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Westminster Abbey South Quire Aisle
Westminster Abbey South Quire Aisle The Dedication of a Memorial Stone to P G Wodehouse Friday 20th September 2019 6.15 pm HISTORICAL NOTE It is no bad thing to be remembered for cheering people up. As Pelham Grenville Wodehouse (1881–1975) has it in his novel Something Fresh, the gift of humour is twice blessed, both by those who give and those who receive: ‘As we grow older and realize more clearly the limitations of human happiness, we come to see that the only real and abiding pleasure in life is to give pleasure to other people.’ Wodehouse dedicated almost 75 years of his professional life to doing just that, arguably better—and certainly with greater application—than any other writer before or since. For he never deviated from the path of that ambition, no matter what life threw at him. If, as he once wrote, “the object of all good literature is to purge the soul of its petty troubles”, the consistently upbeat tone of his 100 or so books must represent one of the largest-ever literary bequests to human happiness by one man. This has made Wodehouse one of the few humourists we can rely on to increase the number of hours of sunshine in the day, helping us to joke unhappiness and seriousness back down to their proper size simply by basking in the warmth of his unique comic world. And that’s before we get round to mentioning his 300 or so song lyrics, countless newspaper articles, poems, and stage plays. The 1998 edition of the Oxford English Dictionary cited over 1,600 quotations from Wodehouse, second only to Shakespeare. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
Redhead Little Theatre on the Square
Eastern Illinois University The Keep 1960 Shows Programs 1960 Spring 8-23-1960 Redhead Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1960_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Redhead" (1960). 1960 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1960_programs/1 This Book is brought to you for free and open access by the 1960 at The Keep. It has been accepted for inclusion in 1960 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. Guy S. Little, JrmVs "CENTRAL ILLINOIS' ONLY EQUITY MUSIC THEATRE" Grand Theatre Fourth Season Sullivan August 23rd through August 28th 'Wb) ammat m W.Bk h *QWTIL PAW- hw d~~.mn*t.~~OlYI '~oU1flu m*. tkR M J&ro in @u4&eph %f?r'r'IFE5 WWr@H&9T .Ma 'smtxuina wall 0,Codirrurs rd liFJrn &tee. *b8, UWk lt#~.dd'd.&th. md 0- :WId,ia eoopqsr 0 YcsrawfIosn. Opcw rtur ia MkDJIYE BQTTZtIWLT. Bw mb st tkr WmQ during thc gut tSRI e.mma 8# hl- btb UIitlla eed ia Qtrr1;) AMD PC)UI, in Bntb ASLL &IHaIleQ Imlw 1. ~AW,BAWWIOI, XasIki i. tBBmWYUb hwlla a.Q*1IPIPI Y.pcrII* L .sgaw sans, TW~~.m mm I SM5delo AwiE 0ST YWWR @V)1! &4 mm Bltt =TIC. 1s .Nm ?+% BH ~p. PU.8 *tIL Y* PmplQL sonct TBe8@eSt i. a* witli tfR .sp&&i* .Lltrarfrlpd 0- *t the Wabcnit*, oi Illirols Ib-. in 8eBESFA-opppt#i# Pete P.llsrr, em~ot a* mmt Broabay hit. -
The 2009 Lotte Lenya Competition First Round
The 2009 Lotte Lenya Competition Lauren Worsham’s recent credits include Sophie in Master Class (Pa- permill Playhouse), Clara in The Light in the Piazza (Chamber Version - Kilbourn Hall, Eastman School of Music Weston Playhouse), Cunegonde in Candide (New York City Opera), Jerry Springer: The Opera (Carnegie Hall), Olive in The 25th Annual Putnam Saturday, 18 April 2009 County Spelling Bee (First National Tour). New York workshops/readings: Mermaid in a Jar, Le Fou at New Georges, The Chemist's Wife at Tisch, Mir- ror, Mirror at Playwright's Horizons, and Now I Ask You at Provincetown First Round Playhouse. Graduate of Yale University, 2005. Thanks for all the love and support from Bryan and Management 101. Most importantly, I owe it all to my amazing family. Proud member AEA! www.laurenworsham.com The Kurt Weill Foundation for Music, Inc. administers, promotes, and perpetuates the legacies of Kurt Weill and Lotte Lenya. It encourages broad dissemination and appreciation of Weill’s music through support of performances, productions, recordings, and scholarship; it fosters understanding of Weill’s and Lenya’s lives and work within diverse cultural contexts; and, building upon the legacies of both, it nurtures talent, particularly in the creation, performance, and study of musical theater in its various manifestations and media. Established in 1998 by the Kurt Weill Foundation for Music, the Lotte Lenya Competition provides a unique opportunity for talented young singer/actors to show their versatility in musical theater repertoire ranging from opera/operetta to contemporary Broadway, with Competition Administration, for the Kurt Weill Foundation: a focus on the varied works of Kurt Weill. -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Meet the Spqitful Cast of the Sweet Potato Queens
