Yuanming Yuan
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The Qianlong Emperor Hunting Hare: from the Qing Esthetics of Nature to an End of European Exceptionalism
The Qianlong Emperor Hunting Hare: From the Qing Esthetics of Nature to an End of European Exceptionalism Philippe Forêt This short piece suggests that a poly-centered approach to the baroque should consider the relationship that eighteenth-century China had with Europe. Granting baroque paintings of nature and wildlife the cultural and political significances they embodied at the time could be a step toward the recognition of a global baroque. The Qing’s inordinate interest in cavalry maneuvers and hunting rituals was related to the dynasty’s celebration of its non-Chinese identity. The Qing court acquired European baroque knowledge and techniques primarily in order to project legitimacy and prestige across the different cultures of the Qing Empire. By promoting these techniques, models, and standards, the Catholic artists and scholars in residence at the Manchu court conveyed a message about the legitimacy and universality of a dynasty that ruled on both sides of the Great Wall, from the steppes of Kazakhstan to the jungle of Guangxi. The command of a common pictorial language facilitated the exchanges that linked King Louis XV of France to the Qianlong emperor and connected the two monarchs’ conceptions of glory and duty. The spectacle of European-looking horses grazing peacefully in the Mongolian prairie leads therefore to fundamental questions about the place of art and the environment in empire building. Source URL: http://www.environmentandsociety.org/node/8479 Print date: 30 July 2019 12:35:36 Forêt, Philippe. "The Qianlong Emperor Hunting Hare: From the Qing Esthetics of Nature to an End of European Exceptionalism." Arcadia (Autumn 2018), no. -
Anthropologia Integra 2/2011/2 Časopis Pro Obecnou Antropologii a Příbuzné Obory Journal for General Anthropology and Related Disciplines
ANTHROPOLOGIA INTEGRA 2/2011/2 ČASOPIS PRO OBECNOU ANTROPOLOGII A PŘÍBUZNÉ OBORY JOURNAL FOR GENERAL ANTHROPOLOGY AND RELATED DISCIPLINES Some Observations about Book Collecting in the 18th Century China Lucie Olivová Katedra asijských studií Filozofické fakulty Univerzity Palackého v Olomouci, Křížkovského 8, 771 80 Olomouc Received 4 February 2011; accepted 10 May 2011 POZNATKY O SBĚRATELSTVÍ KNIH V ČÍNĚ V 18. STOLETÍ ABSTRAKT Formování knižních sbírek bylo v Číně nahlíženo jako sběratelství (analogické sběratelství umění) a těšilo se vážnosti, ať už je podnítilo vědecké bádání, shromažďování vzácných tisků či obchodování. Významné sbírky byly při císařském dvoře, kde v letech 1772 až 1784 zkompletovali Sebrané písemnictví ve 4 dílech; pro tento projekt se využilo soukromých knihoven po celé zemi. Soukromé knižní sbírky byly tehdy zdaleka nejvýznamnější a zastínily i knihovny státních akademií. Soukromí sběratelé zaštiťovali související projekty: stavbu kni- hovních budov, katalogizaci sbírek, vydávání reedic a kolektaneí (mnohosvazkových edičních řad vycházejících z jejich fondů). Rozmístění knihoven však nebylo rovnoměrné, největší a nejhodnotnější se nalézaly v Jiangnanu. Přístup byl rovněž omezen a pokud je majitelé otevřeli učencům, kteří si nákup knih nemohli dovolit, bylo to za badatelské protislužby nebo ve snaze pozvednout vlastní společenskou prestiž. KLÍČOVÁ SLOVA Čína; 18. století; knižní sbírky; soukromí sběratelé; Siku quanshu; knižní kultura v Jiangnanu ABSTRACT The formation of book collections in China was regarded as analogical to the collecting of arts and enjoyed high respect, no matter whether it had been initiated by scholarly research, by amassing of fine books, or business. Important book collections had been at the imperial court, where the Complete Library in Four Branches of Literature was compiled, in the years 1772 to 1784; this project made use of private book collections from all over the empire. -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics. -
The Garden of Perfect Brightness, a Life in Ruins Geremie R
East Asian History NUMBER 11 . JUNE 1996 THE CO TINUATION OF Papers on Far Eastern History Institute of Advanced Studies Australian National University Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board Mark Elvin (Convenor) John Clark Andrew Fraser Helen Hardacre Colin Jeffcott W. J. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Production and Design Helen Lo Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This is the eleventh issue of East Asian Historyin the series previously entitled Papers on Far EasternHist01J'. The journal is published twice a year. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 262493140 Fax +61 26249 5525 Subscription Enquiries to Subscriptions, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 The George Ernest Morrison Lectures in Ethnology -An Introduction The Editors 3 The Revolutionary Tradition in China C. P. Fitzgerald 17 The Chinese Civil Service Otto P. N. Berkelhach van der Sp renkel 33 The Narrow Lane. Some Observations on the Recluse in Traditional Chinese Society A. R. Davis 45 Buddha's Word in China I w. deJong 59 Prester John and Europe's Discovery of East Asia Igor de Rachewiltz 75 On the Art of Ruling a Big Country-Views of Three Chinese Emperors Liu TS'un-yan 91 The Tradition and Prototypes of the China-Watcher La Hui-min 111 The Garden of Perfect Brightness, a Life in Ruins Geremie R. -
