James E. Brady
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Central America
Zone 1: Central America Martin Künne Ethnologisches Museum Berlin The paper consists of two different sections. The first part has a descriptive character and gives a general impression of Central American rock art. The second part collects all detailed information in tables and registers. I. The first section is organized as follows: 1. Profile of the Zone: environments, culture areas and chronologies 2. Known Sites: modes of iconographic representation and geographic context 3. Chronological sequences and stylistic analyses 4. Documentation and Known Sites: national inventories, systematic documentation and most prominent rock art sites 5. Legislation and institutional frameworks 6. Rock art and indigenous groups 7. Active site management 8. Conclusion II. The second section includes: table 1 Archaeological chronologies table 2 Periods, wares, horizons and traditions table 3 Legislation and National Archaeological Commissions table 4 Rock art sites, National Parks and National Monuments table 5 World Heritage Sites table 6 World Heritage Tentative List (2005) table 7 Indigenous territories including rock art sites appendix: Archaeological regions and rock art Recommended literature References Illustrations 1 Profile of the Zone: environments, culture areas and chronologies: Central America, as treated in this report, runs from Guatemala and Belize in the north-west to Panama in the south-east (the northern Bridge of Tehuantepec and the Yucatan peninsula are described by Mr William Breen Murray in Zone 1: Mexico (including Baja California)). The whole region is characterized by common geomorphologic features, constituting three different natural environments. In the Atlantic east predominates extensive lowlands cut by a multitude of branched rivers. They cover a karstic underground formed by unfolded limestone. -
Martin Künne Y Matthias Strecker INTRODUCCION De Todas Las Manifestaciones Culturales Que Han Dejado Los Indígenas De México
Martin Künne y Matthias Strecker INTRODUCCION De todas las manifestaciones culturales que han dejado los indígenas de México y de América Central, los grabados y pinturas rupestres han recibido la menor atención. Aunque las representaciones rupestres pertenecen a los monumentos arqueológicos más visibles, solo raras veces se las incluyó en investigaciones sistemáticas. Desde los primeros informes y noticias de la mitad del siglo XIX se dejó su documentación a menudo a aficionados e investigadores autodidactas. De la misma manera se nota que tampoco la literatura especializada actual toma en cuenta las representaciones rupestres de la región. A pesar de que el recién editado "Handbook of Rock Art Research" (Whitley 2001) comprende cuatro regiones americanas, faltan completamente Mesoamérica y América Central. Por otro lado podemos constatar que muchas documentaciones e informes sobre el arte rupestre centroamericano han sido parciales y hacen difícil una visión del conjunto. Sus enfoques se limitan normalmente a perspectivas descriptivas. Solamente algunas tienen también carácter analítico (A. Stone 1995). Entre los pocos compendios que mencionan representaciones rupestres de México y de América Central están las publicaciones "Rock Art Studies: News of the World I" (Bahn y Fossati 1996) y "Arte Prehistórico de América" (Schobinger 1997). Nuestro libro tiene carácter bibliográfico. Su propósito es ser una guía para la búsqueda de fuentes de información y ofrecer una introducción al estudio sistemático del arte rupestre en el oriente de México y en Centroamérica; ampliando y actualizando la publicación anterior "Rock Art of East Mexico and Central America" (Strecker 1979). Se dirige tanto a especialistas, estudiantes y aficionados como a propietarios o indígenas quienes asuman el rol de "custodios naturales" de sitios con representaciones rupestres. -
A New Reading Proposal for the Water Scroll Sign T579 As YAM
