The 1958 Summer of Musicals
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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Concert 1 September 29, 2018 Three Dance Episodes from on the Town
Concert 1 September 29, 2018 Three Dance Episodes from On the Town—Leonard Bernstein Almost three decades after Leonard Bernstein’s death, the critics are still arguing over the meaning and impact of his legacy. What is clear, however, is that the world rarely enjoys the genius of someone who excels supremely in so many artistic endeavors. Pianist, conductor, television personality, teacher, mentor, social gadfly, and composer of both popular musical theatre and “serious works,” Bernstein wore all hats with avidity. And he enjoyed stunning success in most. He had a passion about everything that he essayed, whether conducting the Mahler that he loved so well, or in his many teaching roles, helping audiences “peel” apart the mysteries of music. He knew so much, and could do so much, that he genuinely thought that he could do it all. His leadership of the New York Philharmonic Orchestra and other orchestras is legendary, but everyone knows there were some concerts that, frankly, got away from him in his self-indulgence exhuberance. He worked assiduously as a composer of “serious” music, but those works—from youthful successes to his late efforts--have enjoyed only mixed success. All that says is simply that he was human. Other than his epochal conducting, there is one field in which he garnered almost universal acclaim, and that is musical theatre. When all is said and done, he possessed a talent and a facility for the stage that was as deep as it was prolific. He understood the genre and its demands well. He plunged in early, writing for student productions at Harvard, and working with a cabaret group (that included Judy Holiday) while a student at the Curtis Institute. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Volume 40, Number 3
ALEMBIC May 1961 THE ALEMBIC Published Q uarterly by THE STUDENTS OF PROVIDENCE COLLEGE Providence. R. I. The ALEMBIC is published bi-monthly by the students of Providence College, Providence, Rhode Island. Entered as second-class matter at the Post Office. Providence, Rhode Island, December 18, 1920, under Act of March 3, 1879. Subscription S2.00 the year. "Acceptance for mailing at special rate of postage provided for in Section 1103. Act of October 3, 1917; authorized April 9, 1932.” Primed at the Oxford Press, Providence, Rhode Island. THE STAFF EDITOR-IN-CHIEF G. Brian Sullivan................................................. Letters ’61 EDITORIAL STAFF Essay Editor C harles Caley . ............................................... Letters ’61 Fiction Editor Brian M ullaney Letters ’61 Poetry Editor Richard L eidig . ............................................... Letters ’62 ART EDITOR David Ca l e y ........... Letters ’61 BUSINESS MANAGER Stephen O ehmsen ............................................... Letters ’62 Assistant M ichael Sullivan . ............................................... Letters '64 FACULTY MODERATOR R everend R obert L inus W alker, O.P. ALEMBIC CONTENTS V o l. XL May, 1961 No. 3 Page Obituary: Robert Joseph Slavin, O.P........Richard Leidig, ’63 5 Pan-Americanism: Out of the Pan and into the Fire Charles J. Goetz, ’61 9 Marv-Joe ........................................ ..............Philip Dohertv, 61 15 Man and the Bomb......................... .... Raymond Lajeunesse, ’64 17 merger ........................................... -
Meet the Spqitful Cast of the Sweet Potato Queens
