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SLR I25.Indd
scottishleftreviewIssue 25 November/December 2004 Contents Grand scale medicine ...................................12 Peter Murray Comment ........................................................2 Choosing who decides ..................................14 Briefing ...........................................................5 Bill Butler The first ills to cure.........................................6 Spinning off track..........................................16 Jean Turner Kevin Lindsay Extinguishing a beacon...................................8 Irresponsible government ............................18 Dr George Venters Scott Vietch A pound of health..........................................10 Whose hills?..................................................20 Robert McMaster Iain Frazer Grigor world’s governments hold their cash reserves in Dollars, primarily because oil is still traded in Dollars. Were this situation to change Comment (for example, were oil to be traded in Euros) then America could quickly make Argentina look like a stable economy. (In fact, one ou give them the Enlightenment – rational thought, of the most telling answers to the questions “why Iraq? Why now” Ymodernity, the seeds of tolerance – and they throw it back is that in 2000 Sadam Hussein started trading his oil in Euros. It in your face like an unwanted present. Scotland has reason was an act of political spite, but as the Euro grew stronger and to take the result of the US elections personally. For the first stronger against the Dollar is actually made Iraq a lot of money. time since the fall of the Ottoman Empire we face the serious This was, for America, a petrifying precedent.) No, stop believing prospect of a globally-significant faith-based Empire, and the business commentator classes which are perpetually aroused the people of America can reasonably expect to drift rapidly by American capitalism; if you want to find an economy which has towards a fundamentalist Old Testament version of Shiara the underlying characteristics to dominate start looking to China. -
THE DEATH of BAHA MOUSA the Death of Baha Mousa GERRY SIMPSON*
THE DEATH OF BAHA MOUSA The Death of Baha Mousa GERRY SIMPSON* [Between March 2003 and September 2004, 100 000 Iraqis are believed to have died as a consequence of the invasion of Iraq on 20 March 2003. Baha Mousa, an Iraqi hotel clerk was one of them. Mr Mousa died in Basra on or around 15 September 2003, after sustaining 93 separate injuries while in the custody of British soldiers belonging to the Duke of Lancaster’s Regiment. This think piece is about the law produced and invoked by his death.] CONTENTS I Introduction II Unlawful Conditioning III Common Law Crime IV War Crime V Human Rights Violation VI Baha Mousa How violent Schultz had sounded over the telephone. ‘I want justice,’ he had said. I wonder how many murders have been committed, and how many wars have been fought with that as a slogan … Justice is a thing that is better to give than to receive, but I am sick of giving it … I think it should be a prerogative of the gods.1 I INTRODUCTION On 14 September 2003, in Basra, southern Iraq, a hotel receptionist named Baha Mousa2 was detained by soldiers of the British Army’s Duke of Lancaster’s Regiment. Mousa and several other Iraqis were brought to a detention facility operated by the United Kingdom Armed Forces, and formerly run by Saddam Hussein’s cousin, Ali Hassann al-Majid, better known as ‘Chemical Ali’. Thirty-six hours later, Mr Mousa’s family were informed that Mr Mousa had died during detention. A subsequent post-mortem revealed that he had received 93 separate injuries, including a broken nose and fractured ribs — other prisoners suffered serious kidney damage.3 The reaction (on the part of the military, the legal profession, the media and the British establishment) to this incident tells us a little about the way * Gerry Simpson is a Professor of International Law at the London School of Economics. -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
Cultural Activism T HAMYRIS