Ai Weiwei, Jackie Chan and the Aesthetics, Politics, and Economics of Revisiting a National Wound
The Twelve Chinese Zodiacs: Ai Weiwei, Jackie Chan and the Aesthetics, Politics, and Economics of Revisiting a National Wound Frederik H. Green SAN FRANCISCO STATE UNIVERSITY hinese artist-activist Ai Weiwei 艾未未 and Hong Kong actor and director Jackie Chan C成龍 seem an unlikely pair to be included in an essay, yet, despite the different me- dia through which they express themselves, their respective celebrity status has, in the West, turned them into two of the best-known contemporary Chinese artists. In fact, to many West- erners, Ai Weiwei is to Chinese art what Jackie Chan is to Chinese martial arts cinema.1 In 2011 Ai Weiwei, who has had more solo exhibitions in Europe and America than any other Chinese artist, was named by the editors of ArtReview “the most powerful artist in the world,”2 while Jackie Chan has been described as a “star in the Hollywood pantheon . the only Chinese figure in popular culture who’s not regarded as some sort of imported novelty” (Wolf). What brings the two together here, however, is that in 2011 and 2012 they made headlines in the U.S. with a new installation and a new movie, respectively, both of which explore the same set of objects: twelve famous bronze heads depicting the animals of the Chinese zodiac. Originally the design of Jesuit scientists residing at the Chinese court during the Qing dynasty (1644- 1911), these bronze heads functioned as spouts for a complex water clock fountain that was part of an ensemble of European-style palaces inside the Old Summer Palace (Yuanming yuan 圓明園, literally ‘Garden of Perfect Brightness’). -
Roots and Branches: Woodland Institutions in South China, 800-1600
Roots and Branches: Woodland Institutions in South China, 800-1600 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Miller, Ian Matthew. 2015. Roots and Branches: Woodland Institutions in South China, 800-1600. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467396 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Roots and Branches: Woodland Institutions in South China, 800-1600 A dissertation presented by Ian Matthew Miller to The Committee on History and East Asian Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History and East Asian Languages Harvard University Cambridge, Massachusetts April 2015 © 2015 Ian Matthew Miller All rights reserved. Advisor: Professor Michael Szonyi Ian Matthew Miller Roots and Branches: Woodland Institutions in South China, 800-1600 Abstract In this dissertation I trace the evolution of the institutions governing woodland in South China over the longue durée. I claim that after a high point of state forestry the imperial government lost both the interest and the ability to manage woodland effectively. Forestry was largely taken over by lineages - kin groups organized around the worship of shared ancestors. I tie this transition in woodland governance to two interrelated trends: growth in the power and independence of lineage organizations, and of long-distance trade in wood products. -
Book History in PREMODERN China
Book History in Premodern China The State of the Discipline I Cynthia Brokaw Few cultures have enjoyed such a long tradition of literary production and scholarship as China. Writing, in the form of characters scratched on ‘‘ora- cle bones,’’ tortoise plastrons and oxen shoulder bones used to record com- munications with the ancestors of the ruling family, appeared in ancient China by the middle of the second millennium b.c. ‘‘Books,’’ in the form of writing on bamboo slats bound together into rolls, had become both a rou- tine means of making bureaucratic records and a vehicle for the lively intel- lectual and political debates of the Warring States period (481–256 b.c.) and the voluminous works of the Han dynasty (206 b.c.