Meet The SPQitful Cast of The Sweet Potato Queens For Immediate Release February 23, 2016 Artwork: Logo Headshots are linked in bios Media Contacts: Lisa Holmes, Manager, Public Relations (713) 558-2654, [email protected] Laura Pettitt, Assistant Director, Marketing (713) 558-2653, [email protected] (HOUSTON) – TUTS Underground presents the world premiere of The Sweet Potato Queens in March 2016. This new musical is brought to the stage in partnership with writer Rupert Holmes (Tony® Award winner for Best Musical, Best Book, and Best Music and Lyrics for The Mysteries of Edwin Drood), Grammy® Award- winning composer Melissa Manchester, and Oscar-nominated lyricist Sharon Vaughn. TUTS Underground not only brings a wider musical theatre experience to Houston, but also serves as a launchpad – giving the TUTS Underground audience first view of new, emerging works. Based on The New York Times best-selling series (with a cult following) The Sweet Potato Queens ® by author Jill Connor Browne, the musical version is loosely based on Browne’s life – showcasing the juxtaposition between her life before creating the larger-than-life character of a Sweet Potato Queen, and after. An uplifting, empowering tale of perseverance and following dreams, The Sweet Potato Queens reminds audiences that everyone deserves to be special. Susan Koozin stars as Queen Jill with Kathryn Porterfield in the role of Jackson Jill. Her friends – all named Tammy – are Christina Stroup as Floozie Tammy, Julia Krohn as Flower Tammy and, new to the TUTS Underground stage, Kerissa Arrington as Too Much Tammy. The rest of the cast includes Dylan Godwin as George, Adam Gibbs as Tyler, Theresa Nelson as Mama and Kevin Cooney as Daddy. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Edna Ferber Last
EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS A Thesis Submitted to the Faculty of The School of Continuing Studies And the Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Anne Efman Abramson, B.A. Georgetown University Washington, D.C. April 30, 2010 EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS Anne E. Abramson, B.A. Mentor: Michael Collins, Ph. D. ABSTRACT Edna Ferber (1885‐1963) was a Pulitzer Prize‐winning author and one of the most popular writers of her time. Today, however, she is rarely read in schools or colleges, although her plays are still produced, and the films based on her novels, plays and short stories continue to be appreciated by classic film lovers. This thesis demonstrates how Edna Ferber created female characters in the early years of the twentieth century who struggled against the constraints of society’s traditional female roles, who were the first in their nontraditional professions, and who achieved their own version of the American Dream. Edna Ferber also revisited American history with stories that highlighted women’s contributions to America. This thesis first introduces Edna Ferber, her background and her early years drawing from Ferber’s two autobiographies, A Peculiar Treasure, 1939, and ii A Kind of Magic, 1963. Second, it discusses the New Woman at the turn of the century; the American Dream, historically and in relation to Ferber’s female characters; and Edna Ferber as a middlebrow modern writer whose literary output had powerful cultural agency. -
An American in Paris Capitol H-301 Paul Whiteman Released February, 1952
Capitol Albums, 301 to 400 and EP Identifier Gershwin: An American in Paris Capitol H-301 Paul Whiteman Released February, 1952. Gershwin: Rhapsody in Blue Capitol H-302 Leonard Pennario, Piano, with Paul Whiteman & His Orchestra Released February, 1952. An American in Paris/Rhapsody in Blue Capitol P-303 Paul Whiteman Released February, 1952. Combines H-301 and H-302. Later reissued as T-303. Moods for Candlelight Capitol DCN-304 = KCF-304 < L-304 Francis Scott & His Orchestra Released March, 1952. The LP contains two bonus tracks. Reissued later in 1952 as H-304. Keyboard Cocktails Capitol CDF-305 = H-305 Chuy Reyes Released April, 1952. Kitten on the Keys Capitol CCN-306 = CCF-306 < H-306 Ray Turner Released April, 1952. The LP contains two bonus tracks; the first back cover does not mention the bonus tracks. Accordion Powerhouse Capitol DCN-307 = KCF-307 < L-307 Ernie