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Ubiquitous Argonium \(Arh+\) in the Diffuse Interstellar Medium: A
A&A 566, A29 (2014) Astronomy DOI: 10.1051/0004-6361/201423727 & c ESO 2014 Astrophysics Ubiquitous argonium (ArH+) in the diffuse interstellar medium: A molecular tracer of almost purely atomic gas P. Schilke1, D. A. Neufeld2, H. S. P. Müller1, C. Comito1, E. A. Bergin3, D. C. Lis4;5, M. Gerin6, J. H. Black7, M. Wolfire8, N. Indriolo2, J. C. Pearson9, K. M. Menten10, B. Winkel10, Á. Sánchez-Monge1, T. Möller1, B. Godard6, and E. Falgarone6 1 I. Physikalisches Institut der Universität zu Köln, Zülpicher Str. 77, 50937 Köln, Germany e-mail: [email protected] 2 The Johns Hopkins University, Baltimore, MD 21218, USA 3 Department of Astronomy, The University of Michigan, 500 Church Street, Ann Arbor, MI 48109-1042, USA 4 California Institute of Technology, Pasadena, CA 91125, USA 5 Sorbonne Universités, Université Pierre et Marie Curie, Paris 6, CNRS, Observatoire de Paris, UMR 8112 LERMA, Paris, France 6 LERMA, CNRS UMR 8112, Observatoire de Paris & École Normale Supérieure, 24 rue Lhomond, 75005 Paris, France 7 Department of Earth and Space Sciences, Chalmers University of Technology, Onsala Space Observatory, 439 92 Onsala, Sweden 8 Astronomy Department, University of Maryland, College Park, MD 20742, USA 9 Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA 91109, USA 10 Max-Planck-Institut für Radioastronomie, Auf dem Hügel 69, 53121 Bonn, Germany Received 28 February 2014 / Accepted 29 March 2014 ABSTRACT Aims. We describe the assignment of a previously unidentified interstellar absorption line to ArH+ and discuss its relevance in the + context of hydride absorption in diffuse gas with a low H2 fraction. -
Brahmagupta, Mathematician Par Excellence
GENERAL ARTICLE Brahmagupta, Mathematician Par Excellence C R Pranesachar Brahmagupta holds a unique position in the his- tory of Ancient Indian Mathematics. He con- tributed such elegant results to Geometry and Number Theory that today's mathematicians still marvel at their originality. His theorems leading to the calculation of the circumradius of a trian- gle and the lengths of the diagonals of a cyclic quadrilateral, construction of a rational cyclic C R Pranesachar is involved in training Indian quadrilateral and integer solutions to a single sec- teams for the International ond degree equation are certainly the hallmarks Mathematical Olympiads. of a genius. He also takes interest in solving problems for the After the Greeks' ascendancy to supremacy in mathe- American Mathematical matics (especially geometry) during the period 7th cen- Monthly and Crux tury BC to 2nd century AD, there was a sudden lull in Mathematicorum. mathematical and scienti¯c activity for the next millen- nium until the Renaissance in Europe. But mathematics and astronomy °ourished in the Asian continent partic- ularly in India and the Arab world. There was a contin- uous exchange of information between the two regions and later between Europe and the Arab world. The dec- imal representation of positive integers along with zero, a unique contribution of the Indian mind, travelled even- tually to the West, although there was some resistance and reluctance to accept it at the beginning. Brahmagupta, a most accomplished mathematician, liv- ed during this medieval period and was responsible for creating good mathematics in the form of geometrical theorems and number-theoretic results. -
General Index
