Legitimizing German Imperialist Penetration of the Ottoman Empire1
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Giant Building Sites in Antiquity the Culture, Politics and Technology of Monumental Architecture
ARCHAEOLOGY WORLDWIDE 2 • 2013 Magazine of the German Archaeological Institute Archaeology Worldwide – Volume two – Berlin, October – DAI 2013 TITLE STORY GIANT BUILDING SITES IN ANTIQUITY The culture, politics and technology of monumental architecture CULTURAL HERITAGE PORTRAIT INTERVIEW Turkey – Restoration work in the Brita Wagener – German IT construction sites in the Red Hall in Bergama ambassador in Baghdad archaeological sciences ARCHAEOLOGY WORLDWIDE Locations featured in this issue Turkey, Bergama. Cultural Heritage, page 12 Iraq, Uruk/Warka. Title Story, page 41, 46 Solomon Islands, West Pacific. Everyday Archaeology, page 18 Ukraine, Talianki. Title Story, page 48 Germany, Munich. Location, page 66 Italy, Rome/Castel Gandolfo. Title Story, page 52 Russia, North Caucasus. Landscape, page 26 Israel, Jerusalem. Title Story, page 55 Greece, Athens. The Object, page 30 Greece, Tiryns. Report, page 60 Berlin, Head Office of the German Archaeological Institute Lebanon, Baalbek. Title Story, page 36 COVER PHOTO At Baalbek, 45 million year old, weather- ing-resistant nummulitic limestone, which lies in thick shelves in the earth in this lo- cality, gained fame in monumental archi- tecture. It was just good enough for Jupiter and his gigantic temple. For columns that were 18 metres high the architects needed no more than three drums each; they measured 2.2 metres in diameter. The tem- ple podium is constructed of colossal lime- stone blocks that fit precisely together. The upper layer of the podium, today called the "trilithon", was never completed. Weighing up to 1,000 tons, these blocks are the big- gest known megaliths in history. DITORIAL E EDITORIAL DEAR READERS, You don't always need a crane or a bull- "only" the business of the master-builders dozer to do archaeological fieldwork. -
The Christian Remains of the Seven Churches of the Apocalypse
1974, 3) THE BIBLICAL ARCHAEOLOGIST 69 The Christian Remains of the Seven Churches of the Apocalypse OTTO F. A. MEINARDU S Athens, Greece Some months ago, I revisited the island of Patmos and the sites of the seven churches to which letters are addressed in the second and third chap- ters of the book of Revelation. What follows is a report on such Christian remains as have survived and an indication of the various traditions which have grown up at the eight locations, where, as at so many other places in the Orthodox and Latin world, piety has sought tangible localization. I set out from Piraeus and sailed to the island of Patmos, off the Turkish coast, which had gained its significance because of the enforced exile of God's servant John (Rev. 1:1, 9) and from the acceptance of the Revelation in the NT canon. From the tiny port of Skala, financial and tourist center of Patmos, the road ascends to the 11th century Greek Orthodox monastery of St. John the Theologian. Half way to this mighty fortress monastery, I stopped at the Monastery of the Apocalypse, which enshrines the "Grotto of the Revelation." Throughout the centuries pilgrims have come to this site to receive blessings. When Pitton de Tournefort visited Patmos in 1702, the grotto was a poor hermitage administered by the bishop of Samos. The abbot presented de Tournefort with pieces of rock from the grotto, assuring him that they could expel evil spirits and cure diseases. Nowadays, hundreds of western tourists visit the grotto daily, especially during the summer, and are shown those traditional features which are related in one way or another with the vision of John. -
Zeus in Exile: Archaeological Restitution As Politics of Memory