Felice Released April, 1952. The title on the cover is Accordion Power House. The LP contains two bonus tracks. Top Banana Capitol FDR-308 = EDM-308 = S-308 Original Cast featuring Phil Silvers Released January, 1952. With a Song in My Heart Capitol DDN-369 = KDF-309 = L-309 Jane Froman Released March, 1952. Pal Joey Capitol FDR-310 = EDM-310 = S-310 Original Cast Released March, 1952. Sugar Blues Capitol CCN-311 = CCF-311 < H-311 Clyde McCoy Released May/June, 1952. The LP contains two bonus tracks. Dixieland Detour Capitol CCN-312 = CCF-312 < H-312 Pee Wee Hunt Released June 1952. The LP contains two bonus tracks. Circus Parade Capitol DCN-313 = KCF-313 < L-313 Merle Evans Released April, 1952. -
Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work. -
Hugh Panaro Is Perhaps Best Known for Having Played the Coveted Role
Hugh Panaro is perhaps best known for having played the coveted role of the Phantom in Broadway's The Phantom of the Opera over 2,000 times, including the 25th Anniversary production. In fact, Hugh is one of the few actors to be cast by Harold Prince as both The Phantom and Raoul in the show's Broadway production. Hugh made his Broadway debut in the original production of Les Misérables as Marius, the role he originated in the First National Company. He also created the roles of Buddy in the original Side Show (Sony cast recording); Julian Craster in Jule Styne's last musical, The Red Shoes; and the title role in the American premiere of Cameron Mackintosh's Martin Guerre. Hugh was nominated for an Outer Critics Circle Award for his performance in the title role of Elton John's Lestat, based on Anne Rice's Vampire Chronicles. He made his West End debut in the original London company of Harold Prince's Show Boat as Gaylord Ravenal, the role he previously played in the Broadway and Toronto productions. At the prestigious 5th Avenue Theater in Seattle, Hugh played George Seurat in Sam Buntrock's Tony Award-winning production of Sunday in the Park with George, and Robert in Stephen Sondheim's Company. Hugh's performance as Jean Valjean in the Walnut Street Theater's production of Les Misérables earned him the prestigious Barrymore Award, for which he was again nominated after a turn as Fagin in Oliver! In 2012, Hugh was honored with the Edwin Forrest Award for his long-term contribution to the theater. -
Joseph Mahowald
Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave. Suite 903 New York, NY 10019 Joseph Mahowald (212) 977-8502 Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave., Suite 903 J OSEPH M AHOWALD New York, NY 10019 AEA/AFTRA/SAG (212) 977-8502 (212) 977-8420 FAX BROADWAY & OFF-BROADWAY THE PIRATE QUEEN (Original Cast) Chiefton O’Flaherty Hilton Theatre JEKYLL & HYDE Jekyll & Hyde Plymouth Theater LES MISÉRABLES Javert Imperial Theater DIFFERENT FIELDS (World Premiere) Aaron James New Victory Theater LES MISÉRABLES Enjolras Imperial Theatre LONE STAR LOVE (Original Cast Album) Frank Ford John Houseman Theater THE LITTLE PRINCE The Aviator John Houseman Theater THE PRINCE AND THE PAUPER Hugh Hendon The Lamb’s Theater NATIONAL TOUR LES MISÉRABLES Javert Marius Company, III National A GRAND NIGHT FOR SINGING Featured Soloist Pace Corp./101 Productions SAYONARA Ace Gruver TUTS/Seattle 5th Avenue Theater REGIONAL THEATRE (representative) BEAUTY AND THE BEAST The Beast Houston, Theater Under The Stars HUNCHBACK OF NOTRE DAME Captain Phoebus Fox/Magicworks -- The Rep. (TRT) BRIGADOON Tommy Albright Paper Mill Playhouse THE MERRY WIDOW (w/Judy Kaye) Danilo Paper Mill Playhouse SOME SWEET DAY Isaac Ingram Goodspeed Opera Co. CAROUSEL Billy Bigelow Westchester Broadway Theater GIGI Gaston Laschaille Westchester Broadway Theater ASSASSINS John Wilkes Booth Players Theater Columbus SHOWBOAT Gaylord Ravenal North Carolina Theater TAMING OF THE SHREW Lucentio Tennessee Repertory Theater (The Rep.) A MIDSUMMER NIGHTS DREAM Lysander Tennessee