<<

NYAME AKUMA No. 73 June 2010

NIGERIA in the production of abundant and beautiful clay figu- rines. Its enigmatic character was underlined by the Outline of a New Research Project lack of any known precursor or successors leaving on the Culture of Central the as a flourishing but totally isolated , West phenomenon in the archaeological sequence of the region. Peter Breunig and Nicole Rupp Another surprise was the discovery of iron- furnaces in Nok contexts, and at that time Peter Breunig and Nicole Rupp amongst the earliest evidence of in sub- Goethe-Universität Frankfurt am Main Saharan Africa (Fagg 1968; Tylecote 1975). The com- Institut für Archäologische bination of early iron and elaborated art – in our west- Wissenschaften ern understanding – demonstrated the potential of Grüneburgplatz 1 the Nok Culture with regard to metallurgical origins 60323 Frankfurt am Main, Germany and the emergence of complex societies. emails: [email protected], [email protected] However, no one continued with the work of . Instead of scientific exploration, the Nok Culture became a victim of illegal diggings and internationally operating art dealers. The result was Introduction the systematic destruction of numerous sites and an immense loss for science. Most Africanist archae- Textbooks on and Afri- ologists are confronted with damage caused by un- can art consider the so-called Nok Culture of central authorized diggings for prehistoric art, but it appears Nigeria for its early sophisticated anthropomorphic as if Nok was hit the hardest. Based on the extent of and zoomorphic figurines (Figures 1 and damage at numerous sites that we have seen in Ni- 2), and usually they emphasize the absence of con- geria, and according to the reports of those who had textual information and thus their social and cultural been involved in the damage, many hundreds if not purpose (Garlake 2002; Phillipson 2005; Willett 2002). thousands of Nok terracotta figurines were wrested The first figurine was found in 1928. But to science from undisturbed contexts in cultural deposits and they became known only around the middle of the sold to museums and private collectors in Europe 20th century, when more accidental discoveries, initi- and America. The activities have diminished because ated by the British archaeologist Bernard Fagg, were dealers are afraid of the increasing numbers of fakes. made in open-air tin mines in the surroundings of the But villagers almost everywhere in the Nok Culture village of Nok (Figure 3). After some years of field area are still digging to sell their findings for next to activities, Bernard Fagg presented a considerable nothing. However, in our research area located near collection of about 150 individual objects (Fagg 1977). the village of Janjala, many villagers have joined our Notably, all figurines were found fragmented but uni- team since the beginning of initial fieldwork in 2005 form enough in style to motivate Bernard Fagg to and they have contributed their knowledge about talk about a “culture” – a term regarded more criti- Nok sites. Consequently the Janjala region has be- cally today, but retained here as common practice. come a key area with an unexpected high density of Early radiocarbon dates of associated charcoal, sites (Figure 3). and later thermo-luminescence measurements of the Exploratory work between 2005 and 2009 dem- themselves, resulted in unexpectedly late onstrated that the scientific potential of the Nok Cul- ages of up to 2500 years. Thereby, the Nok terracotta ture is immense but also that a long-term, interdisci- figurines became the earliest large-sized figurative plinary approach is required to look beyond its art. A art objects of Africa outside Egypt. The questions respective project dedicated to the “Development of that arose concerned the nature of a community, which complex societies in sub-Saharan Africa: The Nige- existed in an area that was not conspicuously differ- rian Nok Culture”, scheduled for a duration of up to ent from other West African environs, but which was 12 years, was granted by the German Research Foun- different from any other contemporaneous complex dation (DFG) in 2009.

46 NYAME AKUMA No. 73 June 2010

Figure 1: Head of a human Nok terracotta figurine with elaborate hairstyle or headgear, excavated in spring 2010 at a site called Kushe in the central distribution area of the Nok Culture.