Cultural Activism T HAMYRIS This volume addresses contemporary activist practices that aim to interrupt and reorient Cultural Activism politics as well as culture. The specific tactics analyzed here are diverse, ranging from culture jamming, sousveillance, media hoaxing, adbusting, subvertising, street art, to I hacktivism, billboard liberation, and urban guerilla, to name but a few. Though indebted NTERSECTING to the artistic and political movements of the past, this form of activism brings a novel dimension to public protest with its insistence on humor, playfulness, and confusion. This book attempts to grasp both the old and new aspects of contemporary activist practices, as well as their common characteristics and internal varieties. It attempts to open up space for the acknowledgement of the ways in which contemporary capitalism affects all Practices, Dilemmas, and Possibilities Editors Begüm Özden Firat our lives, and for the reflection on possible modes of struggling with it. It focuses on the Aylin Kuryel possibilities that different activist tactics enable, the ways in which those may be innovative or destructive, as well as on their complications and dilemmas. N o The encounter between the insights of political, social and critical theory on the one 21 hand and activist visions and struggles on the other is urgent and appealing. The essays collected here all explore such a confrontational collaboration, testing its limits and productiveness, in theory as well as in practice. In a mutually beneficial relationship, theoretical concepts are rethought through activist practices, while those activist practices are developed with the help of the insights of critical theory. This volume brings scholars and activists together in the hope of establishing a productive dialogue between the Activism Cultural theorizations of the intricacies of our times and the subversive practices that deal with them. -
Don't Stop Believin' • Something Just Like This • Shape of You • Girls
Don’t Stop Believin’ • Something Just Like This • Shape Of You • Girls Like You • Don’t Let Me Down • Castle On The Hill • Sweet Dreams (Are Made Of This) • What About Us • Love Yourself • In My Blood • Closer • No Tears Left To Cry • High Hopes • Look What You Made Me Do • There’s Nothing Holdin’ Me Back • Beautiful Trauma • What Lovers Do • Treat You Better • Uptown Funk • Photograph • Havana • Happier • Separate Ways/Worlds Apart • Faithfully • Breathin • Livin’ On A Prayer • Wanted Dead Or Alive • Single Ladies (Put A Ring On It) • Anyway You Want It • God Is A Woman • River • Locked Out Of Heaven • Roses • Shallow • Sick Boy • Love Me Again • Supermarket Flowers • Paris • Break Up With Your Girlfriend, I’m Bored • Smooth • Set Fire To The Rain • Skin• Umbrella • Close To Me • Green Light • Galway Girl • Feels • Rockabye • I Don’t Wanna Live Forever • #Selfie •We Are Young • Stone In Love • All Time Low • These Days • Best Of Me • It’s My Life • You Give Love A Bad Name • Baby • Just The Way You Are • Handclap • Great Are You Lord When • I Was Your Man • Eraser • Dive • Cold Water • 2002 • Symphony • Moves Like Jagger • Issues • Open Arms • New Man • Trumpets • Back To Black • Know No Better • Rise • 2U • What Do You Mean? • Mama • Marry You • Nothing Breaks Like A Heart • So Far Away • Don’t Wanna Know • Lost In Japan • Hey Look Ma, I Made It • All We Know • Wait • Live In The Moment • Here Comes The Rain Again •Let’s Stay Together • Treasure • Wheel In The Sky • Heart’s Don’t Break Around Here • Despacito (Remix) • Stitches • We -
Reclaim the Streets! from Local to Global Party Protest
THIRD TEXT Critical Perspectives on Contemporary Art and Culture July 2013 Reclaim The Streets! From Local to Global Party Protest Julia Ramírez Blanco If I can’t dance it’s not my revolution.1 Over the years, we have become used to experiencing works of art instead of merely watching them. As spectators, we are asked to become participants in what are considered to be artistic ‘situations’. The institutional and academic worlds propose terms such as ‘relational art’ or ‘community art’.2 A certain neo-situationist theoretical current introduces quotes of Guy Debord, Jean Baudrillard, Raoul Vaneigem and Michel de Certeau into the texts that deal with these practices. In considering these developments, Claire Bishop has spoken of a ‘social turn’ in contemporary art. However, in the introduction to her book Artificial Hells (2012), she states that this might actually be a return, and that such a return belongs to a certain tradition: From a Western European perspective, the social turn in contemporary art can be contextualized by two previous historical moments, both synonymous with political upheaval and movements for social change: the historic avant-garde in Europe circa 1917, and the so-called ‘neo’ avant-garde leading to 1968. The conspicuous resurgence of participatory art in the 1990s leads me to posit the fall of communism in 1989 as a third point of transformation. Triangulated, these three dates form a narrative of the triumph, heroic last stand and collapse of a collectivist vision of society. Each phase has been accompanied by a utopian rethinking of art’s relationship to the social and of its political potential – manifested in a reconsideration of the ways in which art is produced, consumed and debated.3 As had happened with previous explosions of participation in the art field, the renewed interest in participation of the 1990s cannot be fully understood without looking at what was happening at the same time in the field of activism. -
