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Translation: an Advanced Resource Book
TRANSLATION Routledge Applied Linguistics is a series of comprehensive resource books, providing students and researchers with the support they need for advanced study in the core areas of English language and Applied Linguistics. Each book in the series guides readers through three main sections, enabling them to explore and develop major themes within the discipline: • Section A, Introduction, establishes the key terms and concepts and extends readers’ techniques of analysis through practical application. • Section B, Extension, brings together influential articles, sets them in context, and discusses their contribution to the field. • Section C, Exploration, builds on knowledge gained in the first two sections, setting thoughtful tasks around further illustrative material. This enables readers to engage more actively with the subject matter and encourages them to develop their own research responses. Throughout the book, topics are revisited, extended, interwoven and deconstructed, with the reader’s understanding strengthened by tasks and follow-up questions. Translation: • examines the theory and practice of translation from a variety of linguistic and cultural angles, including semantics, equivalence, functional linguistics, corpus and cognitive linguistics, text and discourse analysis, gender studies and post- colonialism • draws on a wide range of languages, including French, Spanish, German, Russian and Arabic • explores material from a variety of sources, such as the Internet, advertisements, religious texts, literary and technical texts • gathers together influential readings from the key names in the discipline, including James S. Holmes, George Steiner, Jean-Paul Vinay and Jean Darbelnet, Eugene Nida, Werner Koller and Ernst-August Gutt. Written by experienced teachers and researchers in the field, Translation is an essential resource for students and researchers of English language and Applied Linguistics as well as Translation Studies. -
High on a Mountaintop: Recommendations for the Future of Bascom Lodge
High on a Mountaintop: Recommendations for the Future of Bascom Lodge Camille Bevans Daniel Gura Alice Nelson ENVI 302 Fall 2008 Professors Sarah Gardner and Beth Goodman 1 Table of Contents Part I – Introduction, Problem Identification, and Scope Introduction……………………………………………………………………………………..page 4 Problem Identification and Scoping…………………………………………………………….page 4 Part II – Background, Funding, and Model Lodges Physical Site Description………………………………………………………………………..page 5 Community Profile……………………………………………………………………………...page 6 Site History……………………………………………………………………………………...page 7 Project Background Research…………………………………………………………………...page 8 Laws and Regulations…………………………………………………………………………...page 9 Funding………………………………………………………………………………………….page 12 Models…………………………………………………………………………………………..page 15 Part III – Research Findings Methodology…………………………………………………………………………………….page 19 Interview Results………………………………………………………………………………..page 20 Goals…………………………………………………………………………………………….page 24 Environmental Sustainability……………………………………………………………………page 24 Education………………………………………………………………………………………..page 29 Data Analysis……………………………………………………………………………………page 30 Alternatives……………………………………………………………………………………...page 34 Combination Lodge/Combination Management………………………………………………...page 35 Combination Lodge/Not-for-Profit Management……………………………………………….page 37 Traditional Lodge/Not-for-Profit Management…………………………………………………page 39 Appendices……………………………………………………………………………………...page 42 Works Cited……………………………………………………………………………………..page 71 2 List of Tables Table 1: Common -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
WAXY, WKIS, WLYF, WMXJ, WPOW, WQAM, WSFS EEO PUBLIC FILE REPORT October 1, 2019 - September 30, 2020
