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Speech by Carolle Brabant, Quebec MBA
QUEBEC MBA ASSOCIATION APRIL 25, 2012 The Canadian audiovisual industry: We mean business Speech delivered by Carolle Brabant, C.P.A., C.A., MBA Executive Director, Telefilm Canada I’d like to thank you for being here today as well as thank the Quebec MBA Association for making culture a part of these lunch-time talks. As an MBA graduate myself, I’m delighted to be able to use this forum to speak to you about a passionate and important industry for the economic and cultural future of Canada: the audiovisual industry. I decided to join this industry over 21 years ago and I’ve never regretted it. It has let me combine my passion for business with my passion for the arts. Every day, I get to work with inspirational, dynamic people who motivate me. 1/24 There’s been much talk of culture in the media these past few weeks as a result of the federal government’s recent budget cuts. But there’s also been much talk about the success garnered by Canadian productions. One need only think of the tremendous box office success enjoyed by Starbuck. It was announced this week that DreamWorks has acquired the remake rights and that Ken Scott would be the director. Then, of course, there’s Monsieur Lazhar, which made it all the way to the Oscars! The Canadian audiovisual industry is a vibrant, active industry that touches us every day through our television screens, at the movies, and increasingly on our computers and phones. It is an industry deserving of our attention, notably because of its contribution to the culture and economy of our country. -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
DOCUMENT RESUME ED 329 218 IR 014 857 TITLE Development Communication Report, 1990/1-4, Nos. INSTITUTION Agency for Internationa
DOCUMENT RESUME ED 329 218 IR 014 857 TITLE Development Communication Report, 1990/1-4, Nos. 68-71. INSTITUTION Agency for International Development (IDCA), Washington, DC. Clearinghouse on Development Communication. PUB DATE 90 NOTE 74p.; For the 1989 issues, see ED 319 394. AVAILABLE FROMClearinghouse on Development Communication, 1815 North Fort Meyers Dr., Suite 600, Arlington, VA 22209. PUB TYPE Collected Works - Serials (022) -- Reports - Descriptive (141) JOURNAL CIT Development Communication Report; n68-71 1990 EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Adult Literacy; *Basic Skills; Change Strategies; Community Education; *Developing Nations; Development Communication; Educational Media; *Educational Technology; Educational Television; Feminism; Foreign Countries; *Health Education; *Literacy Education; Mass Media Role; Public Television; Sex Differences; Teaching Models; Television Commercials; *Womens Education ABSTRACT The four issues of this newsletter focus primarily on the use of communication technologies in developing nations tc educate their people. The first issue (No. 68) contains a review of the current status of adult literacy worldwide and articles on an adult literacy program in Nepal; adult new readers as authors; testing literacy materials; the use Jf hand-held electronic learning aids at the primary level in Belize; the use of public television to promote literacy in the United States; reading programs in Africa and Asia; and discussions of the Laubach and Freirean literacy models. Articles in the second issue (no. 69) discuss the potential of educational technology for improving education; new educational partnerships for providing basin education; gender differences in basic education; a social marketing campaign and guidelines for the improvement of basic education; adaptations of educational television's "Sesame Street" for use in other languages and cultures; and resources on basic education. -
