I Predict a Riot Free

Total Page:16

File Type:pdf, Size:1020Kb

I Predict a Riot Free FREE I PREDICT A RIOT PDF Catherine Bruton | 304 pages | 01 Oct 2014 | Egmont UK Ltd | 9781405267199 | English | London, United Kingdom What Kaiser Chiefs' I Predict A Riot tells us about the '00s club scene in Leeds - Radio X Behind the Kaisers' biggest anthems is a snapshot of 21st Century Britain The song paints a pretty bleak picture of booze Britain, describing revellers getting "lairy," women walking around with "no clothes on," and men in "tracksuits," starting fights for no good reason. With frontman Ricky Wilson hailing from Keighley, West Yorkshire and attending the Leeds College of Art, its easy to deduce that the track was inspired by the city of Leeds - which has indeed been corroborated by the man himself. But, while I Predict a Riot credit the mayhem I Predict a Riot ensued at one of the band's own club nights as inspiration of the song, others believe it describes the frightful scenes witnessed in the town centre after former drummer Nick Hodgson played a DJ set. We'd drive home past a big nightclub and there were always lots of police and people fighting. I went home and wrote the riff on the piano and started singing some words. It says: "A friend of a friend, he got beaten. And I'd be three sheets to the wind. I'd be pissed. This is like three in the morning chucking out time at the clubs". He added: "But the weird I Predict a Riot is, we thought that was really peculiar to us and Leeds and our lives". The Cockpit was a venue at the heart of the indie scene in Leeds, situated in "town" on Swinegate. But, while the city boasted a thriving alternative music scene with the opportunity to discover new bands and listen to the latest indie tunes the likes of The Faversham, Mintand The HiFi Clubit was also a student town; a hub of super-clubs and cheap nights out. Majestykwhich the frontman references in his NME interview, was one such venue which would have witnessed many of the scenes described in the track. And with The Cockpit just a hop skip and a jump from Leeds railway station, Friday night would see revellers travel in from neighbouring towns to indulge in a weekend of excess. This made Leeds both an exciting and frightening place to be on a night I Predict a Riot, depending on which side of the fence you were on But what about the notion that "the riot" wasn't just about the alcohol-charged streets, but also referenced something epic, such as a Black Wire gig witnessed at their club night? They were going mad and so were the crowd. You could see the bouncers moving in and I said to the club's boss, "I predict a riot. While these two real-life events formed the basis of the track, there are a few more references in the song which would easily stump a non-Leeds native. Ricky name drops "Smeaton," in the first verse of the song, who he describes as "an old Leodensian". John Smeaton was a civil engineer, born inwho is known for his design I Predict a Riot canals, harbours and lighthouses. While he's often regarded as the "father of civil engineering," it might not be a fact known to everyone in I Predict a Riot Yorkshire And as for Leodensian? While in part it can be seen as a word for someone who hails from Leeds, it's more of a mock-classical term reserved for local sports clubs. One thing I Predict a Riot word was definitely used for is to describe a former pupil of the Leeds Grammar School, which they both attended, and the name of its school magazine. John Smeaton is now of course long gone, and part of the history books, just like some of the infamous Leeds hangouts the Kaiser Chiefs would have grown up around. Like many venues around the UK, I Predict a Riot Cockpit closed its doors in while the Majestic I Predict a Riot, which housed its oddly-spelled namesake, was gutted by fire in the same year. Sad to see! Danced to some shat in thee over the years. Someone's gonna benefit or go straight to jail. However, thanks to the Kaiser Chiefs' I Predict a Riot, the famous Leeds engineer and the stories behind some of the city's most memorable club nights have been immortalised. I Predict a Riot this post on Instagram. Latest Videos. Music News. Kaiser Chiefs Songs. I Predict A Riot. Kaiser Chiefs. Download on iTunes. Download 'Oh My God' on iTunes. Download 'Ruby' on iTunes. Rocksmith® Edition – Remastered – Kaiser Chiefs - “I Predict a Riot” on Steam I Predict a Riot in to add this item to your wishlist, follow it, or mark it as not interested. Sign in to see reasons why you may or may not like this based on your games, friends, and curators you follow. You can write your own review for this product to share your experience with the community. Use I Predict a Riot area above the purchase buttons on this page to write your review. You can use this