Page: 1/24 WAXY, WKIS, WLYF, WMXJ, WPOW, WQAM, WSFS EEO PUBLIC FILE REPORT October 1, 2019 - September 30, 2020 ENTERCOM Miami-Ft.Lauderdale-Hollywood,FL IS AN EQUAL OPPORTUNITY EMPLOYER. Address: Contact Person/Title: 20450 NW Second Ave, Keriann Worley Miami, FL - 33169 SVP/Market Manager Telephone Number: E-Mail Address: 305-521-5100 [email protected] I. VACANCY LIST See Section II, the "Master Recruitment Source List" ("MRSL") for recruitment source data Recruitment Sources ("RS") RS Referring Job Title Used to Fill Vacancy Hiree Account Executive 1-3, 6-26, 28-46, 48-91, 93-94, 96, 101 96 Promotions Manager 1-37, 39-48, 50-77, 80-91, 93, 95-96 96 Promotions Manager 1-37, 39-48, 50-77, 80-91, 93, 95-96 96 Digital Sales Manager 1-4, 6-41, 43-75, 77-91, 93, 96, 99 96 1-4, 6-33, 35-37, 39-41, 43-46, 48-77, Account Executive 96 79-91, 93, 96, 99-100 1-4, 6-33, 35-37, 39-41, 43-46, 48-77, Account Executive 30 79-91, 93, 96, 99-100 Account Executive 1-4, 6-31, 33-41, 43-62, 64-93, 96-99 96 Page: 2/24 WAXY, WKIS, WLYF, WMXJ, WPOW, WQAM, WSFS EEO PUBLIC FILE REPORT October 1, 2019 - September 30, 2020 II. MASTER RECRUITMENT SOURCE LIST ("MRSL") a. Agencies Notified by Outreach Source Entitled No. of Interviewees RS to Vacancy Referred by RS RS Information Number Notification? Over (Yes/No) Reporting Period African American Chamber of Commerce 3201 E. -
Bomb Threat Suspect Found
Researcher receives science El Gallo de Oro lacks CMU students perform at contribution award • A4 drastic changes • A6 FringeNYC • B8 SCITECH FORUM PILLBOX thetartan.org @thetartan August 27, 2012 Volume 107, Issue 2 Carnegie Mellon’s student newspaper since 1906 Bomb Hunt Library gets new layout Wheels on bus to threat keep going round MADELYN GLYMOUR membership ratified it by a News Editor 10-to-one margin, and the suspect reason they ratified it by that The Port Authority an- margin was because of that nounced last Tuesday that the language.” found service reduction planned for Palonis pointed to Allegh- Sept. 2 would be postponed eny County Executive Rich JUSTIN MCGOWN until at least August 2013. Fitzgerald as another pivotal Staffwriter The postponement is the player in the agreement. result of a deal reached by “He really kept our nose The FBI officially in- the Port Authority, Allegh- to the grindstone throughout dicted Adam Stuart Busby eny County, Governor Tom this process,” Palonis said. on Aug. 22 for sending over Corbett’s office, and the Lo- “Rich is an advocate for trans- 40 threatening emails to the cal 85 Amalgamated Transit portation. I’ve dealt with a lot University of Pittsburgh last Union. Under the deal, Port of politicians through this year. Busby’s emails were Authority employees in the process, but Rich really wants part of a series of over 100 Local 85 union will undergo to see transportation grow.” bomb threats issued to Pitt a two-year pay freeze and According to the Pitts- throughout the spring se- increase the percentage of burgh Post-Gazette, Fitzger- mester. -
ARIA Charts, 1993-01-10 to 1993-04-18
4 i Enjoy iian /21.'oril industty %s °clai!? m 1'3 A U S T R A L I A N SINGLES CHART ALBUMS CHART TW LW TI TITLE / ARTIST TW LW TI TITLE / ARTIST 1 1 6 I WILL ALWAYS LOVE YOU Whitney Houston A BMG 4321120654 *1 3 4 STILL THE 12TH MAN The Twelfth Man A2 EMI 8141392 *2 12 7 YOU DON'T TREAT ME NO GOOD Sonia Dada • FES C 12078 *2 10 11 TIMELESS (THE CLASSICS) Michael Bolton A COL/SONY 472302.2 3 2 14 END OF THE ROAD Boyz II Men A PDR/POL 8600644 3 1 10 ABBA GOLD • GREATEST HITS ABBA A2 PDR/POL 5172752 4 4 10 ACCIDENTLY KELLY STREET Frente A VVHUFES C 12063 *4 14 17 UNPLUGGED Eric Clapton A WARNER 9362450242 5 3 10 WOULD I LIE TO YOU? Charles & Eddie • EMI 8802284 *5 23 4 THE BODYGUARD Soundtrack BMG 7822186992 6 7 25 NOVEMBER RAIN Guns n' Roses A GEF/BMG GEFCS19067 6 7 6 MARVIN THE ALBUM Frente A WHI/FES D 93367 *7 18 7 DECEMBER 1963 (OH WHAT A NIGHT) The Four Seasons SONY 658441.8 7 5 9 THE ESSENTIAL COLLECTION Joe Cocker A EMI 7807572 8 5 20 ACHY BREAKY HEART Billy Ray Cyrus A2 PHON/POL 8640554 *8 16 10 COOLEYHIGHHARMONY Boyz II Men A PDR/POL 530 089-2 9 6 18 THE DAY YOU WENT AWAY Wendy Matthews • WARNER 4509905224 9 2 9 GLITTERING PRIZE 81.92 Simple Minds A VIR/EMI 7865082 10 10 9 TEQUILA A.L.T. -
Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia Into New Dimensions on Cantos Invisíveis, a Global Tapestry That Transcends Place & Time