Conceptual Framework of the Research tional art markets in terms of both original terracotta Program figurines and fakes. In addition to the constant ac- quisition of relevant data, the program is divided into The project has the challenging task of inves- four phases of main thematic emphases, each of three tigating an archaeological complex which existed for years duration. several centuries in an area of approximately 100,000 km², and which, until recently, was known only by its terracotta figurines and sparse evidence of iron met- Phase 1: Chronology of the Nok Culture allurgy. To increase our knowledge of the Nok Cul- Phase 1 is focused on the chronology as a fun- ture, new data obtained by archaeological damental prerequisite for any further consideration prospection and excavation are necessary. Data were of the culture. Early dates clustered between 500 BCE procured to describe the material culture (pottery, to 200 AD (Fagg 1959; Jemkur 1992). Recent radiocar- stone industry, iron objects), economy (on the basis bon measurements of charcoal particles from the in- of charred botanical remains), and social organiza- terior of terracotta figurines point to earlier dates of tion (particular focus on specialization through analy- 800 to 900 BCE (Boullier et al. 2002). However, most sis of artifacts as well as identification and interpre- of these dates are less reliable because of contextual tation of site structures and settlement patterns). uncertainties including the unclear relation between Further focus is directed toward ritual aspects (in the dated sample and the archaeological material or particular, functional interpretation of the terracotta the old wood problem of dating charcoal. This situa- figurines through contextual analysis), environment tion has changed because samples now derive from (analysis of ecofacts and exploitation of geoscience scientifically documented contexts of original sites. archives), and finally the study of modern social as- Further, archaeobotanical sampling, carried out on pects including current local knowledge about the all excavations to achieve economic and environmen- Nok Culture, and the sociology of local and interna- tal information, in most cases avoids the old wood

47 NYAME AKUMA No. 73 June 2010

Figure 2: Terracotta of a double-headed lizard, excavated 2007 from the Nok settlement of Ungwar Kura. (Restored by the Römisch-Germanisches Zentralmuseum Mainz, Germany).

48 NYAME AKUMA No. 73 June 2010

Figure 3: Map of the central distribution area of the Nok Culture with sites mentioned in the text.

problem by dating charred remains of annual plants. inventor of iron metallurgy in sub-Saharan Africa? Thermo-luminescence dating on the figurines is used The crucial question is whether the plateau absorbs to cross-check the radiocarbon results. only the beginning of the Nok Culture (ca. 500 BCE to 400 BCE) or whether its duration covers the whole Most existing dates so far, point to the dura- plateau period? Recently, samples from a site named tion of the Nok Culture from 500 BCE to 200 BCE. A Ido excavated in 2009 were dated prior to the plateau continuation into the 1st millennium CE – formerly into the 9th century BCE. If all of these dates are con- postulated on the basis of one single radiocarbon firmed by cross-checks currently in process, it ap- date from (Fagg 1965: 212) – has been con- pears quite certain that the Nok Culture existed for firmed by dating charred seeds of an annual plant about one millennium at the minimum. from the site of Janruwa C into the 2nd century AD. Due to fluctuations in the atmospheric production of In addition to thermo-luminescence dating, the radiocarbon and a plateau in the calibration curve, hypothesis of a one-millennium-duration will be tested organic materials produced between 800 BCE and through either the homogeneity or heterogeneity of 400 BCE cannot be separated by their radiocarbon the excavated ceramic inventories. These ceramic in- content. This hampers the consideration of some ventories also will be the basis for a sub-division of important questions: Was the Nok Culture a brief the Nok Culture and will help to identify Nok sites occurrence of a few centuries with a climax between without depending solely on terracotta figurines. 500 BCE and 200 BCE and a gradual disappearance constitute the only diagnostic finds so until 200 AD? Or did it encompass a development of far, a fact that might have created the possibly wrong up to 1000 years or more, beginning in the early 1st impression that all Nok sites contain terracottas. Sites millennium BCE, and thus should be considered the without terracotta simply have not been identified as