Glyph Dwellers Report 63 November 2019 A New Reading Proposal for the Water Scroll Sign T579 as YAM Jens Rohark Cancún, Mexico The hieroglyph listed as T579 (Fig. 1a) in the Thompson (1962) catalog and ZUP in the catalog of Macri and Looper ( 2003), is only seldom attested in Maya hieroglyphic writing. Basically, it occurs in only few secure contexts: 1) as part of the emblem glyph of Altun Ha and its place name (Fig. 1b-d); 2) as part of the emblem glyph of Topoxte (Fig. 1.f), 3) in context of a female nominal phrase with the logogram EK' (Fig. 1g), 4) designating the name of a mountain, SAK-T579-wi-WITZ, (Fig. 1h), and 5) as part of the nominal phrase of a wahy being formerly known as "water-jaguar" (Fig. 1i). There are also some examples of T579 in fragmentary inscriptions, where the contexts are, however, not clear (Fig. 1j, k). So far, the most comprehensive study about the glyph T579, which is also known as the 'Water Scroll' Sign, has been published by Helmke, Guenter, and Wanyerka (2018). Their excellent article focuses on the appearances of the Water Scroll emblem glyph, which is associated with the Altun Ha royal family, and, as they argue, stresses the importance of Altun Ha despite of the seemingly small size of that site. The authors briefly mention the possible phonetic reading of the glyph as follows: "... in the absence of a fuller understanding of the semantics of this sign, we are not yet closer to proposing a decipherment. Yet, the iconography does, however, make it clear that the sign marks bodies of water, perhaps specifically freshwater, and may, in fact, represent a wave" (Helmke, Guenter and Wanyerka 2018: 115). -
Archaeological Investigations at Holmul, Petén, Guatemala Preliminary Results of the Third Season, 2002
FAMSI © 2003: Francisco Estrada-Belli Archaeological Investigations at Holmul, Petén, Guatemala Preliminary Results of the Third Season, 2002 With contributions by Britta Watters, John Tomasic (Vanderbilt U.) Katie South (S. Illinois U.), Chris Hewitson (English Heritage), Marc Wolf (T.A.M.S.), Kristen Gardella (U. Penn.), Justin Ebersole, James Doyle, David Bell, Andie Gehlhausen (Vanderbilt U.), Kristen Klein (Florida State U.), Collin Watters (Western Illinois, U.), Claudio Lozano Guerra-Librero (Anphorae), Jena DeJuilio, Shoshuanna Parks (Boston U.), Raul Archila, Luis Salazar, Mynor Silvestre, Mario Penados, Angel Chavez, Enrique Monterroso (USAC, CUDEP). Research Year: 2002 Culture: Maya Chronology: Late Pre-Classic to Classic Location: Petén, Guatemala Sites: Holmul, Cival, Hahakab and La Sufricaya Table of Contents Introduction Methodology Synopsis of the 2002 season results Discovery of Hahakab Other Explorations in the Holmul area Mapping at Holmul Excavations within Holmul site center Group 13 Group III, Court A Group III, Court B South Group 1 Salvage excavations at K’o Investigations at La Sufricaya Summary of excavations in Str. 1 Imaging of the La Sufricaya Murals 1-3 Conservation of Murals Summary of excavations in Stelae 4, 5, 6, 8 Residential buildings at La Sufricaya Investigations at Cival Conclusions and future research directions Acknowledgements List of Figures Sources Cited Appendix A. Ceramics Appendix B. Drawings Appendix C. Epigraphy Introduction The present report summarizes the results of the 2002 field season of the Holmul Archaeological Project at Holmul, Petén and at the sites of Cival, Hahakab and La Sufricaya in its vicinity (Figure 1). This field season was made possible thanks to funding from the National Geographic Society, Vanderbilt University, the Ahau Foundation, FAMSI, Interco, as well as permits extended by IDAEH of Guatemala. -
Aproximación a La Conservación Arqueológica En Guatemala: La Historia De Un Dilema
86. AP RO X IMACIÓN A LA CON S ERVACIÓN a r qu e o l ó g i c a e n gU a t e m a l a : LA HI S TORIA DE U N DILEMA Erick M. Ponciano XXVIII SIMPO S IO DE IN V E S TIGACIONE S AR QUEOLÓGICA S EN GUATEMALA MU S EO NACIONAL DE AR QUEOLOGÍA Y ETNOLOGÍA 14 AL 18 DE JULIO DE 2014 EDITOR E S Bá r B a r a ar r o y o LUI S MÉNDEZ SALINA S LO R ENA PAIZ REFE R ENCIA : Ponciano, Erick M. 2015 Aproximación a la conservación arqueológica en Guatemala: la historia de un dilema. En XXVIII Simpo- sio de Investigaciones Arqueológicas en Guatemala, 2014 (editado por B. Arroyo, L. Méndez Salinas y L. Paiz), pp. 1053-1064. Museo Nacional de Arqueología y Etnología, Guatemala. APROXIM A CIÓN A L A CONSERV