General Index Italic page numbers refer to illustrations. Authors are listed in ical Index. Manuscripts, maps, and charts are usually listed by this index only when their ideas or works are discussed; full title and author; occasionally they are listed under the city and listings of works as cited in this volume are in the Bibliograph- institution in which they are held. CAbbas I, Shah, 47, 63, 65, 67, 409 on South Asian world maps, 393 and Kacba, 191 "Jahangir Embracing Shah (Abbas" Abywn (Abiyun) al-Batriq (Apion the in Kitab-i balJriye, 232-33, 278-79 (painting), 408, 410, 515 Patriarch), 26 in Kitab ~urat ai-arc!, 169 cAbd ai-Karim al-Mi~ri, 54, 65 Accuracy in Nuzhat al-mushtaq, 169 cAbd al-Rabman Efendi, 68 of Arabic measurements of length of on Piri Re)is's world map, 270, 271 cAbd al-Rabman ibn Burhan al-Maw~ili, 54 degree, 181 in Ptolemy's Geography, 169 cAbdolazlz ibn CAbdolgani el-Erzincani, 225 of Bharat Kala Bhavan globe, 397 al-Qazwlni's world maps, 144 Abdur Rahim, map by, 411, 412, 413 of al-BlrunI's calculation of Ghazna's on South Asian world maps, 393, 394, 400 Abraham ben Meir ibn Ezra, 60 longitude, 188 in view of world landmass as bird, 90-91 Abu, Mount, Rajasthan of al-BlrunI's celestial mapping, 37 in Walters Deniz atlast, pl.23 on Jain triptych, 460 of globes in paintings, 409 n.36 Agapius (Mabbub) religious map of, 482-83 of al-Idrisi's sectional maps, 163 Kitab al- ~nwan, 17 Abo al-cAbbas Abmad ibn Abi cAbdallah of Islamic celestial globes, 46-47 Agnese, Battista, 279, 280, 282, 282-83 Mu\:lammad of Kitab-i ba/Jriye, 231, 233 Agnicayana, 308-9, 309 Kitab al-durar wa-al-yawaqft fi 11m of map of north-central India, 421, 422 Agra, 378 n.145, 403, 436, 448, 476-77 al-ra~d wa-al-mawaqft (Book of of maps in Gentil's atlas of Mughal Agrawala, V. -
AN ACCOUNT of INDIAN ASTRONOMICAL HERITAGE from the 5Th CE to 12Th CE Astronomical Observation Is the Beginning of Scientific At
Publications of the Korean Astronomical Society pISSN: 1225-1534 30: 705 ∼ 707, 2015 September eISSN: 2287-6936 c 2015. The Korean Astronomical Society. All rights reserved. http://dx.doi.org/10.5303/PKAS.2015.30.2.705 AN ACCOUNT OF INDIAN ASTRONOMICAL HERITAGE FROM THE 5th CE to 12th CE Somenath Chatterjee Sabitri Debi Institute of Technology (School of Astronomy) BANAPRASTHA, P.O. Khamargachi DT Hooghly PIN 712515 India E-mail: [email protected] (Received November 30, 2014; Reviced May 31, 2015; Aaccepted June 30, 2015) ABSTRACT Astronomical observation is the beginning of scientific attitudes in the history of mankind. According to Indian tradition, there existed 18 early astronomical texts (siddhantas) composed by Surya, Pitamaha and many others. Varahamihira compiled five astronomical texts in a book named panchasiddhantika, which is now the link between early and later siddhantas. Indian scholars had no practice of writing their own names in their works, so, it is very difficult to identify them. Aryabhata is the first name noticed, in the book Aryabhatiya. After this point most astronomers and astro-writers wrote their names in their works. In this paper I have tried to analyze the works of astronomers like Aryabhata, Varahamihira, Brah- magupta, Bhaskara I, Vateswara, Sripati and Bhaskaracharya in a modern context and to obtain an account of Indian astronomical knowledge. Aryabhata is the first Indian astronomer who stated that the rising and setting of the Sun, the Moon and other heavenly bodies was due to the relative motion of the Earth caused by the rotation of the Earth about its own axis. -
Indian Mathematics