49 NYAME AKUMA No. 73 June 2010

belonging to Nok. According to the current state of they had existed at all. Some small circular stone ar- analysis, ceramic finds from excavated sites differ rangements and shallow pits with stones, potsherds, particularly in their decoration. As long as this has fragments of terracotta and abundant charred bo- no functional purpose (differences between ordinary tanical remains, mostly charcoal, constitute most of pottery for daily use, pottery for ritual purpose, or the complete repertoire of structural elements exposed use as grave goods), changes over time are a reason- on Nok sites so far. able explanation and a promising precondition for In addition, there are numerous finds, in par- chronological sub-divisions. Particular attention will ticular potsherds, whose spatial distribution bears be directed at the initial and final phase of the Nok structural information. For this reason the position Culture. To identify its beginning and end is the first of all finds is regularly documented by digital sys- step in determining its origin and disappearance. tems in a three-dimensional coordinate system. Iden- We have started with initial investigations into tifying the structure of archaeological sites through the sedimentation processes and post-sedimentary the spread of cultural materials requires large-sized alterations on Nok sites. In the future particular at- or, at best, total excavation of sites, which are intact tention will be paid to the formation of cultural de- or not too disturbed. These will be conducted during posits and the reasons for the lack of specific find phase 2. The intention is to separate domestic areas categories such as bones. Other aspects concern the from courtyards, stables, refuse dumps, or areas of erosion of cultural deposits, or the increasing accu- ritual activities, and thus to distinguish different types mulation of deposits in valleys or depressions as a of sites. Extensive excavation also delivers data to hypothetical consequence of the ecological change approach other topics such as the enigmatic frag- triggered by dense occupation during the Nok pe- mented condition of the terracotta. Refitting the frag- riod. These contributions from the geosciences, which ments possibly can clarify what happened to them will help understand the nature of Nok sites, are either during their use in cultural or in post-sedimen- planned as the focus of research during the next tary contexts. Furthermore, this can test our hypoth- phase of the project. esis that destruction usually was the final purpose of the sculptures (with the consequence that many com- plete specimens in museums and collections are Phase 2: Functional and Structural fakes). Analysis of Nok Sites Another efficient method to detect structures During the second phase, Nok sites will be is magnetic prospection. However, a test has shown analyzed from three perspectives: 1. Structure of that it is less useable in the Nok Culture area. Dense sites; 2. Interpretation and classification of sites; and vegetation, in particular trees, prevents scanning the 3. Patterns of occupation. ground to the degree required for this technique, and the proximity of crystalline bedrock in the ground causes interference between geological and archaeo- 1. Structure of Nok sites logical magnetic signals. More information on struc- According to the fieldwork carried out up to tures we expect to determine from X-ray fluorescence now, recognition of the structures of Nok sites, no analysis. For instance, new technologies allow meas- matter whether they are settlement, graveyard, ritual uring soil samples in large quantities along close- site or something else, becomes a methodological meshed grids to map phosphate concentrations. Such challenge. Excavation as the traditional method to concentrations point to former places of accumula- identify structures or to reveal features from houses tion of organic materials, in particular bones, which or huts or other settlement components has proved are totally absent in the archaeological record due to to be unproductive. Although the excavations had a the acidity of soils. With this technique we intend to maximum extension of no more than 200m², it is obvi- localize graves. Together with the archaeobotanical ous that the Nok people did not use stone for con- classification of plant macro-remains and phytoliths, struction, but most probably they used organic ma- these methods will allow identification of structural terials like wood or thatch which left no visible traces, markers and the distinction of settlements from other not even a discoloration of postholes, provided that sites.

50 NYAME AKUMA No. 73 June 2010

Figure 4: Fragments of one or more terracotta figurines embedded in a pit-like structure at the site of Utak Kamuan Garaje .

2. Distinction and classification of sites partly from a depth of several meters. Either they were washed down from other sites situated close by Our previous investigations have shown that (however no spatial relation has been discovered yet), Nok sites differ considerably with regard to size, en- or the objects were deposited there intentionally. vironmental position, features, and patterns among the spread and composition of cultural materials. The More difficult is the differentiation of settle- theoretical range of sites comprises settlements, ritual ment and ritual sites. Both categories are represented sites, burial sites, iron-smelting sites and isolated in the archaeological record. A clear ritual site has finds. Terracotta apparently appears everywhere and been found in Utak Kamuan Garaje Kagoro, where a possibly has a key position for the classification of set of highly fragmented terracotta figurines, embed- sites. Pottery might also prove to be useful in differ- ded separately in pit-like structures together with entiating sites if the impression is confirmed that a stones that were used possibly to smash the figu- difference in design and quality exists between ves- rines, were recovered (Figure 4). In contrast, there sels from domestic contexts and those from burials are other sites with large quantities of potsherds and or ritual activities. heavy grinding stones, as well as charcoal and plant remains from crops, which undoubtedly represent a Iron smelting sites and isolated finds are easy settlement. It is not clear whether this two-fold divi- to identify. Smelting sites are recognizable through sion of sites is correct, or whether all kinds of transi- furnaces and a specific kind of slag. Isolated finds tional forms existed (pure ritual sites, ritual sites of from a Nok Culture context consists only of terracotta settlement appearance, settlement with ritual areas, and comprises the bulk of discoveries from Bernard or pure settlements). Fagg’s times. They derive from alluvial deposits,

