Ars Libri Ltd Catalogue 149 Architectural History: Ancient to Modern
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New Draft of Art Historiography Article
Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position Eva-Maria Troelenberg ‘Muhammadan art’ in the Weltstadt It was the cultural event of the year 1910:1 on 14 May, the municipal exhibition ground in Munich’s Theresienhöhe opened its gates to an unprecedented and exotic event, the exhibition Masterpieces of Muhammadan Art. This mammoth undertaking featured more than 3,600 artworks from approximately 250 international collections, museums and institutions and was installed in eighty halls (figure 1). * This paper summarizes and partially expands some aspects of my dissertation, which is the first comprehensive and contextualized monograph on the Munich exhibition Masterpieces of Muhammadan Art (Meisterwerke muhammedanischer Kunst): Eva-Maria Troelenberg, Eine Ausstellung wird besichtigt. Die Münchner ‘Ausstellung von Meisterwerken muhammedanischer Kunst’ 1910 in kultur- und wissenschaftsgeschichtlicher Perspektive, Frankfurt and Berlin: Peter Lang, 2011. For the sake of brevity, I will not refer to every corresponding section of my own book in this paper. For specific facets of the Munich show see also the contributions in Andrea Lermer and Avinoam Shalem, eds, After One Hundred Years. The 1910 Exhibition ‘Meisterwerke muhammedanischer Kunst’ Reconsidered, Leiden and Boston: Brill, 2010; as well as the catalogue for the exhibition The Future of Tradition – The Tradition of Future, which was held at Haus der Kunst in Munich in 2010-11: see Chris Dercon, León Krempel and Avinoam Shalem, eds, The Future of Tradition – The Tradition of Future. 100 years after the exhibition Masterpieces of Muhammadan Art in Munich, Munich, London and New York: Prestel, 2010. Apart from these publications, which were prompted by the centenary of the event, and appeared almost simultaneously, the 1910 Munich exhibition had been addressed by several scholars who have touched upon it within larger contexts of art history, historiography or museology, most notably: David J. -
Giant Building Sites in Antiquity the Culture, Politics and Technology of Monumental Architecture
ARCHAEOLOGY WORLDWIDE 2 • 2013 Magazine of the German Archaeological Institute Archaeology Worldwide – Volume two – Berlin, October – DAI 2013 TITLE STORY GIANT BUILDING SITES IN ANTIQUITY The culture, politics and technology of monumental architecture CULTURAL HERITAGE PORTRAIT INTERVIEW Turkey – Restoration work in the Brita Wagener – German IT construction sites in the Red Hall in Bergama ambassador in Baghdad archaeological sciences ARCHAEOLOGY WORLDWIDE Locations featured in this issue Turkey, Bergama. Cultural Heritage, page 12 Iraq, Uruk/Warka. Title Story, page 41, 46 Solomon Islands, West Pacific. Everyday Archaeology, page 18 Ukraine, Talianki. Title Story, page 48 Germany, Munich. Location, page 66 Italy, Rome/Castel Gandolfo. Title Story, page 52 Russia, North Caucasus. Landscape, page 26 Israel, Jerusalem. Title Story, page 55 Greece, Athens. The Object, page 30 Greece, Tiryns. Report, page 60 Berlin, Head Office of the German Archaeological Institute Lebanon, Baalbek. Title Story, page 36 COVER PHOTO At Baalbek, 45 million year old, weather- ing-resistant nummulitic limestone, which lies in thick shelves in the earth in this lo- cality, gained fame in monumental archi- tecture. It was just good enough for Jupiter and his gigantic temple. For columns that were 18 metres high the architects needed no more than three drums each; they measured 2.2 metres in diameter. The tem- ple podium is constructed of colossal lime- stone blocks that fit precisely together. The upper layer of the podium, today called the "trilithon", was never completed. Weighing up to 1,000 tons, these blocks are the big- gest known megaliths in history. DITORIAL E EDITORIAL DEAR READERS, You don't always need a crane or a bull- "only" the business of the master-builders dozer to do archaeological fieldwork. -
Complete Issue
