The Ukrainian Weekly 1997, No.50
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UKRAINIAN FOOD JOURNAL 2016 V.5 Is.3.Pdf
ISSN 2313–5891 (Online) ISSN 2304–974X (Print) Ukrainian Food Journal Volume 5, Issue 3 2016 Kyiv Kиїв 2016 Ukrainian Food Journal is an Ukrainian Food Journal – міжнародне international scientific journal that наукове періодичне видання для publishes innovative papers of expert in the публікації результатів досліджень fields of food science, engineering and фахівців у галузі харчової науки, техніки technology, chemistry, economics and та технології, хімії, економіки і management. управління. The advantage of research results Перевага в публікації результатів publication available to students, graduate досліджень надається студентам, students, young scientists. аспірантам та молодим вченим. Ukrainian Food Journal is abstracted and Ukrainian Food Journal індексується indexed by scientometric databases: наукометричними базами: Index Copernicus (2012) EBSCO (2013) Google Scholar (2013) UlrichsWeb (2013) Global Impact Factor (2014) CABI full text (2014) Online Library of University of Southern Denmark (2014) Directory of Research Journals Indexing (DRJI) (2014) Universal Impact Factor (2014) Directory of Open Access scholarly Resources (ROAD) (2014) European Reference Index for the Humanities and the Social Sciences (ERIH PLUS) (2014) Directory of Open Access Journals (DOAJ) (2015) InfoBase Index (2015) Chemical Abstracts Service Source Index (CASSI) (2016) Ukrainian Food Journal включено у перелік наукових фахових видань України з технічних наук, в якому можуть публікуватися результати дисертаційних робіт на здобуття наукових ступенів доктора і кандидата наук (Наказ Міністерства освіти і науки України № 1609 від 21.11.2013) Editorial office address: Адреса редакції: National University Національний університет of Food Technologies харчових технологій Volodymyrska str., 68 вул. Володимирська, 68 Ukraine, Kyiv 01601 Київ 01601 e-mail: [email protected] Scientific Council of the National Рекомендовано вченою радою University of Food Technologies Національного університету recommends the journal for printing. -
The Features of Ukrainian Media Art in a Global Context
IJCSNS International Journal of Computer Science and Network Security, VOL.21 No.4, April 2021 229 The Features of Ukrainian Media Art in a Global Context Tamara O. Hridyayeva 1†, Volodymyr A. Kohut 1††, Maryna I. Tokar2†††, Oleg O. Stanychnov2†††† and Andrii A. Helytovych3††††† 1Lviv National Academy of Arts, Lviv, Ukraine 2Kharkiv State Academy of Design and Arts, Kharkiv, Ukraine 3 Art School n.a. O. Novakivskyi, Lviv, Ukraine Summary In the context of the growing complexity and The article seeks to explore Ukrainian media art and its features in conflictogenity of media, the self-actualization of art and a global context. In particular, it performs an in-depth analysis of creativity of both an individual artist and an individual the stages of its development from video art of the 1990s, media national art is a certain existential challenge. Modern media installations of the 2000s, and to various digital and VR culture is a space in which numerous innovative technologies today. Due to historical circumstances, the experiences rapidly emerge and new opportunities for development of media art was quite rapid, as young artists sought to gain new experience in media art. Most often, their experience creativity and advanced levels of knowledge arise. was broadened through international cooperation and studying Accordingly, considering Ukrainian media art in the context abroad. The paper analyzes the presentation of Ukrainian media of its presentation on the world art platform, it seems art outside the country during 1993-2020 and distinguishes the relevant to discuss to what extent it aligns with the global main thematic areas of the artists’ work. -
Festival D'in(Ter)Vention Z, Audio — Performance — Vidéo — Radio Art Interzone Uébec
