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ABSTRACT Savannah Dehart. BRACTEATES AS INDICATORS OF
ABSTRACT Savannah DeHart. BRACTEATES AS INDICATORS OF NORTHERN PAGAN RELIGIOSITY IN THE EARLY MIDDLE AGES. (Under the direction of Michael J. Enright) Department of History, May 2012. This thesis investigates the religiosity of some Germanic peoples of the Migration period (approximately AD 300-800) and seeks to overcome some difficulties in the related source material. The written sources which describe pagan elements of this period - such as Tacitus’ Germania, Bede’s Ecclesiastical History of the English People, and Paul the Deacon’s History of the Lombards - are problematic because they were composed by Roman or Christian authors whose primary goals were not to preserve the traditions of pagans. Literary sources of the High Middle Ages (approximately AD 1000-1400) - such as The Poetic Edda, Snorri Sturluson’s Prose Edda , and Icelandic Family Sagas - can only offer a clearer picture of Old Norse religiosity alone. The problem is that the beliefs described by these late sources cannot accurately reflect religious conditions of the Early Middle Ages. Too much time has elapsed and too many changes have occurred. If literary sources are unavailing, however, archaeology can offer a way out of the dilemma. Rightly interpreted, archaeological evidence can be used in conjunction with literary sources to demonstrate considerable continuity in precisely this area of religiosity. Some of the most relevant material objects (often overlooked by scholars) are bracteates. These coin-like amulets are stamped with designs that appear to reflect motifs from Old Norse myths, yet their find contexts, including the inhumation graves of women and hoards, demonstrate that they were used during the Migration period of half a millennium earlier. -
The Medici Aphrodite Angel D
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 A Hellenistic masterpiece: the Medici Aphrodite Angel D. Arvello Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Arvello, Angel D., "A Hellenistic masterpiece: the Medici Aphrodite" (2005). LSU Master's Theses. 2015. https://digitalcommons.lsu.edu/gradschool_theses/2015 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A HELLENISTIC MASTERPIECE: THE MEDICI APRHODITE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Angel D. Arvello B. A., Southeastern Louisiana University, 1996 May 2005 In Memory of Marcel “Butch” Romagosa, Jr. (10 December 1948 - 31 August 1998) ii ACKNOWLEDGMENTS I wish to acknowledge the support of my parents, Paul and Daisy Arvello, the love and support of my husband, Kevin Hunter, and the guidance and inspiration of Professor Patricia Lawrence in addition to access to numerous photographs of hers and her coin collection. I would also like to thank Doug Smith both for his extensive website which was invaluable in writing chapter four and for his permission to reproduce the coin in his private collection. -
Proceedings Chapter Reference
Proceedings Chapter Editors' Introduction CHALAMET, Christophe, et al. Abstract Introduction to the Volume "Game Over? Reconsidering Eschatology" Reference CHALAMET, Christophe, et al. Editors' Introduction. In: Chalamet, C. ; Dettwiler, A. ; Mazzocco, M. & Waterlot, G. Game Over? Reconsidering Eschatology. Berlin : Walter de Gruyter, 2017. DOI : 10.1515/9783110521412-201 Available at: http://archive-ouverte.unige.ch/unige:97634 Disclaimer: layout of this document may differ from the published version. 1 / 1 Editors’ Introduction This book gathers most of the papers which werepresented at an international theological conference held at the University of Geneva (October 22–24,2015). The conference was organized by the University of Geneva’sFaculty of Theology, jointlywith the Institut romand de systématique et d’éthique (IRSE),which be- longstothis Faculty. The project of organizingaconference on the topic of eschatology emerged duringadaylongconference on the thought of Jacques Ellul, as several members of Geneva’sTheologicalFaculty began discussing the question of the traditional Christian representations of “the end,” and especiallyits relationship to recent developments within the natural sciences on the end of the universe. The general public hears from the natural sciences that the universe will eventually die. Jour- nalists who cover the naturalsciencesask not whether the universe will die, but how that willhappen.¹ How should Christian theologyconsider the narrative(s) of the natural sciences concerning the final cataclysm towards which the uni- verse as awhole appears to headed ?Needless to day, with its vision of an ulti- mate judgment and redemption, in which God will wipe “every tear from their eyes” (Rev 21:4), in which God willbe“all in all” (1 Cor 15:28), Christian theology makes very different claims about the eschaton,i.e.the “end” of all things. -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Philosophie Antique , Comptes Rendus Mathilde Brémond, Lectures De Mélissos