widget-maker to generate a bit of HTML that can be embedded in your website to easily allow customers to purchase this game on Steam. Sign In. Home Discussions Workshop Market Broadcasts. Change language. Install Steam. Your Store. Browse Browse. Community Hub. All Reviews:. Ubisoft - San Francisco. Popular user-defined tags for this product:. Sign In or Open in Steam. Share Embed. Add to Cart. This song includes I Predict a Riot new Authentic Tone. See all. There are no reviews for this product. Enter up to characters to add a description to your widget:. Create widget. Popular user-defined tags for this product:? Sign In Sign in to add your own tags to this product. Gifting on Steam The Steam Community. Support Forums Stats. All rights reserved. All trademarks are property of their respective owners in the US and other countries. VAT included in all prices where applicable. View mobile website. I Predict a Riot! - Ginkgo Florists We never wrote a love song in the Kaiser Chiefs. There was always a big snarl-up there, loads of people in the road, police everywhere. I remember seeing one guy punch someone from behind. It was horrible. He was puffing his chest out, and a policeman instantly handcuffed him. The song title and chorus came from a club night that me and Ricky [Wilson, singer] used to I Predict a Riot. One night, this band called Black Wire were playing, and it was getting really hectic. The band I Predict a Riot taking their clothes off and the crowd were hanging from the ceiling pipes. I knew that if we could just get that lyric into the chorus, it would make people I Predict a Riot notice. When Ricky and I wrote lyricswe were always trying to make each other laugh. John Smeaton was a lighthouse designer, and a Leodensian means someone from Leeds. We literally all cried when the song got to number I remember seeing it on an advert for Byker Grove. My favourite thing in the world is to start a new song. Every band has a best song — and that was ours. The verse for I Predict a Riot had already been brought into rehearsals and gone round and round until we were sick of it. I remember being frustrated, but after that Black Wire gig, we played it through with that new chorus. I was obsessed with the Clash at the time and wanted to emulate what their bass player, Paul Simonon, was doing. We were trying to do this spooky singalong. One article I read said the lyric was us looking down on people, sneering at them. But I never thought that. The lyrics were just observations. We did that same trick on about five songs on Employment. But I Predict a Riot has the best reaction live, all around the world. We played it at a festival in Poland for hundreds of thousands of people, and it felt apocalyptic, like something was I Predict a Riot to go wrong. Everyone was going crazy. Nick Hodgson, lead songwriter, drummer We never wrote a love song in the Kaiser Chiefs. Facebook Twitter Pinterest. Topics Kaiser Chiefs How we made. Pop and rock The Voice features. Reuse this content. Order by newest oldest recommendations. Show 25 25 50 I Predict a Riot. Threads collapsed expanded unthreaded. Loading comments… Trouble loading? Most popular..
Recommended publications
  • Gazette 2018 7
    GazetteWadham College 2018 2018 Gazette 2018 7 Contents Fellows' List 4 Features The Editor 8 The Warden 9 Wadham in 1618 67 The Domestic Bursar 12 Betjeman and Bowra 70 Staff List 14 The Remarkable Mrs Wadham (Senior) 73 The Finance Bursar 18 The 2nd Year 76 The Development Director 20 Book Reviews 78 The Senior Tutor 24 The Tutor for Access 26 College Record The Chapel and Choir 28 In Memoriam 86 The Sarah Lawrence Programme 30 Obituaries 88 The Library 32 Fellows' news 106 Emeritus Fellows' news 110 Clubs, Societies New Fellows 110 and Activities Visiting Fellows 113 1610 Society 36 Alumni news 115 Wadham Alumni Society 38 Degrees 118 Law Society 42 Donations 120 Medical Society 43 The Academic Record Wadham Alumni Golf Society 44 The Student Union 45 Graduate completions 140 MCR 46 Final Honour School results 143 Lennard Bequest Reading Party 48 First Public Examination results 145 Sports Prizes 147 Cricket 50 Scholarships and Exhibitions 149 Football 52 New Undergraduates 152 Rowing 54 New Graduates 156 Rugby 57 2019 Events 160 Netball 58 Squash 60 Tennis 60 Hockey 61 Water polo 62 Power lifting 62 www.wadham.ox.ac.uk Fellows’ list 5 Darren J. Dixon Thomas W. Simpson Samuel J. Williams Fellows’ list Professor of Organic Senior Research Fellow in Wadham College Law Chemistry, Knowles–Williams Philosophy and Public Policy Society Fellow by Special Fellow and Tutor in Organic and Senior Treasurer of Election Philip Candelas, FRS Martin G. Bureau Chemistry Amalgamated Clubs WARDEN Judy Z. Stephenson Rouse Ball Professor of Professor of Astrophysics Nathalie Seddon Susan M.