Indian Mathemtics V. S. Varadarajan University of California, Los Angeles, CA, USA UCLA, March 3-5, 2008 Abstract In these two lectures I shall talk about some Indian mathe- maticians and their work. I have chosen two examples: one from the 7th century, Brahmagupta, and the other, Ra- manujan, from the 20th century. Both of these are very fascinating figures, and their histories illustrate various as- pects of mathematics in ancient and modern times. In a very real sense their works are still relevant to the mathe- matics of today. Some great ancient Indian figures of Science Varahamihira (505–587) Brahmagupta (598-670) Bhaskara II (1114–1185) The modern era Ramanujan, S (1887–1920) Raman, C. V (1888–1970) Mahalanobis, P. C (1893–1972) Harish-Chandra (1923–1983) Bhaskara represents the peak of mathematical and astro- nomical knowledge in the 12th century. He reached an un- derstanding of calculus, astronomy, the number systems, and solving equations, which were not to be achieved any- where else in the world for several centuries...(Wikipedia). Indian science languished after that, the British colonial occupation did not help, but in the 19th century there was a renaissance of arts and sciences, and Indian Science even- tually reached a level comparable to western science. BRAHMAGUPTA (598–670c) Some quotations of Brahmagupta As the sun eclipses the stars by its brilliancy, so the man of knowledge will eclipse the fame of others in assemblies of the people if he proposes algebraic problems, and still more, if he solves them. Quoted in F Cajori, A History of Mathematics A person who can, within a year, solve x2 92y2 =1, is a mathematician. -
Brad J Goldberg
BRAD J GOLDBERG 5706 GOLIAD AVENUE DALLAS, TX 75206 . W 214 821 9692 . [email protected] . WWW.BRADJGOLDBERG.COM CURRENT PROJECTS 2014- Moore Square, Raleigh, North Carolina 2013- Washington D.C. Metro Innovation Center Station 2011- Passage, Pueblo Grande Archeological Museum, Phoenix, Arizona 2009- Terminal 4 Terrazzo Floor Project, Ft. Lauderdale International Airport, Florida COMPLETED PROJECTS 2014 Trinity River Amenities Project, Dallas, Texas 2012 Water Tower, Elevated Water Tower Design/Wind Energy Project, Town of Addison, Texas 2012 Belt Line Station, Dallas Area Rapid Transit, Irving, Texas 2011 Every Place A History, Austin Animal Shelter/Betty Dunkerley Campus, Austin, Texas 2011 Water Table, Cityplace, Dallas, Texas 2011 Bollard Series, West Palm Beach County Courthouse Project, West Palm Beach, Florida 2011 Alluvium, Pinnacle/Pima Road Project, Scottsdale, Arizona 2010 Healing Stones, Solar Light Project, Children’s Hospital, Minneapolis, Minnesota 2010 DART System-Wide Lead Artist, Dallas Area Rapid Transit Projects (12 Years) 2009 Trinity Lakes Project, Conceptual Design, Design Team Member with WRT, Dallas, Texas 2009 Fair Park Station, Dallas Area Rapid Transit, Main Entrance to Fair Park, Dallas, Texas 2007 Cisterna, Stone Cistern and Wind Turbine Project, Montgomery Farm, Allen, Texas 2007 Illumination, Symantec Corporation Solar Light Project, Culver City, California 2007 Coral Eden, Miami International Airport Project, Miami, Florida 2006 Place of Origin, Land Reclamation Project, Village of Kemnay, Aberdeenshire, -
Greek Sculpture and the Four Elements Art
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Sculpture and the Four Elements Art 7-1-2000 Greek Sculpture and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgs Part of the History of Art, Architecture, and Archaeology Commons Benson, J.L., "Greek Sculpture and the Four Elements [full text, not including figures]" (2000). Greek Sculpture and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgs/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Sculpture and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire About this book This is one part of the first comprehensive study of the development of Greek sculpture and painting with the aim of enriching the usual stylistic-sociological approaches through a serious, disciplined consideration of the basic Greek scientific orientation to the world. This world view, known as the Four Elements Theory, came to specific formulation at the same time as the perfected contrapposto of Polykleitos and a concern with the four root colors in painting (Polygnotos). All these factors are found to be intimately intertwined, for, at this stage of human culture, the spheres of science and art were not so drastically differentiated as in our era. The world of the four elements involved the concepts of polarity and complementarism at every level. -
