List of Composers from the Répertoire of Notre-Dame De Paris

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List of Composers from the Répertoire of Notre-Dame De Paris

Liste des compositeurs du répertoire List of composers from the de Notre-Dame de Paris. Répertoire of Notre-Dame de Paris. Le Jour Mondial de l’Orgue s’inscrivant dans les 850 The World Organ Day is part of the 850th ans de la cathédrale Notre-Dame de Paris, nous anniversary of Notre-Dame de Paris cathedral, souhaitons que dans la mesure du possible, chaque therefore we wish that whenever possible, each concert comporte au moins une œuvre d’orgue du concert includes at least one piece of work from the répertoire de la cathédrale. Ces œuvres pouvant organ repertoire of the cathedral. These works can d’ailleurs associer orgue, chœurs et instruments. A also include choirs and instruments with the organ. cet effet, vous trouverez ci-dessous une liste de You will find a list of organ composers from Notre- compositeur pour orgue de Notre-Dame de Paris. Dame de Paris below. Compositeurs pour orgue Annexe : Compositeurs non-exhaustifs de la Organ Composers maîtrise si vous souhaitez programmer des Charles RACQUET 1618 - 1659 œuvres supplémentaires. Antoine CALVIERE 1730 - 1755 Appendix : Non-exhaustive list of composers for the choir if you wish to play additional pieces Armand-Louis COUPERIN 1755 - 1789 from the Répertoire. Louis-Claude DAQUIN 1755 - 1772 fin XIIème siècle Magister Albertus Parisiensis Claude-Bénigne BALBASTRE 1760 - 1793 end of XIIth century Nicolas SEJAN 1772 - 1793 LEONIN 1192-1210 vers / around : Jean-Jacques BEAUVARLET PEROTIN 1783 - 1793 1200 - 1230 CHARPENTIER vers / around : Philippe LE CHANCELIER Gervais-François COUPERIN 1789 - 1793 1217 - 1230 Félix DANJOU 1840 - 1847 XIIIème siècle Robert de SABILLON Louis VIERNE 1900 - 1937 XIIIth century XIIIème siècle Léonce de SAINT-MARTIN 1937 - 1954 FRANCON de Paris XIIIth century Pierre COCHEREAU 1955 - 1984 Antoine BRUMEL 1498 - 1500 Yves DEVERNAY 1985 - 1990 XVIème siècle Abraham BLONDET Olivier LATRY 1985 - XVIth century Henry FREMART 1625 - 1640 Jean-Pierre LEGUAY 1985 - Jean VEILLOT 1640 - 1643 François COSSET 1643 - 1646 Valentin de BOURNONVI LLE 1646 - 1653 Pierre ROBERT 1653 - 1663 André CAMPRA 1694 - 1700 Jean-François LALLOUETTE 1700 - 1727 Jean-François LESUEUR 1786 - 1787 Pierre DESVIGNES 1802 - 1827 XIXème siècle Charles VERVOITTE XIXth century Félix DANJOU 1840 - 1847 XXème siècle Louis VIERNE XXth century XXème siècle Léonce de SAINT MARTIN XXth century XXème siècle Pierre COCHEREAU XXth century Jean-Pierre LEGUAY 1985 - .