A CIÓN A RQUEOLÓGIC A EN GU A TEM A L A : L A HISTORI A DE UN DILEM A Erick M. Ponciano PALABRAS CLAVE Guatemala, recursos culturales, conservación, época prehispánica. ABSTRACT Guatemala has many archaeological sites from pre-colombian times. This characteristic creates a paradoji- cal and complex situation to Guatemala as a society. On one side, there exists a feeling of proud when sites like Tikal, Mirador or Yaxha are mentioned, but on the other side, also exits uncertainty on private lands due to the fear for expropriation from the State when archaeological sites occur in their terrain. Different forms for cultural preservation are presented and how this has developed through time in Guatemala. -
Izapa, Takalik Abaj, Kaminaljuyú Y San Bartolo:Iconografía Sobrenatural
KinKaban, N° 4 (jul 2013-jun 2014), pp. 1-14 ISSN: 2007-3690 Revista electrónica del ceic m Recibido: 13/marzo/2014 Centro de Estudios Interdisciplinarios de las Culturas Mesoamericanas, A.C. Aceptado: 12/mayo/2014 IZAPA, TAK’ALIK AB’AJ, KAMINALJUYU Y SAN BARTOLO: ELEMENTOS ICONOGRA FICOS Dossier DEL MUNDO SOBRENATURAL MAYA (texto) Rafael E. Villaseñor M. CEICUM Sinopsis A lo largo y ancho del territorio mesoamericano aparecen elementos que dan cuenta de las diferencias culturales entre los diversos pueblos que lo han habitado por milenios; no obstante, también se encuentran aquellos que demuestran la existencia de una continuidad que se extiende no sólo en el tiempo sino territorialmente y a través de las fronteras internas de Mesoamérica. En este sentido, existen algunos casos como el Dios del maíz que se exhibe temprano en la iconografía olmeca y de ahí se desarrolla hasta convertirse en el Dios bufón de los mayas, según lo expone Virginia Fields (1991). De la misma manera, se tienen en los monumentos de Izapa, así como en los de varias ciudades mayas de época temprana, tales como Tak’alik Ab’aj, Kaminaljuyú y San Bartolo, repre- sentaciones de unidades básicas en las imágenes, que muestran la concepción del mundo y de lo sobrenatural, que perduraron a lo largo del tiempo, llegando en algunos casos hasta la Colonia misma. Este artículo tiene como objeto principal exponer algunos casos concretos que exhiben tales elementos en los monumentos de las ciudades referidas. Abstract Along the Mesoamerican territory there are elements that account for cultural differences among the various peo- ples who have inhabited it for millennia; nevertheless, there are, as well, those that prove the existence of a con- tinuum which extends not only over time but territorially and across the inner frontiers of Mesoamerica. -
Understanding the Archaeology of a Maya Capital City Diane Z
Research Reports in Belizean Archaeology Volume 5 Archaeological Investigations in the Eastern Maya Lowlands: Papers of the 2007 Belize Archaeology Symposium Edited by John Morris, Sherilyne Jones, Jaime Awe and Christophe Helmke Institute of Archaeology National Institute of Culture and History Belmopan, Belize 2008 Editorial Board of the Institute of Archaeology, NICH John Morris, Sherilyne Jones, George Thompson, Jaime Awe and Christophe G.B. Helmke The Institute of Archaeology, Belmopan, Belize Jaime Awe, Director John Morris, Associate Director, Research and Education Brian Woodye, Associate Director, Parks Management George Thompson, Associate Director, Planning & Policy Management Sherilyne Jones, Research and Education Officer Cover design: Christophe Helmke Frontispiece: Postclassic Cao Modeled Diving God Figure from Santa Rita, Corozal Back cover: Postclassic Effigy Vessel from Lamanai (Photograph by Christophe Helmke). Layout and Graphic Design: Sherilyne Jones (Institute of Archaeology, Belize) George Thompson (Institute of Archaeology, Belize) Christophe G.B. Helmke (Københavns Universitet, Denmark) ISBN 978-976-8197-21-4 Copyright © 2008 Institute of Archaeology, National Institute of Culture and History, Belize. All rights reserved. Printed by Print Belize Limited. ii J. Morris et al. iii ACKNOWLEDGEMENTS We wish to express our sincerest thanks to every individual who contributed to the success of our fifth symposium, and to the subsequent publication of the scientific contributions that are contained in the fifth volume of the Research Reports in Belizean Archaeology. A special thanks to Print Belize and the staff for their efforts to have the Symposium Volume printed on time despite receiving the documents on very short notice. We extend a special thank you to all our 2007 sponsors: Belize Communication Services Limited, The Protected Areas Conservation Trust (PACT), Galen University and Belize Electric Company Limited (BECOL) for their financial support. -