51 NYAME AKUMA No. 73 June 2010

3. Settlement patterns and Sokoto figurine sites. A final phase of the project is dedicated to concluding investigations which are Based on the data of sites located so far, it difficult to determine at the moment. appears as if their position in the landscape was not a matter of accident, but strongly correlated with spe- cific environmental settings. For instance, Nok sites Conclusion commonly cover the surrounding and top of low Research on the Nok Culture means to search inselbergs. However, sites also appear along moun- for the origins of complex societies in sub-Saharan tain slopes, next to rivers, or in flat plains thus show- Africa. Some centuries after the disappearance of the ing differences in topographic position that possibly Nok Culture, e.g. by the end of the 1st millennium AD, reflect functional variation. Applying Geographic In- the first states and empires emerged in . formation Systems (GIS), we intend to analyze ascer- Of course, there is no evidence to relate one devel- tained data on topography, hydrology, soil type, veg- opment with the other directly. However, from a gen- etation cover, visibility, microclimate etc. from sites eral point of view it is undeniable that between the in the research area around Janjala with the objective family-based agricultural beginnings in the 2nd mil- to model the Nok settlement system. In a subsequent lennium BCE and the complexity of empires 2000 or step the model will be tested inside and outside the 3000 years later, social and economic prerequisites current research area and, if necessary, modified. for the latter must have developed somehow and somewhere. The central Nigerian Nok Culture is one Phase 3: Regional Diversification of the West African candidates, existing in key areas where this might have taken place in the course of In the third phase, the by then known appear- the 1st millennium BCE (Breunig 2009). This does not ance and development of the Nok Culture in its cen- mean that the kingdoms of Kanem-Borno, , or Igbo tral area of distribution will be examined in a wider Ukwu have roots going back to the Nok Culture, but geographical context in order to assess the extent that Nok provided the conditions once being in the that regional differences existed and how far the Nok world, and constituted a basis for developments of Culture actually spread. Apparently the only clear more complex systems in neighboring regions dur- borderline was running in the east along the western ing subsequent times. These conditions concern fringes of the plateau. No Nok sites are known population growth, accompanied by social change, from the top of the plateau. The occurrence south of as indicated by the high density of known sites, and the Benue is based on just one single terracotta find facilitated through a productive economical system spot at Katsina Ala. To the west some maps indicate based on the cultivation of (Pennisetum a spread of the Nok Culture up to the Kainji-dam, glaucum) and cow pea (Vigna unguiculata) as well where some terracotta figurines were found and are as the exploitation of certain wild species including supposed to represent a local, somehow different Canarium schweinfurthii and Vitex sp. (Kahlheber style on the western periphery of the Nok Culture et al. 2009). Further, the technological innovation of (Priddy 1970; Willett 1986). Most confusing is the iron metallurgy must have had a considerable social spread to the north. Other terracotta traditions, only significance by creating valuable status symbols and known from the art market and called Sokoto or totally new tools, as well as triggering the required Katsina according to information from two large cit- specialization needed to maintain the production and ies in northern Nigeria, follow the spread of the Nok processing of iron. Specialists also must have ex- Culture but no distinct transitional zones have been isted to manufacture the thousands of elaborate localized so far. Some attributes of the Katsina and terracotta figurines and possibly to maintain the ritual Sokoto terracotta figurines are similar to Nok, but or religious system behind them. others show a clear stylistic difference. With the ex- ception of initial test excavations carried out by our The project outlined here has twelve years time Nigerian partner (Hambolu 2005), nothing is known to explore these aspects. It has a regular team of sci- about the context and the age of these art traditions. entists and Nigerian partners carrying out the field- As in the case of the Nok Culture, commercial dig- work and focusing on the main research topics. Spe- gings in the past have seriously damaged Katsina cific aspects will be pursued by various Masters and