    [Show full text]
  • Ifpi Digital-Music-Report-2009.Pdf
    DIGITAL MUSIC REPORT 2009 New BusiNess Models for a ChaNgiNg eNviroNMeNt. ifPi DIGITAL MusiC rePORT 2009 Contents p3 n Introduction: Music has embraced the future with new business models – Will governments secure a future for digital content? p4 n Section 1: Shaping a new era in digital music – Digital music: key facts and figures p8 n Section 2: New business models for a changing environment – The shift to ‘music access’ – More choice in music downloads – Social networks and ad-supported services deliver - New frontiers: brands, games and merchandising – Public performance: getting fair value for music – Digital music goes global – three countries in focus p18 n Section 3: The core mission – investing in talent – Cutting through the digital noise – Adding value to artists – Broadening services – Marketing an album in the digital world – A team sharing the same vision: The manager’s view p22 n Section 4: Monetising music in an era of free - the role of ISPs and governments – A future for local music and film? France and Spain in focus – From concept to reality: governments start to move on ISP cooperation p26 n Section 5: Education – the campaign for hearts and minds – Young People, Music and the Internet – Pro-music.org – National campaigns p28 n Section 6: Creative voices speak out – When did intellectual property become free? – music managers speak out – Commerce in the era of “free” – a common challenge for creative industries p30 n Section 7: Pre-release piracy: industry steps-up action 2 iNTRODUCtioN Music has embraced the future with new business models – will governments secure a future for digital content? By John Kennedy, chairman testimony to the commercial value of and chief executive, ifPi.
    [Show full text]
  • 12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
    All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 --
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]
  • Don't Stop Believin' • Something Just Like This • Shape of You • Girls
    Don’t Stop Believin’ • Something Just Like This • Shape Of You • Girls Like You • Don’t Let Me Down • Castle On The Hill • Sweet Dreams (Are Made Of This) • What About Us • Love Yourself • In My Blood • Closer • No Tears Left To Cry • High Hopes • Look What You Made Me Do • There’s Nothing Holdin’ Me Back • Beautiful Trauma • What Lovers Do • Treat You Better • Uptown Funk • Photograph • Havana • Happier • Separate Ways/Worlds Apart • Faithfully • Breathin • Livin’ On A Prayer • Wanted Dead Or Alive • Single Ladies (Put A Ring On It) • Anyway You Want It • God Is A Woman • River • Locked Out Of Heaven • Roses • Shallow • Sick Boy • Love Me Again • Supermarket Flowers • Paris • Break Up With Your Girlfriend, I’m Bored • Smooth • Set Fire To The Rain • Skin• Umbrella • Close To Me • Green Light • Galway Girl • Feels • Rockabye • I Don’t Wanna Live Forever • #Selfie •We Are Young • Stone In Love • All Time Low • These Days • Best Of Me • It’s My Life • You Give Love A Bad Name • Baby • Just The Way You Are • Handclap • Great Are You Lord When • I Was Your Man • Eraser • Dive • Cold Water • 2002 • Symphony • Moves Like Jagger • Issues • Open Arms • New Man • Trumpets • Back To Black • Know No Better • Rise • 2U • What Do You Mean? • Mama • Marry You • Nothing Breaks Like A Heart • So Far Away • Don’t Wanna Know • Lost In Japan • Hey Look Ma, I Made It • All We Know • Wait • Live In The Moment • Here Comes The Rain Again •Let’s Stay Together • Treasure • Wheel In The Sky • Heart’s Don’t Break Around Here • Despacito (Remix) • Stitches • We
    [Show full text]
  • Rock, Rhythm, & Soul
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin.
