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2002-11 Kiss Me, Kate.Pdf 1 1"2.. WEST VALLEY LIGHT OPERA PRESENTS Our 38th Season: 2002-2003 Performing at the SARATOGA CIVIC THEATER 13777 FRUITVALE AVE. in SARATOGA November- December 2002 Welcome to West Valley Light Opera Association's First Production of its 38th Season! If you enjoy the community theater productions you have seen in this the- ater, please tell your friends and pick up the fliers/brochures/cards in the lobby. There are holders on the walls by the side entrance for both West Valley Light Opera and Saratoga Drama Group which contain information on upcoming pro- ductions, cards to place your name on their mailing lists and order forms for tickets to their future productions. Please feel free to take them and use them for future reference. It is only through your support that we are able to bring you such "professional" productions at such a reasonable price Thank you for your continued support! __ ~~\ Exclusively for the ~~~~-~ ~::~~;tr~:n~~~~ Westmoor Travel and the Carnival Cruise Lines have just announced a NEW FUND RAISING PROGRAM to benefit the West Valley Light Opera Association Enjoy a Great Cruise Vacation and support your local theatre group. 7-Night Mexico Vacation aboard the "ELATION', May 4 -11,2003, cruising round trip from Los Angeles, visiting Puerto Vallarta, Mazatlan & Cabo San Lucas. For furth~r details and information, pick up a flier in the lobby or call (408) 738-3820 or (800) 678-3820. Join us on the most popular cruise line in the world!! LAST CHANCE TO SUBSCRIBE FOR THE NEW SEASON: 2002-2003 We invite you to become a subscriber to our upcoming season. Blue forms are in the lobby, just ask the Box Office how to subscribe now for the rest of the season. Season subscriptions will 0 longer be available after the close of this production. Act now and sa e on tickets to "Forever Plaid" and "George M!" (W 'West 1/a/ley Light Opera ~latlcI\.~ Presents Music & Lyrics by Cole Porter Book by Sam & Bella Spewack Starring Molly Carter and George Mauro with Alicia Santana and Nathan Beason Producers: Edward Hand & Nancy Kwong Director: Steven Lambert Music Director: David B. Herberg Vocal Director: Diane "Mom" Reynolds Choreographer: Geri Carlson Sauls • • • ••• •• •• • •• • •••• • ••• • •• ••• ••• ••• • •• • •• •• : GALA OPENING: Saturday, Nov. 9 8:00 PM : : Fridays: Nov. 15,22,29, Dee. 6 8:00 PM : : Saturdays: Nov. 16,23,30, Dee. 7 8:00 PM : : Saturday Matinee: Nov. 23 2:30 PM : .: .Sun...day..Ma..tine...es.:.Nov.... .1.0,.1.7,24,....Dec.....1......2:30...PM....: "Kiss Me, Kate" is presented through special arrangement with and all authorized performance materials are supplied by Tams Witmark Music Library, 560 Lexington Ave., New York, NY 10022. Visit our web site: www.wvlo.org e-mail: [email protected] A Note from Our Director ... The first Shakespearean play I ever saw was "The Taming Of The Shrew" and since then I have been a fan as an actor, director and audience member. One of the enduring things about Shakespeare is its timelessness and versatility even after several hundred years. His plays have been set in almost every historical period and even in some imaginary ones. "Kiss Me, Kate" is a great example of that versatility. I've wanted to be involved in a production of this show ever since I learned about it. What is brilliant about "Kiss Me, Kate" is that it takes this wonderful play by Shakespeare; adds the great music of Cole Porter and blends what takes place offstage, and on stage, so you're not quite sure where one play ends and the other begins. And does all this without losing the basic story of "The Taming Of The Shrew". Someone said to me that "Kiss Me, Kate" is the first "Shakespeare In Love". I agree. The film "Shakespeare In Love" introduced Shakespeare to millions of people who had always avoided his works. They discovered that he was not as "stuffy" or as difficult to understand as they thought. I hope that after you see "Kiss Me, Kate", you will have a better understanding of how much fun Shakespeare can be and might even go see one of his plays sometime. I am very proud of this cast, orchestra, crew and staff who have worked so hard on this production. When I began rehearsals for this show, I challenged everyone to make "Kiss Me, Kate" something special; to work harder, to be more creative and to do things differently than they've done in the past, even though it may seem uncomfortable. They have all worked very hard to meet those chal- lenges. How successful we have been is up to you, the audience, to decide. Hope- fully, you will be pleasantly surprised. So sit back, relax and enjoy the perfor- mances of a very talented cast, orchestra and crew in this wonderful production of "Kiss Me, Kate". -Steven Lambert, Director "The thing that makes Shakespeare breathtaking