Bio information: SÃO PAULO UNDERGROUND Title: CANTOS INVISÍVEIS (Cuneiform Rune 423) Format: CD / DIGITAL Cuneiform Promotion Dept: (301) 589-8894 / Fax (301) 589-1819 Press and world radio: [email protected] | North American and world radio: [email protected] www.cuneiformrecords.com FILE UNDER: JAZZ / TROPICALIA / ELECTRONIC / WORLD / PSYCHEDELIC / POST-JAZZ RELEASE DATE: OCTOBER 14, 2016 Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia into New Dimensions on Cantos Invisíveis, a Global Tapestry that Transcends Place & Time Cantos Invisíveis is a wondrous album, a startling slab of 21st century trans-global music that mesmerizes, exhilarates and transports the listener to surreal dreamlands astride the equator. Never before has the fearless post-jazz, trans-continental trio São Paulo Underground sounded more confident than here on their fifth album and third release for Cuneiform. Weaving together a borderless electro-acoustic tapestry of North and South American, African and Asian, traditional folk and modern jazz, rock and electronica, the trio create music at once intimate and universal. On Cantos Invisíveis, nine tracks celebrate humanity by evoking lost haunts, enduring love, and the sheer delirious joy of making music together. São Paulo Underground fully manifests its expansive vision of a universal global music, one that blurs edges, transcends genres, defies national and temporal borders, and embraces humankind in its myriad physical and spiritual dimensions. Featuring three multi-instrumentalists, São Paulo Underground is the creation of Chicago-reared polymath Rob Mazurek (cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice) and two Brazilian masters of modern psycho- Tropicalia -- Mauricio Takara (drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice) and Guilherme Granado (keyboards, synthesizers, sampler, percussion and voice). -
Patrol Officer Hank Suppes
Like us on Facebook! Visit us online at montrosemirror.com! Please Support our Advertisers! Fresh News forSAVE Busy A TREE, People READ THE-Weekly MIRROR...WEEKLY on Mondays! ON MONDAYS! © Issue No. 267, April 9, 2018 ‘THESE PEOPLE SERVED OUR COUNTRY, AND THEY PAID A GREAT DEBT’ www.montrosecounty.net Grand Junction Company Serves Former Dept. of Energy Workers in 13 States By Caitlin Switzer GRAND JUNCTION- They continue to be the un- www.voahealthservices.org sung heroes of our nation; the Department of En- ergy (DOE) workers whose labor fueled the age of nuclear power. Today, a growing health care company has built its mission entirely around serving the health care needs of former energy workers, those who “were regularly exposed to radioactive materials and www.tristategt.org other hazardous materials that may have already brought about debilitating and life-threatening illnesses and disabilities.” Founded in Grand Junc- tion by two nurses, Nuclear Care Partners (NCP) provides in-home health care and other services Outreach Liaison John Kelley of Grand Junction-based to former United States Department of Energy Nuclear Care Partners, above, reminds the community (DOE) workers. that energy workers are unsungAmerican heroes who sacrificed for our freedoms. Like Medicare but specific to Continued pg 18 www.alpinebank.com APRIL IS CHILD ABUSE PREVENTION MONTH; COUNTY TO HOST FAMILY MOVIE NIGHT APRIL 28 www.smpa.com Mirror staff report MONTROSE- Because April is Child Abuse Preven- tion Month, Montrose County will screen the fami- ly film Coco at the Fox Movie Theater (27 South Cascade) on April 28 at no charge to viewers. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Domination and Resistance in Afro-Brazilian Music
Domination and Resistance In Afro-Brazilian Music Honors Thesis—2002-2003 Independent Major Oberlin College written by Paul A. Swanson advisor: Dr. Roderic Knight ii Table of Contents Abstract Introduction 1 Chapter 1 – Cultural Collisions Between the Old and New World 9 Mutual Influences 9 Portuguese Independence, Exploration, and Conquest 11 Portuguese in Brazil 16 Enslavement: Amerindians and Africans 20 Chapter 2 – Domination: The Impact of Enslavement 25 Chapter 3 – The ‘Arts of Resistance’ 30 Chapter 4 – Afro-Brazilian Resistance During Slavery 35 The Trickster: Anansi, Exú, malandro, and malandra 37 African and Afro-Brazilian Religion and Resistance 41 Attacks on Candomblé 43 Candomblé as Resistance 45 Afro-Brazilian Musical Spaces: the Batuque 47 Batuque Under Attack 50 Batuque as a Place of Resistance 53 Samba de Roda 55 Congadas: Reimagining Power Structures 56 Chapter 5 – Black and White in Brazil? 62 Carnival 63 Partner-dances 68 Chapter 6 – 1808-1917: Empire, Abolition and Republic 74 1808-1889: Kings in Brazil 74 1889-1917: A New Republic 76 Birth of the Morros 78 Chapter 7 – Samba 80 Oppression and Resistance of the Early Sambistas 85 Chapter 8 – the Appropriation and Nationalization of Samba 89 Where to find this national identity? 