    [Show full text]
  • The Midlands Essential Entertainment Guide
    Midlands Cover - Feb_Mids Cover - August 28/01/2013 18:00 Page 1 MIDLANDS WHAT’S MIDLANDS ON WHAT’S THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE ISSUE 326 FEBRUARY 2013 www.whatsonlive.co.uk £1.80 ISSUE 326 FEBRUARY 2013 MICKY FLANA TOURS THEG REGIONAN INSIDE Harry Hill back on the circuit THE DEFINITIVE interview inside LISTINGS GUIDE Tara Fitzgerald on making her RSC debut interview inside Sheila Reid Benidorm actress leaves her scooter behind... interview inside PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART What’sOn MAGAZINE GROUP Hot Right Now and appearing in Brum... ISSN 1462-7035 GRAND_FP- Feb13_Layout 1 28/01/2013 14:51 Page 1 Great Theatre at the Grand! MON 4 - SAT 9 FEB TUES 12 - SAT 16 FEB SUN 17 - TUES 19 FEB ‘BRILLIANT! ITEXPLODESLIKEGLITTERINGFIREWORKS’ Russia’s acclaimed ballet company BILL KENWRIGHT BY ARRANGEMENT WITH THE REALLY USEFUL GROUP PRESENTS returns to Wolverhampton following a sensational season in 2012 The Nutcracker Coppélia Swan Lake Performed by LYRICS BY MUSIC BY TIM RICE ANDREW LLOYD WEBBER The Russian State Ballet & Orchestra of Siberia STARRING KEITH JACK WED 20 FEB FRI 22 FEB TUES 26 FEB - SAT 2 MARCH SPOT © Eric Hill / SalSPOT lTd, 2012 licEnSEd by SalSPOT lTd. funwiTHSPOT.cOm WED 6 - SAT 9 MARCH ALSO BOOKING TUES 19 - SAT 30 MARCH SAT 23 FEBRUARY THE BILLY FURY YEARS TUES 12 - SAT 16 MARCH WOLVERHAMPTON MUSICAL COMEDY COMPANY FOOTLOOSE TUESDAY 2 - WEDNESDAY 3 APRIL HORMONAL HOUSEWIVES SAT 6 APRIL JIM DAVIDSON SUNDAY 7 APRIL THE SOLID SILVER 60s SHOW
    [Show full text]
  • RUMER Thlcult
    _______0’____C ____ RioLs, rap, Cameron, The Sweeney.. and “enBghtenineni”? HAS A FEW THINGS TO SAY... AND YOU NEED TO LISTEN V C w “I WENT INSANE.” WHAT FAME DID TO v, RUMER WIGWAM-BAM! IT’S THE RETURN OF ThLCULT WHOARETHE . AND• HOWARE THEY WRECKING MUSIC? RAP SNACKS?! WE’VE GOT.. ROCK AND ROLL’S GREATEST I MERCHANDISE • 3 ‘ MACCABEES RICK ROSS THE HORRORS RICHARD HAWLEY JOHN YDON SIGUR ROS Q MAGAZINE JUNE 2012 CIRCULATION 80,418 L!1 “ * 1I THE KI NG’S, SPEECH Volunteers for the position of Spokesman Of A Generation are thin on the ground in Popworld, 2012. Step forward, then,1with an interconnected single, album and feature film that all directly address the concerns of last summer’s urban rioters. Here the artist otherwise known as Benjamin Ballance-Drew talks to k’Ti about inner city blues, David ‘Cameron, universal enlightenment,, sex, drugs and Ray Winstone. His moment is now... P1Cr1JRE PEROt) Q MAGAZINE JUNE 2012 CIRCULATION 80=418 L!1 I I Plan B, making his paint: “Just remember you have a mind of your own.” Q MAGAZINE JUNE 2012 CIRCULATION 80,418 (1 Th HtT]CI T1 [!1 PLAN B he lIcks 2011 en Drew doesn’t really dojokes, not this sincere and erudite communicator almost are remembered yearanywsty, a pcrmanentragcbolllng impossible to interrupt, who deals with for two things: throughout his three-pronged ill Manors inteijections into his marathon soliloqtties Isy 1. Adele’s life- project: a single, album and film all doubllnghls vocal volunae and finishing liii defining wilfully contentious explorations of“the sentence atlyivay, Just as svell he’s infinitely worth peifortnance of detnonisationB ofthc underclass”.
