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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Spectacle, Masculinity, and Music in Blaxploitation Cinema
Spectacle, Masculinity, and Music in Blaxploitation Cinema Author Howell, Amanda Published 2005 Journal Title Screening the Past Copyright Statement © The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/4130 Link to published version http://www.latrobe.edu.au/screeningthepast/ Griffith Research Online https://research-repository.griffith.edu.au Spectacle, masculinity, and music in blaxploitation cinema Spectacle, masculinity, and music in blaxploitation cinema Amanda Howell "Blaxploitation" was a brief cycle of action films made specifically for black audiences in both the mainstream and independent sectors of the U.S. film industry during the early 1970s. Offering overblown fantasies of black power and heroism filmed on the sites of race rebellions of the late 1960s, blaxploitation films were objects of fierce debate among social leaders and commentators for the image of blackness they projected, in both its aesthetic character and its social and political utility. After some time spent as the "bad object" of African-American cinema history,[1] critical and theoretical interest in blaxploitation resurfaced in the 1990s, in part due to the way that its images-- and sounds--recirculated in contemporary film and music cultures. Since the early 1990s, a new generation of African-American filmmakers has focused -
Normanwhitfieldblog.Pdf
2 He was a brilliant composer and record producer, one of the best to come out of Motown. He was born on May12th 1940 in Harlem, New York, and passed away on September 16th 2008 in Los Angeles, at the age of 68. He founded Whitfield Records in Los Angeles after his departure from Motown Records. He was known as the father of the “Psychedelic Funk” sound. Longer songs, a heavy bass line, distorted guitars, multi-tracked drums and inventive vocal arrangements became the trademarks of Norman’s production output, mainly with The Temptations. According to Dave Laing (Journalist for the Guardian Newspaper; Thursday 18th September 2008) stated that Norman Whitfield’s first actual job at Motown Records was as a member of staff for which he got paid $15 a week to lend a critical ear to new recordings by Motown staff, a job he said "consisted of being totally honest about what records you were listening to". He graded the tracks for Gordy's monthly staff meeting, where decisions were made on which should be released. Soon dissatisfied with quality control, Whitfield fought to be allowed to create records himself. This involved competing with such established figures as Smokey Robinson, but he got his first 3 opportunities in 1964 with lesser Motown The Temptations’ songs, during the first ten groups, co-writing and producing “Needle years of the label’s operation. Such songs as in a Haystack” by the Velvelettes and “Too “Just My Imagination (Running Away with Many Fish in the Sea” by the Marvelettes. Me)”, “Ball Confusion”, “Papa Was a Rollin’ These records brought him the chance to Stone” and “I Can’t Get Next To You” all work with the Temptations, already one of achieved platinum certification in America for Motown's elite groups. -
Edwin Starr 634-5789 Soulsville
