Turandot Turandot
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Julio-Agosto 2004
AÑO XIX Nº 188 Julio-Agosto 2004 6 € 2 OPINIÓN Luigi Dallapiccola, cárceles e islas CON NOMBRE Stefano Russomanno 112 PROPIO Petrassi: la poética artesana como tradición y vanguardia 6 Carlo Maria Giulini Tomás Marco 116 Roberto Andrade Dallapiccola y Petrassi en CD 10 AGENDA Juan Manuel Viana 120 12 ACTUALIDAD ENCUENTROS NACIONAL José van Dam Rafael Banús Irusta 126 38 ACTUALIDAD REPORTAJE INTERNACIONAL Tras las huellas de Antonín Dvorák 52 ENTREVISTA Rafael Banús Irusta 130 Rolando Villazón EDUCACIÓN Bruno Serrou Pedro Sarmiento 134 56 Discos del mes EL CANTAR DE SCHERZO DISCOS LOS CANTARES 57 Sumario Arturo Reverter 136 DOSIER LIBROS 137 105 Dallapiccola Petrassi JAZZ 138 cien años LA GUÍA 140 106 Un siglo de música en Italia Francisco Ramos CONTRAPUNTO Norman Lebrecht 144 Colaboran en este número: Teresa Adrán, Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, Domingo del Campo Castel, José Antonio Cantón, Paulino Capdepón, Carmelo Di Gennaro, Fernando Fraga, Joaquín García, Manuel García Franco, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Leopoldo Hontañón, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Luciana Leiderfarb, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Tomás Marco, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Pablo Queipo de Llano Ocaña, Francisco Ramos, Arturo Reverter, Justo Romero, Stefano Russomanno, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Juan Manuel Viana, Claire Vaquero Williams, Asier Vallejo Ugarte, Pablo J. -
Manon Lescaut
CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 1 1 La Fenice prima dell’Opera 2010 1 2010 Fondazione Stagione 2010 Teatro La Fenice di Venezia Lirica e Balletto Giacomo Puccini Manon escaut L Lescaut anon anon m uccini p iacomo iacomo g FONDAZIONE TEATRO LA FENICE DI VENEZIA CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 2 foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2010 Incontro con l’opera Teatro La Fenice - Sale Apollinee lunedì 25 gennaio 2010 ore 18.00 LUCA MOSCA Manon Lescaut Teatro La Fenice - Sale Apollinee venerdì 5 febbraio 2010 ore 18.00 PIERO MIOLI Il barbiere di Siviglia Teatro La Fenice - Sale Apollinee mercoledì 10 marzo 2010 ore 18.00 ENZO RESTAGNO Dido and Aeneas Teatro La Fenice - Sale Apollinee venerdì 14 maggio 2010 ore 18.00 LORENZO ARRUGA Don Giovanni Teatro La Fenice - Sale Apollinee lunedì 21 giugno 2010 ore 18.00 GIORGIO PESTELLI The Turn of the Screw Teatro La Fenice - Sale Apollinee mercoledì 22 settembre 2010 ore 18.00 Clavicembalo francese a due manuali copia dello MICHELE DALL’ONGARO strumento di Goermans-Taskin, costruito attorno alla metà del XVIII secolo (originale presso la Russell Rigoletto Collection di Edimburgo). Opera del M° cembalaro Luca Vismara di Seregno Teatro La Fenice - Sale Apollinee (MI); ultimato nel gennaio 1998. -
Comunicato Stampa
