter One ............................................................................................... 11 Reflections on Moroccan American Discursive and Cultural Encounters Writing Otherness: -
An Iowan with Buffalo Bill: Charles Eldridge Griffin in Europe. 1903-1906
Masthead Logo The Palimpsest Volume 54 | Number 1 Article 2 1-1-1973 An Iowan with Buffalo Bill: Charles Eldridge Griffin inur E ope. 1903-1906 H Roger Grant Follow this and additional works at: https://ir.uiowa.edu/palimpsest Part of the United States History Commons Recommended Citation Grant, H R. "An Iowan with Buffalo iB ll: Charles Eldridge Griffin inur E ope. 1903-1906." The Palimpsest 54 (1973), 2-13. Available at: https://ir.uiowa.edu/palimpsest/vol54/iss1/2 This Article is brought to you for free and open access by the State Historical Society of Iowa at Iowa Research Online. It has been accepted for inclusion in The alP impsest by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. 2 Palimpsest the industry by the turn of the century An Iowan with Buffalo and in 1907 the Ringlings took control of Bill: Charles Eldridge the latter two firms.1 2 With the end of frontier conditions in Griffin in Europe, the late nineteenth century, the American public, now nostalgically viewing the In 1903-1906 dian as a “noble savage,” and craving the raw excitement of a vanishing phase of by their history, flocked to a new variation H. Roger Grant" of the circus, the Wild West show.“ Unlike the circus, the Wild West show featured scenes and events depicting life in the trans-Mississippi West. The first true Since colonial times Americans have Wild West show appeared in 1882 when enjoyed live entertainment. Troupes of William Frederick Cody, “Buffalo Bill, jugglers, aerialists, acrobats, magicians, launched his “Cowboy Fun” extravaganza and clowns have toured the country just in North Platte, Nebraska. -
Diamond Dick” Mcclellan
George B. “Diamond Dick” McClellan 2KANSAS HISTORY DOCTOR DIAMOND DICK Leavenworth’s Flamboyant Medicine Man by L. Boyd Finch ansas was the stage on which a remarkable Evidence of his expertise in self-promotion is found in Victorian-era character strutted for nearly a Wisconsin, Iowa, and Nebraska, as well as in Kansas. Mc- third of a century. George B. McClellan was Clellan enjoyed particular success in Leavenworth in equally at ease in small midwestern cities and 1887–1888. His promotional methods there were memo- K towns, and in the salons of St. Louis and Den- rable; in reporting his accidental death many years later, the ver. He knew the inside of a jail as well as the plush ac- Leavenworth Times did not mention McClellan’s medicines commodations of a private railroad car. One newspaper or his healing techniques; instead, it was his methods of at- writer labeled him “a long-haired quack,” another praised tracting patients that were recounted.2 him for “such wonderful cures in this city and surround- On December 14, 1911, the Kansas City Journal fairly ing country.” He was an itinerant peddler of questionable shouted: “DIAMOND DICK IS DEAD/Picturesque Kansas medical cures, one of hundreds of pitchmen (and a few Character Succumbs to Ry. Accident.” The paper reported: women) who crisscrossed America, usually living on the fringes of society, going wherever they could find cus- George B. McClellan, who advertised himself as “Doc- tomers. Most hawked nostrums with unique names: Indi- tor Diamond Dick” and who was known in every an Sagwa, Seminole Cough Balm, Hindoo Patalka, Ka- Kansas hamlet by his costume, which was copied from that worn by the hero of the old-time “dime Ton-Ka, Modoc Indian Oil. -
The Legacy of John Ringling and the American Circus
University of Massachusetts Boston ScholarWorks at UMass Boston Graduate Masters Theses Doctoral Dissertations and Masters Theses 5-2020 Beyond the Big Top: The Legacy of John Ringling and the American Circus Casey L. Nemec Follow this and additional works at: https://scholarworks.umb.edu/masters_theses Part of the United States History Commons BEYOND THE BIG TOP: THE LEGACY OF JOHN RINGLING AND THE AMERICAN CIRCUS A Thesis Presented By CASEY L. NEMEC Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2020 History Program © 2020 by Casey L. Nemec All rights reserved BEYOND THE BIG TOP: THE LEGACY OF JOHN RINGLING AND THE AMERICAN CIRCUS A Thesis Presented By CASEY L. NEMEC Approved as to style and content by: Vincent J. Cannato, Associate Professor Chairperson of Committee Timothy Hacsi, Associate Professor Member Roberta Wollons, Professor Member Elizabeth McCahill, Program Director History Program Timothy Hacsi, Chair History Department ABSTRACT BEYOND THE BIG TOP: THE LEGACY OF JOHN RINGLING AND THE AMERICAN CIRCUS MAY 2020 Casey L. Nemec, B.A., Florida Gulf Coast University M.A., University of Massachusetts Boston Directed by Professor Vincent J. Cannato Beyond the Big Top: The Legacy of John Ringling and the American Circus is a focused interpretation of the impact of the American circus post-Civil War through present day, most particularly that of circus impresario, corporate magnate, and philanthropist John Ringling, in what was once a quiet Florida fishing village named Sarasota. It is my observation that John Ringling, through moving the winter quarters of the Ringling Brothers and Barnum & Bailey to Sarasota, investing in a sizable amount of real estate, and spearheading a campaign to bring a world-class art museum and school to the area, played a key role in shaping Florida tourism, diversity, expanding cultural awareness, and boosting the local economy. -