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Ofmusic PROGRAM
GUEST ARTIST RECITAL OLIVIER LATRY, Organ Tuesday, February 21, 2012 7:00 p.m. Edythe Bates Old Recital Hall and Grand Organ ~herd RICE UNIVERSITY Sc~ol ofMusic PROGRAM Cortege et litanie Marcel Dupre (1886-1971) ,._ Petite Rapsodie improvisee Charles Tournemire (1870-1939) L'Ascension Olivier Messiaen Majeste du Christ demandant sa gloire a son Pere (1908-1992) Alleluias sereins d 'une ame qui desire le ciel Transports de Joie d 'une ame Priere du Christ montant vers son Pere INTERMISSION Trois danses JehanAlain Joies (1911-1940) Deuils Luttes Improvisation Olivier Latry Olivier Latry is represented by Karen McFarlane Artists, Inc. .. The reverberative acoustics of Edythe Bates Old Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHY Olivier Latry, titular organist of the Cathedral ofNotre-Dame in Paris, is one of the world's most distinguished organists. He was born in 1962 in Boulogne-sur-Mer, France, and began his study ofpiano at age 7 and his study of the organ at age 12; he later attended the Academy ofMusic at St. Maur-des-Fosses, studying organ with Gaston Litaize. From 1981 until 1985 Olivier Latry was titular organist ofMeaux Cathedral, and at age 23 he won a competition to become one of the three titular organists of the Ca thedral ofNotre-Dame in Paris. From 1990 until 1995 he taught organ at the Academy ofMusic at St. Maur-des-Fosses, where he succeeded his teacher, Gaston Litaize. Since 1995 he has taught at the Paris Conservatory, where he has succeeded Michel Chapuis.
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PIERRE COCHEREAU: a LEGACY of IMPROVISATION at NOTRE DAME DE PARIS By
PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS By ©2019 Matt Gender Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ______________________________ Chairperson: Michael Bauer ______________________________ James Higdon ______________________________ Colin Roust ______________________________ David Alan Street ______________________________ Martin Bergee Date Defended: 05/15/19 The Dissertation Committee for Matt Gender certifies that this is the approved version of the following dissertation: PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS _____________________________ Chairperson: Michael Bauer Date Approved: 05/15/19 ii ABSTRACT Pierre Cochereau (1924–84) was the organist of Notre Dame Cathedral in Paris and an improviser of organ music in both concert and liturgical settings. He transformed the already established practices of improvising in the church into a modern artform. He was influenced by the teachers with whom he studied, including Marcel Dupré, Maurice Duruflé, and André Fleury. The legacy of modern organ improvisation that he established at Notre Dame in Paris, his synthesis of influences from significant figures in the French organ world, and his development of a personal and highly distinctive style make Cochereau’s recorded improvisations musically significant and worthy of transcription. The transcription of Cochereau’s recorded improvisations is a task that is seldom undertaken by organists or scholars. Thus, the published improvisations that have been transcribed are musically significant in their own way because of their relative scarcity in print and in concert performances. This project seeks to add to this published collection, giving organists another glimpse into the vast career of this colorful organist and composer.
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ALEXANDER, JOHN DAVID, D.M.A. a Study of the Influence of Texts From
ALEXANDER, JOHN DAVID, D.M.A. A Study of the Influence of Texts from the Liber Usualis on Three Improvised French Organ Works by Marcel Dupré, Charles Tournemire, and Olivier Latry. (2020) Directed by Welborn Young and André Lash. 82 pp. Improvisation has played a vital role in the French school of organ playing over the last several centuries, both in sacred and secular settings. Within the context of Catholic masses in France, the majority of the music played by the organists is improvisational. Much of the thematic material of these improvisations comes from the service music contained in the Liber Usualis. This document explores the treatment of these themes from the Liber Usualis, particularly focusing on the impact of the text of each chant on three works by Marcel Dupré, Charles Tournemire, and Olivier Latry, three of the leading improvisateurs of the twentieth and twenty-first century. Studying published reconstructions of their improvisations based on themes from the Liber Usualis gives insight into their respective improvisational languages and the affect created by a thorough knowledge of the text of each Liber Usualis theme used. Following an introduction, a chapter is dedicated to each composer and his work: Marcel Dupré’s Symphonie-Passion, Charles Tournemire’s Choral-Improvisation sur le ‘Victimae Paschali,’ and Olivier Latry’s Salve Regina. Each of these chapters contains brief biographical information about the composer, an overview of the instrument on which the original improvisation was performed, a description of each work, and how the chant is incorporated into each. The final chapter contains a comparison of the three works, reexamining the impact of the chant text on rhythm, registration, dynamics, form, and texture.