COMUNICATO STAMPA Il nuovo, visionario, monumentale allestimento di Pinuccio Sciola di Turandot, estremo capolavoro di Giacomo Puccini, impreziosisce la Stagione lirica e di balletto 2014 Venerdì 27 giugno alle 21 (turno A), per la Stagione lirica e di balletto 2014 del Teatro Lirico di Cagliari, va in scena il terzo appuntamento con l’opera: Turandot, dramma lirico in tre atti e cinque quadri su libretto di Giuseppe Adami e Renato Simoni, dalla fiaba teatrale omonima di Carlo Gozzi e musica di Giacomo Puccini (Lucca, 1858 - Bruxelles, 1924). Il nuovo allestimento del Teatro Lirico di Cagliari dell’opera è firmato, per la regia, dal fiorentino Pier Francesco Maestrini che si avvale, per l’impianto scenico, di un autorevole artista e celebre scultore sardo al suo debutto nell’opera lirica Pinuccio Sciola, mentre per i costumi di Marco Nateri e per le luci di Simon Corder. Al giovane maestro milanese Giampaolo Bisanti, tra i migliori interpreti del grande repertorio musicale che ritorna a Cagliari dopo il verdiano Otello dello scorso anno, spetta il compito di dirigere l’Orchestra, il Coro del Teatro Lirico di Cagliari e il Coro di voci bianche del Conservatorio Statale di Musica “Giovanni Pierluigi da Palestrina” di Cagliari nell’estremo capolavoro del geniale compositore toscano. Il maestro del coro è Marco Faelli, mentre il maestro del coro di voci bianche è Enrico Di Maira. Protagonisti dell’opera sono giovani ed affermati cantanti che si alternano nelle recite quali: Maria Billeri (27 giugno, 5-9-12-16-19-23 luglio, 2-13 agosto)/Annalena -
Mub80rc;;Siey Borbdfrt
MUB80RC;;SIEY BORBDFRT Pictures at an E*W€ion Bftdarela%rAussbU~nlf T~101.dZmeex~on Night oa Bare Meuntsln Polovtr,iaa Daaees In the Steppes of Central Asia Modest Petrovich Mussorgsky (1839 - 1881) Pictures at an Exhibition Promenade 1. Gnomus Promenade 2. The Old Castle Promenade 3. The Tuilleries 4. Bydlo Promenade 5. Ballet of the Chickens in their Shells 6. Samuel Goldenberg and Schmuyle 7. Limoges: The Market Place 8. Catacombae -Cum mortuis in lingua mortua 9. The Hut on F owl's legs 10. The Great Gate of Kiev Nlght on the Bare Mountain Alexander Porfivevich Borodin (1833 - 1887) Polovtsian Dances (from Prince Igor) In the Steppes of Central Asia The later nineteenth century was the great age of nationalism in Russia, a period in which the Russian language became a fit vehicle for the work of great novelists and poets and in which music sought development through recourse to Russian traditions, sacred and secular. There was a curious ambivalence, apparent in music as elsewhere in the cultural and political life of the country. On the one hand Western Europe seemed to offer a model to follow, the course embraced by Anton Rubinstein and composers of a more cosmopolitan turn of mind: on the other hand Russia was seen as the saviour of Europe, with a messianic role opposed to the decadent West. The Five, the group of Russian nationalist composers under the leadership of Balakirev, nick-named by the polymath librarian Stasov "the Mighty Handful", involved themselves in the creation of a truly Russian form of music. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system. -