Animal Abuse in the United States' Circus Industry: a Comparative Case Study Analysis Paige Noelle Topper James Madison University
James Madison University JMU Scholarly Commons Senior Honors Projects, 2010-current Honors College Fall 2013 Animal abuse in the United States' circus industry: A comparative case study analysis Paige Noelle Topper James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/honors201019 Recommended Citation Topper, Paige Noelle, "Animal abuse in the United States' circus industry: A comparative case study analysis" (2013). Senior Honors Projects, 2010-current. 489. https://commons.lib.jmu.edu/honors201019/489 This Thesis is brought to you for free and open access by the Honors College at JMU Scholarly Commons. It has been accepted for inclusion in Senior Honors Projects, 2010-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Animal Abuse in the United States’ Circus Industry: A Comparative Case Study Analysis _______________________ A Project Presented to the Faculty of the Undergraduate College of Arts James Madison University _______________________ in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science _______________________ by Paige Noelle Topper December 2013 Accepted by the faculty of the Department of Justice Studies, James Madison University, in partial fulfillment of the requirements for the Degree of Bachelor of Science. FACULTY COMMITTEE: HONORS PROGRAM APPROVAL: Project Advisor: Glenn P. Hastedt, Ph.D., Department Head, Justice Studies Barry Falk, Ph.D., Director, Honors Program Reader: Terry D. Beitzel, -
Appendix I P. T. Barnum: Humbug and Reality
APPENDIX I P. T. BARNUM: HUMBUG AND REALITY s a candidate for the father of American show business, Barnum’s Awider significance is still being quarried by those with an interest in social and cultural history. The preceding chapters have shown how vari- ety, animal exhibits, circus acts, minstrelsy, and especially freak shows, owe much of their subsequent momentum to his popularization of these amusement forms. For, while Barnum has long been associated in popular memory solely with the circus business, his overall career as an entertainment promoter embraced far more than the celebrated ringmas- ter figure of present-day public estimation. Barnum saw himself as “the museum man” for the better part of his long show business career, following his successful management of the American Museum from the 1840s to the 1860s. To repeat, for all Barnum’s reputation today as a “circus man,” he saw himself first and foremost as a museum proprietor, one who did much to promote and legitimize the display of “human curiosities.”1 While the emergence of an “American” national consciousness has been dated to the third quarter of the eighteenth century, Barnum’s self- presentation was central to the cultural formation of a particular middle- class American sense of identity in the second half of the nineteenth century (see chapter 1), as well as helping to shape the new show business ethos. Over time, he also became an iconic or referential figure in the wider culture, with multiple representations in cinematic, theatrical, and literary form (see below).Yet was Barnum really the cultural pacesetter as he is often presented in popular biographical writing, not to mention his own self-aggrandizing prose. -
Guide to the PT Barnum Research Collection
Guide to the P.T. Barnum Research Collection (BHC-MS 0001) By Meghan Rinn January 2017 Descriptive Summary Creator: P.T. Barnum; Nancy Fish; Jenny Lind; Charles S. Stratton; M. Lavinia Warren; others Title: P.T. Barnum Research Collection Dates: 1735-1988 [bulk 1830-1921] Quantity: 18 manuscript boxes, 10 oversize drawers Abstract: The P.T. Barnum Research Collection represents archival materials collected by the Bridgeport History Center over the years relating to the life and ventures of P.T. Barnum. Barnum himself was deeply connected to Bridgeport, building four homes there, serving as mayor, and hosting his circus' Winter Quarters in the city. As a result, this collection represents both national and local history. The series in the collection relate to his personal life, the American Museum, Barnum's circus ventures, Jumbo the Elephant, Jenny Lind, and