Variations on a Russian Theme
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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’S Split Sides
Spring 2012 Ball et Review The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’s Split Sides . © 2012 Dance Research Foundation, Inc. All rights reserved. 4 Moscow – Clement Crisp 5 Chicago – Joseph Houseal 6 Oslo – Peter Sparling 9 Washington, D. C. – George Jackson 10 Boston – Jeffrey Gantz 12 Toronto – Gary Smith 13 Ann Arbor – Peter Sparling 16 Toronto – Gary Smith 17 New York – George Jackson Ian Spencer Bell 31 18 The Caramel Variations Darrell Wilkins 31 Malakhov’s La Péri Francis Mason 38 Armgard von Bardeleben on Graham Don Daniels 41 The Iron Shoe Joel Lobenthal 64 46 A Conversation with Nicolai Hansen Ballet Review 40.1 Leigh Witchel Spring 2012 51 A Parisian Spring Editor and Designer: Marvin Hoshino Francis Mason Managing Editor: 55 Erick Hawkins on Graham Roberta Hellman Joseph Houseal Senior Editor: 59 The Ecstatic Flight of Lin Hwa-min Don Daniels Associate Editor: Emily Hite Joel Lobenthal 64 Yvonne Mounsey: Encounters with Mr B 46 Associate Editor: Nicole Dekle Collins Larry Kaplan 71 Psyché and Phèdre Copy Editor: Barbara Palfy Sandra Genter Photographers: 74 Next Wave Tom Brazil Costas 82 London Reporter – Clement Crisp 89 More Balanchine Variations – Jay Rogoff Associates: Peter Anastos 90 Pina – Jeffrey Gantz Robert Gres kovic 92 Body of a Dancer – Jay Rogoff George Jackson 93 Music on Disc – George Dorris Elizabeth Kendall 71 100 Check It Out Paul Parish Nancy Reynolds James Sutton David Vaughan Edward Willinger Cover Photograph by Stephanie Berger, BAM : Silas Riener Sarah C. -
Recital Homenatge a Montserrat Caballé
JULIOL - AGOST 2019 ©Pavel Antonov SONDRA RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ www.festivalperalada.com EL FESTIVAL ÉS POSSIBLE GRÀCIES A: ESGLÉSIA DEL SONDRA CARME Moltes gràcies per ajudar-nos a fer-ho possible! 17 D’AGOST Presentat per: Patrocinador Principal: RADVANOVSKY RECITAL HOMENATGE A MONTSERRAT CABALLÉ Amb el copatrocini de: Sondra RADVANOVSKY, soprano Anthony MANOLI, piano Amb la col·laboració de: ® I II Giulio CACCINI (1551-1618) Gioacchino ROSSINI (1792-1868) Amarilli, mia bella La regata veneziana: 1) Anzoleta avanti la regata Amb el suport de: pantone 378 c Alessandro SCARLATTI (1660-1725) 2) Anzoleta co passa la regata Sento nel core 3) Anzoleta dopo la regata CCI FRANCE ESPAGNE CÁMARA DE COMERCIO FRANCESA Christoph Willibald GLUCK (1714-1787) Giacomo PUCCINI (1858-1924) desde 1883 O del mio dolce ardor Sole e amore Mitjans de comunicació oficials: Mitjans de comunicació col·laboradors: E l’uccellino Francesco DURANTE (1684-1755) Danza, danza, fanciulla gentile “Sola, perduta, abbandonata”, de Manon Lescaut Vincenzo BELLINI (1801-1835) Productes oficials: Per pieta, bell’idol mio Giuseppe VERDI La Ricordanza “Una macchia, è qui tuttora!”, Ma rendi pur contento de Macbeth Giuseppe VERDI (1813-1901) Festival Castell Peralada és membre de: El Festival dóna suport a: “Non so le tetre immagini”, d’Il Corsaro Agraïments: Gaetano Donizetti (1797-1848) “L’amor suo mi fe’ beata”, de Roberto Devereux ETERNA MONTSERRAT CABALLÉ arlar de Peralada és parlar de Montserrat Caballé. El fidel públic del Festival sap perfectament del què parlem, amb moltes nits de records inesborrables, com posa de manifest l’exposició PCaballé per sempre que es pot veure aquest estiu als jardins del Castell. -
A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
Miami City Ballet Announces 2016-2017 Season
Media Contact: Samantha Franco Zakarin Martinez Public Relations [email protected] 305.372.2502 MIAMI CITY BALLET ANNOUNCES 2016-2017 SEASON Highlights Include the Classic Full-Length Ballet GISELLE, a World Premiere by ALEXEI RATMANSKY, and Five ComPany Premieres from George Balanchine, Jerome Robbins, Twyla TharP, Peter Martins and Sir Kenneth MacMillan Season OPens October 21 In Miami, November 5 In Fort Lauderdale And November 11 In West Palm Beach MIAMI BEACH, FL – (February 29, 2016) – Miami City Ballet’s 2016-2017 season opens October 21 with the classic full-evening ballet Giselle, and adds six major works to the company’s repertoire, including the highly anticipated world Premiere of The Fairy’s Kiss by Alexei Ratmansky. Says Artistic Director Lourdes Lopez, “Miami City Ballet is committed to bringing our audiences the very best of dance’s past, present and future. From a new narrative ballet by today’s most in-demand classical choreographer, Alexei Ratmansky, to five major company premieres, to several well-loved revivals, our new season offers a wide range of the best that dance has to offer, performed by our brilliant and highly individual MCB dancers.” The 2016-2017 Season begins October 21 with performances at the Adrienne Arsht Center in Miami, before moving on to the Kravis Center in West Palm Beach and the Broward Center in Fort Lauderdale; all repertory programs danced to live music provided by the distinguished OPus One Orchestra. Current Miami City Ballet Subscribers are now renewing their preferred seats for the 2016-17 Season at www.miamicityballet.org/subscribe or 877.929.7010. -
FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770-623
FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Voleine Amilcar, ITVS 415-356-8383 [email protected] For downloadable images, visit itvs.org/pressroom/photos For the program companion website, visit pbs.org/independentlens/waterflowingtogether/ GWENDOLEN CATES’S “WATER FLOWING TOGETHER,” AN INTIMATE PORTRAIT OF DANCER JOCK SOTO, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, APRIL 8, 2008, AT 10:00 PM (San Francisco, CA)—Poignant and revealing, WATER FLOWING TOGETHER tells the story of one of the most influential modern ballet dancers—New York City Ballet’s Jock Soto. The debut film by acclaimed photographer Gwendolen Cates, WATER FLOWING TOGETHER will have its broadcast premiere on the Emmy Award–winning PBS series Independent Lens, hosted by Terrence Howard, on Tuesday, April 8, 2008, at 10:00 PM (check local listings). Called “one of ballet’s most creative personalities” by New York Times dance critic Anna Kisselgoff, Soto graced the stage of the New York State Theater for an amazing 24 years, partnering with such great ballerinas as Heather Watts, Darci Kistler and Wendy Whelan. When we meet Soto in WATER FLOWING TOGETHER, he is 40 and facing the daunting prospect of retiring from the only life he has ever known or desired. Soto was born on the Navajo Indian reservation in 1965, to a Navajo mother and a Puerto Rican father. And at that time and in that place, ballet dancing for boys was virtually unheard of. -
Maria Tall Chief Maria Tall Chief
Maria Tall Chief Maria Tall Chief (later changed to Tallchief) was born in Oklahoma in 1925. Her father was Osage Native American and her mother of Scotch-Irish descent. It had been an unrealized dream of her mom to study dance and music, so Maria and her sister Marjorie were enrolled early in dance and piano lessons. Maria was only three years old when she began dance classes. It wasn’t long before Maria and Marjorie were performing at local rodeos. When she was eight, Maria’s family moved to California with the hope finding an opportunity for the girls in show business. Her mother asked a pharmacist for a recommendation for a dance teacher and was referred to Ernest Belcher, who was Marge Champion’s father. Maria soon moved on to more noted classical teachers of dance, but was also continuing to study piano and saw herself as having a career as a classical pianist. However, she continued with dance and at 17 went to New York looking for a way into the classical world of dance. Tallchief was soon offered a place with the Ballet Russe de Monte Carlo where she performed for five years. It was there that she met George Balanchine. She eventually married Balanchine and returned to New York. Balanchine had just founded the New York City Ballet and Maria became its first prima ballerina. She was the first American woman and the first Native American to be recognized world wide as a prima ballerina. She was the first American invited to dance with the Bolshoi. -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
Feminist Scholarship Review: Women in Theater and Dance
Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•... -
Mar 2021 Publicación Trimestral
ARTESCÉNICAS La Revista de la Academia #20 / mar 2021 Publicación trimestral. 5€ TOMÁS MARCO música y otras bellas artes 3 FERNÁN GÓMEZ - CLOSAS ◆ LA CLAque ◆ RUZ CON DE LUZ ◆ fiesta BARROCa TEMPORADA DE PRIMAVERA 20/21 #SoclaPrimaveradelLliure Soy lo inminente. Soy lo que quieres vivir y lo que no. Soy la primavera del Lliure. Descárgate el programa o entra en www.teatrelliure.com Entidad concertada con Con la colaboración de Medios colaboradores Medios patrocinadores 4 contenidos Teatros 5| Editorial 10 50| El Corral de la Paca de 6| Medallas de oro de la Jimena Academia y distinciones Por Marcus von Wachtel de honor 54| Entrevista con Curt Allen y 10| Entrevista con Tomás Leticia Gañan Marco Por Javier Ortiz Por Joan Cerveró y Liz Perales Compañías 16| Cara y cruz 58| Hojarasca, aniversario ¿La autoficción está desplazando de 20 la escena a la ficción? de plata Por Cristina de Lucas Por Paloma Pedrero y Borja Ortíz de Gondra 62| Marías Guerreras, 20 años 20| Centenario de Alberto Por Valle Hidalgo Closas y Fernando Fernán- Gómez Por Alberto Closas Martínez y 63| Danza española en Miguel Rellán una app Por Antonio Najarro 26| Apuntes sobre fotografía 46 de la escena 64| Retos de la distribución y Por Fernando Marcos la programación en 44 tiempos del covid 30| Suma y sigue en la Por Robert Muro Compañía Nacional de Danza 70| Noticias de la Academia Por Raúl Losánez 72| Libros 36| Aplaudir por obligación Por Antonio Castro 74| Butaca de estreno Reflexión Por Carlos Mayoral 42| Talento y oportunidad 58 Por Fernando López Rodríguez 44| La ciudad portátil como metáfora del mundo Por Eduardo Blázquez y Liuba Cid 5 oct 2021 RESERVA LA FECHA OCTUBRE 2021 LU MA MI JU VI SÁ DO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 GALA XXIV PREMIOS MAX DE LAS ARTES ESCÉNICAS Con la colaboración de ARTESCÉNICAS Editor Academia de las Artes Escénicas de España (AAEE) Directora Liz Perales Subdirector Antonio Castro Consejo editorial Mercedes L.