History of Opera CD Booklet
Richard Fawkes The History of Opera NON- Read by Robert Powell FICTION HISTORIES NA417612D 1 VERDI RIGOLETTO 8.660013-14 Soloists, Czecho-Slovak RSO, Alexander Rahbari Opera – the beginnings 4:15 Orazio Vecchi (1550-1605) VECCHI L’AMFIPARNASO 8.553312 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo 2 The Baroque – opera emerges 5:16 Jacopo Peri (1561-1633) Giulio Caccini (1550-1610) Emilio de Cavalieri (1550-1602) CAVALIERI RAPPRESENTATIONE DI ANIMA E DI CORPO 8.554096-97 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo 3 Claudio Monteverdi (1567-1643) 5:39 MONTEVERDI L’ORFEO 8.553319 Cappella Musicale di S Petronio di Bologna, Sergio Vartolo MONTEVERDI LAMENTI BAROCCHI VOL 3 8.553320 Lamento d’Arianna, Anna Caterina Antonacci, soprano Cappella Musicale di S Petronio, Sergio Vartolo 4 The first public opera house in Venice – 1637 3:06 Antonio Cesti (1623-1649) 2 5 Opera spreads 5:24 Giovanni Battista Pergolesi (1710-1736) PERGOLESI LA SERVA PADRONA SAGA 5360 Soloists, Hamburg RSO, George Singer. Used with kind permission from National Sound Archive, British Library 6 Opera in France 5:12 Jean-Baptiste Lully (1632-1687) LULLY BALLET MUSIC FOR THE SUN KING 8.554003 Aradia Baroque Ensemble, Kevin Mallon Jean Philippe Rameau (1683-1764) RAMEAU ANACREON 8.553746 Capella Savaria, Mary Térey-Smith 7 Opera in Germany – 17th century 1:41 Heinrich Schütz (1585-1672) 8 Opera in England – 17th century 6:57 John Blow (1649-1708) Henry Purcell (1659-16) PURCELL DIDO & AENEAS (ACT II Witches & Sorceress Scene) The Scholars Baroque -
Philharmonic Concert
________ Geza Hosszu Legocky "aka" Gezalius ________ _______________ Piotr Kalina, tenor _______________ _________________ Organised by ______________ Geza Hosszu Legocky already impresses the most demanding audiences He comes from Kraków. His artistic achievements are based on many solo whilst affirming a non-conventional mind-set with various musical genres. concerts, in places such as Kraków Philharmonic, Podkarpacka Philharmo- Born in Switzerland as an American citizen from Hungarian-Ukrainian pa- nic, Silesian Philharmonic, Zabrze Philharmonic and NOSPR chamber hall. for Auschwitz rents, Geza Hosszu Legocky began to attract the audience at the age of 6, In his repertoire, he has integrated arias from many opera and oratorio after entering the Vienna Music Academy as an especially gifted violin pro- pieces, including "Norma", "Tosca", "Die Zauberflöte", "Messa da Requiem" digy. At the age of 14 he made his big debut performances with the NHK (G. Verdi), "Stabat Mater" (G. Rossini), "Elias" (F. Mendelssohn-Bartholdy) Philharmonic Orchestra with Charles Dutoit, and also with other Orchestras such as The and "Das Lied von der Erde" (G. Mahler). He