Working Paper Series, 13 Zeus in Exile: Archaeological Restitution as Politics of Memory S.M. Can Bilsel Working Paper #13, Fall 2000 Center for Arts and Cultural Policy Studies [email protected] (609) 258-5180) The Zeus Altar of Pergamon in Berlin Overshadowed by the debates on the Holocaust Memorial or the fate of the Berlin Wall, the reunification of archaeological collections in Berlin nevertheless poses an international problem. The question is, in a way, analogous to the current sensibilities about the future of memory, as it was called by a recent conference at Princeton University. How will the past will be framed and commemorated in a reunified Germany; what constitutes the cultural heritage of the new Berlin Republic? As Berlin assumes the role of the capital, both official and popular approaches to memory of the recent past gain a vital importance. Curiously, an internationally recognized effort on the part of the federal government to commemorate the victims of the Nazi regime goes hand in hand with a systematic repression of the more recent East German past. As the American-style malls and corporate headquarters of the Postdamer Platz, once the busiest center of Europe, celebrate the victors of the Cold War, the institutions of the East German Republic are being erased from the city. New Berlin will be a city of memory, as evident in its memorials and museums. Yet it will also remain a site of amnesia and forgetting. This paper will discuss Berlin’s contested Zeus Altar and its role as a collectively negotiated construct of memory. -
Unveiling Baubo: the Making of an Ancient Myth for the Degree Field Of
NORTHWESTERN UNIVERSITY Unveiling Baubo: The Making of an Ancient Myth A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Comparative Literary Studies By Frederika Tevebring EVANSTON, ILLINOIS December 2017 2 © Copyright by Frederika Tevebring 2017 All Rights Reserved 3 Abstract “Unveiling Baubo” describes how the mythical figure Baubo was constructed in nineteenth-century German. Associated with the act of exposing herself to the goddess Demeter, Baubo came to epitomize questions about concealment and unveiling in the budding fields of archaeology, philology, psychoanalysis and literary theory. As I show in my dissertation, Baubo did not exist as a coherent mythical figure in antiquity. Rather, the nineteenth-century notion of Baubo was mediated through a disparate array of ancient and contemporary sources centered on the notion of sexual vulgarity. Baubo emerged as a modern amalgam of ancient parts, a myth of a myth invested with the question of what modernity can and should know about ancient Greece. The dissertation centers on the 1989 excavation of the so-called Baubo statuettes, a group of Hellenistic votive figurines discovered at Priene, in modern-day Turkey. The group adheres to a consistent and unique iconography: the face of the female figures is placed directly onto their torso, giving the impression that the vulva and chin merge. Based on the statuettes’ “grotesque- obscene” appearance, archaeologist concluded that they depicted Baubo, the woman who greeted Demeter at Eleusis when the goddess was searching for her abducted daughter Persephone. According to late antique Church Fathers, Demeter refused the locals’ offerings of food and drink until Baubo cheered her up by lifting her skirt, exposing herself to the goddess. -
Magister Artis
MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER SENATVS PVLCHRARVM ARTIVM FEDERICO MAYOR ZARAGOZA Chairman of Cultura de Paz Foundation - Former General Director of UNESCO HIS ROYAL HIGHNESS CARLOS DE BORBON Honorary President of the Spanish Association of Foundations DA JOAQUINA RISUEÑO GUINOT Widow of Julio Boix-Minguet, Chairman of Finisterre Corp., Mecenas Artium PRINCE SFORZA RUSPOLI Honorary President of Fondazione Memmo PROF. GUIDO DE MARCO (1936-2010) Former President of Malta, Former President of the United Nations General Assembly IMAC ISTITUTO MEDITERRANEO DI ARTE CLASSICA SPANISH PRESIDENCY INSTITUTO MEDITERRANEO DE ARTE CLASICO ITALIAN PRESIDENCY Excel. Sra. DA JOAQUINA RISUEÑO GUINOT MEDITERRANEAN CLASSICAL ART INSTITUTE Su. Excel. PRINCIPE SFORZA RUSPOLI MAGISTERThe IMAC Istituto Mediterraneo di Arte Classica (Mediterranean Classical Art Institute) is a European ARTIS consortium that supports independent artistic and humanistic studies. Located in Roma (Pantheon and EUR), the Institute has other sites in Cerveteri / Castello Rúspoli, Arpino (Ciceronis Arpinium), Napoli (Nea-polis), Siracusa (Sirakosion), Palermo (Panormo), Toulon (Hyères), Marseille (Massalia), Sagunto (Arse-Sagvnt), Valencia C/. Reloj Viejo, 3 (Valentia), Valldigna (Alfandec), Xàtiva (Saiti-Saetabis), Denia (Dianium-Hemeroskopeion), Benimeli (Segaria), Palma de Mallorca (Majurka-Kromyoussa), Ibiza (Ebusus), Cartagena (Cartago-Nova), Cadiz (Gades), Lisboa (Olisipo) and Porto (Portus-Galus). Each year, an international call is arranged for a Magister Artis Experience: 20 emerging artists (Architecture, Landscape Architecture, Musical Composition, Poetry or Visual Arts) participate, as well as social and political leaders and 20 scholars (from the fields of Ancient, Medieval and Modern Mediterranean Studies) from International and Cultural Relations Programs. -
Homer, Troy and the Turks
4 HERITAGE AND MEMORY STUDIES Uslu Homer, Troy and the Turks the and Troy Homer, Günay Uslu Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Homer, Troy and the Turks Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Rob van der Laarse and Ihab Saloul, University of Amsterdam, The Netherlands Editorial Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Günay Uslu Amsterdam University Press This work is part of the Mosaic research programme financed by the Netherlands Organisa- tion for Scientific Research (NWO). Cover illustration: Frontispiece, Na’im Fraşeri, Ilyada: Eser-i Homer (Istanbul, 1303/1885-1886) Source: Kelder, Uslu and Șerifoğlu, Troy: City, Homer and Turkey Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Editor: Sam Herman Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 269 7 e-isbn 978 90 4853 273 5 (pdf) doi 10.5117/9789462982697 nur 685 © Günay Uslu / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. -
Seyahatnameler Işiğinda Miletos'tan Kaçirilan Antik
YEDİTEPE ÜNİVERSİTESİ TARİH BÖLÜMÜ ARAŞTIRMA DERGİSİ e-ISSN: 2564-7687 Cilt 1 – Sayı 2 Haziran 2017. YEDİTEPE UNIVERSITY DEPARTMENT OF HISTORY RESEARCH JOURNAL e-ISSN: 2564-7687 Volume 1 – Number 2 June 2017 SEYAHATNAMELER IŞIĞINDA MİLETOS’TAN KAÇIRILAN ANTİK ESERLER1 Tanju DEMİR 2 Ece YÜKSEL 3 ÖZET Seyyahlar, Rönesans’ın getirdiği fikir akımlarından etkilenmeleri sonucunda Antik çağa ait sanat eserlerini aramaya başlamışlardır. Bunun sonucu pek çok seyyah Anadolu’ya ve Batı Anadolu’da bulunan Assos (Behramkale), Troia (İllium, Willusa), Pergamon (Bergama), Ephesos (Efes), Tralleis (Üçgözler), Smyrna (İzmir), Hierapolis (Pamukkale), Sardeis (Sart, Sardis), Priene (Güllübahçe), Miletos (Miletus, Mile), Alexandria Troas (Eski İstanbulluk), Ksanthos (Eşençay) antik kentlerine gelmiştir. Batı Anadolu bölgesi, dünya tarihinde çok önemli antik kentleri içine almaktadır. Bunun yanı sıra kentler Yunan-Roma eserlerine ev sahipliği yapmaktadır. Bir başka önemli faktörde Osmanlı Devleti’nin gerileme döneminde Batı Anadolu bölgesindeki kazıları yabancı kazı ekipleri gerçekleştirmiştir. Kazılarda çıkan eserlerin büyük bir kısmı yurtdışındaki müzelere taşınmıştır ve halen bu müzelerde sergilenmektedirler. İlk arkeolojik kazılar 1873’de Fransız arkeolog Olivier Rayet tarafından yapılmıştır. Onu, Alman