SOUL CITY SURVIVORS Whole Alphabetical Song List 25 Miles (45); - Ab - Edwin Starr 634-5789 Soulsville USA (2); - D - Wilson Pickett Ain’t Nobody (66); - E – Chaka Khan Ain’t That Peculiar (5); - E - Marvin Gaye Ain’t To Proud Too Beg (73) – The Temptations - C – Baby I Love You (37); - G – Aretha Franklin Be My Girl (70); A – Soul City Survivors Blues Brothers (I Can’t Turn You Loose) Intro (1); - C - Brickhouse (63); - A – The Commodores Celebration (59) - Ab – Kool & The Gang Chain Of Fools (4); - C – Aretha Franklin Cold Sweat (38) D – James Brown Cool Jerk(8); - E – The Capitols Dance To The Music (54); G - Sly And The Family Stone Dark End Of The Street (20); - G – James Carr Don’t Fight It; (start on the 5) (9) - A – Wilson Pickett Down To The Nightclub (44); - Bb – Tower of Power Everybody Needs Somebody To Love (3); - Eb – Solomon Burke Everyday People (53); Ab - Sly And The Family Stone Funky Broadway (11); - E – Wilson Pickett Give Up The Funk (Tear The Roof Off The Mother) (48); -E-Parliament/Funkadelic Goin’ To A Go-Go (67) – Smokey Robinson & the Miracles - G Hold On I’m Comin’ (25); - Gb – Sam & Dave I Can’t Get Next To You (22); - C – The Temptations I Got You, I Feel Good (15); - C – James Brown I Heard It Through The Grapevine (74) - C – Gladys Knight & The Pips I Love Every Little Thing About You – Ab – Stevie Wonder I Want To Take You Higher (52); A - Sly And The Family Stone I Want You Back (78); Ab – Jackson 5 I Wish (62)- Eb – Stevie Wonder I’ll Be There (16); - E – Jackson 5 I’m A Roadrunner – Jr. -
David Ruffin at His Best Mp3, Flac, Wma
David Ruffin At His Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: At His Best Country: US Released: 1978 Style: Soul MP3 version RAR size: 1922 mb FLAC version RAR size: 1434 mb WMA version RAR size: 1276 mb Rating: 4.5 Votes: 793 Other Formats: WAV MP4 ADX MIDI AC3 AC3 AU Tracklist Hide Credits Walk Away From Love A1 3:16 Producer – Van McCoyWritten-By – Charles H. Kipps, Jr.* Ain't Too Proud To Beg A2 2:30 Written-By – Edward J. Holland*Written-By, Producer – Norman Whitfield Everything's Coming Up Love A3 2:57 Written-By, Producer – Van McCoy (I Know) I'm Losing You A4 2:24 Written-By – Cornelius Grant, Edward J. Holland*Written-By, Producer – Norman Whitfield My Whole World Ended ((The Moment You Left Me) A5 Written-By – Jimmy Roach, Pam SawyerWritten-By, Producer – Harvey Fuqua, Johnny 3:27 Bristol You're My Piece Of Mind B1 3:31 Producer – Charles Kipps, Jr.*Written-By, Producer – Van McCoy My Girl B2 2:55 Written-By, Producer – Ronald White, William Robinson* Just Let Me Hold You For A Night B3 3:21 Producer – Van McCoyWritten-By, Producer – Charles H. Kipps, Jr.* I Wish It Would Rain B4 2:47 Written-By – Barrett Strong, Roger PenzabeneWritten-By, Producer – Norman Whitfield I Miss You (Part I) B5 3:47 Producer – Bobby MillerWritten-By – Kenny Gamble-Leon Huff* Companies, etc. Phonographic Copyright (p) – Motown Record Corporation Copyright (c) – Motown Record Corporation Published By – Charles Kipps Music Inc. Published By – Stone Agate Music Division Published By – Warner-Tamerlane Publishing Corp. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Playlist in 1969, Yale University Admitted Its First Women Undergraduates, Thus Ending 268 Years As an All-Male College
YALE NEEDS WOMEN Playlist In 1969, Yale University admitted its first women undergraduates, thus ending 268 years as an all-male college. Yale Needs Women (Sourcebooks, 2019) tells their story. Here is the playlist to go with it: 22 songs released between 1969 and 1972, plus a two-song prelude from 1967. A quick scan will show that male performers outnumber women on this playlist, perhaps an odd choice given the Yale Needs Women title. It’s a reflection of the times, however. The music industry needed women too. You can find this playlist on Spotify. Search anne.g.perkins, or use this link: https://open.spotify.com/playlist/4aXLc1veNkKCMqCWd0biKE To find out more about Yale Needs Women and the first women undergraduates at Yale, go to yaleneedswomen.com. Many thanks to Rick High, Lily and Mac Perkins-High, and David and Ginger Kendall for their help in creating this playlist. Sources for the liner notes below are at the end. PRELUDE: 1967 1. Aretha Franklin, RESPECT. Aretha Franklin was the first woman ever inducted into the Rock and Roll Hall of Fame, and “Respect” was her first song to hit #1. She was twenty-five years old, six years into an abusive marriage that she would end in 1969, a black woman in a nation where that status meant double discrimination. “All I’m askin’ is for a little respect.” 