Impact Live Announces Theory of a Deadman & Big Wreck

Total Page：16

File Type：pdf, Size：1020Kb

IMPACT LIVE ANNOUNCES THEORY OF A DEADMAN & BIG WRECK PERFORMING LIVE IN CONCERT AT 46 WEST CONCERT HALL: 2 HEADLINERS – 1 NIGHT ONLY! THERE’S A ROCK N’ ROLL STORM LOOMING THIS FALL FEATURING THEORY OF A DEADMAN AND BIG WRECK A PURE-ROCK, CATEGORY-1, DOUBLE-BILL YOU DON’T WANT TO MISS THEORY OF A DEADMAN new single “Easy To Love You” going to radio Oct 12 from album THE TRUTH IS… BIG WRECK single “Wolves” Top 5 at Rock Radio from album ALBATROSS (September 17, 2012 – Barrie, ON) After a slew of sold-out Canadian shows earlier this year, Vancouver’s Theory of a Deadman and Toronto’s Big Wreck have come together to announce an extensive cross-Canada co- headlining tour to cap off 2012. The tour kicks off in Halifax at the Multi Purpose Forum on November 16, 2012 and wraps up at the Queen Elizabeth Theatre in Vancouver on December 18, 2012. All dates are in support of their respective albums; The Truth Is.., the fourth album from Theory of a Deadman (604/Universal) and Albatross, the 3rd studio album from Big Wreck (Anthem/Warner). Each band has had more than 10 songs in the TOP 10 and both enjoyed #1 radio hits in their careers. Be prepared to hear a night of hit rock songs with SANTA MONICA, HURRICANE, LOWLIFE, SO HAPPY, ALL OR NOTHING and more from Theory of a Deadman; and THE OAF, THAT SONG, ALBATROSS, BLOWN WIDE OPEN, LADYLIKE and more from Big Wreck. For more information on THEORY OF A DEADMAN visit: www.theoryofadeadman.com For More Information on BIG WRECK visit: www.Bigwreckmusic.com IMPACT LIVE EVENT INFO & BOX OFFICE: http://impactlive.ca Powered By TicketBreak ABOUT IMPACT LIVE: Established in 1985 as Impact Management Inc., TicketBreak’s Founder, John Derlis utilized his management company to administrate all concert & special event productions (viewable on www.impactlive.ca). Streamlining the companies name in 2010, “IMPACT LIVE” is launched. This fully turnkey special events company with unparalleled expertise and comprehensive range of live event services include: Event Management, Sponsor Fulfillment, Talent Booking, Production Services, Ticket Solutions, Venue Solutions, Integrated Promotion and Marketing. IMPACT LIVE has built a top reputation from over 25 years of long relationships with radio, record labels, venues, agents, artists, artist management, production companies, ticket agencies, municipalities, hoteliers, restaurants, limousine companies and concert goers. Everything needed from top to bottom IMPACT LIVE provides first class boutique service for your special event. IMPACT LIVE takes the time needed to meet your event goals and standards and are completely confident in the service they provide their clients and event goers. “Our business ethics and methodology have found a niche in the market place for clients that are looking for the complete service but at the same time want total choice, transparency and control of their financial streams. We believe relationships and integrity are keys to successful business. Great care is taken with our clients and vendors alike to ensure they are aware we value their business as our own” says Derlis. For more information and interviews please contact: JOHN DERLIS IMPACT LIVE Est. 1985 1-800-385-4835 | [email protected] .