The Glyph for Antler in the Mayan Script
f No. 11, 2004 WAYEB NOTES ISSN 1379-8286 THE GLYPH FOR ANTLER IN THE MAYAN SCRIPT Luís Lopes1 and Albert Davletshin2 1 email: [email protected] 2 Institute for Oriental and Classical Studies, Russian State University for the Humanities, Moscow email: [email protected] The glyph numbered 291 in Sir John Eric Thompson’s catalogue (1962), T291, depicts a ‘deer antler’. In the Classic Period inscriptions the sign in question is quite frequently found in the name phrases of powerful humans, deities and supernatural creatures. Some examples are given below: ’a?-[ku?]-lu-mu-chi ’a?-[ku?]-lu-ANTLER-b’a – the name of a deity recorded on La Mar Stela 1, A11 (Fig.1), and on the Sotheby’s Panel, I2 (Fig. 2); ANTLER-chi-CHAN – the name of the so-called ‘Deer-Snake’ on codex style ceramics (Fig. 3); YAX-ANTLER-JOL – the name of the 4th king of Yaxchilan (Fig. 4); ANTLER-CHAN-na-’a-ku – the name of a captive from Hiix-Witz recorded at Yaxchilan (Fig. 5); ANTLER--INVERTED-VASE - title of the Yaxchilan king Ya’xuun-B'ahlam IV, also applied to earlier Yaxchilan kings and possibly recorded on the San Diego Cliff carving (Figs. 6, 7, 9, 10 and 11); T4--ANTLER--INVERTED-EARTH, T4--’a--ANTLER--INVERTED-EARTH – a title of th the 26 king of Tikal (Jasaw-Chan-K'awiil’s title) on Tikal Stela 5 (Fig. 8), and bones and jade vessel from Tikal Burial 116 (MT38A, 38C, 38D, 50, and MT56).1 In this note we present iconographic and phonetic evidence that points towards a reading of XUKUB' "horn, deer antler" for this glyph. -
Proyecto Arqueológico El Zotz
PROYECTO ARQUEOLÓGICO EL ZOTZ INFORME FINAL 12va TEMPORADA DE CAMPO Entregado a Dirección General del Patrimonio Cultural y Natural Dr., Thomas Garrison y Licda., Yeny Myshell Gutiérrez Castillo Directores del PAEZ Editado por Yeny Myshell Gutiérrez Castillo Jose Luis Garrido López Thomas G. Garrison Stephen Houston Edwin Román Nueva Guatemala de la Asunción, marzo de 2018 Mascaron encontrado en El Palacio del Grupo El Diablo; dibujo por Danilo Hernández PROYECTO ARQUEOLÓGICO EL ZOTZ Directores Dr. Thomas Garrison y Licda., Yeny Myshell Gutiérrez Castillo Equipo de Investigación Danilo Hernández Rony E. Piedrasanta Kevin Mercy Anna Bishop Whitney Zannete Equipo de Universidad de San Diego California Dr. Albert Lin Dr. Curt Schurger Dr. Quentin Gautier Con la asesoría científica de: Dr. Stephen Houston Dr. Edwin R. Román Con el apoyo Logístico de: Adolfo Díaz William Corleto de La Cruz Anatolio López Con el Apoyo Financiero de: FUNDACIÓN PACUNAM Con el apoyo técnico de: UNIVERSITY OF SOUTHERN CALIFORNIA UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ITHACA COLLEGE UNIVERSIDAD DE BROWN CENTRO DE ESTUDIOS CONSERVACIONISTAS DE LA USAC –CECON- UNIVERSIDAD DE SAN DIEGO, CALIFORNIA Equipo Técnico Grupo Este Alberto Heredia Felipe Quixchán Muzul Alexander Vásquez Roger Alvarado Federico Alvarado Edgar Servantes Grupo El Diablo Humberto Amador Darwin Darío Alejandro Ic Conservación/Restauración Héctor Cervantes Sitio El Palmar Alejandro Balona Marcelino Balona Donis Alvarado Alberto Rodriguez Reconocimiento Luis Ic Pan Oscar Cac Equipo de Campamento y Cocina Leticia de Jesús García María Coc Caal Humbelino Chávez Cristina Poc Choc Raúl Caal Pan ÍNDICE DE CONTENIDO CAPÍTULO 1. Introducción a la Temporada de Campo 2017 del PAEZ ..................................................................11 CAPÍTULO 2. -
The Hieroglyphic Inscriptions of Southern Belize