Document generated on 09/29/2021 6:28 a.m. Inter Art actuel Interzone Festival d’in(ter)vention 7 Number 55-56, Fall 1992, Winter 1993 URI: https://id.erudit.org/iderudit/1098ac See table of contents Publisher(s) Les Éditions Intervention Explore this journal Cite this document (1992). Interzone : festival d’in(ter)vention 7. Inter, (55-56), 105–140. Tous droits réservés © Les Éditions Intervention, 1993 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FESTIVAL D'IN(TER)VENTION Z, AUDIO — PERFORMANCE — VIDÉO — RADIO ART INTERZONE UÉBEC EDITE U R INTERZONE Festival d'ln(ter)vention 7 INTERZONE 20 au 25 octobre 1992, Québec Production : Nathalie PERREAULT, Richard MARTEL LES ARTISTES : ALGOJO) (ALGOJO : Éric LÉTOURNEAU, Martine H. CRISPO (Québec), Collaboration : Pierre-André ARCAND (Québec), Anna BANANA (Canada), Guy DURAND, Claire GRAVEL, TimBRENNAN (Angleterre), Eugene CHADBOURNE (États-Unis), Richard MARTEL, Yvan PAGEAU, DOYON/DEMERS (Québec), Bartoloméo FERRANDO (Espagne), Sonia PELLETIER, Clive ROBERTSON, Giovanni FONTANA (Italie), Jean-Yves FRECHETTE (Québec), les artistes. Louis HACHÉ (Québec), Kirsteen JUSTESEN (Danemark), Itsvan KANTOR Monty CANTSIN AMEN (Québec), Correction et révision : Cécile BOUCHARD Benoît LACHAMBRE (Québec), Sandra LOCKWOOD (Canada), Alastair MacLENNAN (Irlande), Sandy McFADDEN (Canada), Correction de l'anglais : Otto MESZAROS (Tchécoslovaquie), Jerzy ONUCH (Canada), Mono DESGAGNÉ Ahasiw K. -
Surname Range - Finn - Flemming
Friends of Dundee City Archives – Howff Graveyard of Dundee – FDCA 2010 Surname Range - Finn - Flemming First Other Surname Burial Age Birthplace Occupation Cause of Death Relationship Last Address Names Cemetery Finn Agnes 17 Aug 1824 3 wk Dundee Old Howff Finn Agnes 5 Feb 1843 11 mth Dundee Teething dau of David Finn, Sailor Finn Andrew 10 Oct 1794 Finn Ann 5 Dec 1776 Finn Ann 3 May.. 1816 Finn David 18 Jan 1831 6 wk Dundee Measles Finn Elizabeth 23 Jan 1831 60 Dundee Asthma Finn Margaret 11 Mar 1845 17 Dundee Nervous fit dau of late William Finn, Packer Bucklemaker Wynd Finn Elizabeth 20 Oct 1818 Finn Mary 4 Oct 1817 Finn Owen 31 Oct 1847 21 King's County Labourer Fever Foundry Lane Finn Rose Ann 2 Feb 1852 2 mth Dundee Small Pox dau of Edward Finn, Labourer Peddie's Close, Overgate Finn Jean 9 Feb 1782 Finn Helen 12 Jan 1826 65 Dundee Consumption Old Howff Finn (Begg) James Lapper See Ann Begg Finn (Davidson) Jean 20 Nov 1832 42 Dundee Bursting of a Blood Wife of John Davidson Vessell Finn (McCulloch) Catharine 15 Jul 1849 49 Dundee Cholera Wid of James McCulloch, Labourer Guthrie's Close, Overgate Finnan Mary 10 Jun 1846 13 mth Dundee Small Pox dau of Francis Finnan, Labourer Dudhope Street Finnan Cathatine 19 Jan 1851 2 Dundee Croup dau of Patrick Finnan, Labourer Dudhope Street Finnan (Taylor) Thomas Tidewaiter See Jane Taylor Finnegan Mary 11 Mar 1847 9 mth Dundee ChinCough dau of John Finnegan, Lamp North Tay Street Lighter Finnegan Edward 9 Nov 1833 85 Ireland Late Soldier Old Age Croft Finnen Francis 3 Jan 1847 3 mth Dundee -
The Promotion of Art and Culture in Central Eastern Europe 1St CEI
The Promotion of Art and Culture in Central Eastern Europe 1st CEI VENICE FORUM Venice, 9-10 June 2003 Main Lecture Hall, Academy of Fine Art of Venice, Dorsoduro 1050 Monday 9 June 2003: 3pm-6pm Tuesday 10 June 2003: 9.30am-1pm and 2.30pm-6pm Programme Monday 9 June 2003 Main Hall of the Academy of Fine Arts of Venice Session starts at 3pm, Working language: english 15.00 - 15.15 Registration (outdoor desk, Academy of Fine Arts courtyard) INTRODUCTION 15.15 - 16.00 Welcome speech by: -Prof. Riccardo Rabagliati - Director of Academy of Fine Arts -Amb. Harald Kreid - Director General of CEI Executive Secretariat -Dr. Enrico Tantucci - Chief Editor Trieste Contemporanea magazine SESSION 1: Assessing the role of networks & networking in the promotion of contemporary art and culture 16. 