–a.d. 220). The rulers of this dynasty initiated the creation of a canon of sacred texts, even- tually known as the Confucian Classics, to be revered as the carriers of the fundamental ethical and political values of Chinese culture. The invention of paper by the first century b.c. and the gradual spread of its use made writing much more accessible to the literate elite and encouraged the pro- duction of a broad range of texts. Manuscript book culture flourished. By the eighth century (at the latest),1 the Chinese had invented xylogra- phy, the method of reproducing text from characters cut in relief on wooden blocks. Developed first for the production of Buddhist works (the earliest extant book is a beautifully illustrated sutra), the technology was embraced quickly by commercial publishers, who turned out dictionaries, medical texts, almanacs, divination and geomancy manuals, and works on astrol- ogy; and later by the government, which used print to establish standard editions of the Confucian Classics in the tenth century. -
Report Title Abbühl, Hans-Rudolf
Report Title - p. 1 of 564 Report Title Abbühl, Hans-Rudolf (1930-2009) : Schweizer Architekt Biographie 1982 Dimitri, Franz Hohler, Kaspar Fischer, Polo Hofer, Madeleine Santschi, Isabelle Guisan, Nell Arn, Mani Planzer, Edouard Rieben, Hans-Rudolf Abbühl, Monika Coray, Daniel Leutenegger besuchen China. [CS5] Alexander, William (Maidstone, Kent 1767-1816 Maidstone, Kent) : Maler, Kurator Antiquities British Museum Biographie 1792-1794 William Alexander reist mit der britischen Gesandtschaft George Macartneys nach Beijing. Die Hindostan transportierte die Geschenke für den Kaiser im Gesamtwert von ca. 14‘000 Pfund. Alexander hat Macartneys Audienz beim Kaiser Qianlong in Chengde nicht persönlich beobachten können. Nach der Rückkehr des Kaisers nach Beijing, muss die britische Gesandtschaft Beijing verlassen. Die Reise geht nach Tianjin, Linqing bis Hangzhou, über Ningbo nach Zhushan wo die Hindostan vor Anker lag. Die Hindostan segelte nach Guangzhou, wo Alexander eine Englische Faktorei besucht und im Speisesaal Ansichten von Thomas Daniell bewundert. Dann wartete die Gesandtschaft zwei Monate in Macao. Für Alexander war dies die ergiebigste Periode der Expedition. Viele nach seinen Entwürfen radiert und gestochene Illustrationen zeigen Szenen aus dem chinesischen Laufen auf den Flüssen und Kanälen und an den Ufern. Aus seine Schriften ist bekannt, dass ihn das glänzende Gelbgold chinesischer Dachziegel auf kaiserlichen Palästen und die kräftigen Blautöne der höfischen Kleidung der Mandarine tief beeindruckt haben. [LegS1] Bibliographie : Autor 1792-1794 Alexander, William. Journal of a voyage to Pekin in China on board the "Hindostan" E.I.M., which accompanied Lord Macartney on his embassy to the emperor. ([S.l. : s.n.], 1792-1794). [MS British Museum]. [WC] 1797 Staunton, George Leonard. -
Quid Pro Quo: Leisure, Europeans, and Their “Skill Capital” in Eighteenth-Century Beijing
TESTING THE MARGINS OF LEISURE Case Studies on China, Japan, and Indonesia Rudolf G. Wagner, Catherine V. Yeh, Eugenio Menegon, and Robert P. Weller Editors HEIDELBERG UNIVERSITY PUBLISHING Heidelberg Studies on Transculturality – 6 Series Editors: Reuven Amitai, Jerusalem; David Armitage, Harvard; Christiane Brosius, Heidelberg; Beatrix Busse, Köln; Prasenjit Duara, Durham; Christian Henriot, Lyon; Madeleine Herren, Basel; Nikolas Jaspert, Heidelberg; Monica Juneja, Heidelberg; Joachim Kurtz, Heidelberg; Thomas Maissen, Paris; Joseph Maran, Heidelberg; Axel Michaels, Heidelberg; Barbara Mittler, Heidelberg; Sumathi Ramaswamy, Durham; Rudolf Wagner, Heidelberg; Roland Wenzlhuemer, Munich Testing the Margins of Leisure Case Studies on China, Japan, and Indonesia Rudolf G. Wagner, Catherine V. Yeh, Eugenio Menegon, Robert P. Weller Editors HEIDELBERG UNIVERSITY PUBLISHING Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie. Detailed bibliographic data are available on the Internet at http://dnb.dnb.de. This book is published under the Creative Commons Attribution 4.0 International License (CC BY-SA 4.0). The cover is subject to the Creative Commons License CC BY-ND 4.0. The electronic, open access version of this work is permanently available on Heidelberg University Publishing’s website: https://heiup.uni-heidelberg.de. urn: urn:nbn:de:bsz:16-heiup-book-550-6 doi: https://doi.org/10.17885/heiup.550 Text © 2019, by the authors. Cover image: Wu Youru , “Ladies on outing to a temple”, from Shenjiang shenjing tu (Shanghai: Shenbaoguan, 1884) ISSN 2365-7987 (Print) ISSN 2365-7995 (eISSN) ISBN 978-3-947732-74-6 (Softcover) ISBN 978-3-947732-73-9 (Hardcover) ISBN 978-3-947732-75-3 (PDF) Table of Contents Rudolf G. -
Tang-Song Transition Theory”