Conerete Bloek & Sprayed Coating- a ~inning eOlDbination of beauty & silDplieity at lo~eost STAND RD CREGO CK WITH CEMENT LE E COAT AND SPRAYED-ON TE U ED INISH COAT • JERRY GOFFE PHOTO RUST TRACTOR COMPANY ELLISON-HAWKINS-VOGT 6' BYRNES, P.A. ARCH ITECTS ·ENGINEERS K. L. HOUSE CONSTRUCTION CO. GENERAL CONTRACTOR KENNETH P. THOMPSON CO., INC. MASONRY CONTRACTOR BILL C. CARROLL CO., INC. SPRAYED COATING "'\ For our reoders I"~, we wish 1976 to \'\'~" be rhapsodic, • thriving, abundant and eudaemonic. , '~-I4 ""_ """""' .----"''''''v~J col: 18 no. 1 jan. - feb. 1976 • new mexico architecture As we begin another year of New Mexico Architecture, it is appropri ate to remind our readers of the contribution made to our financial stability by the advertisers. It is their support which makes possible the production of the magazine. To all of these fine people the "staff" says a most sincere thank you! Space in New Mexico Architecture o DOD as a Resource for on Energy Ethic 10 Beginning on page lOis an arti - By Anthony C. Antoniades, AI.A, AI.P. cle by Anthony C. Antoniades, AlA, AlP, Associate Professor of Archi tecture at the University of Texas at Arlington. Professor Antoniades taught architecture at the Universi ty of New Mexico before moving to Index to Advertisers 18 Texas. It was during those years in our state that he developed a strong interest in and knowledge of the architectural heritage of New Mexi ico. Three articles by Antoniades hove appeared previously in NMA November/December 1971, Septem ber/October 1973 and July/August 1974. -
Roll of 1891: Thirty Years After
University of Michigan Law School University of Michigan Law School Scholarship Repository Yearbooks & Class Year Publications Law School History and Publications Class of 1891 Roll of 1891: Thirty Years After Follow this and additional works at: https://repository.law.umich.edu/class_pubs Part of the Legal Education Commons Recommended Citation "Roll of 1891: Thirty Years After" (1891). Yearbooks & Class Year Publications. 9. https://repository.law.umich.edu/class_pubs/9 This Directory is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Yearbooks & Class Year Publications by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. Abbott, Howard To,vnsend, '88-'89; '91 l. Lawyer. 2219 East Superior Street, Duluth, Minnesota. t Allan, Harry I"'incoln, '87-'90. Died, in Cleveland, Ohio, 16 March. 1896. Allen, Hilah Lock\vood, B. L. TeachPr. 522 Cedar Street, Niles, Michigan. Ames, Hcl n Eloise, 187-'89. Mrs. Neil S. MacDonald. 100 Hubbell A venue, Houghton, Michigan. Anderson, J~lizabeth Viola, '87-'88. Mrs. James Chalmers. Frainingham, Massachusetts. - Anthony, Daniel Read, '88-'89; '91 1. Newspaper publisher, and !\fember of Cong1·css. Leavenworth, Kansas. Ashley, Frank Riley, B. S. (Chem.). President of Western Chemical Manu factu1ing Company. Edge"rater, Colo rado. Office, 306 Colorado National Bank Building, Denver. Atkins, Sara Frances, '87-'88; A. B., Bryn Mawr, '93. Mrs. Thomas R. Kackley. 26 West Thirteenth Street, Indianapol is, Indiana.. 1 Babcock, Charles Ebenezer, '87-'88; '91 1. -
Annual Report
Greeks Helping Greeks ANNUAL REPORT 2019 About THI The Hellenic Initiative (THI) is a global, nonprofi t, secular institution mobilizing the Greek Diaspora and Philhellene community to support sustainable economic recovery and renewal for Greece and its people. Our programs address crisis relief through strong nonprofi t organizations, led by heroic Greeks that are serving their country. They also build capacity in a new generation of heroes, the business leaders and entrepreneurs with the skills and values to promote the long term growth of Hellas. THI Vision / Mission Statement Investing in the future of Greece through direct philanthropy and economic revitalization. We empower people to provide crisis relief, encourage entrepreneurs, and create jobs. We are The Hellenic Initiative (THI) – a global movement of the Greek Diaspora About the Cover Featuring the faces of our ReGeneration Interns. We, the members of the Executive Committee and the Board of Directors, wish to express to all of you, the supporters and friends of The Hellenic Initiative, our deepest gratitude for the trust and support you have given to our organization for the past seven years. Our mission is simple, to connect the Diaspora with Greece in ways which are valuable for Greece, and valuable for the Diaspora. One of the programs you will read about in this report is THI’s ReGeneration Program. In just 5 years since we launched ReGeneration, with the support of the Coca-Cola Co. and the Coca-Cola Foundation and 400 hiring partners, we have put over 1100 people to work in permanent well-paying jobs in Greece. -
Film Producer Buys Seacole Bust for 101 Times the Estimate