00 - 17.45 Open Debate with focus presentations on relevant experiences Sub-sections/guidelines: -Defining network e networking -Current practices in international networkorking and cooperation I_CAN, Jerzy Onuch (Director, CCA Founadtion Kiev, Ukraine) -Coproduction: available models and tools Mucsarnok, Julia Fabenyi (Director, Mucsarnok, Budapest, Hungary) -Funding opportunities and curatorial independence Report on Belarus, Inna Reut (I-Gallery, Minsk; Belarus) 17.45 - 18.00 Closing remarks for day 1 -Summary of debate -Agenda for following day -Registration of participants to Session 2 - Working Group -Info and details for the evening 20.00 Meeting in Campo San Maurizio for dinner Restaurant: DA MARIO, San Marco 2614 Tel 041 5285968 Tuesday 10 June 2003 -
Pci Brch Winter 2014 Pr
350 350 FIFTH SUITE 4621 AVENUE, WWW.POLISHCULTURE-NYC.ORG NEW 10118 YORK, NY POLISH CULTURAL INSTITUTE NEW YORK wi Nter/spriNg/2014 pci-NY wiNter / spriNg 2014 FiLM 2-9 fiLM seasoN 2014 art 10-17 PAWEŁ aLtHaMer at tHe New MuseuM Music 18-23 UNsouND FestiVaL New YorK 2014 32-35 GENeratioN '70 Literature & HuMaNities 24-29 ADaM MicHNiK at peN worLD Voices 30-31 BooKeXpo aMerica 2014 aBout us 36 PoLisH cuLturaL iNstitute New YorK LOGO FINAL C=0, M=100, Y=100, K=0 and black k=100 Pantone chip 73-1 letter from the director We ring in 2014 celebrating the success of Poland's democratic transformation, with the belief that our accomplishments thus far may inspire our neighbors and friends whom we join in solidarity, as the world joined us in solidarity, when we took our first steps toward building an open democratic society. In times of remarkably dynamic technological, political, and social change, culture and art mark the horizon that allows us to imagine a future that is both new and anchored in history. The Polish Cultural Institute New York will not remain on the sidelines, but will take up this change, inviting our followers to join us in a series of particularly interesting events for the first half of the year. The beginning of the season unveils the extraordinary presence of Polish cinema on the programs of several important New York institutions. We open in January at the New York Jewish Film Festival with director Paweł Pawlikowski’s Gdynia Film Festival winner, Ida, a work that surprised us all with its way of revealing the personal experience of the heroine who is saved from the Holocaust. -
Performance Art Context R
Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles -
Download 2000 7A*11D Poster (PDF)
International Festival of Performance Art 2000 October 25 to November 5 Festival Hotline 416.822.3219 Strangeways Clive Robertson (Kingston) SU-EN Butoh Co. (Sweden) Vida Simon (Montreal) Steve Venright (Toronto) BODY+BLOOD, PICTURE+SOUND <<Videodrome>> Stefanie Marshall (Toronto) Ingrid Z (Toronto) Ben Patterson (US/Germany) Stephen Rife (USA) Prognosis Miss Barbra Fisçh (Toronto) James Luna [Luiseño] Shawan Johnston (Toronto) Mischelle Kasprzak (Toronto) Flicker, Skip, Moan Mike Stevenson (Toronto) Lisa Deanne Smith (Toronto) Jubal Brown (Toronto) Karma Clarke Davis (Toronto) Performances Zöe Stonyk (Toronto) Sylvain Breton (Toronto) Lance McLean (Toronto) Public Spaces / Private Places presented by FADO John Porter (Toronto) otiose (UK) Leena Raudvee (Toronto) Jerzy Onuch (Poland/Ukraine) Pam Patterson (Toronto) Tagny Duff (Vancouver) Christine Carson (Toronto) Master Class 5 Jessica Lertvilai (Toronto) And Terril Calder (Toronto) Jill Orr (Australia) Will Kwan (Toronto) S. Higgins (Toronto) October 25 October 27 Festival Kick Off 8 pm James Lunas (Luiseño) $10 YYZ American Indian Study’s 8 pm 401 Richmond St. W. Workman Theatre, 1001 Queen St.W. book launch for Live at the End of the Century performance by otiose YYZ gallery opening. October 28 Artist Talk:James Luna 2 pm Innis College Town Hall,2 Sussex Ave. October 26 & 27 Jill Orr(Australia) Presence 8 pm Pam Patterson/ John Porter (Toronto) LeenaRaudvee (Toronto) Remember Rings 9:30 pm Passing 1 to 4 pm Art System,327 Spadina Ave. 401 Richmond St.W. Main Hallway October 26 October 30 Steve Venright (Toronto) Jerzy Onuch (Poland/Ukraine) T.V.I.Reality Check Between Us 7:30 pm for an update on current location and SU-EN Butoh Co. -