    [Show full text]
  • Kaiser Chiefschiefs London We Played the Songs for Him, And
    ISSUE #34 MMUSICMAG.COM ISSUE #34 MMUSICMAG.COM Q&A other was a massive thing. That’s where that 12 hours! I can really catch up on my films!” What does being on The Voice mean war energy came from. And the other part of He’s just enjoying everything, like we did the for the band? that was, I’d been in a band with Nick for as first time—and when you see someone else It’s massive, way beyond anything we thought long as I can remember. I’d never written a doing that, you can appreciate everything was going to happen. It was something I song without him. None of us had. We had to a lot more. didn’t want to do—it’s a TV talent show, which kind of learn everything from scratch. There is not my kind of thing. But then you think, was a Day 1 when we looked at each other How did Vijay mesh in the studio? “We’re really proud of this record and we and didn’t know whether there was going to Ben really pushed him. He didn’t make life want as many people to hear it as possible.” be a Day 2 or a Day 3, and here we are a year easy on him. It was quite an emotional time Like it or not, the TV is in the corner of later. So we had to re-educate ourselves. for him. He’d been in bands before, but he’d everyone’s room, so this is a really good way never traveled to work with a big producer.
    [Show full text]
  • 2005 ² Former Futurehit
    All rights reserved. No portion of this publication may be reproduced, stored in Special Issue a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, January 2006 mechanical, photocopying, recording without prior written permission of IQWare Limited. Symbols: p Platinum (600,000) ä Gold (400,000) è Silver (200,000) 2005 ² Former FutureHIT 05 04 Title - Artist Label (Cat. No.) Entry Date High Wks 7 1 -- (IS THIS THE WAY TO) AMARILLO - Tony Christie feat. Peter Kay p ² Universal TV (9828606) 26/03/2005 1 42 2 -- THAT'S MY GOAL - Shayne Ward p Syco (82876779272) 31/12/2005 12 2 3 -- AXEL F - Crazy Frog Gusto (CDGUS17) 04/06/2005 14 29 4 -- YOU'RE BEAUTIFUL - James Blunt è Atlantic (AT0207CDX) 11/06/2005 15 31 5 -- DON'T CHA - Pussycat Dolls feat. Busta Rhymes è ² A&M (9885051) 17/09/2005 13 17 6 -- ALL ABOUT YOU/YOU'VE GOT A FRIEND - McFly è ² Island (MCSTD40409) 12/03/2005 1 44 7 -- LONELY - Akon ² Universal (MCSTD40415) 14/05/2005 12 35 8 -- HUNG UP - Madonna ² Warner Bros (W695CD2) 19/11/2005 13 8 9 -- YOU RAISE ME UP - Westlife ² S (82876739522) 05/11/2005 12 10 10 -- PUSH THE BUTTON - Sugababes è ² Island (CIDX911) 08/10/2005 13 14 11 -- BAD DAY - Daniel Powter Warner Bros (W682CD2) 06/08/2005 2 23 12 -- JCB SONG - Nizlopi ² FDM (FDMNIZ008) 18/06/2005 1 4 13 -- GHETTO GOSPEL - 2Pac (feat. Elton John) Interscope (9883248) 02/07/2005 13 28 14 -- FEEL GOOD INC - Gorillaz ² Parlophone (CDR6663) 23/04/2005 2 38 15 -- SWITCH - Will Smith Interscope (9881083) 02/04/2005 4 41 16 -- I LIKE THE WAY - Bodyrockers ² Mercury (9871115) 30/04/2005 3 37 17 -- I BET YOU LOOK GOOD ON THE DANCEFLOOR - Arctic Monkeys ² Domino (RUG212CD) 29/10/2005 1 11 18 -- LET ME LOVE YOU - Mario J (82876682452) 02/04/2005 2 40 19 -- TRIPPING - Robbie Williams ² Chrysalis (CDCHSS5158) 15/10/2005 2 13 20 -- WE BELONG TOGETHER - Mariah Carey ² Def Jam/Island (9883483) 16/07/2005 2 26 21 -- SIGNS - Snoop Dogg feat.