Reports Submitted to FAMSI: Phillip J. Wanyerka The Southern Belize Epigraphic Project: The Hieroglyphic Inscriptions of Southern Belize Posted on December 1, 2003 1 The Southern Belize Epigraphic Project: The Hieroglyphic Inscriptions of Southern Belize Table of Contents Introduction The Glyphic Corpus of Lubaantún, Toledo District, Belize The Monumental Inscriptions The Ceramic Inscriptions The Glyphic Corpus of Nim LI Punit, Toledo District, Belize The Monumental Inscriptions Miscellaneous Sculpture The Glyphic Corpus of Xnaheb, Toledo District, Belize The Monumental Inscriptions Miscellaneous Sculpture The Glyphic Corpus of Pusilhá, Toledo District, Belize The Monumental Inscriptions The Sculptural Monuments Miscellaneous Texts and Sculpture The Glyphic Corpus of Uxbenka, Toledo District, Belize The Monumental Inscriptions Miscellaneous Texts Miscellaneous Sculpture Other Miscellaneous Monuments Tzimín Ché Stela 1 Caterino’s Ruin, Monument 1 Choco, Monument 1 Pearce Ruin, Phallic Monument The Pecked Monuments of Southern Belize The Lagarto Ruins Papayal The Cave Paintings Acknowledgments List of Figures References Cited Phillip J. Wanyerka Department of Anthropology Cleveland State University 2121 Euclid Avenue (CB 142) Cleveland, Ohio 44115-2214 p.wanyerka @csuohio.edu 2 The Southern Belize Epigraphic Project: The Hieroglyphic Inscriptions of Southern Belize Introduction The following report is the result of thirteen years of extensive and thorough epigraphic investigations of the hieroglyphic inscriptions of the Maya Mountains region of southern Belize. The carved monuments of the Toledo and Stann Creek Districts of southern Belize are perhaps one of the least understood corpuses in the entire Maya Lowlands and are best known today because of their unusual style of hieroglyphic syntax and iconographic themes. Recent archaeological and epigraphic evidence now suggests that this region may have played a critical role in the overall development, expansion, and decline of Classic Maya civilization (see Dunham et al. -
351 INDE X a Acatenango, Volcán 96 Accommodations 311-12, See Also
© Lonely Planet 351 Index A Aguateca 304-5 ATMs 319 Acatenango, Volcán 96 Cancuén 226 Autosafari Chapín 199 accommodations 311-12, see also Ceibal 302-4, 303 individual locations Chuitinamit 132 B farmstays 194 Copán Site (Honduras) 239-45, 243 Balneario Cecilinda 220 useful phrases 340 Dos Pilas 305 Balneario Chulamar 199 activities 312-13, see also individual El Baul Hilltop Site 196-7 Balneario Las Islas 220 activities El Chal 295 Balneario Likín 199 Acul 156 El Mirador 308-10 banana export 237 agrotourism 194 El Perú (Waká) 306 bargaining 320 Agua Caliente 251-2 El Tintal 309 Barrios, Justo Rufino 29 Agua, Volcán 96, 111-12 El Zotz 307-8 bathrooms 322 Aguateca 304-5 Ixcún 272 beaches 18 air travel 325-7 Iximché 117 Champerico 193-4 air fares 325-7 Ixlú 295 Chiquistepeque 195 airlines 325 K’umarcaaj 149-51 Monterrico 201 airports 325 Los Sapos 247 Pacific Slope 195 to/from Guatemala 325-7 Machaquilá 295 Playa Blanca 263 within Guatemala 328 Mixco Viejo 211 Playa El Chechenal 282 INDEX Aldea Chajaneb 220 Monte Alto (La Democracia) 198 Playa Quehueche 263 Almolonga 169-70 Naj Tunich 271 Sipacate 198-9 ambulance services, see inside front Nakbé 309 Tilapita 187, 189 cover Nakum 300 Tulate 194-5 animal bites 337 Parque Arqueológico Kaminaljuyú 71 beauty ideals, Maya 28 animal sanctuaries, see zoos & animal Parque Arqueológico Takalik Abaj Bethancourt, Hermano Pedro de San sanctuaries 192-3 José de 94, 95 animals 56-7, see also individual animals Quiriguá 236-8, 236 bicycling 312, 328 Antigua 86-113, 88-9, 5 Río Azul 308 Antigua 97 accommodations -
Alternative Epigraphic Interpretations of the Maya Snake Emblem Glyph
ALTERNATIVE EPIGRAPHIC INTERPRETATIONS OF THE MAYA SNAKE EMBLEM GLYPH by CHRISTOPHER T. SAVAGE B.S. University of Central Florida, 1994 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Interdisciplinary Studies in the Office of the Vice Provost at the University of Central Florida Orlando, Florida Fall Term 2007 ABSTRACT This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the “Lord of the Snake.” Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Perú and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a “Site Q” designation („Q‟ for the Spanish word Que, meaning “which”) by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is “a proper fit” between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph.