Financial Statements 2016 Hubert Burda Media Holding Kommanditgesellschaft
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Weaponized Humor: the Cultural Politics Of
WEAPONIZED HUMOR: THE CULTURAL POLITICS OF TURKISH-GERMAN ETHNO-COMEDY by TIM HÖLLERING B.A. Georg-August Universität Göttingen, 2008 M.Ed., Georg-August Universität Göttingen, 2010 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2016 © Tim Höllering, 2016 Abstract My thesis aims to show how the humor of Turkish-German ethno-comedians fulfills a double purpose of entertaining its audience while advancing a cultural political agenda that Kathrin Bower called “transnational humanism.” It includes notions of human rights consensus, critical self-reflection, respect, tolerance, and openness to cultural diversity. Promoting these values through comedy, the artists hope to contribute to abating prejudice and discrimination in Germany’s multi-ethnic society. Fusing the traditional theatrical principle of “prodesse et delectare” with contemporary cultural politics, these comedians produce something of political relevance: making their audience aware of its conceptions of “self” and “other” and fostering a sense of community across diverse cultural identifications. My thesis builds mainly on the works of Kathrin Bower, Maha El Hissy, Erol Boran, Deniz Göktürk, and Christie Davies. Whereas Davies denies humor’s potential for cultural impact, Göktürk elucidates its destabilizing power in immigrant films. Boran elaborates this function for Turkish-German Kabarett. El Hissy connects Kabarett, film, and theater of polycultural artists and ties them to Bakhtin’s concept of the carnivalesque and the medieval jester. Bower published several essays on the works of ethno-comedians as humorous catalysts for advancing a multiethnic Germany. -
Investor Book (PDF)
INVESTOR BOOK EDITION OCTOBER 2016 Table of Contents Program 3 Venture Capital 10 Growth 94 Buyout 116 Debt 119 10 -11 November 2016 Old Billingsgate PROGRAM Strategic Partners Premium Partners MAIN STAGE - Day 1 10 November 2016 SESSION TITLE COMPANY TIME SPEAKER POSITION COMPANY Breakfast 08:00 - 10:00 CP 9:00 - 9:15 Dr. Klaus Hommels Founder & CEO Lakestar CP 9:15 - 9:30 Fabrice Grinda Co-Founder FJ Labs 9:35 - 9:50 Dr. Klaus Hommels Founder & CEO Lakestar Fabrice Grinda Co-Founder FJ Labs Panel Marco Rodzynek Founder & CEO NOAH Advisors 9:50 - 10:00 Chris Öhlund Group CEO Verivox 10:00 - 10:10 Hervé Hatt CEO Meilleurtaux CP Lead 10:10 - 10:20 Martin Coriat CEO Confused.com Generation 10:20 - 10:30 Andy Hancock Managing Director MoneySavingExpert K 10:30 - 10:45 Carsten Kengeter CEO Deutsche Börse Group 10:45 - 10:55 Carsten Kengeter CEO Deutsche Börse Group FC Marco Rodzynek Founder & CEO NOAH Advisors CP 10:55 - 11:10 Nick Williams Head of EMEA Global Market Solutions Credit Suisse 11:10 - 11:20 Talent 3.0: Science meets Arts CP Karim Jalbout Head of the European Digital Practice Egon Zehnder K 11:20 - 11:50 Surprise Guest of Honour 11:50 - 12:10 Yaron Valler General Partner Target Global Mike Lobanov General Partner Target Global Alexander Frolov General Partner Target Global Panel Shmuel Chafets General Partner Target Global Marco Rodzynek Founder & CEO NOAH Advisors 12:10 - 12:20 Mirko Caspar Managing Director Mister Spex 12:20 - 12:30 Philip Rooke CEO Spreadshirt CP 12:30 - 12:40 Dr. -
German Documentaries 2007” Is Information for the Respective Production Companies Or Designed As a Tool and Guide for Everyone Professionally Sales Agents
PRINT_GD07#.qxd 26.01.2007 11:14 Uhr Seite 1 Dearest readers and users of this catalogue, if we address you today not only as "readers,” but as you with the wide range of our country’s production land- "users,” this is quite intentional. As over the past ten years, scape. For this reason, each title also includes the contact the annual catalogue "german documentaries 2007” is information for the respective production companies or designed as a tool and guide for everyone professionally sales agents. In this way, we would like to not only assist involved with German documentary films. There’s plenty to you in obtaining viewing copies, but also recommend part- offer to television commissioning editors, film