The Art of Hans Arp After 1945
Stiftung Arp e. V. Papers The Art of Hans Arp after 1945 Volume 2 Edited by Jana Teuscher and Loretta Würtenberger Stiftung Arp e. V. Papers Volume 2 The Art of Arp after 1945 Edited by Jana Teuscher and Loretta Würtenberger Table of Contents 10 Director’s Foreword Engelbert Büning 12 Foreword Jana Teuscher and Loretta Würtenberger 16 The Art of Hans Arp after 1945 An Introduction Maike Steinkamp 25 At the Threshold of a New Sculpture On the Development of Arp’s Sculptural Principles in the Threshold Sculptures Jan Giebel 41 On Forest Wheels and Forest Giants A Series of Sculptures by Hans Arp 1961 – 1964 Simona Martinoli 60 People are like Flies Hans Arp, Camille Bryen, and Abhumanism Isabelle Ewig 80 “Cher Maître” Lygia Clark and Hans Arp’s Concept of Concrete Art Heloisa Espada 88 Organic Form, Hapticity and Space as a Primary Being The Polish Neo-Avant-Garde and Hans Arp Marta Smolińska 108 Arp’s Mysticism Rudolf Suter 125 Arp’s “Moods” from Dada to Experimental Poetry The Late Poetry in Dialogue with the New Avant-Gardes Agathe Mareuge 139 Families of Mind — Families of Forms Hans Arp, Alvar Aalto, and a Case of Artistic Influence Eeva-Liisa Pelkonen 157 Movement — Space Arp & Architecture Dick van Gameren 174 Contributors 178 Photo Credits 9 Director’s Foreword Engelbert Büning Hans Arp’s late work after 1945 can only be understood in the context of the horrific three decades that preceded it. The First World War, the catastro- phe of the century, and the Second World War that followed shortly thereaf- ter, were finally over. -
EB WARD Diary
THE DIARY OF SAMUEL WARD, A TRANSLATOR OF THE 1611 KING JAMES BIBLE Transcribed and prepared by Dr. M.M. Knappen, Professor of English History, University of Chicago. Edited by John W. Cowart Bluefish Books Cowart Communications Jacksonville, Florida www.bluefishbooks.info THE DIARY OF SAMUEL WARD, A TRANSLATOR OF THE 1611 KING JAMES BIBLE. Copyright © 2007 by John W. Cowart. All rights reserved. Printed in the United States of America by Lulu Press. Apart from reasonable fair use practices, no part of this book’s text may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Bluefish Books, 2805 Ernest St., Jacksonville, Florida, 32205. Library of Congress Cataloging-in- Publication Data has been applied for. Lulu Press # 1009823. Bluefish Books Cowart Communications Jacksonville, Florida www.bluefishbooks.info SAMUEL WARD 1572 — 1643 CONTENTS INTRODUCTION …………………………………..…. 1 THE TWO SAMUEL WARDS……………………. …... 13 SAMUEL WARD’S LISTIING IN THE DICTIONARY OF NATIONAL BIOGRAPHY…. …. 17 DR. M.M. KNAPPEN’S PREFACE ………. …………. 21 THE PURITAN CHARACTER IN THE DIARY. ….. 27 DR. KNAPPEN’S LIFE OF SAMUEL WARD …. …... 43 THE DIARY TEXT …………………………….……… 59 THE 1611 TRANSLATORS’ DEDICATION TO THE KING……………………………………….… 97 THE 1611 TRANSLATORS’ PREFACE TO BIBLE READERS ………………………………………….….. 101 BIBLIOGRAPHY ……………………………….…….. 129 INTRODUCTION by John W. Cowart amuel Ward, a moderate Puritan minister, lived from 1572 to S1643. His life spanned from the reign of Britain’s Queen Elizabeth, through that of King James. and into the days of Charles I. Surviving pages of Ward’s dated diary entries run from May 11, 1595, to July 1, 1632. -