Karen Adams for New Toronto Ratepayers Comments
GL16.6.46 From: New Toronto Rate Payers To: councilmeeting Cc: Karen Adams Subject: Comments for 2020.GL16.6 on October 27, 2020 City Council Date: October 26, 2020 1:30:07 PM Attachments: New Toronto Ratepayers Association letter to City Council.docx New Toronto Ratepayers Petition opposing purchase of 29502970 Lake Shore for a shelter.pdf New Toronto Ratepayers Association_Petition Signatures 1_Opposition to Shelter at 2950 and 2970 Lake Shore Blvd. West_September 2020.pdf New Toronto Ratepayers Association_Petition Signatures 2_Opposition to Shelter at 2950 and 2970 Lake Shore Blvd. West_September 2020.pdf To the City Clerk: Please add the attached comments to the agenda for the October 27, 2020 City Council meeting on item 2020.GL16.6, Co-location of Housing and Service Integration at 2950 and 2970 Lake Shore Boulevard West I understand that these comments and the personal information in this email will form part of the public record and that my name will be listed as a correspondent on agendas and minutes of City Council or its committees. Also, I understand that agendas and minutes are posted online and my name may be indexed by search engines like Google. Sincerely, Karen Adams for New Toronto Ratepayers Comments: To City Council As residents and business owners of New Toronto, we strongly oppose the locations at 2950 & 2970 Lake Shore Boulevard West, at the main commercial intersection in New Toronto, for use as a shelter. While we do not dispute the need for shelter beds in Ward 3, or anywhere else in the City of Toronto, and recognize the need to support the marginalized and vulnerable populations in our City especially during the pandemic, we are overwhelmingly united as a community in opposition to a shelter in the heart of New Toronto’s small commercial strip. -
[Western] Ukrainian Media Art of the Late 1980S and Early 1990S VOL
ESSAY Transgressions and the Search for New Meaning [Western] Ukrainian Media Art of the late 1980s and early 1990s VOL. 105 (MAY 2020) BY BOHDAN SHUMYLOVYCH Video art as a conscious practice appeared in Lviv, the biggest city in Western Ukraine, in 1993. Artworks produced that year became the quintessence of the artistic processes of the late 1980s and early 1990s, when the Ukrainian SSR painfully but irrevocably turned into Ukraine. It is not surprising that critics have noted that art of that time was dictated by a need for transgression. Artworks produced in Lviv in 1993 showed artists rethinking the role of the work of art and its relationship with the ‘social body’, and in many works we can observe the process of transformation or transgression, most starkly apparent in video. This essay is an attempt to retrace and rethink the transgressive character of Ukrainian video art. Video Art and Medium Specificity Art historian Oliver Grau has indicated that in order to work with current media phenomena it is essential to understand history: “The present image revolution, which indeed uses new technologies and has also developed a large number of so far unknown visual expressions, cannot be conceived of without our image history.”1 But when we consider European image history, we also encounter certain incongruities. Periodization of art history, and the emergence and medium specificity of video, has been understood differently in different parts of Europe. Marita Sturken acknowledged this:2 The assumption that the aesthetics of video is a direct result of its properties leads us into technologically determinist terrain yet again. -
Foreign Consular Offices in the United States