Includes Our Main Attractions and Special Programs 215 345 6789
County Theater 79 PreviewsMARCH – MAY 2012 DAMSELS IN DISTRESS DAMSELS INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTY T HEATER.ORG 215 345 6789 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. How can you support ADMISSION COUNTY THEATER the County Theater? MEMBER General ..............................................................$9.75 Be a member. Members ...........................................................$5.00 Become a member of the nonprofit County Theater and Seniors (62+) show your support for good Students (w/ID) & Children (<18). ..................$7.25 films and a cultural landmark. See back panel for a member- Matinees ship form or join on-line. Your financial support is tax-deductible. Mon, Tues, Thurs & Fri before 4:30 Make a gift. Sat & Sun before 2:30 .......................................$7.25 Your additional gifts and support make us even better. Your Wed Early Matinee before 2:30 ..........................$5.00 donations are fully tax-deductible. And you can even put your Affiliated Theaters Members* .............................$6.00 name on a bronze star in the sidewalk! You must present your membership card to obtain membership discounts. Contact our Business Office at (215) 348-1878 x117 or at The above ticket prices are subject to change. [email protected]. Be a sponsor. *Affiliated Theaters Members Receive prominent recognition for your business in exchange The County Theater, the Ambler Theater, and the Bryn Mawr Film for helping our nonprofit theater. Recognition comes in a variety Institute have reciprocal admission benefits. Your membership will of ways – on our movie screens, in our brochures, and on our allow you $6.00 admission at the other theaters. -
MY INTERNSHIP in CANADA (Guibord S’En Va-T-En Guerre)
MY INTERNSHIP IN CANADA (Guibord s’en va-t-en guerre) Press Kit A political satire by Philippe Falardeau with Patrick Huard Irdens Exantus Clémence Dufresne-Deslières and Suzanne Clément INTERNATIONAL SALES CANADIAN DISTRIBUTION PUBLICITY Sébastien Beffa Sébastien Létourneau Judith Dubeau Films Distribution Les Films Christal IXION Communications +33 1 53 10 33 99 Tél : +1 514 336 9696 +1 514 495 8176 [email protected] [email protected] [email protected] My Internship in Canada synopsis Guibord is an independent Member of Parliament who represents Prescott-Makadewà- Rapides-aux Outardes, a vast county in Northern Quebec. As the entire country watches, Guibord unwillingly finds himself in the awkward position of holding the decisive vote to determine whether Canada will go to war. Accompanied by his wife, his daughter and an idealistic intern from Haiti named Souverain (Sovereign) Pascal, Guibord travels across his district in order to consult his constituents. While groups of lobbyists get involved in a debate that spins out of control, the MP will have to face his own conscience. My Internship in Canada (Guibord s’en va-t-en guerre) is a biting political satire in which politicians, citizens and lobbyists go head-to-head tearing democracy to shreds. My Internship in Canada | September 2015 1 My Internship in Canada cast Steve Guibord Patrick HUARD Suzanne Suzanne CLÉMENT Souverain (Sovereign) Pascal Irdens EXANTUS Lune Clémence DUFRESNE-DESLIÈRES Stéphanie Caron-Lavallée Sonia CORDEAU Prime Minister -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Export Statt Exodus