Copy Link

Recommended publications

Money for Something: Music Licensing in the 21St Century
Money for Something: Music Licensing in the 21st Century Updated February 23, 2021 Congressional Research Service https://crsreports.congress.gov R43984 SUMMARY R43984 Money for Something: Music Licensing in the February 23, 2021 21st Century Dana A. Scherer Songwriters and recording artists are generally entitled to receive compensation for Specialist in (1) reproductions, distributions, and public performances of the notes and lyrics they create (the Telecommunications musical works), as well as (2) reproductions, distributions, and certain digital public Policy performances of the recorded sound of their voices combined with instruments (the sound recordings). The amount they receive, as well as their control over their music, depends on market forces, contracts between a variety of private-sector entities, and laws governing copyright and competition policy. Who pays whom, as well as who can sue whom for copyright infringement, depends in part on the mode of listening to music. Congress enacted several major updates to copyright laws in 2018 in the Orrin G. Hatch-Bob Goodlatte Music Modernization Act (MMA; P.L. 115-264). The MMA modified copyright laws related to the process of granting and receiving statutory licenses for the reproduction and distribution of musical works (known as “mechanical licenses”). The law set forth terms for the creation of a nonprofit “mechanical licensing collective” through which owners of copyrights in musical works could collect royalties from online music services. The law also changed the standards used by a group of federal administrative law judges, the Copyright Royalty Board, to set royalty rates for some statutory copyright licenses, as well as the standards used by a federal court to set rates for licenses to publicly perform musical works offered by two organizations representing publishers and composers, ASCAP and BMI.
[Show full text]
Embassy Theatre Was That the Bands Jordan Applegate, Guitarist Jon Swain and the Line
FEB. 2-8, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM --------------------------- Feature • Down the Line 11 --------------------------- Interpreting Rock’s Icons Thursday, Feb. 2 • 8pm By Mark Hunter The success of the first year led to sub- cause there are so many good bands. On sequent years and eventually to an expan- the other hand, having five bands makes it MEET THE MUSIC This just in: Bob Dylan will not be at- sion of the brand that Duymovic eventually special. Five bands, one night. This is Down tending Down the Line. Then again, neither came to view somewhat as overkill. the Line. It brings back singularity to the will any of the other artists featured in this Down the Hard Line was added for event.” LIVE BROADCAST year’s version of the wildly popular event. headbangers, then Down the Country Line Which leads back to the 2017 Down the But that’s okay. The bands being covered in for boot-scooters, and the original Down the Line. For Soul 35, The Union Project and the the local talent showcase are in good hands. Line then needed the tag “classic” to distin- Tim Harrington Band, choices of which art- Now in its 11th year at the Embassy guish it from the newcomers. ist to cover seems natural. Theater, Down the Line has Soul 35 picked Prince. The vocal flex- returned to its original format: ibility, guitar pyrotechnics and rhythmic one night, five bands. This in- carnation will see the music of Bob Dylan, Chicago, Prince, INXS and Deep Purple inter- preted on the stage.
[Show full text]
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
[Show full text]
What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians Gabriel J
Vanderbilt Law Review Volume 61 | Issue 4 Article 4 5-2008 What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians Gabriel J. Fleet Follow this and additional works at: https://scholarship.law.vanderbilt.edu/vlr Part of the Intellectual Property Law Commons Recommended Citation Gabriel J. Fleet, What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians, 61 Vanderbilt Law Review 1235 (2019) Available at: https://scholarship.law.vanderbilt.edu/vlr/vol61/iss4/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Law Review by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. NOTES What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians 1. INTRODU CTION ................................................................... 1236 II. LEGAL BACKGROUND .......................................................... 1240 A. Distinct Copyrights for Musical Compositions and Sound Recordings..................... 1241 B. Copyright Infringement .......................................... 1242 C. Joint A uthorship..................................................... 1246 III. POPULAR MUSIC COMPOSITION AND PRODUCTION N ORM S .......................................................... 1250 A. M usic Composition Today ...................................... 1251 B. The Role of the Record Producer ............................ 1256