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2454 | antiquestradegazette.com | 15 August 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Face coverings Film producer buys Seacole now mandatory at auction rooms bust for 101 times the estimate across England A terracotta sculpture of Mary Seacole by Alex Capon (1805-81) sparked fierce competition at Dominic Winter. Wearing a face covering when Bidding at the South Cerney auction house attending an auction house in England began with 12 phones competing for the has now become mandatory. sculpture of Seacole, who nursed soldiers The updated guidance also applies to visitors to galleries and museums. during the Crimean War. Since July 24, face coverings have been It eventually came down to a final contest compulsory when on public transport as involving underbidder Art Aid and film well as in supermarkets and shops including producer Billy Peterson of Racing Green dealers’ premises and antique centres. The government announced that this Pictures, which is currently filming a would be extended in England from August biopic on Seacole’s life. 8 to include other indoor spaces such as Peterson will use the bust cinemas, theatres and places of worship. as a prop in the film. It will Auction houses also appear on this list. then be donated to the The measures, brought in by law, apply Mary Seacole Trust Continued on page 5 and be on view at the Florence Nightingale Museum. -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
Exhibitions 2021/22
Press Release Berlin, 23.9.21 , © Privatsammlung © , 1910 Ferdinand Hodler , Der Frühling, ca. Ferdinand Hodler and Modernist Berlin 10.9.21 – 17.1.22 Ferdinand Hodler’s evocative figure paintings, moun- tain landscapes and portraits are Modernist icons. The Swiss artist (1853–1918), an influential force in symbolism, drew great international acclaim even in his own lifetime. Contemporaries valued Hodler above all as a master of human characterisation: as the artist Paul Klee noted in 1911, he could “create the soul by painting the body”. Few people realise today that Hodler’s path to fame lay through Berlin. At the dawn of the 20th century, the capital of the German Berlinische Galerie, © Foto: Noshe Reich had become a leading hub of European art alongside Paris, Vienna and Munich. These cities Exhibitions offered Hodler a chance to publicise his work outside Switzerland. The exhibition “Ferdinand Hodler and Modernist Berlin” traces his success on the banks of 2 021/22 the Spree. From 1898 until the outbreak of the First World War, the artist exhibited here almost annually: first at the Great Berlin Art Exhibition, then at the Berlin Secession and in a number of galleries. The presentation at the Berlinische Galerie will bring together about 50 paintings by Hodler from German and Swiss collections, including 30 from the Kunst- museum Bern, our partner in this collaboration. It will also feature works by artists who exhibited with Hodler in Berlin, including Lovis Corinth, Walter Leistikow, Hans Thoma and Julie Wolfthorn. The exhibition is a cooperation between the Berlinische Galerie and the Kunstmuseum Bern. -
2009 Paris, France the Movement Disorder Society’S 13Th International Congress of Parkinson’S Disease and Movement Disorders
FINAL PROGRAM The Movement Disorder Society’s 13th International Congress OF PARKINSon’S DISEASE AND MOVEMENT DISORDERS JUNE 7-11, 2009 Paris, France The Movement Disorder Society’s 13th International Congress of Parkinson’s Disease and Movement Disorders Claiming CME Credit To claim CME credit for your participation in the MDS 13th International Congress of Parkinson’s Disease and Movement Disorders, International Congress participants must complete and submit an online CME Request Form. This Form will be available beginning June 10. Instructions for claiming credit: • After June 10, visit www.movementdisorders.org/congress/congress09/cme • Log in following the instructions on the page. You will need your International Congress Reference Number, located on the upper right of the Confirmation Sheet found in your registration packet. • Follow the on-screen instructions to claim CME Credit for the sessions you attended. • You may print your certificate from your home or office, or save it as a PDF for your records. Continuing Medical Education The Movement Disorder Society is accredited by the Accreditation Council for Continuing Medical Education to provide continuing medical education for physicians. Credit Designation The Movement Disorder Society designates this educational activity for a maximum of 30.5 AMA PRA Category 1 Credits™. Physicians should only claim credit commensurate with the extent of their participation in the activity. Non-CME Certificates of Attendance were included with your on- site registration packet. If you did not receive one, please e-mail [email protected] to request one. The Movement Disorder Society has sought accreditation from the European Accreditation Council for Continuing Medical Education (EACCME) to provide the following CME activity for medical specialists. -
What Do We Mean When We Say Islamic Art?