Bild nur in Printausgabe verfügbar Export statt Exodus Winfried Schumacher | Kleines Land mit großer Kultur: Israels Künstler, Autoren und Filmemacher sind weltweit gefragt. Mit Verve, Chuzpe und Selbst ironie widmen sie sich dem komplizierten Leben in einem von Krieg, Terror und politischen Grabenkämpfen gebeutelten Land. Die Schroffheit und Verletzlichkeit ihrer Alltagshelden kommt auch im Ausland an. Sie feilen an ihren Fingernägeln, kochen Kaffee für den Vorgesetzten, schred- dern nie gelesene Akten und räumen Minenfelder höchstens auf Minesweeper. Die Uniformen der Soldatinnen sitzen schlecht und ihre Knarren sind nichts als lästige Accessoires. Was die israelische Regisseurin Talya Lavie in ihrem Filmdebüt „Zero Motivation“ zeigt, ist gähnende Langeweile in einer Militär- basis. Und doch sorgte die schwarze Komödie in Israel für einen der größten Kinoerfolge der vergangenen Jahre. Keine Kassam-Raketen, keine Konfliktanalysen und schon gar keine Kriegshelden sind in „Zero Motivation“ zu sehen. Mit bösem Witz und mes- serscharfem Blick auf den öden Alltag im Lager beobachtet Lavie das Leben einer Gruppe von Soldatinnen in der Negev-Wüste. Sie zählen die Tage bis 58 IP Länderporträt • 2 / 2016 Export statt Exodus zum Ende ihres Militärdiensts und träumen vom Partyleben in Tel Aviv. Der glorreiche Einsatz für das Land der Väter bedeutet für sie nur das Absitzen von Dienstanweisungen lächerlicher Rangoberer. Wer kein Hebräisch spricht und nie eine israelische Militärbasis von innen gesehen hat – erst recht, wer noch nie in Israel war – wird den Humor eines großen Teiles der Dialoge auch mit englischen Untertiteln nicht ganz verste- hen. Zu vielschichtig und kulturspezifisch ist der Schlagabtausch. Dennoch wurde der Film auf dem Tribeca Film Festival als bester Film ausgezeichnet und erregte das Interesse von BBC America. -
Sesame Street Combining Education and Entertainment to Bring Early Childhood Education to Children Around the World
SESAME STREET COMBINING EDUCATION AND ENTERTAINMENT TO BRING EARLY CHILDHOOD EDUCATION TO CHILDREN AROUND THE WORLD Christina Kwauk, Daniela Petrova, and Jenny Perlman Robinson SESAME STREET COMBINING EDUCATION AND ENTERTAINMENT TO Sincere gratitude and appreciation to Priyanka Varma, research assistant, who has been instrumental BRING EARLY CHILDHOOD in the production of the Sesame Street case study. EDUCATION TO CHILDREN We are also thankful to a wide-range of colleagues who generously shared their knowledge and AROUND THE WORLD feedback on the Sesame Street case study, including: Sashwati Banerjee, Jorge Baxter, Ellen Buchwalter, Charlotte Cole, Nada Elattar, June Lee, Shari Rosenfeld, Stephen Sobhani, Anita Stewart, and Rosemarie Truglio. Lastly, we would like to extend a special thank you to the following: our copy-editor, Alfred Imhoff, our designer, blossoming.it, and our colleagues, Kathryn Norris and Jennifer Tyre. The Brookings Institution is a nonprofit organization devoted to independent research and policy solutions. Its mission is to conduct high-quality, independent research and, based on that research, to provide innovative, practical recommendations for policymakers and the public. The conclusions and recommendations of any Brookings publication are solely those of its author(s) and do not reflect the views of the Institution, its management, or its other scholars. Support for this publication and research effort was generously provided by the John D. and Catherine T. MacArthur Foundation and The MasterCard Foundation. The authors also wish to acknowledge the broader programmatic support of the William and Flora Hewlett Foundation, the LEGO Foundation, and the Government of Norway. Brookings recognizes that the value it provides is in its absolute commitment to quality, independence, and impact. -
Shalom Sesame: a Celebration at Jccs!
