Rules with Contextually Scoped Negation
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Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Bad for Good William D
Bad For Good William D. Routt Beyond good and evil [1] Even before Tim Burton made a movie based on his life, almost everyone knew two things about Edward D. Wood, Jr. The first was that he directed "the worst movie ever made", Plan 9 From Outer Space (1956). The second was that he was a transvestite. The two things seem to be linked in some way - or, at least, they often crop up together, as they did just now. And, when you think about it, that is strange.[2] But then, reactions to Ed Wood do tend towards the strange. I remember when I first saw Plan 9. It was on television. In fact, I cannot imagine seeing an Ed Wood movie anywhere else but on television; they were made-for-TV, direct-to-video, before such forms were invented. It was late at night (of course). I was tired and the experience was a hallucinatory one. The film did not seem to have a plot. It opened with "Criswell Predicts", for God's sake! Now and then there were shots of Bela Lugosi stalking with his cape over his eyes (not Lugosi at all, as I later learned) and Vampira staring through creepy branches and Tor Johnson menacing with his arms raised and his mouth open. Cadillac hubcaps (or paper plates or plastic models - anyhow, not flying saucers) spinning across the sky. A tremendous amount of stock footage. Meandering pointless dialogue. Nothing happened: it was a movie of pure effect. For years afterward I described this film of my imagining, whose title I had forgotten, to people who were not interested. -
Trace Beaulieu and Frank Conniff (“The Mads” From
July 1, 2020 FOR IMMEDIATE RELEASE Contact: Chris Gersbeck | [email protected] | 718-986-8267 Trace Beaulieu And Frank Conniff (“The Mads” From Mystery Science Theater 3000) Announce Livestream Screening Of Ed Wood’s Glen Or Glenda Portion of Proceeds to Benefit NAACP Empowerment Programs Trace Beaulieu and Frank Conniff, known to fans of the cult TV series Mystery Science Theater 3000 as “Dr. Clayton Forrester” and “TV’s Frank” respectively, have announced a special livestream screening of Ed Wood’s Glen or Glenda on Tuesday, July 21 @ 8pm ET, with the two comedians (collectively known as “The Mads”) riffing over the 1953 dud. The show will mark Beaulieu & Conniff’s first time performing together this year, after The Mads’ 2020 tour dates were cancelled due to COVID-19. Tickets are on sale now for $10. “If you’ve been social distancing yourself from Glen or Glenda, Trace and I are giving the all-clear to watch this classic film,” said Conniff. “Of all the movies we’ve riffed, from MST3K to Cinematic Titanic and our own live shows, this is our favorite. Join us!” The Mads Are Back: Glen or Glenda will broadcast live via a private YouTube link that will be sent to ticket purchasers an hour prior to showtime. A percentage of the proceeds from the event will benefit NAACP Empowerment Programs, who engage primarily in training, education, and advocacy at the national and local levels. Mystery Science Theater 3000 has its roots in Minneapolis, when it premiered on local affiliate KTMA-TV (now WUCW) on November 24, 1988. -
I Look at This Slush and Try to Remember — at One Time I Made Good
54 SHOWGIRLS, TEEN WOLVES AND ASTRO ZOMBIES HOLY WOOD! Growing up, we were always a family of movie-watchers. When my mum passed away in 2006, I devoted my only Empire editorial to how her guiding me through early screenings of The Wizard Of Oz and Psycho greatly informed my appreciation of how cinema could be artistic, scary and funny all at once. Her simple advice — ‘If a movie doesn’t grab you within 10 minutes, it’s probably not going to’ — similarly has stuck with me, both as a reviewer and a would-be scriptwriter. Dad’s appreciation of movies was less theoretical but also resonant. Two decades of watching war movies with the retired army reservist — ‘Look at that, walking on a ridge in silhouette!’ was a favourite, followed by a machine-gun noise to indicate he’d just killed all of our heroes — bred an intolerance for flagrant inauthenticity. It was also Dad, who as a salesman for publishers Harper & Row, one night brought home J. Hoberman and Jonathan MARCH Rosenbaum’s fantastic 1983 book Midnight Movies, which expanded my film reading beyond Famous Monsters, Starlog and Fangoria and opened my eyes to — and created an appetite for — the alternative cinema of George Romero, John Waters, David Lynch and Ed Wood. A year later, through his connections, Dad put me forward for a ‘Kids rate the movies’ feature in the Sydney Morning Herald. My 300-word review, of an Aussie flick called Street Hero, wasn’t exactly Pauline Kael calibre (‘The only fault I could pick, in my opinion, is that some scenes are a little unrealistic …’) but it was a start and definitely helped chart my course. -