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Olivier Latry Organ
Wednesday, April 15, 2009 · 7:30 PM OLIVIER LATRY ORGAN Prelude and Fugue in E-flat Major, Op. 99, No. 3 Camille Saint-Saëns (1835-1921) Choral No. 2 in B minor César Franck (1822-1890) Symphonie Gothique, Op. 70 Charles-Marie Widor (1844-1937) Andante sostenuto Symphonie No. 1, Op. 14 Louis Vierne (1870-1937) Allegro vivace Final INTERMISSION Deuxième Fantaisie Jehan Alain (1911-1940) Salve Regina (U.S. Premiere) Olivier Latry (b. 1962) Gregory Purnhagen, baritone This recital is made possible in part by generous support from the New York City Chapter of the American Guild of Organists. __________________________ Please turn off all cellular phones, wristwatch alarms, and beepers. Taking photographs and making recordings of this concert are strictly prohibited. Church of St. Ignatius Loyola 980 Park Avenue at 84th Street, New York City · Notes on the Program · Camille Saint-Saëns (1835-1921) was born and raised in Paris by his mother and great-aunt who provided him his first keyboard instruction at the piano. Considered a child prodigy, he began studies in organ, composition and orchestration at the Paris Conservatoire in 1848. Appointed as organist to l’Eglise de la Madeleine in 1857, Franz Liszt apparently heard him improvise there and proclaimed him to be the greatest organist in the world. Indeed, among the most beloved and well-known symphonic works is his Third “Organ” Symphony, with its famed C major chord resonating as the most glorious moment shared by organ and orchestra in the entire repertory. His Prelude and Fugue in E-flat major is the third of Op.
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OCTOBER 2019 the Church of the Redeemer Chestnut Hill
THE DIAPASON OCTOBER 2019 The Church of the Redeemer Chestnut Hill, Massachusetts Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN RAéL PRIETO RAM°REZ ^^d/E,/E> 2019 W®ÙÙ^͘çWÊÄã &®ÙÝãWÙ®þt®ÄÄÙ >ÊÄ¦óÊÊ'ÙÄÝ /ÄãÙÄã®ÊÄ½KÙ¦Ä ÊÃÖã®ã®ÊÄ ò®½½®Äã«h͘^͘ ¦®ÄÄ®Ä¦®ÄÝçÃÃÙ JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 10, The Gruenstein Award Whole No. 1319 Last month’s issue unveiled our OCTOBER 2019 new S. E. Gruenstein Award, Established in 1909 honoring the founder and fi rst edi- Stephen Schnurr ISSN 0012-2378 tor of The Diapason. Nominations 847/954-7989; [email protected] are being accepted through January www.TheDiapason.com An International Monthly Devoted to the Organ, 31, 2020, recognizing the scholarly the Harpsichord, Carillon, and Church Music work of a young author who has not advertising inquiries, please contact Jerome Butera (jbutera@ reached her or his 35th birthday as of sgcmail.com; 608/634-6253). The deadline for listings and CONTENTS January 31, 2020. advertising is November 1. FEATURES Submissions must be original Olivier Messiaen Competition: Church of research and essays by the author, In this issue St.
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Récital D'orgue
Récital d'orgue MERCREDI 8 JANVIER 2020 20H PIERRE COCHEREAU Boléro sur un thème de Charles Racquet, pour orgue et percussions* (15 minutes environ) MARCEL DUPRÉ Symphonie no 2 en ut dièse mineur op. 26 1. Preludio : Allegro agitato 2. Intermezzo : Très modéré 3. Toccata : Très animé – Più lento – A tempo (20 minutes environ) - Entracte - PHILIPPE HERSANT Les Cloches d’Orléans (commande de Radio France, création mondiale) (13 minutes environ) JULIUS REUBKE Grande Sonate en ut mineur « sur le Psaume 94 » 1. Grave – Larghetto 2. Allegro con fuoco 3. Adagio – Lento 4. Allegro (Fugue) – Allegro assai (26 minutes environ) YVES CASTAGNET orgue GABRIEL BENLOLO et HERVÉ TROVEL percussions* Ce concert, présenté par Arnaud Merlin, est diffusé en direct sur France Musique. Il est disponible à l'écoute sur francemusique.fr PIERRE COCHEREAU 1924-1984 et exige tant de l’organiste que des percussionnistes une rythmique d’airain, un souffle aussi canalisé qu’inépuisable. Sous les voûtes de Notre-Dame, la Boléro sur un thème de Charles Racquet, présence mêlée de l’orgue et des percussions est phénoménale : on conçoit l’authentique et passionnant défi consistant à faire revivre cet hypnotique pour orgue et percussions Boléro dans l’acoustique – un autre monde en termes de résonance – de Improvisé en mai 1973 à Notre-Dame de Paris, avec Michel Gastaud et Michel Cals aux percussions. l’Auditorium de Radio France. Transcrit par Jean-Marc Cochereau. Publié en 1996 aux éd. Chantraine (Tournai). Interprète majeur et génial improvisateur, Pierre Cochereau n’a laissé que peu d’œuvres écrites : Trois Variations sur un thème chromatique, Micro-So- nate en trio, Thème et variations sur « Ma jeunesse a une fin », Symphonie posthume, Paraphrase de la Dédicace.