Meet The SPQitful Cast of The Sweet Potato Queens For Immediate Release February 23, 2016 Artwork: Logo Headshots are linked in bios Media Contacts: Lisa Holmes, Manager, Public Relations (713) 558-2654, [email protected] Laura Pettitt, Assistant Director, Marketing (713) 558-2653, [email protected] (HOUSTON) – TUTS Underground presents the world premiere of The Sweet Potato Queens in March 2016. This new musical is brought to the stage in partnership with writer Rupert Holmes (Tony® Award winner for Best Musical, Best Book, and Best Music and Lyrics for The Mysteries of Edwin Drood), Grammy® Award- winning composer Melissa Manchester, and Oscar-nominated lyricist Sharon Vaughn. TUTS Underground not only brings a wider musical theatre experience to Houston, but also serves as a launchpad – giving the TUTS Underground audience first view of new, emerging works. Based on The New York Times best-selling series (with a cult following) The Sweet Potato Queens ® by author Jill Connor Browne, the musical version is loosely based on Browne’s life – showcasing the juxtaposition between her life before creating the larger-than-life character of a Sweet Potato Queen, and after. An uplifting, empowering tale of perseverance and following dreams, The Sweet Potato Queens reminds audiences that everyone deserves to be special. Susan Koozin stars as Queen Jill with Kathryn Porterfield in the role of Jackson Jill. Her friends – all named Tammy – are Christina Stroup as Floozie Tammy, Julia Krohn as Flower Tammy and, new to the TUTS Underground stage, Kerissa Arrington as Too Much Tammy. The rest of the cast includes Dylan Godwin as George, Adam Gibbs as Tyler, Theresa Nelson as Mama and Kevin Cooney as Daddy. -
The Analysis of Writers' Stance
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 5, pp. 965-972, May 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.5.965-972 The Analysis of Writers’ Stance: A Comparison between Two Reviews on Desperate Housewives Xiufeng Tian Hebei Finance University, Baoding City, China Yueyuan Liang Guizhou University for Nationalities, Guizhou, China Abstract—In this essay, we are trying to detect writers’ stance in written discourse through analyzing two reviews on the same TV series: Desperate Housewives. Desperate Housewives is a fictive TV series produced by ABC Studios. It depicts the lives of four housewives and their families. Due to different contexts, each of the reviews selected to be analyzed represents different stance, with which we are going to compare through different writing topics and purposes, readership, writers’ attitudes and assessment from different angles. Index Terms—stance, Desperate Housewives, ideology, ideational meanings, interpersonal meanings I. INTRODUCTION Bloor and Bloor (2007) point out that all writers “take up some position in relation to the propositions they make” (p. 33). Those positions taken by writers can be defined as stance that is “a textual voice or community recognized personality which, following others” (Hyland, 2005, p. 176). This can be inferred that the stance writer takes in his/her text may have represented the views and attitudes of him/herself as an individual or those of a group. Usually the stance can be conscious or unconscious, explicit or hidden (Bloor & Bloor, 2007). In reviews, the writers’ positions could be supportive, disapproving or neutral. However, no matter what stance they choose to take, they must have directly or indirectly shown it through their language choices and objective focuses. -
Read Book Just for the Record