Rock, Rhythm, & Soul
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin. -
Ovni 2005 Resistances
OVNI 2005 RESISTANCES 25th to 30th January Observatory Archives Research: Translators: A project by OVNI Dee Dee Halleck Nuria Rodríguez [Observatori de Video No Identificat] Serene Hulelei Denise Cord'home UFO [Unknown Frame Observatory] Xavi Hurtado Eduard Escoffet Joan Leandre Mariano Martino Welcome: With the collaboration of: Oriana González Ada, Mauro Centre de Cultura Contemporània Toni Serra de Barcelona. Rabia Williams Programming: Press: Joan Leandre Irene Ruiz Toni Serra Regidor: Production: Mariano Martino Rosa Llop Graphic Design: Technical Production: Jordi Calvet Simona Marchesi Ovni 2005 Image: Production Assistants: « Ocean Life » Alain Kugel Roberta Tranchida Massimo Pietrobon WEB: Judith Nadal Robert Blank Mikel Llop Marc Peris Subtitles: Liz Peñuela VIDEOLAB OVNI 2005 Observatory Archives Resistances www.desorg.org Observatory Archives The Observatory Archives are structured around particular themes and have a Opening night, January, 25th clear purpose: to encourage a critique of contemporary culture, using different Special program, strategies: video art, independent documentary, and mass media arch a e o l o g y, . from 20.30 pm to 23.00 pm The Archives cover a huge range of works that are very different from one ano- Program of screenings: ther, but share a commitment to freedom of expression and reflect on our indi- Thematical screenings of new tapes vidual and collective fears and pleasures. Together, they offer a multifaceted added to the archives. view, thousands of tiny eyes that probe and explore our world and announce From the 26th to the 30th of January: other possible worlds. It is a discourse that above all values heterogeneity, plu- parallel screenings in the Auditorium and rality, contradiction and subjectivity, an antidote to the cloning and repetition the Hall, from 17 pm to midnight of corporate mass media. -
Behind the Masks, the Politics of Carnival
INTRODUCTION Behind the Masks, The Politics of Carnival Aurélie Godet Université de Paris, France 1. Baron Joseph X. Pontalba, “The ladies, on one side, found pleasure in knotting my bed sheets together, in throwing water letter to his wife, October 15, 1796, at me … while I, on the other, smudged their bed clothes with lamp-black, so that they became WPA trans., typescript, Louisiana State University Library, Baton smeared all over with it; I inserted an apothecary drug, one with a subtle scent, into their pillows; I Rouge, 358. squirted water at them with a syringe; I dropped bits of wood down their chimneys at night, made holes in the chamber pots, etc.” 2. Donald Cosentino, “‘My Heart Don’t Stop’: Haiti, the Carnival Baron Joseph X. Pontalba, describing a party at Louis Barthélémy de Macarty’s plantation house State,” in Carnaval!, ed. Barbara 1 Mauldin (Seattle: University of during the 1796 yellow fever epidemic in New Orleans Washington Press/Santa Fe: Museum of International Folk Art, 2004), 285. 3. Anne Schuchat, “Public Health “In this new age of pandemics and holy wars, it felt good to be there, bottoming out, looking at Response to the Initiation and the world from upside-down.” Spread of Pandemic COVID-19 in the United States, February Donald Cosentino, about Haitian Carnival in the wake of the AIDS epidemic2 24–April 21, 2020,” Morbidity and Mortality Weekly Report, US Department of Health and Human Services, May 8, 2020, https://www.cdc.gov/mmwr/vol- A Note on Festivity and the Current Pandemic umes/69/wr/mm6918e2.htm. -
Carnivals Against Capital: Radical Clowning and the Global Justice Movement