energy audits save $$$ | discover@the jcc | shalom sesame: a celebration at JCCs! winter 2011 5771 qruj jcca.org circle Grover: the JCC circle interview insidewinter 2011 5771 qruj www.jcca.org Encouraging Jewish engagement 2 Allan Finkelstein DISCOVER @ THE JCC 4 Transcending fitness Viva Tel Aviv! 10 The other city that never sleeps Israel 2011: A dream come true 14 JCC Maccabi Games and ArtsFest in Eretz Yisrael Five secrets to building a great 18 board-executive relationship With Gary LIpman Nashville Journal: 20 Floodwaters, Gordon JCC rise to the occasion It’s money in the bank 22 Why you ought to have an energy audit now Grover: A world-traveler visits Israel 26 The JCC Circle interview Shalom Sesame and engaging families 28 The premiere is just the beginning Securing professional talent 32 Who will lead your JCC in ten years? For address correction or information about JCC Circle contact [email protected] or call (212) 532-4949. ©2010 jewish community centers association of north america. all rights reserved. 520 eighth avenue | new York, nY 10018 Phone: 212-532-4949 | Fax: 212-481-4174 | e-mail: [email protected] | web: www.jcca.org JCC association of north america is the leadership network of, and central agency for, 350 jewish community centers, YM-YwHas and camps in the United States and canada, that annually serve more than two million users. JCC association offers a wide range of services and resources to enable its affiliates to provide educational, cultural and recreational programs to enhance the lives of north american jewry. JCC association is also a U.S. -
Mon Année Salinger
Présente MON ANNÉE SALINGER Un film de Philippe Falardeau 101 mins, Canada/Ireland, 2020 Langue originale : anglais Doublage et sous-titrage français disponibles Distribution Presse Métropole Films Distribution IXION Communications 5360 Boulevard Saint-LAurent Judith Dubeau Montréal (QC) H2T 1S1 Tel: 514 495-8176 Tel: 514 223 5511 [email protected] www.metropolefilms.com SYNOPSIS New York, 1996. Joanna (Margaret Qualley) est une jeune diplômée en littérature qui veut devenir écrivaine. Mais à peine a-t-elle le temps de poursuivre son objectif qu'elle est embauchée comme assistante dans une agence littéraire renommée mais plutôt traditionnelle. Sa patronne, Margaret (Sigourney Weaver), une femme sévère et intimidante, est l'agente de J.D. Salinger. L'auteur mythique veut publier un livre plus de trente ans après sa dernière parution. Malgré sa longue absence, Salinger reçoit encore des milliers de lettres d’admirateurs qui veulent établir un contact avec lui. Le travail de Joanna consiste alors principalement à leur envoyer la même lettre générique. Mais lorsqu’elle commence à répondre personnellement à certaines de ces lettres, Joanna s’investit émotionnellement. La jeune femme est alors forcée de se questionner sur son avenir : souhaite-t-elle travailler en édition ou devenir écrivaine à part entière? Salinger et ses admirateurs joueront un rôle discret, mais significatif, dans son cheminement. Mon année Salinger (My Salinger Year) est adapté du récit autobiographique de Joanna Rakoff, publié en 2014. Entretien avec le réalisateur Vous avez écrit directement certains de vos longs métrages ainsi que des scénarios adaptés. Mon année Salinger, le mémoire remarqué de Joanna Rakoff, est votre première grande adaptation de livre. -
Yousef Sweid