worked with many outstan- Radio France Philharmonic Orchestra under M. w. Chung, The Swiss-Italian Radio Orchestra ding conductors. He participated in many masterclasses with, inter alia, under Jacek Kapszsyk, just to name a few. His exceptional gift for music and his capacity to Piotr Beczała, Teru Yosihara and Markus Schäfer. He learned the art of sin- transmit his emotions directly into the heart of his audiences lead him to work in his early ging from Jolanta Kowalska-Pawlikowska and from Jacek Ozimkowski. He _________________ ______________ career with living legends such as Martha Argerich, Mischa Maisky, Charles Dutoit, Yehudi was awarded at different vocal competitions. -
ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
100 Spring 2011 E-Mail: Freeport6604@Y
Ṇ㳚⣏⬠ ˪㴒㻓㗪㛇䭉⻎㦪岆㜸˫ 100 ⬠⸜⹎䫔Ḵ⬠㛇 Spring 2011 忋ㅚ列 ≑䎮㔁㌰ E-mail: [email protected] Web: http://www.Taiwan543.com///cello ᶲ䵚㈦枛㦪⼙䇯烉http://youtube.com 䫔ᶨấ⽫⼿⟙⏲㇒㬊㖍烉2012 ⸜ 3㚰22 㖍 㛇ᷕ侫䫮娎 2012 ⸜ 4㚰19 㖍 䫔Ḵấ⽫⼿⟙⏲㇒㬊㖍烉2012 ⸜ 5 㚰 24 㖍 㛇㛓侫烉2012 ⸜ 6 㚰 21 㖍 1 娵嬀䭉⻎㦪☐ Woodwind Instruments 㛐䭉㦪☐ Piccolo: 䞕䫃 Flute: 攟䫃 Oboe: 暁䯏䭉 Clarinet: ╖䯏䭉ˣ寶䫃ˣ湹䭉 Bassoon: Ỷ枛䭉 (Recorder 䚜䫃炻 Bagpipe 桐䫃) Brass Instruments 戭䭉㦪☐ French Horn: 㱽⚳嘇 Trumpet: ⮷嘇ˣ⮷┯⎕ Trombone: Ỡ䷖嘇ˣỠ䷖┯⎕ Tuba: Ỷ枛嘇ˣ⛇嘇 Saxophone 啑㕗桐 Percussion Instruments 㔚㑲㦪☐炻ㇻ㑲㦪☐ Timpani ⭂枛溻 Snare drum ⮷溻 Triangle ᶱ奺揝 Drum ⣏溻 Cymbals 懠 Marimba 楔㜿㛐䏜 Vibraphone 暯枛揝䏜 Stringed Instruments ⻎㦪☐ Violin: ⮷㍸䏜 Viola: ᷕ㍸䏜 Violoncello, Cello: ⣏㍸䏜 Double Bass, Bass: Ỷ枛⣏㍸䏜 Plug Stringed Instruments㑍⻎㦪☐ 2 Harp: 寶䏜 Guitar: ⎱Ṿ Mandolin: 㚤旨懜 Keyboard Instruments 挝䚌㦪☐ Cembalo, Harpsichord: ⣏挝䏜ˣ佥䭉挝䏜 Clavichord⎌护䏜 Organ 䭉桐䏜 Piano 护䏜 Celesta 护䇯䏜 Electronic Piano 暣⫸护䏜 枛㦪埻婆烉忇⹎姀嘇 Presto: ⿍㜧ˤquick, ready; early, soon, quickly, far Vivace: 䓂⾓㜧ˤlively, brisk (䱦䤆≫≫䘬), quick, bright Allegro: ⾓㜧ˤ Cheerful, merry, gay Allegretto: 䦵⾓㜧ˤġ㳣㻹侴ᶵ⣒⾓ Andantino: ⮷埴㜧 Andante: 埴㜧 Moderato: ᷕ㜧 Adagio: ㄊ㜧ˤSlowly, softly Lento: 䶑ㄊ䘬ˤ Slow, loose, tardy (怚憵䘬) Largo: 㚨䶑㜧ˤBroad, wide, extensive, open, liberal 㚚䧖ˣ㚚⺷冯℞Ṿ枛㦪埻婆 Acoustic: 枛枧䘬 Acoustic guitar 枛枧⎱Ṿ炻朆暣⫸⎱Ṿ栆䘬䷥䧙 Allegro: ⾓㜧炻ケ〭䘬炻㫋╄䘬 Allemande: 旧≺㚤⽟准㚚 Alto: ⤛ᷕ枛 Andante: 埴㜧炻崘嶗 3 Animation: ≽䔓 Aperto:攳㓦䘬 Arco: ⺻炻䓐⺻⣷ Aria: 娈▮婧 Ballade: 㔀ḳ㚚 Baroque: 㳃 (ca. 1600-1750) Bass: Ỷ枛倚悐炻䓟Ỷ枛炻居㕗⎱Ṿ炻Ỷ枛⣏㍸䏜 (⍇⎵ Double Bass) Baton: ㊯㎖㡺 Blues: 湹Ṣ啵婧枛㦪 Bow: ⻎㦪☐䓐䘬⺻炻⺻䭕䘬⺻ Bowings: ⺻㱽 Bridge: 䏜㧳炻䏜楔 Cadenza: ⋼⣷㚚㦪䪈ᷕ䌐⣷侭䘬墅梦⣷㦪㭝 Canon: ⌉彚炻⎬倚悐♜㟤㧉ầ Caprice: 䵢゛㚚 Castrato: 敡Ṣ㫴ㇳ Cello (⍇⎵ Violoncello): ⣏㍸䏜 Chorus, Choir: ⣏⎰ⓙ炻⮷✳⎰ⓙ⛀ Classical music: ⎌℠枛㦪 Classical period: ⎌℠㗪㛇 (ca. -
La Bohéme Madama Butterfly
Fondazione Giacomo Puccini LIRICA 2004-5 Lucca Centro Studi G. Puccini COMUNE DI LUCCA TEATRO DEL GIGLIO Teatro di Tradizione LIRICA 2006-7 LA BOHÉME MADAMA BUTTERFLY COMITATO NAZIONALE CELEBRAZIONI PUCCINIANE 2004-2008 TEATRO DEL GIGLIO Teatro di Tradizione STAGIONE LIRICA 2006-7 In collaborazione con Ministero per i Beni e le Attività Culturali Regione Toscana Amministrazione Provinciale di Lucca con il patrocinio Comune di Lucca Teatro del Giglio Centro studi