91 Circumventing the Censors 95 Contested Terrain 99 Chapter 9 – Appropriation, Authenticity, and Creativity 101 Bossa Nova: A New Sound (1958-1962) 104 Leftist Nationalism: the Oppression of Authenticity (1960-1968) 107 Coup of 1964 110 Protest Songs 112 Tropicália: the Destruction of Authenticity (1964-1968) 115 Chapter 10 – Transitions: the Birth of Black-Consciousness 126 Black Soul 129 Chapter 11 – Back to Bahia: the Rise of the Blocos Afro 132 Conclusions 140 Map 1: early Portugal 144 Map 2: the Portuguese Seaborne Empire 145 iii Map 3: Brazil 146 Map 4: Portuguese colonies in Africa 147 Appendix A: Song texts 148 Bibliography 155 End Notes 161 iv Abstract Domination and resistance form a dialectic relationship that is essential to understanding Afro-Brazilian music. -
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio Musical Urbano? Su Permanencia En Tijuana Y Sus Transformaciones Durante La Guerra Contra Las Drogas: 2006-2016
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio musical urbano? Su permanencia en Tijuana y sus transformaciones durante la guerra contra las drogas: 2006-2016. Tesis presentada por Pedro Gilberto Pacheco López. Para obtener el grado de MAESTRO EN ESTUDIOS CULTURALES Tijuana, B. C., México 2016 CONSTANCIA DE APROBACIÓN Director de Tesis: Dr. Miguel Olmos Aguilera. Aprobada por el Jurado Examinador: 1. 2. 3. Obviamente a Gilberto y a Roselia: Mi agradecimiento eterno y mayor cariño. A Tania: Porque tú sacrificio lo llevo en mi corazón. Agradecimientos: Al apoyo económico recibido por CONACYT y a El Colef por la preparación recibida. A Adán y Janet por su amistad y por al apoyo desde el inicio y hasta este último momento que cortaron la luz de mi casa. Los vamos a extrañar. A los músicos que me regalaron su tiempo, que me abrieron sus hogares, y confiaron sus recuerdos: Fernando, Rosy, Ángel, Ramón, Beto, Gerardo, Alejandro, Jorge, Alejandro, Taco y Eduardo. Eta tesis no existiría sin ustedes, los recordaré con gran afecto. Resumen. La presente tesis de investigación se inserta dentro de los debates contemporáneos sobre cultura urbana en la frontera norte de México y se resume en tres grandes premisas: la primera es que el corrido y el metal forman parte de dos estructuras musicales de larga duración y cambio lento cuya permanencia es una forma de patrimonio cultural. Para desarrollar esta premisa se elabora una reconstrucción historiográfica desde la irrupción de los géneros musicales en el siglo XIX, pasando a la apropiación por compositores tijuanenses a mediados del siglo XX, hasta llegar al testimonio de primera mano de los músicos contemporáneos. -
Perspectives on New Wave Cumbia | Norient.Com 7 Oct 2021 06:12:57
Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:57 Perspectives on New Wave Cumbia by Moses Iten Since the beginning of the 21st century «new wave cumbia» has been growing as an independent club culture simultaneously in several parts of the world. Innovative producers have reinvented the dance music-style cumbia and thus produced countless new subgenres. The common ground: they mix traditional Latin American cumbia-rhythms with rough electronic sounds. An insider perspective on a rapid evolution. From the Norient book Out of the Absurdity of Life (see and order here). https://norient.com/stories/new-wave-cumbia Page 1 of 15 Perspectives on New Wave Cumbia | norient.com 7 Oct 2021 06:12:58 Dreams are made of being at the right place at the right time and in early June 2007 I happened to arrive in Tijuana, Mexico. Tijuana had been proclaimed a new cultural Mecca by the US magazine Newsweek, largely due to the output of a group of artists called Nortec Collective and inadvertently spawned a new scene – a movement – called nor-tec (Mexican norteno folk music and techno). In 2001, the release of the compilation album Nortec Collective: The Tijuana Sessions Vol.1 (Palm Pictures) catapulted Tijuana from its reputation of being a sleazy, drug-crime infested Mexico/US border town to the frontline of hipness. Instantly it was hailed as a laboratory for artists exploring the clash of worlds: haves and have-nots, consumption and its leftovers, South meeting North, developed vs. underdeveloped nations, technology vs. folklore. After having hosted some of the first parties in Australia featuring members of the Nortec Collective back in 2005 and 2006, the connection was made.