Betty Comden and Adolph Green Nacio Herb Brown and Arthur Freed

Total Page:16

File Type:pdf, Size:1020Kb

Betty Comden and Adolph Green Nacio Herb Brown and Arthur Freed NOVEMBER 2016 Screenplay by Betty Comden and Adolph Green Songs by Nacio Herb Brown and Arthur Freed Directed by Steve Tomkins Choreographed by Katy Tabb Music Directed by Tim Symons and Bruce Monroe PUBLICATION: ENCORE DIMENSIONS: 8.375” W X 10.875” H AD: DWIGHT ARMSTRONG SINGLE (LEFT) ACCT: RITA CRUZ COPY: FRAN TIRADO NOTES: PROD: TAYLOR CHILDERS CLIENT: BANANA REPUBLIC PROJECT: HOLIDAY 2016 CREATIVE: HOLIDAY 2016 MAKE IT MATTER. HOLIDAY 2016. EAP full-page template.indd 1 10/10/16 10:30 AM 611 BROADWAY, PENTHOUSE | NEW YORK, NY 10012 CONTACT RITA CRUZ WITH ANY QUESTIONS REGARDING THESE MATERIALS. PH: 212-620-5252 | EMAIL: [email protected] ROBB HUNT Executive Producer STEVE TOMKINS Artistic Director Screenplay by Betty Comden and Adolph Green Songs by Nacio Herb Brown and Arthur Freed Based on the classic Metro-Goldwyn-Mayer film, by special arrangement with Warner Bros. Theatre Ventures, Inc. Music published by EMI, all rights administered by Sony/ATV Music Publishing, LLC (Original Movie Choreography by Gene Kelly and Stanley Donen) Produced by Arrangement with Maurice Rosenfield, Lois F. Rosenfield and Cindy Pritzker, Inc. Francis J. Gaudette Theatre Everett Performing Arts Center November 10 – December 31, 2016 January 6 – 29, 2017 Music Directors Director Choreographer TIM SYMONS, BRUCE MONROE STEVE TOMKINS KATY TABB Scenic Designer Costume Designer Lighting Designer Sound Designer BILL FORRESTER CYNTHIA SAVAGE MICHAEL GILLIAM BRENT WARWICK Stage Manager Assistant Stage Manager Prop Manager Wig Master CATHERINE COSTANZO* MIRANDA C. PRATT* NICK HEGGESTAD DOUGLAS DECKER Master Scenic Artist Production Manager Costume Shop Manager Technical Director JULIA B. FRANZ JAY MARKHAM ESTHER GARCIA BRADLEY C. BIXLER SINGIN’ IN THE RAIN is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, New York, NY. Tel: 212-541-4684. Fax: 212-397-4684. www.mtishows.com The videotaping or other video or audio recording of this production is strictly prohibited. VILLAGE THEATRE’S 2016–2017 SEASON PUMP BOYS AND DINETTES SINGIN’ IN THE RAIN THE 39 STEPS A PROPER PLACE DREAMGIRLS September 15 – November 20, 2016 November 10, 2016 – January 29, 2017 January 19 – March 26, 2017 March 16 – May 21, 2017 May 11 – July 30, 2017 ONSTAGE AT BOOK-IT THIS HOLIDAY SEASON November 2016 Volume 16, No. 2 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, BOOK-IT.ORG Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS Sara Keats Jonathan Shipley · Sports Medicine · Foot & Ankle · Spine Surgery Online Editors · Joint Replacement · Hand & Wrist · Surgery Center Board Certified Orthopedic Surgeons (425) 339-2433 Leah Baltus www.ebjproliancesurgeons.com Editor-in-Chief Paul Heppner Publisher EAP 1_6 H template.indd 1 9/30/16 11:56 AM Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Amanda Manitach Visual Arts Editor • Assisted Living Apartments • Memory Care Unit • Skilled Nursing Center Paul Heppner President with Five Star Rating Mike Hathaway from Medicare Vice President Genay Genereux • Outpatient Therapy Accounting & Office Manager Live abundantly and Sara Keats Marketing Manager be secure, with care Ryan Devlin and services that affirm Business Development Manager your dignity. Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 9107 Fortuna Drive [email protected] Mercer Island, WA 98040 800.308.2898 x105 www.encoremediagroup.com CRC does not discriminate pursuant 206-268-3052 to the Fair Housing Act subject to Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget any exemptions that may apply. covenantretirement.org Sound and San Francisco Bay Areas. All rights reserved. ©2016 Encore Media Group. Reproduction without written permission is prohibited. 4 CS 030816VILLAGE THEATRE outpatient 1_3s.pdf Cast (In Order of Appearance) Dora Bailey/Phoebe Dinsmore ......................................................................... Bobbi Kotula* Discount R.F. Simpson ............................................................................................................Jeff Steitzer* Opportunities Roscoe Dexter .............................................................................................................. Ty Willis Cosmo Brown ......................................................................................................Gabriel Corey SEE IT AGAIN FOR 1/2 PRICE! Lina Lamont ......................................................................................................Jessica Skerritt* Come and see Signin' in The Rain a second time for half price. Limit Don Lockwood .............................................................................................John David Scott* one half-price ticket per paid ticket. Young Don...............................................................................................................Kai Johnson Subject to availability. Offer may only be Young Cosmo ....................................................................................................... Bryan Kinder redeemed for use by original patron and proof of purchase may be requested. Rod ................................................................................................................Brian D. Simmons Discount off the single ticket price. Offer Kathy Selden..........................................................................................................Mallory King not good on previously purchased tickets Production Tenor ......................................................................................... Ethan Carpenter* or in combination with any other offer. Box Office Issaquah: (425) 392-2202 Sid Phillips ..............................................................................................................Matt Wolfe* Box Office Everett: (425) 257-8600 Diction Coach ...................................................................................Greg McCormick Allen* Broadway Ballet Featured Dancer .................................................................Pamela Turpen* SHARE THE EXCITEMENT AND SAVE… WITH A GROUP DISCOUNT! Ensemble: Caleb Adams, Greg McCormick Allen*, Adam Brozowski*, Does your company need to boost Ethan Carpenter*, Kate E. Cook, Jenny Vaughn Hall, Carly Hebert, Rianna Hidalgo, morale? Want a group night on the Jordan Jackson, Bobbi Kotula*, Nick Perry, Casey Raiha, Brian D. Simmons, town? Entertaining clients? Let Village Theatre provide the key to your Pamela Turpen*, Shelby Willis, Matt Wolfe* success! Groups save up to 20% off UNDERSTUDIES the single ticket price. All you need is a group of 10 or more for single ticket Dora Bailey/Phoebe Dinsmore ................................................................. Jenny Vaughn Hall purchases, or 20 or more for Season R.F. Simpson/Roscoe Dexter ......................................................................Brian D. Simmons Tickets. Call the Village Theatre Box Don Lockwood ............................................................................................ Adam Brozowski* Office or visit our website for details. villagetheatre.org/group_sales.php Lina Lamont .......................................................................................................... Kate E. Cook Kathy Selden......................................................................................................Rianna Hidalgo STUDENT/MILITARY RUSH Cosmo Brown ...................................................................................Greg McCormick Allen* Want a deal on your next trip to the theatre? Students and Military (with a Young Don/Cosmo ....................................................................................... Kristoffer Holtan valid ID) may join us 30 minutes before Production Tenor ...................................................................................................Matt Wolfe* curtain for a 50% discount on the single Diction Coach .........................................................................................................Casey Raiha ticket price. Ensemble: Hayley Ewerz, Tyler Good, Sean O’Bannon DISCOUNTS ARE ONLY AVAILABLE THROUGH THE BOX OFFICE AND NOT APPLICABLE TO ONLINE *The Actors and Stage Manager are members of the Actors’ Equity Association, the Union ORDERS. of Professional Actors and Stage Managers in the United States. The Making of the Films The films you are seeing in this production were custom created with the assistance of the following actors in addition to our cast: Cathan Bordyn, Morgan Grody, Andrew McGinn, and Adam Somers We would like to thank and recognize the talented team at ProMotion Arts, who provided all filming and editing work for the movies. www.promotionarts.com In addition, we would like to extend a special thank you to Seattle Theatre Group for providing use of the Paramount Theatre lobby, the site for our filming of “The Dueling Cavalier” and “The Royal Rascal.” www.stgpresents.com encoreartsseattle.com 5 Director’s
Recommended publications
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
    An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E.
    [Show full text]
  • The Fort Wayne Civic Theatre 2002-2003 Season
    The Fort Wayne Civic Theatre 2002-2003 Season Show Sponsor on Sponsor riLinco & ITT Industries Financial Group- Engineered for life We believe the arts are a stabilizing influence, stimulating the development of creativity, understanding, responsibility and tolerance. Lincoln Financial Group, through the Lincoln Foundation, :m, is committed to enhancing the quality of life in those communities where Lincoln employees live and work. At Lincoln, we're working to help people meet the demands of today and the needs of tomorrow. 1300 S. Clinton Street H Lincoln Fort Wayne, Indiana 46802 • Financial Group (219)455-2000 74th Year 579th Production Fort Wayne Civic Theatre And ITT Industries Present Singin In The Rain Based on the MGM Film (Original Choreography by Gene Kelly and Stanley Donen) Screenplay and Adaptation Betty Comden and Adolph Green Songs Nacio Herb Brown and Arthur Freed Director Assistant Director Harvey Cocks Christopher J. Murphy Musical Director Choreographer Eunice Wadewitz Abigail Ehringer Costume Designer Scenic Designer Louise Heckaman Robert Sandmaier Lighting Designer Production Manager/Sound Engineer Jonathon Sandmaier Jennifer Schmied Stage Manager Assistant Stage Managers Nan Durant Jon Durant Andrew Helmcamp July-August 2002 Produced by Arrangement with Music Theatre International Maurice Rosenfiel, Lois F. Rosenfield and Cindy Pritzker, Inc. H I R u w i rsi o WAJI ARTS 95.1 fm UNITED HMJll" ^ ITT Industries ^ Engineered for life " ' c T u R 2002-2003 Civic Theatre Board of Directors Officers Ben Eisbart, President Larry Wardlaw, Vice-President Ken Menefee, Vice-President Mark Rupp, Treasurer Ed Kos, Secretary Members-at-Large Tim Alford Darrell Jaggers George Bartling Mark Kaufman Terra Brantley Richard Keltsch Phil Bundy Stanley Levine John Burns Tom Miller John Christensen Richard Phillips, Jr.
    [Show full text]
  • HOLLYWOOD – the Big Five Production Distribution Exhibition
    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • Student Guide Table of Contents
    GOODSPEED MUSICALS STUDENT GUIDE TABLE OF CONTENTS APRIL 13 - JUNE 21, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writers.....................................................................................................................................................................................6 Meet the Creative Team........................................................................................................................................................................8 Presents for Mrs. Rogers......................................................................................................................................................................9 Will Rogers..............................................................................................................................................................................................11 Wiley Post, Aviation Marvel..............................................................................................................................................................16
    [Show full text]
  • CHICAGO to Tour Australia in 2009 with a Stellar Cast
    MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer.
    [Show full text]
  • Baseball Opera and Musical Theater Baseball Operas 1888
    Baseball Opera and Musical Theater Baseball Operas 1888 - “Angela: or the Umpire’s Revenge” - by Paul Eaton, features "He Stands in the Box with the Ball in His Hands," "The Umpire and the Dude," and "An Umpire I, Who Ne'er Say Die," scored by John Philip Sousa 1953 - “The Mighty Casey” - music by William Schuman, libretto by Jeremy Guy 2007 - “Cooperstown -- Jazz Opera in Nine Innings” - music by Sasha Matson, libretto by Mark Miller and Sasha Matson 2007 - “The Summer King” - music by Daniel Sonenberg, libretto by Daniel Nester & Sonenberg 2010 - “Shadowball” - music by Julian Joseph, libretto by Mike Phillips 2012 - “Play Ball” - by Warren Nelson 2013 - “Bambino” - by Richard Maltz 2019 – “The Fix” – music by Joel Puckett, libretto by Eric Simonson Baseball Operetta 1947 - “The Fighting Phillies” by Rod Johnston and Bill Schall Baseball Cantata 1948 - “Brooklyn Baseball Cantata” by George Kleinsinger Baseball Musicals 1905 - “The Umpire” - music by Joseph E. Howard, words by Will M. Hough & Frank R. Adams 1955 - “Damn Yankees” - music by Richard Adler, lyrics by Jerry Ross, book by George Abbott & Douglass Wallop 1966 - “Batter Up!” - by Chuck Puckett 1974 - “There Goes the Old Ball Game” - by Dick Poston 1981 - “1919: A Baseball Opera” - by Rusty (Benjamin Rush) Magee 1981 - “The First” - music by Bob Brush, words by Martin Charnin 1982 - “Seasons in the Sun” - music by Udo Jergens, words by Paul & Alan Rolnick 1985 - “Bingo!” - book by Ossie Davis and Hy Gilbert, lyrics by Gilbert, music by George Fischoff 1990 - “The Artful Dodgers” - by Mary Donnelly & George L. O. Strid 1990 - “Triple Play!” - by Larry Nestor 2010 - “Johnny Baseball” - music by Robert Reale, lyrics by Willie Reale, book by Richard Dresser 2010 - “National Pastime” - book by Tony Sportiello, music & lyrics by Albert M.
    [Show full text]
  • African American Sheet Music Collection, Circa 1880-1960
    African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful.
    [Show full text]
  • GIANTKILLERS! I1
    . Song” Cadillac” and “The Olrls in i Drum sat with Billy! Moscow July 4. Is‘seeking 60 law officers they 509.” George Abbott, the vet- Pearson, the Jockey and if violate tbeir THE EVENING STAR ¦ art young Americans who speak Youth Turned 18 probation. r A-21 eran prqducer-d ire cto r, ex- • While they terms of Washington, D. C. ?* 1 dealer. listened to to amined the old photos on the > Jimmy Durante and watched Russian serve as guides and Denied Probation Bhort was arrested with his , Thursday, January 39^19 S 9 HOLLYWOOD walls and recognised the pic- ¦ Johnny Mack dance, they ne- Interpreters. Preference will be 1 15-year-old brother and 16- tures of the child-actors he s gotiated their own deal; Blyden given those who can pay their year-old tutored In Auto Theft friend in the 2600 once had tor Belasco. bought a Madras bronze from own fare. The States block of Twenty-second By SHIILAH who paid him >3O a week for Pearson. Terms; United street Bfc GRAHAM f >3O a month will pay for their 40-day stay A youth who became IS years N.E. Police said the youths •• ,£ the job. “Belasco’d have meals i for life. Mrs. Josephine Bay Paul, old ago were removing sent in for said two weeks was sen- a radio and the cast.” see* of At Co. and the tires a they * Abbott. "Once, when he had head Kidder tenced to pty >IOO or serve 30 from oar had THE LIFTED American Export Lines, la at stolen, and that tripe—Jeanne Easels said ’l’ll CENSORSHIP: days in jail yesterday by Mu- Short had a Time’s Latin-Amerlcan edition, Harkness Pavilion for surgery dagger In his possession.
    [Show full text]
  • ARR the Garland Summer Musicals
    ARRThe Garland Summer Musicals in partnership with Eastfield College proudly present Granville Arts Center - Garland, Texas June 13-22, 2014 Presented through special grants from GARLAND CULTURAL ARTS COMMISSION, INC. GARLAND SUMMER MUSICALS GUILD GORDON & ALICE STONE GARLAND POWER & LIGHT GARLAND WATER UTILITIES, INC. MICROPAC INDUSTRIES, INC. THE ESTATE OF WALTER LEMONS HUBER, PRATER & HENSON, P.C. ECOLAB, INC. THE GARLAND SUMMER MUSICALS in Partnership with EASTFIELD COLLEGE Present PETER PAN Lyrics By CAROLYN LEIGH, BETTY COMDEN and ADOLPH GREEN Music By MORRIS (MOOSE) CHARLAP A Musical Based on the Play by JAMES M. BARRIE Starring Mary-Margaret Pyeatt Michael A. Robinson Featuring Helena Lynch Liam Taylor Parker Niksich Jon Morehouse Jackie Lengfelder Lissie K. Mays Andy Stratton Tex Patrello David Helms Jacob Barnes Adam Henley Riley Niksich Quinlin Sandefer Jill Nicholas Christia Caudle Nick Chabot With Philip Bentham Josh Hepola Michael B. Moore Steven E. Beene Ian Bridgman Dominique Brinkley Cody Dry Chris Edwards Max Perkel Mark Quach Michael Albee Alex Altshuler Rachel Broussard Stephanie Butler Kyle Fleig Allyson Guba Kyle Igneczi Jennie Jermaine Stephen Raikes Sammy Swim Brad Weatherford Sets by Lighting by Props/Set Dressing by KELLY COX SUSAN A. WHITE SARA BLUMBER Sound by Costumes by Master Carpenter TYLER PAYNE MICHAEL A. ROBINSON JOSEPH MURDOCK & Technical Director SUZI CRANFORD Stage Manager TIMOTHY DOYLE Dallas Costume Shoppe RACHEL DuPREE Music Director Choreographer MARK MULLINO KELLY McCAIN Directed By Produced By BUFF SHURR PATTY GRANVILLE Peter Pan (Musical) is presented by special arrangement with Samuel French, Inc. Flying Effects provided by ZFX, Inc. Flying Effects sponsored by Gordon and Alice Stone & Stan and Becky Luckie nd Welcome to The Garland Summer Musicals 32 Season! GSM was created in 1983 to give Garland a major summer musical theatre program which allows professional artists through Actor's Equity Association to work with per- formers of all ages as part of a theatre training and professional production company.
    [Show full text]
  • The Great American Songbook in the Classical Voice Studio
    THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been
    [Show full text]