Giacomo Puccini Fondazione Giacomo Puccini Lucca LA BOHÈME AZIENDA TEATRO DEL GIGLIO Ilaria Del Bianco Presidente Marco Martinelli Vice Presidente Lorenzo Azzi Gianni Simonetti Luigi Viani Consiglieri Aldo Tarabella Direttore artistico Luigi Angelini Direttore generale TEATRO DEL GIGLIO - Teatro di Tradizione Stagione Lirica 2006-7: 27 novembre 2006 - 21 febbraio 2007 Pubblicazione del Teatro del Giglio Numero unico, novembre 2006 La pubblicazione delle immagini conservate presso la «Bibliothèque nationale de France» è autorizzata con lettera del 16 novembre 2006. A cura del TEATRO DEL GIGLIO e del CENTRO STUDI GIACOMO PUCCINI Redazione e ricerca iconografica Simonetta Bigongiari e Ilaria Brunini Progetto grafico Marco Riccucci Stampa Nuova Grafica Lucchese - Lucca - novembre 2006 Sommario 8 Introduzione del Commissario straordinario 9 Premessa del Presidente del Teatro del Giglio 11 Saluto del Presidente del Comitato Nazionale Celebrazioni Pucciniane 2004-2008 15 Michele Girardi La percezione del tempo nella Bohème 27 Gustavo Gabriel Oteró Alla ricerca dei luoghi de La bohème 41 La vicenda 45 La bohème facsimile del libretto Ricordi (1898) 137 La bohème a Lucca 143 Aldo Tarabella – Luca Antonucci Note all’allestimento In qualità di Commissario straordinario della città di Lucca ho l’onore di firmare la presentazione della Stagione lirica di quest’anno. -
Lebenslauf Prof. Thomas Mohr
Thomas Mohr Holtdamm 3 24626 Kleinkummerfeld Lebenslauf Prof. Thomas Mohr Thomas Mohr Holtdamm 3 24626 Kleinkummerfeld Persönliche Daten Thomas Mohr Privatadresse Holtdamm 3 24626 Kleinkummerfeld Tel. 04393 / 97491 Fax: 04393 / 97492 mobil: 0171 / 45 25 594 www.thomasmohr.eu Thomas Mohr Holtdamm 3 24626 Kleinkummerfeld Musikalische Studien 1980 - 1985 Gesangsstudium an der Musikhochschule Lübeck (Klasse Prof. Karl Heinz Pinhammer seit 1988 private Studien bei Anna Reynolds Wettbewerbe 1985 1. Preis Walther Gruner Lieder Competition London 1984 1. Preis Oper, 2. Preis Konzert VDMK Berlin 1984 1. Preis s’Hertogenbosch-Wettbewerb 1984 2. Preis Hochschulwettbewerb Detmold Berufliche Tätigkeiten seit 1997 freischaffend (u.a. Opernhaus Zürich, Bayerische Staatsoper München, Sächsische Staatsoper Dresden, Oper Köln, Oper Nizza, Los Angeles Opera (Konzert), Brooklyn Academy of Music New York, Tanglewood Festival) 1992 – 1997 Solist an der Oper Bonn 1987 – 1991 Solist am Nationaltheater Mannheim 1985 – 1987 Solist am Bremer Theater Pädagogische Tätigkeiten seit 2002 ordentlicher Professor für Gesang an der Hochschule für Künste Bremen Thomas Mohr Holtdamm 3 24626 Kleinkummerfeld gesungene Partien (Oper) seit 2005 Fachwechsel zum Heldentenor (Idomeneo, Siegmund, Parsifal, Max, Loge, Siegfried-Siegfried, Siegfried-Götterdämmerung, Hindemith: Offizier) seit 1995 Übergang zu Zwischenfachpartien (Eisenstein, Eumete, Danilo, Fieramosca) 1985 – 1997 Baritonpartien (Masetto, Papageno, Graf, Guglielmo, Ruzicka: Celan | M3, Trojahn: Arialdo/Franco | Andrea