Edinburgh Research Explorer Mathilde BRÉMOND, Lectures de Mélissos. Édition, traduction et interprétation des témoignages sur Mélissos de Samos Citation for published version: Harriman, B 2019, 'Mathilde BRÉMOND, Lectures de Mélissos. Édition, traduction et interprétation des témoignages sur Mélissos de Samos', Philosophie Antique. <https://journals.openedition.org/philosant/1944> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Philosophie Antique General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Philosophie antique Problèmes, Renaissances, Usages Comptes rendus Mathilde BRÉMOND, Lectures de Mélissos. Édition, traduction et interprétation des témoignages sur Mélissos de Samos Berlin/Boston, Walter De Gruyter, 2019 (Studia Praesocratica), 595 p., ISBN : 978-3-11-054288-2. Benjamin Harriman Electronic version URL: http://journals.openedition.org/philosant/1944 ISSN: 2648-2789 Publisher Presses universitaires du Septentrion Brought to you by Ecole Normale Supérieure Paris This text was automatically generated on 10 May 2019. Mathilde Brémond, Lectures de Mélissos. Édition, traduction et interprétation.. -
The Classicism of Hugh Trevor-Roper
1 THE CLASSICISM OF HUGH TREVOR-ROPER S. J. V. Malloch* University of Nottingham, U.K. Abstract Hugh Trevor-Roper was educated as a classicist until he transferred to history, in which he made his reputation, after two years at Oxford. His schooling engendered in him a classicism which was characterised by a love of classical literature and style, but rested on a repudiation of the philological tradition in classical studies. This reaction helps to explain his change of intellectual career; his classicism, however, endured: it influenced his mature conception of the practice of historical studies, and can be traced throughout his life. This essay explores a neglected aspect of Trevor- Roper’s intellectual biography through his ‘Apologia transfugae’ (1973), which explains his rationale for abandoning classics, and published and unpublished writings attesting to his classicism, especially his first publication ‘Homer unmasked!’ (1936) and his wartime notebooks. I When the young Hugh Trevor-Roper expressed a preference for specialising in mathematics in the sixth form at Charterhouse, Frank Fletcher, the headmaster, told him curtly that ‘clever boys read classics’.1 The passion that he had already developed for Homer in the under sixth form spread to other Greek and Roman authors. In his final year at school he won two classical prizes and a scholarship that took him in 1932 to Christ Church, Oxford, to read classics, literae humaniores, then the most * Department of Classics, University of Nottingham, NG7 2RD. It was only by chance that I developed an interest in Hugh Trevor-Roper: in 2010 I happened upon his Letters from Oxford in a London bookstore and, reading them on the train home, was captivated by the world they evoked and the style of their composition. -
The Medea of Euripides and Seneca: a Comparison
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1941 The Medea of Euripides and Seneca: A Comparison Mary Enrico Frisch Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Classics Commons Recommended Citation Frisch, Mary Enrico, "The Medea of Euripides and Seneca: A Comparison" (1941). Master's Theses. 180. https://ecommons.luc.edu/luc_theses/180 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1941 Mary Enrico Frisch -If.. THE MEDEA OF EURIPIDES AND SENECA: A COMPARISON by Sister Mary Enrico Frisch, S.S.N.D. A Thesis submitted 1n partial ~ul~illment o~ the requirements ~or the degree o~ Master o~ Arts Loyola University August, 1941 TABLE OF CONTENTS CHAPTER PAGE I Introduction: Survey o~ Opinion. 1 II Broad Similarities in Moti~ and 6 Sentiment. III Broad Similarities in the Plot 30 o~ the Medea o~ Euripides and the Medea o~ Seneca. IV Parallels in Phraseology. 51 v Characters and Their Attitude 73 to the Gods. Bibliography a. Re~erences ~or the Medea 91 o~ Euripides. b. Re~erences ~or the Medea 95 o~ Seneca. c. General Works. 98 THE MEDEA OF EURIPIDES AND SENECA: A COMPARISON Chapter I INTRODUCTION: SURVEY OF OPINION It is not a new theory that Seneca used the plays o~ Eurip ides as models for his Latin tragedies, particularly his Medea, Hippolytus, Hercules Furens, Troades and the Phoenissae. -