buyers, ners for future international co-productions. festival organizers, cultural managers, and journalists who Nearly all of the companies listed are members of the are interested in the thematic and formal variety of German "German Documentary Association” / AG DOK – the largest documentary filmmaking. professional association of independent film and television Of course, such a tool needs to be functional and easy to producers in Germany. With its initiative "german films,” use. That’s why we have tried to simplify your search for the AG DOK launched the independently produced docu- the films best suited to your needs. Our list of topics is divi- mentary in the international marketplace ten years ago. ded into fourteen catagories from "A” for "Arts” to "Y” for Today, the label is an integral part of the "german films” "Youth,” offering a wealth of topics extending far beyond sales platform, which is present not only at trade shows what is typically found at most international film markets. -
Systematic Scoping Review on Social Media Monitoring Methods and Interventions Relating to Vaccine Hesitancy
TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy www.ecdc.europa.eu ECDC TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy This report was commissioned by the European Centre for Disease Prevention and Control (ECDC) and coordinated by Kate Olsson with the support of Judit Takács. The scoping review was performed by researchers from the Vaccine Confidence Project, at the London School of Hygiene & Tropical Medicine (contract number ECD8894). Authors: Emilie Karafillakis, Clarissa Simas, Sam Martin, Sara Dada, Heidi Larson. Acknowledgements ECDC would like to acknowledge contributions to the project from the expert reviewers: Dan Arthus, University College London; Maged N Kamel Boulos, University of the Highlands and Islands, Sandra Alexiu, GP Association Bucharest and Franklin Apfel and Sabrina Cecconi, World Health Communication Associates. ECDC would also like to acknowledge ECDC colleagues who reviewed and contributed to the document: John Kinsman, Andrea Würz and Marybelle Stryk. Suggested citation: European Centre for Disease Prevention and Control. Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy. Stockholm: ECDC; 2020. Stockholm, February 2020 ISBN 978-92-9498-452-4 doi: 10.2900/260624 Catalogue number TQ-04-20-076-EN-N © European Centre for Disease Prevention and Control, 2020 Reproduction is authorised, provided the -
The Complete Guide to Social Media from the Social Media Guys
The Complete Guide to Social Media From The Social Media Guys PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 08 Nov 2010 19:01:07 UTC Contents Articles Social media 1 Social web 6 Social media measurement 8 Social media marketing 9 Social media optimization 11 Social network service 12 Digg 24 Facebook 33 LinkedIn 48 MySpace 52 Newsvine 70 Reddit 74 StumbleUpon 80 Twitter 84 YouTube 98 XING 112 References Article Sources and Contributors 115 Image Sources, Licenses and Contributors 123 Article Licenses License 125 Social media 1 Social media Social media are media for social interaction, using highly accessible and scalable publishing techniques. Social media uses web-based technologies to turn communication into interactive dialogues. Andreas Kaplan and Michael Haenlein define social media as "a group of Internet-based applications that build on the ideological and technological foundations of Web 2.0, which allows the creation and exchange of user-generated content."[1] Businesses also refer to social media as consumer-generated media (CGM). Social media utilization is believed to be a driving force in defining the current time period as the Attention Age. A common thread running through all definitions of social media is a blending of technology and social interaction for the co-creation of value. Distinction from industrial media People gain information, education, news, etc., by electronic media and print media. Social media are distinct from industrial or traditional media, such as newspapers, television, and film. They are relatively inexpensive and accessible to enable anyone (even private individuals) to publish or access information, compared to industrial media, which generally require significant resources to publish information. -