    [Show full text]
  • Media Mccurdy W Pictures
    The London School of Economics and Political Science ‘I Predict a Riot’ – Mediation and Political Contention: Dissent!’s media practices at the 2005 Gleneagles G8 Summit Patrick M. McCurdy A thesis submitted to the Department of Media and Communications of the London School of Economics for the degree of Doctor of Philosophy, London, March 2009. 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without the prior written consent of the author. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. 2 Abstract International meetings such as the G8 Summit have evolved from the sequestered gatherings of the economic elite to full-scale political media events. Using the 2005 Gleneagles G8 Summit as a case study, and focusing on one specific ‘autonomous’ activist network – Dissent! – this thesis investigates how the process of mediation is articulated in activists’ practices in preparing and enacting acts of contention. Dominant approaches to such events in the field of media and communications are often text-centred, focussing on the media’s framing of protest, overlooking the actions against and interactions with the media at such sites.
    [Show full text]
  • Songs by Artist
    Songs By Artist Artist Song Title Disc # Artist Song Title Disc # (children's Songs) I've Been Working On The 04786 (christmas) Pointer Santa Claus Is Coming To 08087 Railroad Sisters, The Town London Bridge Is Falling 05793 (christmas) Presley, Blue Christmas 01032 Down Elvis Mary Had A Little Lamb 06220 (christmas) Reggae Man O Christmas Tree (o 11928 Polly Wolly Doodle 07454 Tannenbaum) (christmas) Sia Everyday Is Christmas 11784 She'll Be Comin' Round The 08344 Mountain (christmas) Strait, Christmas Cookies 11754 Skip To My Lou 08545 George (duet) 50 Cent & Nate 21 Questions 00036 This Old Man 09599 Dogg Three Blind Mice 09631 (duet) Adams, Bryan & When You're Gone 10534 Twinkle Twinkle Little Star 09938 Melanie C. (christian) Swing Low, Sweet Chariot 09228 (duet) Adams, Bryan & All For Love 00228 (christmas) Deck The Halls 02052 Sting & Rod Stewart (duet) Alex & Sierra Scarecrow 08155 Greensleeves 03464 (duet) All Star Tribute What's Goin' On 10428 I Saw Mommy Kissing 04438 Santa Claus (duet) Anka, Paul & Pennies From Heaven 07334 Jingle Bells 05154 Michael Buble (duet) Aqua Barbie Girl 00727 Joy To The World 05169 (duet) Atlantic Starr Always 00342 Little Drummer Boy 05711 I'll Remember You 04667 Rudolph The Red-nosed 07990 Reindeer Secret Lovers 08191 Santa Claus Is Coming To 08088 (duet) Balvin, J. & Safari 08057 Town Pharrell Williams & Bia Sleigh Ride 08564 & Sky Twelve Days Of Christmas, 09934 (duet) Barenaked Ladies If I Had $1,000,000 04597 The (duet) Base, Rob & D.j. It Takes Two 05028 We Wish You A Merry 10324 E-z Rock Christmas (duet) Beyonce & Freedom 03007 (christmas) (duets) Year Snow Miser Song 11989 Kendrick Lamar Without A Santa Claus (duet) Beyonce & Luther Closer I Get To You, The 01633 (christmas) (musical) We Need A Little Christmas 10314 Vandross Mame (duet) Black, Clint & Bad Goodbye, A 00674 (christmas) Andrew Christmas Island 11755 Wynonna Sisters, The (duet) Blige, Mary J.
    [Show full text]