A Study in American Jewish Leadership
Cohen: Jacob H Schiff page i Jacob H. Schiff Cohen: Jacob H Schiff page ii blank DES: frontis is eps from PDF file and at 74% to fit print area. Cohen: Jacob H Schiff page iii Jacob H. Schiff A Study in American Jewish Leadership Naomi W. Cohen Published with the support of the Jewish Theological Seminary of America and the American Jewish Committee Brandeis University Press Published by University Press of New England Hanover and London Cohen: Jacob H Schiff page iv Brandeis University Press Published by University Press of New England, Hanover, NH 03755 © 1999 by Brandeis University Press All rights reserved Printed in the United States of America 54321 UNIVERSITY PRESS OF NEW ENGLAND publishes books under its own imprint and is the publisher for Brandeis University Press, Dartmouth College, Middlebury College Press, University of New Hampshire, Tufts University, and Wesleyan University Press. library of congress cataloging-in-publication data Cohen, Naomi Wiener Jacob H. Schiff : a study in American Jewish leadership / by Naomi W. Cohen. p. cm. — (Brandeis series in American Jewish history, culture, and life) Includes bibliographical references and index. isbn 0-87451-948-9 (cl. : alk. paper) 1. Schiff, Jacob H. (Jacob Henry), 1847-1920. 2. Jews—United States Biography. 3. Jewish capitalists and financiers—United States—Biography. 4. Philanthropists—United States Biography. 5. Jews—United States—Politics and government. 6. United States Biography. I. Title. II. Series. e184.37.s37c64 1999 332'.092—dc21 [B] 99–30392 frontispiece Image of Jacob Henry Schiff. American Jewish Historical Society, Waltham, Massachusetts, and New York, New York. -
Stipendiaten Des DAI, Der Römisch-Germanischen Kommission (RGK) Und Der Kommission Für Alte Geschichte Und Epigraphik
Reisestipendiatinnen und -stipendiaten des DAI, der Römisch-Germanischen Kommission (RGK) und der Kommission für Alte Geschichte und Epigraphik • 1859/60: Alexander Conze, Adolf Michaelis • 1860/61: Adolph Kießling, Kurt Wachsmuth • 1861/62: Adolph Kießling, August Reifferscheid • 1862/63: Wolfgang Helbig, August Reifferscheid • 1863/64: Wolfgang Helbig, Reinhard Kekulé • 1864/65: Otto Benndorf, Reinhard Kekulé • 1865/66: Otto Benndorf, Bernhard Graser • 1866/67: Eugen Bormann, Karl Dilthey • 1867/68: Eugen Bormann, Karl Dilthey • 1868/69: Richard Foerster, Friedrich Matz • 1869/70: Richard Foerster, Friedrich Matz • 1870/71: Richard Engelmann, Adolf Trendelenburg • 1871/72: Gustav Hirschfeld, Otto Lüders • 1872/73: Gustav Hirschfeld, Georg Kaibel • 1873/74: Georg Kaibel, Carl Robert • 1874/75: Leopold Julius, Carl Robert, Theodor Schreiber, Rudolf Weil • 1875/76: Heinrich Dressel, Friedrich von Duhn, Gustav Körte, Rudolf Weil • 1876/77: Friedrich von Duhn, Adolf Furtwängler, Paul Knapp, Arthur Milchhoefer, Hermann von Rohden • 1877/78: Adolf Furtwängler, Georg Loeschcke, Arthur Milchhoefer, Hermann von Rohden, Victor Schultze • 1878/79: Hermann Dessau, Hermann Dopffel, Georg Loeschcke, Karl Purgold, Johannes Schmidt • 1879/80: Carl Erbes, Heinrich Holtzinger, Otto Keck, Karl Purgold, Carl Schaefer, Johannes Schmidt • 1880/81: Hermann Dessau, Konrad Lange, Hermann Luckenbach, Ernst Maass, Otto Pohl • 1881/82: Christian Hülsen, Julius Langbehn, Otto Pohl, Otto Puchstein, Eduard Schwartz • 1882/83: Julius Dürr, Ernst Fabricius, Nicolaus -
Herodotus and the Origins of Political Philosophy the Beginnings of Western Thought from the Viewpoint of Its Impending End
Herodotus and the Origins of Political Philosophy The Beginnings of Western Thought from the Viewpoint of its Impending End A doctoral thesis by O. H. Linderborg Dissertation presented at Uppsala University to be publicly examined in Engelska Parken, 7-0042, Thunbergsvägen 3H, Uppsala, Monday, 3 September 2018 at 14:00 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Docent Elton Barker (Open University). Abstract Linderborg, O. H. 2018. Herodotus and the Origins of Political Philosophy. The Beginnings of Western Thought from the Viewpoint of its Impending End. 224 pp. Uppsala: Department of Linguistics and Philology, Uppsala University. ISBN 978-91-506-2703-9. This investigation proposes a historical