52 NYAME AKUMA No. 73 June 2010

Ph.D. theses. Beside this, the project is open for ex- Bibliography ternal scientists, who want to participate either on the mentioned fields of activity or with their own new Boullier, C., A. Person, J. F. Saliège and J, Polet ideas. 2002 Bilan chronologique de la culture Nok et nouvelles datations sur des sculptures. Acknowledgements Afrique: Archéologie et Arts 2: 9-28. The project is generously funded by the Ger- man Research Foundation (DFG) and supported by Breunig, P. the Goethe-University of Frankfurt/Main. Close co- 2009 Cultural change in the first millennium BC – operation exist with the National Commission for Evidence from Nigeria, West Africa. In, S. Museums and Monuments, Nigeria, in particular with Magnavita., L. Koté, P. Breunig, and O.A. its archaeologists Dr. Musa Hambolu, Dr. Olalekan Idé, editors, Crossroads / Carrefour Sahel. Akinade, and James Ameje, as well as the former Di- Cultural and Technologial Developments in rector General, Dr. Joseph Eboreime, and the present First Millennium BC/AD West Africa. Jour- Director General Abdallah Yusuf Usman, and with nal of African Archaeology Monograph our academic partner Prof. Joseph Jemkur, Univer- Series 2. Frankfurt a.M: Africa Magna sity of Jos. Verlag, pp. 15-26. We are indebted to the German Embassy in Abuja for diplomatic assistance, and, in particular, to Julius Berger Nigeria PLC for generous technical sup- Fagg, B. port and help to cope with everyday life in a country 1959 The Nok Culture in prehistory. Journal of not always easy to live in as a foreigner. Warm thanks the Historical Society of Nigeria 1: 288-293. to Angela Fagg-Rackham, Bernard Fagg’s daughter, for information about her father’s discovery of the 1965 Radiocarbon dating of the Nok Culture, cen- Nok Culture and for convincing the William Buller tral Nigeria. Nature 205: 212 Fagg Charitable Trust to sponsor equipment for 1968 The Nok Culture: excavations at Taruga. The analyzing terracotta and ceramic pots as well as soil West African Archaeological Newsletter 10: samples by means of X-ray fluorescence. 27-30. In Nigeria, His Excellency, Arc. Mohammed 1977 Nok Terracottas. Lagos. Namadi Sambo, recently elected Vice President of Nigeria and former Executive Governor, State, His Royal Highness, Mal. Danladi Gyet Maude, Kpop Garlake, P. Ham, Chief of Jaba, and His Royal Highness from Kagarko for supporting the project. The District Head 2002 Early Art and . Ox- of Janjala, Alhaji Ahmad Shitu, generously provided ford: Oxford University Press. a plot of land for the construction of a research sta- tion. Many thanks go to Umaro Potiskum who guided us to Nok sites between 2005 and 2008. We feel obli- Hambolu, M. O. gated to thank the employees of the National Mu- 2005 Northwestern Nigeria terracotta sculptures: seum in Nok for documentary work and antecedents of Nok sculptural traditions? archaeobotanical sampling. Thanks to the laborers Nyame Akuma 64: 55-57. from the villages in the research area. They gave us their knowledge on Nok sites and their power to do a work we would not have been able to do without Jemkur, J. them. 1992 Aspects of the Nok Culture. .

53 NYAME AKUMA No. 73 June 2010

Kahlheber, S., A. Höhn, and N. Rupp Tylecote, R. F. 2009 Archaeobotanical studies at Nok sites: an 1975 Iron smelting at Taruga, Nigeria. Journal of interim report. Nyame Akuma 71: 2-17. the Historical Metallurgy Society 9: 49-56.

Phillipson, D. W. Willett, F. 2005 African Archaeology, 3rd edition. Cam- 1986 A missing millennium? From Nok to Ife and bridge: Cambridge University Press. beyond. In, E. Bassani, editor, Art in Africa, Reality and Perspectives in a Study of the History of . Firenze, pp. 87-100. Priddy, J. 2002 African art. London: Thames & Hudson. 1970 RS63/32: An site near Yelwa, Sokoto Province. preliminary report. The West Afri- can Archaeological Newsletter 12: 20-32.

54