United States Department of State Foreign Consular Offices in the United States Winter/Spring2016 STATE DEPARTMENT ADDRESSEE *IF YOU DO NOT WISH TO CONTINUE RECEIVING THIS PUBLICATION PLEASE WRITE CANCEL ON THE ADDRESS LABEL *IF WE ARE ADDRESSING YOU INCORRECTLY PLEASE INDICATE CORRECTIONS ON LABEL RETURN LABEL AND NAME OF PUBLICATION TO THE OFFICE OF PROTOCOL, DEPARTMENT OF STATE, WASHINGTON, D.C. 20520-1853 DEPARTMENT OF STATE PUBLICATION 11106 Revised April 25, 2016 ______________________________________________________________________________ For Sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 FOREIGN CONSULAR OFFICES IN THE UNITED STATES ii PREFACE This publication contains a complete and official listing of the foreign consular offices in the United States, and recognized consular officers. Compiled by the U.S. Department of State, with the full cooperation of the foreign missions in Washington, it is offered as a convenience to organizations and persons who must deal with consular representatives of foreign governments. It has been designed with particular attention to the requirements of government agencies, state tax officials, international trade organizations, chambers of commerce, and judicial authorities who have a continuing need for handy access to this type of information. Trade with other regions of the world has become an increasingly vital element in the economy of the United States. The machinery of this essential commerce is complicated by numerous restrictions, license requirements, quotas, and other measures adopted by the individual countries. Since the regulations affecting both trade and travel are the particular province of the consular service of the nations involved, reliable information as to entrance requirements, consignment of goods, details of transshipment, and, in many instances, suggestions as to consumer needs and preferences may be obtained at the foreign consular offices throughout the United States. -
The Enlightenment of Jean-Baptiste-Louis Gresset, Léger-Marie Deschamps, and Simon-Nicolas-Henri Linguet
‘TOUCHSTONES OF TRUTH’: THE ENLIGHTENMENT OF JEAN-BAPTISTE-LOUIS GRESSET, LÉGER-MARIE DESCHAMPS, AND SIMON-NICOLAS-HENRI LINGUET DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mircea Alexandru Platon, M.A. Graduate Program in History The Ohio State University 2012 Dissertation Committee: Dr. Dale K. Van Kley, Adviser Dr. Alice Conklin, Adviser Dr. Nicholas Breyfogle Copyright Mircea Alexandru Platon 2012 ABSTRACT My dissertation, “ ‘Touchstones of Truth’: The Enlightenment of J.-B.-L. Gresset, L.-M. Deschamps, and S.-N.-H. Linguet,” focuses on three key but little studied opponents of the philosophes. I argue that the writer Jean-Baptiste-Louis Gresset (1709- 1777), the philosopher Léger-Marie Deschamps (1716-1774), and the lawyer and political theorist Simon-Nicolas-Henri Linguet (1736-1794) opposed the philosophes in the name of a set of universally valid principles against what they took to be the philosophes' superficial, self-serving, and haphazard politicization of language, philosophy and the social sciences. These three intellectuals warned that such politicization fostered economic, political, and intellectual inequality as well as cultural alienation, thereby undermining the Enlightenment’s own vision of a world of self-emancipated human beings and pushing France in the direction of a violent revolution. Gresset supported a “civic republican” political economy of virtue, and warned about the dangers of the consumer culture fostered by the philosophes. The roots of his cultural criticism lay in moral and political concerns that found expression in a patriotic discourse stressing the importance of social “harmony” and the common good while rejecting any temptation to belong to a “party.” In this spirit, Gresset defended the “ancient constitution” against idle monks, royal or ministerial despotism, parlementarian rebellion, and the philosophes.