Journal of chinese humanities 6 (2020) 129-152 brill.com/joch Dispelling the Myth of the “Tang-Song Transition Theory” Yang Jiping 楊際平 Professor of Department of History, Xiamen University, Xiamen, Fujian, China [email protected] Abstract Administrative statutes in the Tang clearly recognized that the fields of commoners could be held through private ownership. Field ownership structures in the recently restored Tang Statutes, while seeming to support ideas of land nationalization, did not actually change the private landowning practices that had been in place since the Qin and the Han dynasties. Numerous tenancy contracts unearthed in Dunhuang and Turfan dating back to the Tang and Five Dynasties show ample evidence that, prior to the establishment of the double-tax system in 780, a highly developed system of contract tenancy was already in place. Tenancy was clearly the leading form of agricul- tural production outside subsistence farming. This proves that the labor force during the Sui and Tang dynasties consisted not of “slaves and tenant farmers” or “agricultural dependents and serfs” but of commoners who were legally free. The Sui, Tang, and Five Dynasties, as described by Japanese historian Naitō Konan, bear no resemblance to the historical reality of this period. In many instances, Naitō’s arguments have dis- torted the history of these dynasties in an effort to make China’s history fit neatly into the framework of medieval European history. Consequently, his premises, arguments, and his central conclusion are all wrong. It is crucial that we dispel the myth of Naitō’s “Tang-Song transition theory” and return to historical reality. -
Kodex 6 · 2016 Kodex Jahrbuch Der Internationalen Buchwissenschaflichen Gesellschaf
Kodex 6 · 2016 Kodex Jahrbuch der Internationalen Buchwissenschaflichen Gesellschaf Herausgegeben von Christine Haug und Vincent Kaufmann 6 · 2016 Harrassowitz Verlag · Wiesbaden Transforming Book Culture in China, 1600–2016 Edited by Daria Berg and Giorgio Strafella Harrassowitz Verlag · Wiesbaden Manuskriptangebote bitte an: Prof. Dr. Christine Haug, [email protected] Prof. Dr. Vincent Kaufmann, [email protected] Redaktion Englisch: Caroline Mason Übersetzung Vorwort: Anita Vrzina Kodex. Jahrbuch der Internationalen Buchwissenschaflichen Gesellschaf (IBG) erscheint mit freundlicher Unterstützung der Waldemar-Bonsels-Stifung. Bibliografsche Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografe; detaillierte bibliografsche Daten sind im Internet über http://dnb.dnb.de abrufbar. Bibliographic information published by the Deutsche Nationalbibliothek Te Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibaliografe; detailed bibliographic data are available in the internet at http://dnb.dnb.de. Informationen zum Verlagsprogramm fnden Sie unter http://www.harrassowitz-verlag.de © Otto Harrassowitz GmbH & Co. KG, Wiesbaden 2016 Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen jeder Art, Übersetzungen, Mikroverflmungen und für die Einspeicherung in elektronische Systeme. Satz: Teresa Lang, IBG Gedruckt auf alterungsbeständigem Papier Druck und Verarbeitung: Memminger MedienCentrum AG Printed in Germany ISSN 2193-4983 ISBN 978-3-447-10728-0 1.Contents Acknowledgements . VII From the General Editors . .. IX Vorwort der Herausgeber . X Daria Berg and Giorgio Strafella Transforming Book Culture in China, 1600–2016: Introduction . 1 I. Books, Bestsellers and Bibliophiles in Early Modern China, 1600–1700 1. -
Other People's Books Nan Z
Other People's Books Nan Z. Da New Literary History, Volume 51, Number 3, Summer 2020, pp. 475-500 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/nlh.2020.0031 For additional information about this article https://muse.jhu.edu/article/765982 [ Access provided at 5 Oct 2020 15:36 GMT from University of Virginia Libraries & (Viva) ] Other People’s Books Nan Z. Da entral to the discipline of literary studies is the question of how others read, an activity that “rarely leaves traces, is scattered into an infinity of singular acts, and purposely frees itself from C 1 all the constraints seeking to subdue it.” Accounts of the contingency of reading and the unpredictable itineraries of books appear across the disciplinary spectrum—in narratology, book theory, book history, ethnography, publishing history, university studies, cultural studies, and literary computing; conducted in the style and spirit of Pierre Bourdieu, Janice Radway, Roger Chartier, Franco Moretti, and others; or by using a “mixed-methods approach.” 2 The concept of “contingency” performs a great deal of analytical and rhetorical work in the sociology of literature, encompassing history and historical counterfactualism, the distortions of fieldwork, situatedness and subject position, and differences in the behavioral patterns of readers and book acquirers. Contingency’s se- mantic flexibility allows it to “scale” from situational variation (the way reading materials are activated, taken up, used, distributed, and passed on, or not) to larger