and defines poetry, is the simul- taneous compression of language and the expansion of meaning. " - Tom Stoppard 2 CAST OF CHARACTERS (In Order of Their Appearance) Fred Graham George Mauro Harry Trevor John Baldwin Lois Lane Alicia Santana Ralph Howard Miller Lilli Vanessi Molly Carter Hattie T.J. Paganini Paul Brandon Bond Bill Calhoun Nathan Beason Gangster #1 Tyr Rodriguez Gangster #2 Mike Munoz Harrison Howell Bill Weitze "Taming Of The Shrew" Players Bianca (Lois Lane) Alicia Santana Baptista (Harry Trevor) John Baldwin Gremio (First Suitor) Gregg Zigler Hortensio (Second Suitor) Steve Complete Lucentio (Bill Calhoun) Nathan Beason Katharine (Lilli Vanessi) Molly Carter Petruchio (Fred Graham) George Mauro Singing/Dancing Ensemble Brandon Bond, Tiffany Cesarin, John Duarte, Shawna Downs, Kimberly Gray, Melinda Griffith, Todd Griffith, Susan Krikorian, Victoria Ribbs, Jerry Rosas,April Sage, Peter Schuurmans, Martha Seaver,Marcia Sternin, Katie Worley, Shannon Zeig. I HEAOSHOT II PHOTOGRAPHY I I GRAPHICS II PRINTFf1 APPAREl I Edmond Kwong www.lmagewurx.eorn 40S4S3-SS9'9 ImageWurx@earthlinknet 3 ORCHESTRA Conductor David B. Herberg Woodwinds: Maria D'Aura, Joel Greene, James Hamilton, Steven Holmes, Mike Maida, Marty McHan, Dorothy Nield, Diana Tucker French Horn Caitlin Baiko, David Dufour Strings Marilyn Anderson, Lynda Bloomquist, Margaret Elliott, Kathleen Harley, Cayley Hunt, Cynthia Merriell, Miho Nishi, Virginia O'Reilly, Ari Polidi, Pam Robinson, Scott Spangler, Randy Whitney, Faye Yang Trombone Mark Racicot Trumpet.. Matthew Carey, Craig Diserens, Bill Hunsicker, John Morillas, Warren Necoechea Guitar Ari Polidi, Randy Whitney Bass Steve Adkins, Tim Neff Percussion Dori Shimer, Brent Jorgenson Keyboards Diane Reynolds Not all instrumentalists will play for each performance. Did you know ... .,that "Kiss Me, Kate" opened in December, the stars, Alfred Lunt and Lynn Fontanne, 1948, on Broadway at the New Century quarreled as much in private as the char- Theater and performed for 1,070 acters they were portraying on the stage? . performances? .,that Cole Porter, in writing the lyrics for ., that "Kiss Me, Kate" marked Alfred this musical made use of such Drake's first starring role on Broadway and Shakespearean lines as "I've Come To the only major musical in which Patricia Wive It Wealthily in Padua", "Were Thine Morrison originated a leading role? That Special Face", Where Is The Life .,that the National Company, which toured That Late I Led?" and Kate's final speech, for almost two years, starred Keith Andes, "I Am Ashamed That Women Are So Anne Jeffreys,Julie Wilson and Marc Platt Simple"? and that the most recent touring company .,that Cole Porter's more modern musical which came to San Francisco starred sentiments, "Why Can't You Behave?", Rex Smith and Rachel York? "So In Love", "Too Darn Hot" and .,that in 1953, the Hollywood version ''AlwaysTrue To You In My Fashion", were featured Howard Keel, Kathryn Grayson, restricted to the theatre's backstage area? Ann Miller and Tommy Hail? ., that "Kiss Me, Kate" received the Tony ., that the idea for the musical began in the Award in 2000 for the Best Broadway play, "The Taming Of The Shrew" when Revival? 4 SYNOPSIS OF SCENES AND MUSICAL NUMBERS ACT I Scene 1: Stage of the Ford Theatre, Baltimore "Another Op'nin', Another Show" Hattie & Ensemble Scene 2: Back Stage Corridor "Why Can't You Behave?" Lois & Bill Scene 3: Dressing Rooms of Fred Graham & Lilli Vanessi "Wunderbar" Lilli & Fred "So In Love " Lilli Scene 4: Before the Curtain "We Open In Venice" Kate, Petruchio, Bianca, Lucentio, Ensemble Scene 5: A Square in Padua, Italy "Tom, Dick or Harry" Bianca, Lucentio, Hortensio, Gremio "I've Come To Wive It Wealthily in Padua" Petruchio, Ensemble "I Hate Men" Kate "Were Thine That Special Face" Petruchio Scene 6: Back Stage Corridor Scene 7: Dressing Rooms of Fred Graham & Lilli Vanessi Scene 8: Exterior of the Church "I Sing of Love" Bianca, Lucentio & Ensemble "Kiss Me, Kate" Entire Company -Intermission- ACT II Entr'Acte Orchestra Scene 1: Theatre Alley "Too Darn Hot" Paul & Ensemble Scene 2: Before the Curtain Scene 3: Petruchio's House "Where Is The Life That Late I Led?" Petruchio Scene 4: Back Stage Corridor\ ''Always True To You In My Fashion" Lois Scene 5: Dressing Rooms of Fred Graham and Lilli Vanessi Scene 6: Back Stage Corridor "Bianca" Bill "So In Love" Fred "Brush Up Your Shakespeare" Two Gangsters Scene 7: Exterior of the Church "I Am Ashamed Women Are So Simple" Kate Finale: "So Kiss Me, Kate" Entire Company 5 Production Staff Producers Edward Hand & Nancy Kwong Director Steven Lambert Music Director David B. Herberg Vocal Director Diane "Mom" Reynolds Choreographer Geri Carlson Sauls Production Designer Stephen C. Wathen Technical Director Edward
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