Estudio De Derecho Comparado Sobre La Responsabilidad De Los Intermediarios En Internet Por Violaciones De Derechos De Autor
COMPARATIVE ANALYSIS ON NATIONAL APPROACHES TO THE LIABILITY OF INTERNET INTERMEDIARIES FOR INFRINGEMENT OF COPYRIGHT AND RELATED RIGHTS Ignacio GARROTE FERNÁNDEZ-DÍEZ1 Associate Professor of Civil Law Autonomous University of Madrid 1 The author would like to thank Prof. Juan José Marín López, Professor of Civil Law at the University of Castile-La Mancha (Spain), for his generosity when it came to providing a good part of the material used in the research that led to the drafting of this paper. Thanks for their collaboration must also go to Carlos Castro (Colombia), Adriana Mauleón (Mexico), Anastasia Amosova (Russia) and Federico Mastrolilli (Italy). Any possible errors committed in this paper are the author's exclusive responsibility. TABLE OF CONTENTS I. INTRODUCTION .................................................................... 3 II. ARGENTINA ......................................................................... 5 III. BELGIUM ......................................................................... 7 IV. BRAZIL ......................................................................... 14 V. CHILE ......................................................................... 17 VI. FINLAND ......................................................................... 21 VII. FRANCE ......................................................................... 24 VIII. GERMANY ......................................................................... 32 IX. ITALY ......................................................................... 41 -
Copyright by Sebastian Heiduschke 2006
Copyright by Sebastian Heiduschke 2006 The Dissertation Committee for Sebastian Heiduschke Certifies that this is the approved version of the following dissertation: The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy Committee: Kirsten Belgum, Supervisor Hans-Bernhard Moeller, Co-Supervisor Pascale Bos David Crew Janet Swaffar The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy by Sebastian Heiduschke, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Dedication Für meine Familie Acknowledgements First and foremost it is more than justified to thank my two dissertation advisers, Kit Belgum and Bernd Moeller, who did an outstanding job providing me with the right balance of feedback and room to breathe. Their encouragement, critical reading, and honest talks in the inevitable times of doubt helped me to complete this project. I would like to thank my committee, Pascale Bos, Janet Swaffar, and David Crew, for serving as readers of the dissertation. All three have been tremendous inspirations with their own outstanding scholarship and their kind words. My thanks also go to Zsuzsanna Abrams and Nina Warnke who always had an open ear and an open door. The time of my research in Berlin would not have been as efficient without Wolfgang Mackiewicz at the Freie Universität who freed up many hours by allowing me to work for the Sprachenzentrum at home. An invaluable help was the library staff at the Hochschule für Film und Fernsehen “Konrad Wolf” Babelsberg . -
Mapping Communication and Media Research: Germany
Department of Communication University of Helsinki Mapping Communication and Media Research: Germany Communication Research Center, University of Helsinki Department of Communication, Research Reports 6/2007 Juha Koivisto Peter Thomas Publisher: Type of publication: Communication Research Center, Department of Research report Communication; Helsingin Sanomat Foundation University of Helsinki Researchers: ISBN 978-952-10-4049-8 (nid.) Juha Koivisto ISBN 978-952-10-4050-4 (PDF) Peter Thomas Research project: Number of pages: 90 Mapping Media and Communication Research in Seven Countries Language: English Communication Research Center CRC Director: Dr. Juha Herkman Title of the report: Mapping Media and Communication Research: Germany Abstract: The report provides a survey of the German Media landscape, research institutions and organisations, the main