[Show full text]
1999-12-29 Real Preparation Mock Trial (EXAMINER)
INTERVIEWS WITH DAVID (1999 - 2008) LAST UPDATE: 2012-02-09 HIGHLIGHT – NEW SINCE LAST UPDATE INDEX Click on the links below to go directly to the relevant article. PRE-IDOLS 1999-12-29 - EXAMINER - Real preparation, mock trial 2000-02-10 - EXAMINER - Sharks, Jets rumble at Blue Springs South 2000-06-08 - EXAMINER - Scholarships, trophy goal of South debate students 2001-04-19 - EXAMINER - South sending six to nationals 2001-04-28 - EXAMINER - Teens drive home a gruesome point 2001-05-2001 - EXAMINER - South team wins state in debate 2001-06-21 - EXAMINER - A national success 2001-07-12 - EXAMINER - Following in big footsteps 2001-07-14 - EXAMINER - Rainouts, rescheduling create nightmare for Moran 2001-07-25 - EXAMINER - Fike‘s Cook fine in finale 2004 - ROCK KANSAS - Album bio for Axium album Blindsided 2005-04-28 - MULESKINNER - Local bands play big venue for charity 2006-XX-XX – MWK INTERVIEW – Old interview w David, Neal & Andy (Transcript by Jeannie) 2006-05-01 - MUSIC EQUALS LIFE - Interview with David Cook 2006-11-11 - URBAN TULSA WEEKLY - Local favorites MWK and Brandon Jenkins celebrate new CD releases DURING IDOLS 2008-02-14 - URBAN TULSA WEEKLY - Shepherds, Idols and Saints 2008-03-07 - EW COM - 'American Idol': Q&As with the Top 12! 2008-05-06 - BILLLBOARD - Q & A: David Cook of American Idol 2008-05-19 - TV GUIDE - Streets of Dreams POST-IDOL WIN 2008-05-21 - AMERICANIDOL COM - David Cook's Post-Win Interview (Transcript) 2008-05-21 - FOX KC - Extended interview with David Cook after win (transcript) 2008-05-21 - EW - Idol
[Show full text]
Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.
[Show full text]
Olivia Rodrigo Spends Fifth Week at Top Albums Summit
SEPTEMBER 29, 2021 PAGE 1 OF 7 DRAKE REMAINS AT NO. 1 TOP ALBUMS FOR THIRD WEEK CHART CONFIDENTIAL By Paul Tuch [email protected] HOT 100 THE KID LAROI & JUSTIN BIEBER Drake’s Certified Lover Boy (Universal) remains at num- Spiritbox’s first full-length album Eternal Blue debuts ber one on the Billboard Canadian Albums chart for the at No. 17. A pair of World music albums land inside the Stay third consecutive week, once again picking up the high- top 50 this week, led by Punjabi singer Karan Aujla’s est on-demand streams for the week. (The Billboard Bacthafu*Up (Sony) debuting at No. 20. Nigerian singer Canadian Albums chart ranks the most popular albums Ckay’s 2019 album Ckay The First leaps 92-31 in its second ALBUM of the week based on multi-metric consumption, which week on the chart. DRAKE includes traditional album sales, track equivalent albums The Kid Laroi & Justin Bieber’s “Stay” (Sony/ and streaming equivalent albums). Universal) remains at No. 1 on Certified Lover Boy It is his longest running chart- the Billboard Canadian Hot 100 topping album since Views spent for the ninth week. 12 non-consecutive weeks at No. Dua Lipa’s “Love Again” DIGITAL SONG 1 in 2016. (Warner) jumps 25-19 picking up Lil Nas X’s first full-length Greatest Gainer/Airplay honours. ED SHEERAN album, Montero (Sony), debuts The lone non-Lil Nas X song Bad Habits at No. 2 with the highest album to debut in the top 50 this week sales and digital song sales and belongs to Taylor Swift’s “Wildest the second highest on-demand Dreams (Taylor’s Version)” stream total for the week.
[Show full text]
0 .A..., Rampant at RRC by Kelly Stifora
CDs & DVDs 97 Osborne St 475-0077 DVDs CDs VHS 57 Osborne St 477-5566 Red River College's newspaper October 29 2001 Pool -0 .A..., rampant at RRC By Kelly Stifora ue to persistent student theft, the Red River College Students' DAssociation is considering a rise in the price of a pool game on the RRC campus. RRC Students' Association Executive Director Owen Desnoyers is currently considering options to prevent students from using wooden coffee stir sticks to cheat the coin mechanisms on the pool tables located in the Cave lounge, a practice that has led to a drastic drop in revenue generated by the tables. The SA has already tried placing signs in the Cave warning students of the consequences if they get caught steal- ing on campus, which could include expulsion from the school. The signs have been repeatedly ripped down shortly after their posting. "Due to the fact that we're seeing almost a 50 per cent drop in revenue within our pool table service, we may have to raise the price from $1 to $1.25 to make it more difficult to cheat," says Desnoyers. "Or (we could) incur a much higher cost and re-configure the actual key mechanisms to make it very difficult to cheat. The end result is that it will become very inconvenient to students in general. "In one week we saw a $300 drop in revenue." Of the profits generated by the tables, 60 per cent go back to the SA and, therefore, into student programming and other SA initiatives intended to improve student life.