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PS08 27 Olivier Latry OK IMPRESSION
20 SEPT ———— 4 OCT 08 N°27 mercredi 1er octobre 20h30 Église Saint-Paul Olivier Latry, orgue Olivier MESSIAEN La Nativité du Seigneur (1935) 63ʼ Neuf méditations pour orgue 1er fascicule I. La Vierge et lʼEnfant II. Les Bergers III. Desseins Éternels 2ème fascicule IV. Le Verbe V. Les Enfants de Dieu 3ème fascicule VI. Les Anges VII. Jésus accepte la souffrance VIII. Les Mages 4ème fascicule IX. Dieu parmi nous Fin du concert : 21h40 Concert dédié à la mémoire de Marcel Rudloff, maire de Strasbourg de 1983 à 1989 Les DNA, partenaire de Musica, parrainent ce concert À propos du concert Organiste titulaire à Notre-Dame de Paris, Olivier Latry est le plus convaincant des interprètes dʼOlivier Messiaen dont il a enregistré lʼintégrale de lʼœuvre pour orgue. Né en 1962, Olivier Latry a rencontré Messiaen en 1986 alors quʼil donnait sa Nativité à Notre-Dame ; Messiaen ne sʼétait pas annoncé, mais il lʼattendait à lʼissue du concert… Cette même Nativité, Messiaen lʼinvita à la jouer à lʼÉglise de la Trinité pour ses quatre-vingts ans, lui faisant parvenir préalablement un programme de répétition détaillé et ses propres annotations. De ces rencontres est née une amitié, mais aussi une connaissance intime de lʼœuvre, de son inspiration, de ses secrets, et bien sûr un partage dʼune valeur inestimable, dʼinterprète à interprète. La Nativité du Seigneur est certainement la plus populaire et la plus fréquemment jouée de lʼauteur. Elle lui fut inspirée par la majesté des montagnes dʼIsère, autant que par les vitraux multicolores du Moyen Âge. Œuvre dʼune première maturité – Messiaen nʼavait que vingt-six ans quand il la compose – elle a renouvelé profondément lʼécriture pour orgue « à une époque où César Franck représentait le summum du modernisme.