Arkeolog Theodor Wiegand' ın 1899 – 1931 arasında yaptığı kazılar takip etmiştir. Fakat kazılar devamlı yapılmamış; zaman zaman savaşlar ve diğer nedenlerle aksamıştır. Günümüzde, Miletos’ta kazılar Almanya Bochum'daki Ruhr Üniversitesi tarafından organize edilmektedir. Yirminci yüzyıl başlarında, yapılan Alman arkeolojik araştırma ve kazıları sonunda hemen hemen tümüyle Güney Agorası için anıt şekilde olan Miletos Agora Kapısı taş taş parçalara ayrılmış; taşlar Almanya'ya taşınmış ve yapı yeniden birleştirilmiştir. Ortaya çıkan bu antik eser Berlin Pergamon Müzesi'nde sergilenmektedir. Koleksiyondaki bazı eserler, Miletos Müzesi’nde, İstanbul Arkeoloji Müzesi ve Louvre Müzesi’nde sergilenmektedir. -
On the Lion Harbour and Other Harbours in Miletos: Recent Historical, Archaeological, Sedimentological, and Geophysical Research*
On the Lion Harbour and other Harbours in Miletos: recent historical, archaeological, sedimentological, and geophysical research* HELMUT BRÜCKNER, ALEXANDER HERDA, MARC MÜLLENHOFF, WOLFGANG RABBEL & HARALD STÜMPEL Καλοὶ δὲ Μιλησίων εἰσὶ λιμένες “But beautiful are the harbours of the Milesians” (Chariton, Chaireas and Kallirhoë 4.1.5) 1. Introduction from its strategic role as one of the closable war harbours The Lion Harbour was Miletos’ most prominent harbour of Archaic and later times. Its central position in the Ar- during antiquity. It can be envisaged as the heart of the chaic insula street grid, lining the agora and the main city Ionian metropolis in western Asia Minor. Originally situ- sanctuary of Apollo Delphinios, made it a gate through ated in a bay of the “(I-)Karian Sea”, Miletos is now fully which, so to speak, gods and humans entered the city; incorporated into the plain of the Maeander river, today’s it was also the point from which Milesians left the city Büyük Menderes. to start their sailing seasons or found their many colo- In this article we combine results from historical and nies. The Lion Harbour is likely to be identified with the archaeological research with those from palaeo-geography “Harbour of Dokimos” mentioned by the 1st century AD and geophysics. This geoarchaeological approach offers novelist Chariton (Chaireas and Kallirhoë 3.2.11) new insights into the dynamic evolution of the harbour The commercial relevance of the Lion Harbour, how- basin from the time of the marine transgression in the ever, was quite limited in antiquity. Miletos had a series early Bronze Age (c. -
Theodor Wiegand 1864—1936 13 1895—1899 Fahrt Nach Smyrna
INHALT © 2008 AGI-Information Management Consultants May be used for personal purporses only or by libraries associated to dandelon.com network. Theodor Wiegand 1864—1936 13 1895—1899 Fahrt nach Smyrna und Priene 21 Schwieriger Transport der Funde 24 Grabungen in Didyma 24 Das Theater in Priene 2$ Im Ausgrabungshaus in Priene 2 8 Marie Siemens begegnet Theodor Wiegand 2 8 Blick auf Konstantinopel 3 o Griechische Taufe 33 Generalgouverneur Kaimil Pascha 34 Archäologische Verwaltungsgeschäfte 3 5 Wiegand bei Kaiser Wilhelm 3 6 Erfahrungen mit dem türkischen Zoll 3 S Auf Wohnungssuche in Konstantinopel 39 Erdbeben in Smyrna 3 9 Beginn der Grabung in Milet 40 1900—1904 Ärztliche Verhältnisse — Steinraub in Magnesia 46 Warten auf den Weihnachtsdampfer 49 Derwisch-Zauber 50 Im Mykale-Gebirge 50 Das Staatsarchiv von Milet 5 5 Grabungsrechte für Didyma 5 6 Grundstückskäufe in Didyma 5 7 Sturmf ahrt auf dem Marmarameer 5 8 Wiegands vierzigster Geburtstag 62 Wissenschaftliche Anerkennung durch Wilamowitz 63 Bekanntschaft mit Robert Koldewey 63 Der Kommissar und das Kamel 64 Weibliche Politik 65 1903—1908 Hamdi Bey malt Frau Wiegand 66 Mit Wilamowitz in der Troas 66 Weiterer Landkauf in Didyma 67 Halbmond im letzten Viertel Briefe und Reiseberidite aus der alten Türkei von Theodor und Marie Wiegand 1895 bis 1918 Herausgegeben und erläutert von Gerhard Wiegand BRUCKMANN MÜNCHEN INHALT Theodor Wiegand 1864—1936 *3 1895—1899 Fahrt nach Smyrna und Priene 21 Schwieriger Transport der Funde 24 Grabungen in Didyma 24 Das Theater in Priene 25 Im Ausgrabungshaus -