What do we mean when we say ‘Islamic art’? A plea for a critical rewriting of the history of the arts of Islam Avinoam Shalem In a book published in 2008, Arnold Hottinger provocatively asserted that as far as the Western stance toward Islam is concerned, Islam does not exist.1 He argued correctly that it is pure fiction to speak about Islam using one sole, monolithic and global term. Moreover, he added that the desire to see in the wide-ranging and diverse ‘worlds of Islam’ a homogenous sphere called Islam is simply an abstract cognitive notion, which, as with any general concept, has its sole origin in the mind of the person who creates this concept or theory. It is quite clear, then, that Hottinger, like many other scholars of Islamic studies, developed his ideas in the critical ‘Post-Edwardian Era’; that is, the period following the death of Edward Said in 2003, in which renewed discussion has taken place around his renowned book Orientalism, first published in 1978.2 The ‘imaginary Orient’, as termed by Linda Nochlin in 1983,3 is not restricted to Western literature but impinges on many other fields and is undoubtedly rooted in the history of European thought, especially in the construction of the image of its major ‘Other’ and the creation of its own historical narrative. And yet, this critical notion can and should also be applied to the field of art history in general, and to the construction of the field of Islamic art history within the larger discipline of Western art history in particular. -
Ernst E. Herzfeld
116 OBITUARY The Booh of Wisdom and Lies (Kelmscott Press) and Visramiani (Oriental Translation Fund). His interest in everything relating to Georgia dated from the period of his youthful travels in that country, of which he published an account as early as 1888. W. FOSTER. Ernst E. Herzfeld Few scholars of our generation have contributed so much to increasing our knowledge of the sources for the study of ancient Western Asia in periods or directions of which little was previously known as Ernst Herzfeld. An established scholar of considerable reputation not only in his own University, Berlin, by 1910, his early work was encouraged by Eduard Meyer, the historian, and aided by the active co-operation of Friedrich Sarre, whose outstanding achievements there has yet been little chance to appreciate. Friend- ship and co-operation with Koldewey and the archaeological archi- tects of the mission of the Deutsche Orient-Gesellschaft in Iraq, led him to admire their methods and made him a sound field- worker, without obscuring his firm understanding of the necessity for combining the study of language and history with archaeology if the tasks before him were to be accomplished. His training fitted him for the very diverse tasks he undertook. On his many journeys he continually noted new sites, and thus pointed the way for many later excavations, particularly in Persia. At some sites already well known he carried out fresh work unex- pectedly rich in results, notably at Samarra and Persepolis. He continually brought to our attention neglected subjects, such as the nature of the metal-working craft in the first millennium B.C. -
Vente Du 28/01/2014 - 8 9 Rue Drouot - Salle 8
SVV MORAND VENTE DU 28/01/2014 - 8 9 RUE DROUOT - SALLE 8 N° DESCRIPTION ESTIM 303 46 CARTES POSTALES & DOCUMENTS VARIA : "28 planches coloriées-Corporations ouvrières-Etienne Houvet- 55 Gardien de la Cathédrale, 4cp-Hansi, 3cpsm par Barday-Villes, 8cp/cpsm-Diverses, 2 dessins (dos non carte postale)- Cries of London, 3cp-Provinces Françaises (non signées) et 1 petit dessin dans un rond-Maison au bord de lac." 304 33 CARTES POSTALES ILLUSTRATRICE : Germaine Bouret. "2cpsm-Imp.Déchaux-Série 1938 (état), 2cpsm-Aec 80 Paris, 1cp-Edition d'Art Séphériadès, 3cp-MD n°34, 54 & 78, 5cp-MD n°425, 525 x 2, 675 & 1207, 2cp-MD sans numéro, 14cp-Grands Magasins de la Samaritaine Paris-Imp. Henri Meyer Fils, 3cp sur carton fort (sans éditeur ni numéro et 1 dessin dos non carte postale." Qqs cartes en l'état et qqs double. 305 307 CARTES POSTALES ALLIER : Villes, qqs villages, qqs animations, qqs sites, qqs vues générales et qqs cpsm 150 (sépia et/ou glacées). Dont" Moulins-Place d'Allier, Vichy-Rue de Nîmes vue prise de la Place Victor Hugo, Environs de Vichy-Ets Purgos-Ateliers de Conditionnement, Château d'Abrest, Cambriolage officeil (Moulins 05.02.1906)-Sacristie de l'église du Sacré Coeur, Parc d'Hauterive, Chatelmontagne-Vue Générale, Billy-Vue générale, Saint Bonnet Tronçais-Les Forges..." 306 167 CARTES POSTALES AVEYRON : Villes, qqs villages, qqs animations, qqs sites, Vues générales et qqs cpsm. 90 Dont" Villefranche de Rouergue-La Place Notre Dame, Livinhac le Haut-Vue Générale, Château de La Falque près St Géniez, Estaing (vue générale), Espalion-Pensionnat Saint Michel, St Côme-Panorama..." 307 200 CARTES POSTALES LES CHARENTES : Dépts 16 et 17 (majorité).