[Show full text]
NON-AGENDA MAIL October 15, 2020 Page
NON-AGENDA MAIL October 15, 2020 Page ITEM 2 1. October 15, 2020, Corporate Services Division - Training - Personal Safety and Situational Awareness 3 2. October 15, 2020, Community Services Division - Rental and Permit Participant Waiver 4 - 7 3. October 15, 2020, Community Services Division - 2020 Fall / Winter Community Events 8 4. October 15, 2020, Deputy City Clerk - Illumination of City Hall 9 - 11 5. October 15, 2020, AMO - WatchFile 12 6. Civic Corner Notice - October 17, 2020 Page 1 of 12 THE CORPORATION OF THE CITY OF SARNIA People Serving People CORPORATE SERVICES DIVISION NON-AGENDA REPORT TO: Mayor and Members of Council FROM: Ron Realesmith, Manager of Emergency Management David Logan, General Manager of Corporate Services DATE: October 15, 2020 SUBJECT: Training - Personal Safety and Situational Awareness City of Sarnia employees participated in a presentation on personal safety and situational awareness. The presentation, given by Les Jones, a former crisis negotiator with over 30 years of experience in law enforcement, was a discussion about safety at work and in public, providing de-escalation techniques and escape strategies. The personal safety presentation and dialogue was in response to concerns from staff regarding increased safety concerns while working in the public domain. All available seats were taken and another session will be planned later in the year. Page 2 of 12 THE CORPORATION OF THE CITY OF SARNIA People Serving People COMMUNITY SERVICES NON-AGENDA REPORT TO: Mayor and Members of Council FROM: Ryan Chamney, Manager of Recreation and Planning Stacey Forfar, General Manager Community Services DATE: October 15, 2020 SUBJECT: Rental and Permit Participant Waiver update - COVID Staff have recently been advised by the City’s Insurance provider that the new waiver recently being sought by the City specific to the release of damages related to COVID-19 is not a requirement, as the current disclaimer within the existing rental permit satisfies the insurance requirements.
[Show full text]
150 Canadian Songs for Your #Canada150 Road Trip!
150 Canadian Songs For Your #Canada150 Road Trip! 1. The Tragically Hip -‐ Courage 2. Arcade Fire – Wake Up 3. Alanis Morissette – You Oughta Know 4. Rush – Fly By Night 5. A Tribe Called Red – EleCtriC Pow Wow Drum 6. Neil Young – Rockin’ In The Free World 7. Lowest of The Low – Rosy and Grey 8. Loverboy – Working For The Weekend 9. Daniel Lanois – The Maker 10. Barenaked Ladies – If I Had $1,000,000 11. Mathew Good Band -‐ IndestruCtible 12. Sarah Mclachlan – Hold On 13. Tegan & Sara – Walking With a Ghost 14. Sloan – Money City ManiaCs 15. K.D. Lang – Constant Craving 16. BTO – Takin’ Care of Business 17. The Band – The Weight 18. Lee Aaron – WhatCha Do To My Body 19. Shad -‐ The Old PrinCe Still Lives At Home 20. Shania Twain – Man! I Feel Like a Woman 21. Great Lake Swimmers – Your RoCky Spine 22. Weeping Tile – Dogs and Thunder 23. Yukon Blonde – I Wanna Be Your Man 24. Parachute Club – Rise Up 25. Joel Plaskett – Through & Through & Through 26. April Wine – You Could Have Been a Lady 27. Metric – Breathing Underwater 28. Trooper – Raise a Little Hell 29. Jason Collett – Love Is a Dirty Word 30. Rheostatics -‐ Claire 31. Helix – Rock You 32. The New Pornographers – Sing Me Spanish Techno 33. The Guess Who – No Sugar Tonight 34. Bruce Cockburn – Lovers In a Dangerous Time 35. Frazey Ford -‐ Done 36. Nelly Furtado – Like A Bird 37. Joni Mitchell – Big Yellow Taxi 38. Jully Black – Seven Day Fool 39. Maestro Fresh Wes – Let Your BaCkbone Slide 40. Sum 41 – Fat Lip 41.