approaches in Communication and Media Studies and future challenges. Part 1 provides an overview of the historical development of the German Media system and its distinctive features. These include processes of concentration and the profile of journalists. Part 2 analyses the institutes and organisations dedicated to Media research, as well as journals, scholarly associations and mechanisms of research funding. German Communication and Media Studies is set in the context of German academia and its particularities are noted. Part 3 surveys some of the main approaches in Communication and Media Studies and future challenges. Particular emphasis is placed in this section on the consequences of university reform in contemporary Germany, a lack of international perspective in the “mainstream” of Communication and Media Studies, and the continuing influence of the history of the discipline. The report concludes with a comparative perspective on the impact of Cultural Studies in German Communication and Media research, arguing that if the discipline is to confront successfully the challenges of a changing Media environment it will need to look for sources of theoretical and institutional renewal. -
Youtube at a Glance
Viacom International, Inc. v. Youtube, Inc. Doc. 395 10-3270 10-3342 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT VIACOM INTERNATIONAL INC., COMEDY PARTNERS, COUNTRY MUSIC TELEVISION, INC., PARAMOUNT PICTURES CORPORATION, BLACK ENTERTAINMENT TELEVISION LLC, Plaintiffs-Appellants, (caption continued on inside cover) ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK SUPPLEMENTAL JOINT APPENDIX VOLUME VIII OF IX (Pages SJA-1788 to SJA-2085) – PUBLIC VERSION Paul M. Smith Theodore B. Olson William M. Hohengarten Matthew D. McGill Scott B. Wilkens GIBSON, DUNN & CRUTCHER LLP Matthew S. Hellman 1050 Connecticut Avenue, NW JENNER & BLOCK LLP Washington, DC 20036 1099 New York Avenue, NW (202) 955-8500 Washington, DC 20001 (202) 639-6000 Attorneys for Plaintiffs-Appellants (10-3270) (Counsel continued on inside cover) Dockets.Justia.com v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. THE FOOTBALL ASSOCIATION PREMIER LEAGUE LIMITED, on behalf of themselves and all others similarly situated, BOURNE CO., CAL IV ENTERTAINMENT, LLC, CHERRY LANE MUSIC PUBLISHING COMPANY, INC., NATIONAL MUSIC PUBLISHERS’ ASSOCIATION, THE RODGERS & HAMMERSTEIN ORGANIZATION, EDWARD B. MARKS MUSIC COMPANY, FREDDY BIENSTOCK MUSIC COMPANY, dba Bienstock Publishing Company, ALLEY MUSIC CORPORATION, X-RAY DOG MUSIC, INC., FEDERATION FRANCAISE DE TENNIS, THE MUSIC FORCE MEDIA GROUP LLC, SIN-DROME RECORDS, LTD., on behalf of themselves and all others similarly situated, MURBO MUSIC PUBLISHING, INC., STAGE THREE MUSIC (US), INC., THE MUSIC FORCE, LLC, Plaintiffs-Appellants, ROBERT TUR, dba Los Angeles News Service, THE SCOTTISH PREMIER LEAGUE LIMITED, Plaintiffs, v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. -
Burda... Annual Report 2013 Burda Media Hubert Shaping the Media Content 36 Learns from His 6 CEO Dr
Burda... Annual Report 2013 Annual Report Hubert Burda Media Hubert Media Burda Annual Report 2013 shaping the media Content 36 Learns from his 6 CEO Dr. Kallen on the challenges of the media transformation mistakes: Fabrizio D’Angelo 10 melvin ang shapes the future Burda’s lifestyle brands from Singapore reflect Asian high society’s attitude toward life. Publisher Melvin Ang sees great growth opportunities for his media 18 sebastian matthes explores uncharted waters The Editor-in-Chief of the German Huffington Post and his team link blogs, social media and news in a revolutionary new type of news portal 26 Kerstin Schneider embodies passion for fashion German Elle celebrated its 25th anniversary in 2013 – and is still setting new standards. Fashion Director Kerstin Schneider shares responsibility for the magazine’s success 36 fabrizio d’angelo learns from his mistakes The CEO of BurdaInternational explains why you can’t be afraid of mistakes if you want to 78 shape the media landscape of the future Big responsibility: Katharina Zwanzig 44 The Burda School of Journalism is teaching for tomorrow In Offenburg, students learn to research, write, blog, film, program