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MARCH, 2007 First Church in Oberlin, United
THE DIAPASON MARCH, 2007 First Church in Oberlin, United Church of Christ Oberlin, Ohio Cover feature on pages 30–31 recording artist) as well as performances series: March 18, Bach birthday con- of Buxtehude’s organ and choral works cert; April 22, Eastertide concert; May THE DIAPASON by David Rothe and Scarlatti sonatas 20, members of the Santa Barbara AGO A Scranton Gillette Publication played on harpsichord, fortepiano, mod- chapter. For information: Ninety-eighth Year: No. 3, Whole No. 1168 MARCH, 2007 ern piano and organ by Robert Bowman. <www.trinitysb.org>. Established in 1909 ISSN 0012-2378 Bowman will also lead a performance of J. S. Bach’s Musical Offering. For infor- The Cathedral of the Madeleine, An International Monthly Devoted to the Organ, mation: <[email protected]>. Salt Lake City, continues its music the Harpsichord, the Carillon and Church Music series: March 18, Founders Day concert The Church of St. Ignatius Loy- (Pärt, Berliner Mass; Rachmaninov, ola, New York City, continues its music Vespers); May 18 and 20, The series: March 14, Michel Bouvard; May Madeleine Festival Concert (Bernstein CONTENTS Editor & Publisher JEROME BUTERA [email protected] 10, Paul Halley, Andrew Henderson, and Ives). For information: 847/391-1045 and Renée Anne Louprette, works for <www.saltlakecathedral.org>. FEATURES organ, piano, and harpsichord by Paul Daniel Pinkham (1923–2006): Halley. The choir and orchestra are fea- The Church of the Covenant, A Memoir tured on March 28, music of Wagner Cleveland, Ohio, has announced its by James McCray 20 Associate Editor JOYCE ROBINSON [email protected] and Mendelssohn (Symphony No.
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Johann Vexo Choir Organist at the Cathedral of Notre-Dame, Paris
Johann Vexo Choir Organist at the Cathedral of Notre-Dame, Paris Organist at the Cathedral in Nancy may 2, 2014 at 7:30pm olrbrooklyn.org/organ-recitals-in-new-york-city maurice duruflé 1902 –1986 about johann vexo Prelude, adagio et choral varié sur Veni Creator, Op. 4 Born in 1978 in Nancy, Johann Vexo studied organ with Christophe Mantoux, Prélude et fugue sur le nom d’Alain, Op. 7 historical music with Martin Gester and harpsichord with Aline Z Ylber Ajch Scherzo, Op. 2 at the Conservatoire à Rayonnement Régional of Strasbourg, where he was Suite, Op. 5 awarded first organ prize. Prélude Sicilienne After being admitted to the Johann Vexo Toccata Conservatoire National Supérieur de Musique of Paris, he perfected his studies with Michel Bouvard and Olivier Latry, The use of electronic recording devices is not permitted. and won the first organ prize and the first basso continuo prize. In parallel, he took Please silence your cell phones during the performance. writing classes, winning the harmony and counterpoint prizes. In 2004, Johann Vexo was granted the position of organist for the Choir Organ of the Cathedral of Notre-Dame de Paris. Since 2009, he is also organist of the Cathedral of Nancy. He holds the Aptitude Certificate and teaches organ at the Conservatoire à Rayonnement Régional of Angers and at the European Music Masterclasses in Nancy. He is also regularly invited to perform many concerts and to give master-classes, both in France and abroad (Europe, USA, Canada, Russia). Johann VEXO has recorded several CDs on historical french organs, especially one for JAV recordings on the great organ of Notre-Dame de Paris.
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Titres Des Articles Auteurs 1971 001-005 Abrégé Chronologique De L
Anné Numéro Titres des articles Auteurs e et page 1971 001-005 Abrégé chronologique de l histoire de l Etat civil en France DERREUMAUX Edm. 1971 001-006 Un registre paroissial intéressant à TOUFFLERS DERREUMAUX Edm. 1971 001-009 A propos de quelques familles de LINSELLES et environs LEDUC Michel 1971 001-018 Patron. de consonn. franç. ds DER DEUTSCHE HUGENOTT MEREAUX Pierre Fr. 1972 002-007 Au sujet de qq plaques funér.en l égl. de St Piat à RONCQ HORENT Ph. 1972 002-010 Sur la descendance de certains corsaires boulonnais du XVIII°s LEPOUTRE Robert 1972 002-016 Inventaire sommaire intéressant de MERVILLE aux ADN DIERICKX Raymond 1972 002-022 L Etat civil parisien aux Archives de la SEINE 1972 002-023 Archives, biblioth. et centres de docum.hist.du Nord de la France DOUXCHAMPS Hervé 1972 003-002 Généalogie du peintre valenciennois Antoine WATTEAU LEVEUGLE M. 1972 003-007 Inventaire somm. intéress. de Merville aux Archives du Nord DIERICKX Raymond 1972 003-014 Sources généalogiques en Belgique FREZIN Paul 1972 003-017 Plats d offrande aux armes DELEVALLéE VANOYE BONIFACE François 1972 003-022 Archives, biblioth. et centres de docum.hist.du Nord de la Fr. DOUXCHAMPS Hervé 1972 004-002 Av le marq.de WAVRIN disp. une des dern. mais.de Flandre Wallonne DELESALLE Chr. 1972 004-006 La Capacité Héraldique aux Pays Bas français SALLE du Lys (de le 1972 004-013 La famille LIENART LALLEMANT Albert 1972 005-005 Comment rechercher ses ancêtres PARDON Jean Michel 1972 005-010 Famille des REVEAULX DERREUMAUX Edm.
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Copyright © 2012 Anna Pan All Rights Reserved. the Southern Baptist
Copyright © 2012 Anna Pan All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION __________________ A Dissertation Presented to the faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements of Doctor of Musical Arts __________________ by Anna Pan December 2012 APPROVAL SHEET CÉSAR FRANCK AS A PIVOTAL FIGURE IN THE REVITALIZATION OF FRENCH ORGAN MUSIC AFTER THE REVOLUTION Anna Pan Read and Approved by: __________________________________________ Thomas W. Bolton (Chair) __________________________________________ Janet E. Hamilton __________________________________________ Gregory Brewton Date _______________________________ To my deceased father, my mother, and Père et Mère Thomas W. Bolton for their unceasing love, prayers, and support. TABLE OF CONTENTS Page PREFACE . vi Chapter 1. INTRODUCTION . 1 Thesis . 2 Historical Background . 5 Methodology . 10 Related Literature . 11 Definition of Terms . 16 Need of Study . 16 2. EFFECTS OF THE FRENCH REVOLUTION ON THE STATE, THE CHURCH, AND ORGAN MUSIC . 18 The State . 18 The Church . 29 Organ Music . 38 3. POST-REVOLUTIONARY DEVELOPMENTS LEADING TO THE RECOVERY OF FRENCH ORGAN MUSIC . 48 Political and Governmental Factors . 48 The Status of the Church . 50 iv Chapter Page Organ Restoration and Construction . 51 Organ Demonstrations and Inaugurations . 56 Alexandre Pierre François Boëly . 56 Educational Developments . 59 The Choron School . 64 The Niedermeyer School . 69 4. THE LIFE AND WORKS OF CÉSAR FRANCK . 75 Early Years . 75 The Influence of Aristide Cavaillé-Coll .
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The Cavaillé-Coll Organ of Notre Dame De Paris
The Cavaillé-Coll Organ of Notre Dame de Paris The great organ finds its voice once more. Patricia Stoughton After six months of restoration work, the great organ of Notre-Dame de Paris found Saxe, who was resident organist from its voice once more at the opening ceremony of the 850th anniversary celebrations 1415 - 1436. Olivier Latry writes that of the cathedral on December 12, 2012. A Pontifical Mass was conducted by Cardinal de Saxe’s “nomination by competition André Vingt-Trois of Paris in the presence of the Minister of the Interior, Manuel Valls, gives us an idea of his job description.” and the Mayor of Paris, Bernard Delanoë. And once again the sound of this magnifi- It entailed playing for the twenty-three cent organ filled the cathedral. annual religious festivals, and for all ser- vices from Vespers to a Great Mass. The In addition, as part of the 850th an- The first great or- niversary celebrations, the organ will gan was built during be at the heart of Le jour Mondial de the thirteenth cen- l’Orgue - World Organ Day - on May 6, “a tury. There are no ex- world-wide musical marathon”, organ- isting records of the ized by Notre-Dame cathedral involving first organists to have the performance of more than 850 con- played the instru- certs. Organists from all five continents ment but in 1330 the will play works spanning nearly nine cathedral accounts centuries from some of the famous No- mention the payment tre-Dame composers, including Gervais- of fees to an organist.
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