Glbt Resources by Topic
GLBT Resource List Sexual Minorities - Summary: Explore the crucial issues facing the GLBT population in their struggle for acceptance in contemporary America! 10 Smart Things Gay Men Can Do to Find Real Love – Summary: The author of the best-selling 10 Smart Things Gay Men Can Do to Improve Their Lives turns his attention to the burning question of love. 50 Ways to Support Lesbian and Gay Equality: The Complete Guide to Supporting Family, Friends, Neighbors or Y ourself - Summary: Homosexuality has been politicized. But when the issue hits home, whether it involves a family member, colleague, or neighbor who's gay, all that controversy fades in the face of a real, live person who wants and deserves basic human rights and freedoms. Accepting Ourselves and Others: A Journey into Recovery from Addictive and Compulsive Behaviors for Gays, Lesbians and Bisexuals - Summary: in a fully revised and expanded second edition. accepting ourselves & others examines recovery as it affects gay lesbian, and bisexual people, as well as their friends, families, and therapists. the authors address the relationship between substance abuse and being in a sexual minority, as well as the impact of anxiety, depression sexual abuse and learning disabilities. Addressing Homophobia and Heterosexism on College Campuses - Summary: This book presents an integrated approach toward changing attitudes about lesbian, gay, bisexual, and transgendered (LGBT) students, faculty, and staff on contemporary college campuses. The Advocate College Guide for LGBT Students - Summary: Shane L. Windmeyer, national LGBT campus authority and founder of Campus Pride, has created the first comprehensive guide that lists the best 100 colleges and universities for lesbian, gay, bisexual and transgender (LGBT) students. -
Cultural Borrowings: Appropriation, Reworking, Transformation
Blank Page A Scope e-Book Cultural Borrowings: Appropriation, Reworking, Transformation Edited by Iain Robert Smith Published by: Scope: An Online Journal of Film and Television Studies, 2009 Copyright: Scope: An Online Journal of Film and Television Studies ISBN 978-0-9564641-0-1 Cover Design: Iain Robert Smith Photo Credits: Benjamin Miller and Bart Everson Table of Contents Notes on Contributors .................................................................................. i Acknowledgements ................................................................................... iv Foreword: Scope‘s Tenth Anniversary ........................................................... v Mark Gallagher and Julian Stringer Introduction .............................................................................................. 1 Iain Robert Smith 1 Part I: Hollywood Cinema and Artistic Imitation Exploitation as Adaptation ........................................................................... 8 I.Q. Hunter The Character-Oriented Franchise: Promotion and Exploitation of pre-sold characters in American film, 1913-1950 ...................................................... 34 Jason Scott Novelty through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1983-2007 .................................................... 56 Stijn Joye Part II: Found Footage and Remix Culture A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet ........................................................................................... -
Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
2020 110 Pablo Gómez Muñoz A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Departamento Filología Inglesa y Alemana Director/es Deleyton Alcalá, Celestino © Universidad de Zaragoza Servicio de Publicaciones ISSN 2254-7606 Tesis Doctoral A BETTER WORLD? COSMOPOLITAN STRUGGLES IN TWENTY-FIRST CENTURY SCIENCE FICTION CINEMA Autor Pablo Gómez Muñoz Director/es Deleyton Alcalá, Celestino UNIVERSIDAD DE ZARAGOZA Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Tesis Doctoral A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Autor Pablo Gómez Muñoz Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras Departamento de Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es CONTENTS Acknowledgments vii Abstract/Resumen xi Introduction 1 Chapter 1. Transnational Science Fiction and Discourses on Cosmopolitan Conflicts 11 1.1. Beyond the Nation: New Approaches to the Study of Cinema and Science Fiction 11 1.1.1. Defining Transnational Cinema 13 1.1.2. Transnational Science Fiction Film 15 1.2. Towards a Critical Cosmopolitan Turn in the Study of Science Fiction Cinema 20 1.2.1. Critical Cosmopolitanism: The Methodological and Normative Dimensions 20 1.2.2. Connecting Cosmopolitanism and Science Fiction: The Modern/Colonial Complex 24 1.2.3. Epistemological Borders as Cosmopolitan Method 30 1.3. Approaching and Analyzing Science Fiction Cinema from a Critical Cosmopolitan/Border Perspective 34 1.3.1. Critical Cosmopolitanism and Western(-ized) Films 35 1.3.2. Generic Galaxies: Science Fiction Films as Complex Systems 38 1.3.3. -
Guide to the Ed Wood, Jr. Collection, 1966-2006. Collection Number: 7779
Guide to the Ed Wood, Jr. Collection, 1966-2006. Collection Number: 7779 Division of Rare and Manuscript Collections Cornell University Library Contact Information: Compiled Date EAD Date Division of Rare and Manuscript by: completed: encoding: modified: Collections RMC Staff October 2012 Anne Jones, Anne Jones, 2B Carl A. Kroch Library April 2012 April 2013 Cornell University Ithaca, NY 14853 (607) 255-3530 Fax: (607) 255-9524 [email protected] http://rmc.library.cornell.edu © 2012 Division of Rare and Manuscript Collections, Cornell University Library DESCRIPTIVE SUMMARY Title: Ed Wood, Jr. collection, 1966-2006. Collection Number: 7779 Creator: Wood, Edward D.(Edward Davis) Quantity: Forms of Material: Books, Magazines, Print outs, Placards, Poster. Repository: Division of Rare and Manuscript Collections, Cornell University Library Abstract: Pulp novels written anonymously and under various pseudonyms of the legendary psycho-sexual author and film-maker, Ed Wood, Jr., collected by pulp scholar Robert Legault (1950 to 2008). In addition, magazines, reference materials, posters and other ephemera. Language: Collection material in English BIOGRAPHICAL NOTE Edward Davis Wood, Jr. (October 10, 1924 to December 10, 1978), better known as Ed Wood, was an American screenwriter, director, producer, actor, author, and editor, who made a number of low-budget genre films and published pulp novels under various names. Ed Wood's fiction is as strange, idiosyncratic and out of step with his times and mores as his infamous movies. His novels inter-splice erotic segments with lengthy philosophical, sociological and psychological discourse. Rudolph Grey's biography "Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr." (1992) and Tim Burton's biopic "Ed Wood," which earned two Academy Awards, brought attention to his life and work. -
Textuality, Extratextuality, and Intention in `Ed Wood Films? After Plan 9 from Outer Space
Bartlett, B. (2019) Madman, genius, hack, auteur?: Intertextuality, extratextuality, and intention in `Ed Wood films? after Plan 9 From Outer Space. Continuum, (doi:10.1080/10304312.2019.1677979) There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201651/ Deposited on: 14 November 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Madman, genius, hack, auteur?: Intertextuality, extratextuality, and intention in ‘Ed Wood films’ after Plan 9 From Outer Space (Becky Bartlett) Edward D. Wood, Jr’s position as a ‘romantic’ cult auteur (Sexton & Mathijs 2012, 68) was initially established in the 1980s, and has since been solidified through repetition in academic and fan-authored literature, as well as other exegetic texts including Tim Burton’s biopic Ed Wood (1994), adapted from Rudolf Grey’s excellent, and far more comprehensive, biography Nightmare of Ecstasy (1992). Through these texts and others, the ‘character’ of Wood (Routt 2001, 2) has been constructed as a sympathetic outsider, a ‘unique’ auteur with a distinctive vision. He is also, as is well known, the ‘worst director of all time,’ having been awarded the title after his fourth directorial feature, Plan 9 From Outer Space (1959) was voted the ‘worst film of all time’ in a readers’ poll for The Golden Turkey Awards (Medved and Medved 1980). On the surface, these identities might seem incompatible. Andrew Sarris proposes ‘technical competence’ as the first criterion through which auteur status is established, because a ‘great director has to be at least a good director’ (Sarris 2000, in Sitney 2000, 132). -
A New Queer Trinity: a Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: the Chicago LGBTQ+ International Film Festival
A New Queer Trinity: A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: The Chicago LGBTQ+ International Film Festival DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jessica L. Hey, MA, BA Graduate Program in Arts Administration, Education and Policy The Ohio State University 2017 Dissertation Committee: James H. Sanders III, Advisor Shari M. Savage Deborah L. Smith-Shank Copyright by Jessica L. Hey 2017 ABSTRACT This doctoral study concerns itself with the visual representations of The Chicago LGBTQ+ International Film Festival (a.k.a. Reeling) with specific attention paid to their marketing campaign materials, as exemplified by the annually created festival POSTER. It is my aim to situate these posters alongside the historical contexts of queer identity, socio- political advocacy, and LGBTQ+ cinema. This analysis will navigate the 36-year period of the festival organization’s existence, providing key, in-depth interrogations into the decades, images, and trends both visual and narrative. My unpacking and theoretical discussions of the festival’s visual culture has been informed by the practices of semiotics and film genre theory. These methods were employed to answer the primary research question: How have the POSTER advertisements, as visual signifiers for The Chicago LGBTQ+ International Film Festival, symbolized their organization’s mission, represented queer identities, and engaged with the politically -
Arianas %Rietnrs Micronesia's Leading Newspaper Since 1972 ~ Evvs Workers May Lose Benefit Bill to Make Workers Re~Ponsible for Medical Bills up to Gov
arianas %rietnrs Micronesia's leading Newspaper Since 1972 ~ evvs Workers may lose benefit Bill to make workers re~ponsible for medical bills up to Gov. By Zalcly Dan'dan avoid any equal protection prob • Non prescription medication Variety News Staff lems. and drug A CONTROVERSIAL bill that As passed by both houses of the • Preexisting conditions at the would make employers no longer Legislature, S.B. I 0-4 allows time of recruitment responsible for the medical costs employers to deduct the cost of • Activities outside the scope of of their alien workers was passed health insurance premiums from employment and off the premises, by the House of Representatives their alien workers, even if the including barracks, of the em Friday, and now heads to Gov. deductions reduce the worker's ployer Froilan C. Tenqrio for his sign~ net pay below the applicable mini In justifying its provisions, S.B. ture. mum wage. I 0-4 states that the medical costs The House legal counsel has Under _the legislation, the em for the alien workers are continu said that Senate Bill 10-4 may ployer will no longer be respon ally increasing due to current law violate federal law, a view shared sible for the following medical holding employer:, responsible for by some members of the House costs of an alien worker: medical related expenses of alien leadership. • Dental care workers "24 hours a However, the Senate legal coun • Pregnancy and childbirth day ... regardless of the nature of sel in a memo dated March 26, • Routine physical exam (other the activity .. -
Quiero Chupar Tu Sangre: a Comparison of the Spanish-And English-Language Versions of Universal Studios' Dracula (1931)
Journal of Dracula Studies Volume 9 2007 Article 4 2007 Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Robert Harland Mississippi State University Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Harland, Robert (2007) "Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931)," Journal of Dracula Studies: Vol. 9 , Article 4. Available at: https://research.library.kutztown.edu/dracula-studies/vol9/iss1/4 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Cover Page Footnote Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish-language horror movies, one of which is Drácula. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol9/ iss1/4 Quiero chupar tu sangre: A Comparison of the Spanish- and English- language versions of Universal Studios’ Dracula (1931) Robert Harland [Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish- language horror movies, one of which is Drácula.] While the English-language version of Dracula (Dir.