and tweet – and the 26 best way to market themselves and their stories in the future Loves fashion: Kerstin Schneider 50 kjeld peters loves technology The Technical Director of Elitepartner uses the algorithm of love to help 4 million singles find happiness for life 56 Alexandra Schiel connects people Alexandra Schiel and the DLD team are looking for smart people – and the latest Internet trends – from all over the world for the innovation conference 66 Diana Knodel develops new projects The Product Manager at Xing takes the initiative to get more women interested 56 in programming Meeting of the global 72 Holger Albrecht shows his dedication digital elite: DLD in New York The man from IT Support shows children and adolescents living in difficult circumstances how to use computers 10 78 katharina zwanzig in charge Shapes the future: Melvin Ang The Treasury Director is responsible for Burda’s liquidity. -
Integration: the Cultural Politics of Migration and Nation in the New German Public
University of Pennsylvania Masthead Logo ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Kate Zambon University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons Recommended Citation Zambon, Kate, "Integration: The ulturC al Politics Of Migration And Nation In The eN w German Public" (2017). Publicly Accessible Penn Dissertations. 2661. https://repository.upenn.edu/edissertations/2661 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2661 For more information, please contact [email protected]. Integration: The ulturC al Politics Of Migration And Nation In The ewN German Public Abstract This dissertation examines public discourse on culture and integration and asks how do mediated public discussions about integration reproduce norms of national culture and identity that operate to represent and manage “Other” (immigrant, minority, etc.) populations in the German context? Through a case study approach, this dissertation uses critical discourse theory to analyze public campaigns, media events, and mediated controversies since the mid-2000s that sought to define the qualifications for cultural citizenship. Although in recent years an increasing number of publications have addressed Germany’s diverse and transnational population, examinations of processes and policies of integration have tended to focus either on the level of the government or on the level of everyday life. Although ideas about integration and multiculturalism are predominantly forged through events and the surrounding representations in the media, the mid-level processes of the media sphere have been neglected in scholarship. -
Ryan Trecartin Biography
RYAN TRECARTIN BIOGRAPHY Born in Webster, TX, 1981. Lives and works in Los Angeles, CA. Education: B.F.A., Rhode Island School of Design, Providence, RI, 2004 Selected Solo Exhibitions: 2019 “Re’Search Wait’S,” Sprüth Magers, Berlin, Germany, September 12 – December 21, 2019 “Comma Boat: Ryan Trecartin,” Plug In Institute of Contemporary Art, Winnipeg, Canada, April 27 – June 30, 2019 “Lizzie Fitch | Ryan Trecartin: The Movies,” Fondazione Prada, Milan, Italy, April 6 – September 30, 2019 “Lizzie Fitch/Ryan Trecartin,” Fondazione Prada, Milan, Italy, April 6 – August 5, 2019; catalogue 2018 “Ryan Trecartin: Re’Search Wait’S,” Pond Society, Shanghai, China, November 7, 2018 – January 20, 2019 “Lizzie Fitch/Ryan Trecartin,” Baltimore Museum of Art, Baltimore, MA, October 7, 2018 – January 6, 2019 “Lizzie Fitch/Ryan Trecartin,” Astrup Fearnly Museet, Oslo, Norway, February 22 – May 20, 2018 2016 “Lizzie Fitch/Ryan Trecartin,” Andrea Rosen Gallery, New York, NY, March 19 – April 20, 2016 “Ryan Trecartin: Six Movies,” Art Gallery of Western Australia, Perth, Australia, January 30 – May 8, 2016 2015 “Re’Search Wait'S,” National Gallery of Victoria, Victoria, Australia, May 15 – September 13, 2015 “SITUATION #1: Ryan Trecartin,” Fotomuseum Winterthur, Winterthur, Switzerland, April 10 – June 7, 2015 2014 “Ryan Trecartin: SITE VISIT,” Kunst-Werke Institute for Contemporary Art, Berlin, Germany, September 14, 2014 – February 15, 2015 “Lizzie Fitch/Ryan Trecartin: Priority Innfield,” Zabludowicz Collection, London, UK, October 2 – December 21,