theory of the origins of political philosophy. It is assumed that political philosophy was made possible by a new form of political thinking commencing with the inauguration of the first direct democracies in Ancient Greece. The pristine turn from elite rule to rule of the people – or to δημοκρατία, a term coined after the event – brought with it the first ever political theory, wherein fundamentally different societal orders, or different principles of societal rule, could be argumentatively compared. The inauguration of this alternative-envisioning “secular” political theory is equaled with the beginnings of classical political theory and explained as the outcome of the conjoining of a new form of constitutionalized political thought (cratistic thinking) and a new emphasis brought to the inner consistency of normative reasoning (‘internal critique’). The original form of political philosophy, Classical Political Philosophy, originated when a political thought launched, wherein non-divinely sanctioned visions of transcendence of the prevailing rule, as well as of the full range of alternatives disclosed by Classical Political Theory, first began to be envisioned. -
EDWARD COURTNEY 1932-2019 Edward
EDWARD COURTNEY 1932-2019 Edward Courtney was born on 22 March 1932 in Belfast, Northern Ireland, to George, an administrator in the court system, and Kathleen. He had a sister and many cousins, of whom three became university lecturers. In 1943, at the age of eleven, he entered the Royal Belfast Academical Institution, which was also to produce J.C. McKeown, J.L. Moles and R.K. Gibson. When Gibson was a research student in Cambridge and met Ted (as he was universally known) for the first time, he asked him how he had retained his Belfast accent; ‘I never listen to anybody else!’ was the perhaps surprising (and certainly misleading) reply. At ‘Inst.’ Ted was taught by H.C. Fay, later to produce a school edition of Plautus’ Rudens (1969), and John Cowser, who, by lending him Housman’s editions of Juvenal and Lucan, instilled in him a preference for Latin over Greek. Three decades later, in 1980, Ted would publish the standard commentary on Juvenal, followed after four years by a critical edition of the text; and, after moving to Charlottesville in the 1990s, he would drive around town in a car whose licence-plate was ‘JUVENAL’, bought for him as a birthday present by his wife. At Inst. Ted was introduced to the verse composition in Greek and Latin which was to stand him in such good stead in later years, and he was taught to play chess by a friend: in 1950 he won the Irish Junior Championship and the Irish Premier Reserves tournament, and captained the Irish schoolboy team against England and Wales. -
Volume 14 Winter 2012 the Etruscans in Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian Culture Perspective
Volume 14 Winter 2012 The Etruscans In Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian culture perspective. The exhibition in Leiden tombs still adorn the romantic land- focuses on Etruscan women, the exhibi- scapes of Umbria and Tuscany. tion in Amsterdam on Etruscan men. Etruscan art, from magnificent gold On display will be more than 600 jewels to colorful tomb paintings, con- pieces from the museums’ own collec- tinues to fire the imagination of lovers tions and from many foreign museums. of Italy and art. “Etruscans: Eminent The ruins of imposing Etruscan Women, Powerful Men,” provides a October 14 - March 18, 2012 detailed introduction to Etruscan civi- The National Museum of lization in a visually delightful exhibi- Antiquities in Leiden and the Allard tion. Pierson Museum in Amsterdam pres- The Etruscans flourished hundreds ents the fascinating world of the of years before the Romans came to Etruscans to the public in a unique dou- power in Italy. Their civilization ble exhibition. The two museums tell reached its height between 750 and 500 the tale of Etruscan wealth, religion, BC, Etruscan society was highly devel- power and splendor, each from its own Left & Right: Brolio bronzes. Center: Replica of the Latona at Leiden. oped; women continued on page 15 Scientists declare the XXVIII Convegno di tions with Corsica and featured specific studies of Etruscan material found in the Fibula Praenestina and its engraved with the earliest archaic Latin Studi Etruschi ed Italici inscription. The matter of its authentic- Corsica and Populonia excavations at Aleria. Rich in minerals inscription to be genuine ity has been a question for a long time.