2. Country Joe and The Fish, I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG. Released in November 1967, the I-Feel-Like-I’m-Fixin’-To-Die Rag became one of the country’s most popular Vietnam War protest songs, particularly after its performance at Woodstock in August 1969. -
Top 30 Liisc0
DISCO DISCO BREAKS NAMES IN THE NEWS - As reported last week, Ray Caviano made the official announce- TOP ment of R.F.C. Records and his new Warner Bros. position. This week brings the announ- 30 LIISC0 cement of Veronica Brice to the post of vice president and general manager of R.F.C. and the WB disco department. Vince Aletti was named vice president of A&R Reportedly, Weeks Weeks ... On On SAM Records has signed a deal with CBS ... Alan -Michael Mamber, formerly of Salsoul, 12/9 Chart 12/9 Chart is handling disco and pop radio promotion for West End ... Patrick Adams, producer of 1 LE FREAK* 16 FEED THE FLAME/I'M CHIC 12') 1 8 the Musique album, has been signed to a two artist production deal with Prism Records. (Atlantic - LEARNING TO DANCE ALL Both productions are expected early in the year ... WGCI Studio 107 in Chicago went all 2 SHAKE YOUR GROOVE OVER AGAIN THING LORRAINE JOHNSON (Prelude - LP) 16 4 disco recently under the leadership of Greg Budell MD and Barry Mayo PD ... WYLD in PEACHES & HERB (Polydor - 12") 2 7 17 TENDER IS THE NIGHT New Orleans has also joined the growing ranks ... Bob Weiner of Soho News in N.Y.C. has 3 CERRONE IV THP ORCHESTRA (Butterfly - LP) 20 3 just finished a whirlwind club tour for an article slated for Playboy CERRONE (Cotillion - LP) 3 7 18 AIN'T THAT ENOUGH FOR tentatively entitled "Le Grand Tour Des Discos." He visited 74 4 CONTACT YOU* in discos eight localities in 14 days .. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Sensational Soul Cruisers Song List the Tramps
Sensational Soul Cruisers Song List The Tramps - Disco Inferno - Hold Back The Night KC and the Sunshine Band - Sound Your Funky Horn - Get Down Tonight - I‛m Your Boogie Man - Shake Your Booty - That‛s The Way I Like It - Baby Give It Up - Please Don‛t Go The Moments - Love On A Two Way Street The Bee Gees - You Should Be Dancin - Night Fever Harold Melvin & The Blue Notes - The Love I Lost - If You Don‛t Know Me By Now - Bad Luck - I Don‛t Love You Anymore The O‛Jays - Love Train - I Love Music - Back Stabbers - Used To Be My Girl The ChiLites - Have You Seen Her - Oh Girl Gladys Knight - The Best Thing That Ever Happened To Me - Midnight Train To Georgia Earth, Wind & Fire - September - Sing a Song - Shining Star - Let‛s Groove Main Ingredient - Everybody Plays The Fool Johnny Nash - I Can See Clearly Now Isley Brothers - Work To Do - It‛s Your Thing - Shout - Twist & Shout Tavares - It Only Takes a Minute - Free Ride - Heaven Must Be Missing an Angel - Don‛t Take Away The Music The Foundations - Now That I‛ve Found You Barry White - Can‛t Get Enough of You Babe - You‛re My First My Last My Everything - What Am I Gonna Do - Ecstasy (When You Lay Down Next To Me) Edwin Starr - 25 Miles The Platters - Only You Soul Survivors - Expressway Billy Ocean - Are You Ready George Benson - Turn Your Love Around Billy Ocean - Are You Ready Heat Wave - Boogie Nights - Always and Forever - Groove Line Bell & James - Livin It Up (Friday Night) Peter Brown - Dance With Me Jigsaw - Skyhigh Tyrone Davis - Turn Back the Hands of Time The Stylistics - -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.