Steven Weitzman Weitzman Studios, Inc
steven weitzman weitzman studios, inc. www.weitzmanstudios.com [email protected] 3413 windom road brentwood, maryland 20722 p(301) 699-0873 f(301) 699-0389 - ARTIST’S STATEMENT- Integrated environments that encourage viewer participation and community involvement have always been the focus of my artwork. I started as a graphic artist and painter, but my work quickly expanded to include fine art and large-scale public art. Several decades ago, I started Weitzman Studios, Inc. as the entity to handle my private commissions and site-specific public art installations. Since that time I have created dozens of projects including outdoor urban environments, commemorative and figurative sculptures, as well as major highway installations and bridge designs. In 1998, I founded Creative Design Resolutions, Inc. to address the aesthetic needs of highway infrastructure and urban development projects. Shortly after that, I also established Creative Form Liners, Inc., the leading fabricator of custom form liners and FŌTERA® structural concrete and resinous terrazzo. Projects - Installations – Commissions 2015 I-35/I-240 (Crossroads) Interchange, Oklahoma City, Oklahoma Oklahoma Department of Transportation and City of Oklahoma City (Infrastructure Project) Aesthetic design treatments for MSE walls and Soil Nail walls using off-the-shelf form liners. 2015 Central Ave. Norman Oak Harbor Point Connector Bridge Finalists, Baltimore, Maryland Wallace Montgomery & Associates. LLP/Century Engineering Inc. Joint Venture (Infrastructure Project) Bridge design and aesthetic treatments, including bridge lighting design and street lighting. 2015 Bust of the Father of the Nation, Bangabandhu Sheikh Mujibur Rahman, Washington, DC Embassy of Bangladesh (Figurative Sculpture) A commemorative larger-than-life-size bust of Bangabandhu Sheikh Mujibur Rahman to be installed on the grounds of the Embassy of Bangladesh in Washington, DC. -
SEPTEMBER 2017 • VOLUME 35 • Number 3
CARLETON-WILLARD VILLAGER SEPTEMBER 2017 • VOLUME 35 • Number 3 T HE C ARLE T ON -W ILLARD Co-Editors’ Corner VILLAGER Published quarterly by and for the residents and We knew our theme, “Diving In”, was a bit of a administration of Carleton-Willard Village, an ac- gamble but, though few, the theme-related pieces are credited continuing care retirement community at choice, from metaphorical musings to a rural Maine 100 Old Billerica Road, Bedford, Massachusetts 01730. pond to venipuncture. We thank all our contributors, on theme or off, and especially welcome a first-time contributor, Barbara Gibb, who tells of her journey to CO-EDITORS mastering the art of weaving. Alice Morrish and Peggy McKibben Mariwood Ward (Woody), who died this June, was a resident artist whose paintings were often used EDITORIAL BOARD for Villager covers. They were much beloved for their Edwin Cox • Henry Hoover color and composition, but also for the warm and Stephanie Rolfe • Anne Schmalz generous spirit they conveyed. We remember Woody Nancy Smith • Mary Ellen Turner with gratitude and affection. Our fondly remembered Main Street brass rail Cornelia (Neela) Zinsser gives its name to our new “bistro”, The Brass Rail, where food is delectable and the view of patio, gardens, PRODUCTION DESIGNER putting green and croquet court, perfectly lovely. And, Kathy Copeland, Allegra nothing if not trendy, we even have a fire pit! By the time you read this Villager, we’ll be close to CIRCULATION the opening of the Village Centre. Many yearn dream- Janet Kennedy, Chair ily for the Artists’ Studio, the Spa, the Exercise/Dance/ Edward Lowry • Dot Rand Aerobics Studio. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.