JUST FOR THE RECORD PDF, EPUB, EBOOK Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom Just For The Record PDF Book Jeff Randall Kenneth Cope When the Sun Comes Out. Pargiter Olivia Hamnett Ager Arlen Koehler Yellen. Barbra Streisand feat: Don Rickles. The Barbra Streisand Album , Marty Hopkirk Annette Andre Stoney End , Movies I have seen. Liner notes. Energetic Happy Hypnotic. DeSylva Lew Brown. Andre Mallot James Forrest Back to Broadway Halloween Movies for the Whole Family. Miss Marmelstein Harold Rome. Browne ultimately awarded the collection a grade of A- and called it a good representation of the singer's ability to "chang[e the] definition of pop" and "make mainstream adult pop that was strong, elegant, [and] even passionate". Another common usage of the idiom involves clarifying a person's motivation for saying something or engaging in a particular action. Rainy Day Relaxation Road Trip. Barbra Streisand feat: Judy Garland. The Broadway Album , Don't Rain on My Parade. Title: Just for the Record 15 Jan The Best Horror Movies on Netflix. Alternately, someone may use it to explain why he did something that appeared particularly unintelligent. I Can Do It. Other tracks were compiled from various live performances, TV specials, and previous albums from her back catalog. Warm All Over Frank Loesser. Lost Inside of You. My Honey's Lovin' Arms. Lorenz Hart Richard Rodgers. It includes 24 of the songs from Just for the Record The Moon and I. You're the Top Cole Porter. Cryin' Time. Add the first question. -
SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
Spongebob Squarepants
DIPLOMARBEIT Titel der Diplomarbeit “Missing Identity” - The Queer Politics of SpongeBob SquarePants Verfasserin Beatrice Frasl angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: ao. Univ. Prof. Dr. Monika Seidl TO MY SISTERS, SARA-YVONNE AND GEORGINA, WHO INTRODUCED ME TO THE WISDOM AND THE KNOWLEDGE OF SPONGEBOB SQUAREPANTS THANKS TO DR. MONIKA SEIDL for her support and agreement to supervise a thesis with a rather unorthodox topic in a rather short period of time. MY PARENTS for your continuous financial and emotional support and for believing in me. GINA AND SARA for general awesomeness. This thesis is dedicated to you. ANDI for too many things to mention, but, most importantly, for being my best friend. MY FRIENDS old and new, for your patience, encouragement and support; for open hearts, ears and minds. especially to JO for last minute technical troubleshooting and for disciplining me into writing my thesis with threats of physical violence – like any decent friend would. MARIE, CATI, NICOLE AND MICHI the team of fellow sufferers, for critical input, our crisis meetings, and for making the thesis-writing-process a little less unpleasant and a lot more entertaining. Together we took the meaning of the word “procrastination” to a whole new level. NICOLE for your supportive, comforting and encouraging words and your kindness. MICHI for your support throughout the process of writing this thesis, productive disagreement, coffee breaks (“coffee” “breaks”) and for sabotaging my panicky despair with your serenity and spongebobesque optimism. TABLE OF CONTENTS INTRODUCTION ............................................................................................................................ -
The First Screen Jeeves
Plum L in es The quarterly journal of The Wodehouse Society Vol. 22 No. 2 Summer 2001 The First Screen Jeeves By Brian Taves Brian Taves (PhD, University of Southern California) is a film archivist at the Library of Congress and author of three books. t the end o f 1935,20th detective, and Chan was A Century-Fox bought the studio’s most popular the film rights to Thank “star” after Shirley Ton, Jeeves (along with a Temple. one-year option on the Like Chan, Jeeves had other stories) and the right been brought to the no to make other films cen tice of the American read tered around Jeeves. Look ing public in The Saturday ing for potentially pro Evening Post. The Jeeves lific—and profitable — film series seems to have properties, the studio was been launched on what interested in any character was perceived as a sure who seemed to have the bet, casting Arthur potential to lure filmgoers Treacher, known for play to film after film, no less ing butler roles, as the fa than a modern television mous literary butler. series. Earlier in the year, However, while the Chan Fox’s merger with 20th series was cast and pre Century had enhanced the sented in a manner conso A studio photo of the three principals in the first Jeeves film: studio’s status, and a CCB” nant with Biggers’s liter David Niven, Virginia Field, and Arthur Treacher. unit was organized under ary creation, the Jeeves Sol Wurtzel, who had a $6,000,000 annual budget for films revealed no sense of the situations and character pat 24 “Bs” per year.