Social Identities Journal for the Study of Race, Nation and Culture ISSN: 1350-4630 (Print) 1363-0296 (Online) Journal homepage: http://www.tandfonline.com/loi/csid20 Carnivals against capital: radical clowning and the global justice movement L.M. Bogad To cite this article: L.M. Bogad (2010) Carnivals against capital: radical clowning and the global justice movement, Social Identities, 16:4, 537-557, DOI: 10.1080/13504630.2010.498242 To link to this article: https://doi.org/10.1080/13504630.2010.498242 Published online: 23 Jul 2010. Submit your article to this journal Article views: 747 Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=csid20 Social Identities Vol. 16, No. 4, July 2010, 537Á557 Carnivals against capital: radical clowning and the global justice movement L.M. Bogad* Department of Theatre and Dance, University of California, Davis, USA (Received 11 October 2008; final version received 10 December 2009) This essay looks at an international performance phenomenon, which I refer to as tactical carnival, that has developed as a tactic in the toolbox of the burgeoning global justice movement. This movement has been more accurately described as a ‘movement of movements’ due to its great diversity in geography, identity, and ideology (‘One no, many yeses’ is one of its main slogans). As connections and coalitions are forged between Bolivian miners, American anti-corporate activists, Polish organic farmers, etc., organizers have begun to coordinate a celebratory form of protest that involves unpermitted street parties/processions that occupy public space, both to assert movement identity and importance and often to disrupt state or corporate events/daily business. -
This Index Can Also Serve As a Glossary. Page References Set In
Autonomous communities convergence centres, 215; 448; unmasking of, 309, 310, 499; see also Neoliberalism, Index Kuna, 113; Mendha, India, 115; Mentawi Islands, 115; Economic globalization Pak Mun Protest Villages 140; piqueteros, 472-481; Cargill (dismantled) 160 This index can also serve as a glossary. San Salvador Atenco, 473; social centres, 425; Carnival [174], 173-183, 346 as counterpower, 350; as Page references set in brackets indicate definition Village Republic, 155; Zapatistas, 80, 114 spectacle, 26, 176; as ‘terrorism’, 179; creating space for, or thorough treatment of a topic. Autonomy [107-109], 107-119 and piqueteros, 475; 224; goals, 175; in Ogoniland, 196; and music, 216 Please note that the timeline is not indexed. and Peoples’ Global Action, 96; and sans-papiers, 40; Carnivals against capital and the FBI, 179; in London, appeal of, 108; appropriation of, 108; 184-187, 188-195, 217, 231; in Prague, 290-295; in Québec confused with independence and individualism, 109; City, 178, 346; in Seattle, 174 development of, 423; essential components, 112; Democracy (charade of) 474 in affinity groups, 215; in economies see also US presidential elections A see Solidarity economy Chase Manhattan Bank 310 Acteal massacre 82, 89 Chiapas autonomy in, 114-155; clandestinity in, 306; Active Resistance 231 inspiration from, 397; perceived threat, 310; poverty and Affinity groups [60], 67, 191, [202-203], 215, 312, 375 B violence in, 80-87; see also Zapatistas Agribusiness 152 Baboon butt 252 City of London 176, 188 protest in, 196, 176, -
Whole Day Download the Hansard Record of the Entire Day in PDF Format. PDF File, 0.83
Wednesday Volume 612 6 July 2016 No. 21 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Wednesday 6 July 2016 © Parliamentary Copyright House of Commons 2016 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 863 6 JULY 2016 864 Ian Murray: Standard Life, one of the largest private House of Commons employers in Scotland, ceased trading in its UK property fund this week, and the Governor of the Bank of Wednesday 6 July 2016 England has said that the consequences of Brexit are beginning to crystallise. Given that financial services are 7% of Scotland’s GDP and employ tens of thousands The House met at half-past Eleven o’clock of my constituents, what reassurances was the Secretary of State able to give businesses yesterday that not one job will be lost because of the Conservative gamble with PRAYERS this country? David Mundell: May I begin by commending the hon. [MR SPEAKER in the Chair] Gentleman for his service as shadow Scottish Secretary? No one knows better than me how difficult it is to be BUSINESS BEFORE QUESTIONS your party’s sole representative from Scotland in this House and be shadow Scottish Secretary. He performed the role with great distinction, and I am particularly REPORT OF THE IRAQ INQUIRY grateful for his work to ensure the passage of the Resolved, Scotland Act 2016 in this place. He will be pleased to That an humble Address be presented to Her Majesty, That know that when I met business leaders yesterday Standard she will be graciously pleased to give directions that there be laid Life was represented.