Charles S. Stratton and Lavinia Warren. Each series contains manuscript material including an extensive correspondence series in Barnum’s own hand, programs, tickets, artifacts, illustrations, and photographs, as well as clippings and examples of promotional material in the form of booklets, trading cards, and even paper dolls. This collection is artificial, and has grown over the years. The series themselves were formed by researcher needs, and as such have been kept intact at the time of arrangement. Collection Number: BHC-MS 0001 Language: English Repository: Bridgeport History Center Biographical Information or Administrative History P.T. Barnum Phineas Taylor (P. T.) Barnum was born in Bethel, Connecticut on 5 July, 1810. Barnum’s name is popularly associated with the Barnum & Bailey Greatest Show on Earth, but the circus was only one facet of his career. -
Pennsylvania Postal Historian
May 2011 Whole No. 187 Vol. 39, No. 2 PENNSYLVANIA POSTAL HISTORIAN THE BULLETIN OF THE PENNSYLVANIA POSTAL HISTORY SOCIETY Inside this issue: Unlisted Blood’s Handstamps; Are They Real? Livingston, Wells & Co., Bankers. Paris to West Chester, Pa. French – U. S. American Packet Mail, Mid-1850’s Elephant Wars Wales, Chester County, Pa ? I Do Not Think So… A “Betsy Ross Flag House” Picture Postcard Converted to an Advertising / Distributor Postcard The Reformation and the Dillers; a Physician’s Untimely Death PENNSYLVANIA POSTAL HISTORIAN The Bulletin of the Pennsylvania Postal History Society ISSN – 0894 – 0169 Est. 1974 PENNSYLVANIA POSTAL HISTORIAN The bulletin of the Pennsylvania Postal History Society Published quarterly by the PPHS for its members Volume 39 No. 2 (Whole No. 187) May 2011 APS Affiliate No. 50 Member of the Pennsylvania Federation of Museums and Historical Organizations www.PaPHS.org The PPHS is a non-profit, educational organization whose purposes are to cultivate and to promote the study of t he postal history of Pennsylvania, to encourage the acquisition and preservation of material relevant and necessary to that study, and to publish and to support the publication of such knowledge for the benefit of the public. The views expressed by contributors are their own and not necessarily those of the PPHS, its Directors, Officers, or Members. Comments and criticisms are invited. Please direct your correspondence to the Editor. OFFICERS and DIRECTORS APPOINTED OFFICERS OFFICERS President Richard Leiby, Jr. Historian Editor Norman Shachat 1774 Creek View Dr. 382 Tall Meadow Lane Fogelsville, PA 18051 Yardley, Pa 19067 Secretary Norman Shachat Auctioneer Robert McKain 382 Tall Meadow Lane 2337 Giant Oaks Drive Yardley, PA 19067 Pittsburgh, PA 15241 Treasurer Richard Colberg Publicity To be appointed. -
A Study of Theatrical Entertainments in Northwest Arkansas from Their Beginning Through 1889
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 A Study of Theatrical Entertainments in Northwest Arkansas From Their Beginning Through 1889. Harold Calvin Tedford Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Tedford, Harold Calvin, "A Study of Theatrical Entertainments in Northwest Arkansas From Their Beginning Through 1889." (1965). LSU Historical Dissertations and Theses. 1094. https://digitalcommons.lsu.edu/gradschool_disstheses/1094 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 66—750 TEDFORD, Harold Calvin, 1933- A STUDY OF THEATRICAL ENTERTAINMENTS IN NORTHWEST ARKANSAS FROM THEIR BEGINNING THROUGH 1889. Louisiana State University, Ph.D., 1965 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A STUDY OF THEATRICAL ENTERTAINMENTS IN NORTHWEST ARKANSAS FROM THEIR BEGINNING THROUGH 1889 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Harold Calvin Tedford B.A., Ouachita College, 1954 M.A., University of Arkansas, 1958 August, 1965 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS The writer wishes to express his sincere appreciation to Professor Claude L. -
Elephant Hotel Other Name/Site Nu
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ELEPHANT HOTEL Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Elephant Hotel Other Name/Site Number: N/A 2. LOCATION Street & Number: 335 Route 202 Not for publication: City/Town: Somers Vicinity: State: New York County: Westchester Code: 119 Zip Code: 10589 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): X Public-Local: X District: _ Public-State: _ Site: __ Public-Federal:_ Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 _ buildings _ _ sites _ _ structures 1 _ objects 2 Total Number of Contributing Resources Previously Listed in the National Register: 2 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 ELEPHANT HOTEL Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this x nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property x meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property x meets __ does not meet the National Register criteria.