Yousef Sweid Vizard Europe Evi Bischof Phone: +44 7762 117533 Email: [email protected] Website: www.vizardagency.com © Boaz Arad Information Acting age 32 - 46 years Languages German: medium Height (cm) 176 Arabic: native-language Weight (in kg) 72 English: fluent Eye color brown Hebrew: native-language Hair color Brown Dialects English: only when required Hair length Short Accents Arabic: only when required Stature athletic / training Instruments Piano: basic Place of residence Berlin Flute: basic Sport Athletics Dance Butoh: professional Profession Actor Pitch Tenor Film 2021 Touched Role: MARC Director: Claudia Rorarius Producer: 2Pilots 2018 Tel Aviv on Fire Role: General Yehuda Edelman 2017 American Assassin Role: Khaled 2015 Killing Jesus Role: Joseph Distribution: National Geographic 2013 Omar 2012 Inch‘Allah Role: Faysal 2009 Agora Role: Peter 2006 The Bubble Role: Ashraf (LR) 2004 Walk on Water Role: Rafik Television Vita Yousef Sweid by www.castupload.com — As of: 2021-09-17 Page 1 of 3 2021 Munich Match Role: Oren Zeiher (LR) Director: Philipp Kadelbach Producer: Amusement Park 2021 Die Totenfrau Role: Leading role Director: Nicolai Rohde Producer: Monafilm TV Channel: Netflix 2019 Unorthodox Role: Other roles Director: Maria Schrader TV Channel: Netflix 2019 Baghdad Central Role: Mosuli TV Channel: Channel 4 2019 The Spy Role: George Seif TV Channel: Netflix 2019 Counterpart 2 Role: Nomi's Husband (SR) Director: Charlotte Brandström TV Channel: Starz 2019 False Flag 2 Role: Amir Cohen (LR) 2016 Game Of Thrones Role: Ash TV Channel: HBO 2012 Prisoners of War Role: Abdallah (LR) 2011 Homeland Role: Hasan Ibrahim TV Channel: Showtime Theatre 2019 –… Die Vögel Theatre: Burgtheater Wien 2014 –… Maxim Gorki Role: Leading role 2009 –… Schaubühne Role: Leading role Vita Yousef Sweid by www.castupload.com — As of: 2021-09-17 Page 2 of 3 © Boaz Arad © Boaz Arad © Yousef Sweid Vita Yousef Sweid by www.castupload.com — As of: 2021-09-17 Page 3 of 3. -
Past Film Screenings
Inaugural film: Margaret’s Museum, May 1996 Season 1 1996/1997 Season 5 2000/2001 Antonia’s Line, Sept 1996 East is East, Sept 2000 Lone Star, Oct 1996 New Waterford Girl, Oct 2000 Long Day’s Journey into Night, Nov 1996 Saving Grace, Nov 2000 Big Night, Dec 1996 Stardom, Nov 2000 Celestial Clockwork, Jan 1997 Waydowntown, Jan 2001 Secrets and Lies, Feb 1997 Chocolat, Feb 2001 Breaking the Waves, Mar 1997 Goya in Bordeaux, Mar 2001 Hotel de Love, Apr 1997 Crouching Tiger, Hidden Dragon, Apr 2001 Waiting for Guffman, May 1997 The Widow of St. Pierre, Apr 2001 Season 2 1997/1998 Season 6 2001/2002 Ulee’s Gold, Sept 1997 The Dish, Sept 2001 When The Cat’s Away, Oct 1997 The Closet, October 2001 Fire, Nov 1997 The Golden Bowl, Nov 2001 Shall We Dance, Dec 1997 The Uncles, Nov 2001 The Hanging Garden, Jan 1998 Innocence, Jan 2002 The Sweet Hereafter, Feb 1998 The War Bride, Feb 2002 The Full Monty, Mar 1998 Kandahar, Mar 2002 Ice Storm, Apr 1998 Amelie, Apr 2002 Mrs. Dalloway, May 1998 Bread and Tulips, Apr 2002 Season 3 1998/1999 Gala Opening of the new Galaxy, July 2002 The Governess, Sept 1998 Amelie Smoke Signals, Oct 1998 The Importance of being Earnest Last Night, Nov 1998 Iris The Red Violin, Dec 1998 Atanarjuat Jerry and Tom, Jan 1999 Men in Black II Life is Beautiful, Feb 1999 Elizabeth, Mar 1999 Season 7 2002/2003 Nõ, Apr 1999 Atanarjuat, Sept 2002 Little Voice, May 1999 Baran, Oct 2002 Bollywood/Hollywood, Nov 2002 Season 4 1999/2000 Nuit de Noces, Dec 2002 This Is My Father, Sept 1999 Mostly Martha, Jan 2003 Besieged, Oct 1999 8 Femmes, Jan 2003 Earth, Nov 1999 Rabbit Proof Fence, Mar 2003 Felicia's Journey, Jan 2000 The Pianist, Apr 2003 Happy, Texas, Feb 2000 The Russian Ark, May 2003 XIU-XIU: The Sent Down Girl, Mar 2000 All About My Mother, Apr 2000 Straight Story, Apr 2000 Owen Sound’s Reel Festival 1, Feb 2003 Season 10 2005/2006 Marion Bridge Ladies in Lavender, Sept 2005 Bowling for Columbine Sabah, Oct 2005 Frida Brothers, Oct 2005 Standing in the Shadows of Motown Mad Hot Ballroom, Nov 2005 Far from Heaven Water, Jan 2006 Mrs.