[Show full text]
Hello! Arc Not Liable, for the Taxation of at All That Sort About the Capital That, If the Consti the Japanese Government Has Decld Gaged in Target Practice
Lawrenc Democrat. dry Aloud axicX. opetxro KTot."' ' " VOLUME XX. LAWIIENCECURG, TENN., FRIDAY, OCTOBER 21, 1901. : - NUMBER 13. ECHO OF SLOCUM DISASTER OCTOBER...1904 JAPANESE WOULD THE KING IS DEADs (Tennessee State News) Sun. Mon. Tnes. Wed. Thn. Ttl Sat Reporfof the Investigation Com W.R. KINO KING mission is Made Public WELCOME PEACE LONG LIVE THE Attornty at Law 2 3 4 5 zz6 7 8 Memphis Auto Manufacturing Plant. Died In the Telegraph Office. resident Roosevelt In a, Lett to 9 Secretary DU-mli- ul 1 . The Memphis Motor Carriage W. V. Forrest, a mechanic, whose 10 11 12 13 14 15 Metcalf, Orders Mikado's Kingdom Shocked B7 King George of Saxony Died at of Gulltjr Officials. D. W. STARNES, Company haa been incorporated home is at Henderson, N. C, died 16 17 18 19 20 21 22 Slaughter of Their Enemies. .. Pillnltz Saturday Morning. with a capital stock of $100,000. in the teleprraph-ofli- ce at Hodges, Washington, Oct 17. The report of Attorney t Law, Incorporation papers were secured the scene of the recent big wreck 5125 2Gl"2728"l'29 the United States commission of in LAWlBNCSaORO, TKN2TKISK1 October 8 and the company will on railway. wrul t the southern vestigation upon the disaster to the RUSSIAN HONOR NOT INVOLVED FREDERICK AUGUSTUS REIGNS begin at once to prepare for the j awaiting to response a message 6ent steamer Gen. Slocum, appointed June manufacture of steam vehicles, HORACE FRIERSON, JR. home askinsr thecondition of his 23 - last by the then Secretary of Com Two - j For-chas- acres of land have been pur- invalid wife and dying- child.
[Show full text]
At 625 First & Oxford
CREDIT: STEPHANIE LAI 3 United Way Campaign 8 The Equalizer 11 Fitness 101 The college’s campaign kicked off Pam-Marie’s review of Denzel Have you ever wanted to check out to a fi ery start with a chili cook-off Washington’s latest blockbuster Tae Bo? You can now at Fitness 101 Volume 47 Issue No. 7 October 6, 2014 theinterrobang.ca International student scores Scotiabank scholarship STEPHANIE LAI INTERROBANG Sweet Tweets A Fanshawe College Civil Engi- neering Technology co-op student of the Week received the inaugural Scotiabank International Leadership Scholar- Who’s tweeting about ship on September 29 for his hard #Fanshawe? work and high grade point average. The scholarship, Ronan Mao won Courtney Kelly was made possible by a $300,000 ‏@LittlecKelly contribution from Scotiabank to the College fair today #fanshawe college, and it will be put toward 6:53 AM - 2 Oct 2014 Fanshawe’s Remarkable campaign and awarded to a student every se- unitedwaylm mester. ‏@unitedwaylm “It’s support from partners like Go Falcons! RT @ Scotiabank that helps drive our mis- presfanshawec: #Fanshawe sion forward of providing pathways unveils our 2014 United to success,” said Fanshawe Pres- Way target of $107,000 - Go ident Peter Devlin. “These schol- Fanshawe Go! arships will help us attract many 6:18 PM - 1 Oct 2014 bright and talented international students to Fanshawe and reward Lisa Fevery the most deserving.” ‏@FeveryLisa Devlin said that everyone bene- Mmmmm I love those fall fits from the talent that comes from colors #fanshawe #ldnont overseas. #nature #fall @ Fanshawe “Growing our international stu- College http://instagram.
[Show full text]