Literaturliste.Pdf
A# Mark B. Abbe, A Roman Replica of the ‘South Slope Head’. Polychromy and Identification, Source. Notes in Abbe 2011 History of Art 30, 2011, S. 18–24. Abeken 1838 Wilhelm Abeken, Morgenblatt für gebildete Stände / Kunstblatt 19, 1838. Abgusssammlung Bonn 1981 Verzeichnis der Abguss-Sammlung des Akademischen Kunstmuseums der Universität Bonn (Berlin 1981). Abgusssammlung Göttingen Klaus Fittschen, Verzeichnis der Gipsabgüsse des Archäologischen Instituts der Georg-August-Universität 1990 Göttingen (Göttingen 1990). Abgusssammlung Zürich Christian Zindel (Hrsg.), Verzeichnis der Abgüsse und Nachbildungen in der Archäologischen Sammlung der 1998 Universität Zürich (Zürich 1998). ABr Paul Arndt – Friedrich Bruckmann (Hrsg.), Griechische und römische Porträts (München 1891–1942). Michael Abramić, Antike Kopien griechischer Skulpturen in Dalmatien, in: Beiträge zur älteren europäischen Abramić 1952 Geschichte. FS für Rudolf Egger I (Klagenfurt 1952) S. 303–326. Inventarium Von dem Königlichen Schloße zu Sanssouci, und den neuen Cammern, so wie solches dem Acta Inventur Schloss Castellan Herr Hackel übergeben worden. Aufgenommen den 20 Merz 1782, fol. 59r-66r: Nachtrag Mai Sanssouci 1782−1796 1796, in: Acta Die Inventur Angelegenheiten von Sanssouci betreffend. Sanssouci Inventar 1782-1825, vol. I. (SPSG, Hist. Akten, Nr. 5). Acta betreffend das Kunst- und Raritaeten-Cabinet unter Aufsicht des Herrn Henry 1798, 1799, 1800, 1801. Acta Kunst-und Königliche Akademie der Wissenschaften, Abschnitt I. von 1700–1811, Abth. XV., No. 3 die Königs Cabinette Raritätenkabinett 1798–1801 a[?] des Kunst-Medaillen u. Nat. Cab. Acta Commissionii Reclamationen über gestohlene Kunstsachen. 1814, vol. 1, fol. 4r–33v: Bericht Rabes über gestohlene Kunstsachen an Staatskanzler von Hardenberg, 12. Februar 1814, fol. 81r–82r: Brief Acta Kunstsachen 1814 Henrys an Wilhelm von Humboldt, 26. -
Female Patronage and Economic Prominence at Hellenistic Priene Ashley Eckhardt
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2012 Participating in Public: Female Patronage and Economic Prominence at Hellenistic Priene Ashley Eckhardt Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Eckhardt, Ashley, "Participating in Public: Female Patronage and Economic Prominence at Hellenistic Priene" (2012). All Theses and Dissertations (ETDs). 735. https://openscholarship.wustl.edu/etd/735 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Art History and Archaeology Participating in Public: Female Patronage and Economic Prominence at Hellenistic Priene by Ashley Anne Eckhardt A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2012 Saint Louis, Missouri Acknowledgements This project would not have been successful without the support I received from a number of different sources. I am pleased to have the opportunity to acknowledge and thank them here. Generous financial support came through a summer research fellowship from the Graduate School of Arts and Sciences, Washington University in St. Louis, which enabled me to conduct preliminary research into the topic of women in antiquity. Through this research, I discovered the exceptional case of Phile of Priene, who inspired this investigation into the women of Hellenistic Priene. -
Alexander Conze, 'Greek Relief Sculpture'
Alexander Conze, ‘Greek Relief Sculpture’ translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. Conze’s theoretical bent towards the origins and early developments of art must have been a primary feature of his lectures in Vienna.