Annual Report 2010
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Nick Cage Direction
craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction. -
Blackpool Pleasure Beach: Save up to 46% OFF Wristbands
Blackpool Pleasure Beach: Save up to 46% OFF wristbands A day out packed with family fun at Britain’s favourite amusement park. Family Save Most Popular £15.00-70.00 HIGHLIGHTS 1) Up to 46% OFF 2) Adrenaline Packed Rollercoasters 3) Amazing Family Rides & Attractions 4) Meet Nickelodeon Characters 5) Discount Shows & Activities MORE INFORMATION Britain’s favourite amusement park! There’s something for everyone at Blackpool Pleasure Beach with thrilling rides and spectacular shows you’ll be sure to have the time of your life! For the ultimate in thrills why not brave Pleasure Beach’s tallest rollercoaster, the Big One. Hold your breath as you board Infusion, the exhilarating five looping coaster suspended completely over water. Brave Valhalla, the world’s most spectacular dark ride featuring amazing special effects or experience the thrill of one of the world’s only twin track coasters, the Grand National plus lots, lots more. Meet SpongeBob, PAW Patrol and more… Enjoy the UK’s only Nickelodeon Land loaded with 12 rides and attractions, a Nick shop and home to a whole host of famous Nickelodeon characters including Chase, Marshall and Skye from PAW Patrol, SpongeBob SquarePants and the Teenage Mutant Ninja Turtles. BRAND NEW RIDE - ICON Opening Spring 2018, ride ICON the UK’s first double launch coaster, featuring 15 interactions involving five different rides. A double launch will see thrillseekers propelled forward at high speed not only at the start of the ride, but also at a second point half way through the two and a half minute experience. THE FOLLOWING DISCOUNTS ARE ALSO REDEEMABLE ON PARK* • 10% OFF Meal Deals on park (Park Catering Units Only) • 10% OFF Retail Purchases (Exc. -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
Nick Competition Rules Spongebob's Advent Calendar
Nick Competition Rules SpongeBob’s Advent Calendar (the Competition) Just like school, we have a few rules (these Rules) which you’ll need to know and follow whenever you enter a competition run by us, the promoter, Nickelodeon UK Limited (Company Registration No: 2797365) of 17-29 Hawley Crescent, London, NW1 8TT (Nickelodeon). These Rules include details about how to enter the Competition, opening and closing dates, prize details, and anything else Nickelodeon thinks you may need to know about entering the Competition. These Rules will apply to the Competition and by entering the Competition, you promise to follow and be bound by these Rules (which may be amended or varied at any time by Nickelodeon with or without notice) and by Nickelodeon’s decisions, which are final in all matters relating to these Rules, the Competition, the draw and/or the results and no correspondence or discussion shall be entered into. So be sure to get your parents/guardians to read and discuss these Rules with you. PARENTAL CONSENT 1. First things first…before you enter the Competition, please get your parent’s/guardian’s permission to enter the Competition. Also there may be some costs involved to enter, for example, charges for using the Internet. So, please don’t forget to also ask the person who will be paying the bill. Costs to enter may vary and it is advisable that the person paying the bill checks the current rates with their network operator. WHO CAN ENTER? 2. This Competition is open to all those aged 15 or under. -
17 June 2021 | the Marché Du Film
PRESS RELEASE FOR IMMEDIATE RELEASE THE MARCHÉ DU FILM – FESTIVAL DE CANNES ANNOUNCES PARAMOUNT+, DISCOVERY+ AS EXCLUSIVE GUESTS OF MEET THE STREAMERS 2021 MEET THE STREAMERS EXPANDING FURTHER ITS PROGRAM WITH BRITBOX, NENT AND STUDIOCANAL LEADERS, WATCHA, INC CEO, LATAM FOCUS Paris – Thursday, June 17th, 2021 – The Marché du Film – Festival de Cannes is pleased to announce the third edition of its event dedicated to streaming platforms, strategy and innovation, Meet the Streamers. The growing program will notably welcome ViacomCBS’ Paramount+, Discovery’s discovery+ for two major keynotes, and will be part of the Marché du Film which will run from the 6th to the 15th of July 2021. Jérôme Paillard, Executive Director of the Marché du Film said :“The Covid era has been a unique opportunity for streaming platforms to blossom and for many films to reach their audience in a new way, during the cinemas closure. The love-hate relationship between cinema and streamers has come of age and we can more than ever find common winning strategies. This is the light that the Meet the Streamers team aims to cast with an even richer event this year.” Meet the Streamers is thrilled to host ViacomCBS’ Paramount+ as its exclusive guest following the service’s March 2021 launch. The Marché du Film audience will be able to join Kelly Day, President of Streaming and Chief Operating Officer for ViacomCBS Networks International (VCNI) for a keynote and conversation focused on the international rollout of Paramount+ within an ever-changing landscape. “With an unrivalled global footprint and powerful content ecosystem, ViacomCBS is uniquely positioned to take advantage of the massive global streaming opportunity as we continue to bring Paramount+ to audiences around the world. -
(“JCRA”) Decision M622/10 Acquisition of Virgin Media
Jersey Competition Regulatory Authority (“JCRA”) Decision M622/10 Acquisition of Virgin Media Television Rights Limited and Virgin Media Television Limited by British Sky Broadcasting Group plc The Notified Transaction 1. On 13 August 2010, the JCRA received an application (the “ Application ”) for approval under Articles 20 and 21 of the Competition (Jersey) Law 2005 (the “Law ”) concerning the acquisition of Virgin Media Television Rights Limited and Virgin Media Television Limited, together with the rights to all assets used exclusively in the Virgin Media television business acquisition (together: “VMTV ”) by British Sky Broadcasting Group plc (“ Sky ”), through the intermediary Kestrel Broadcasting Limited. 2. The JCRA published a notice of its receipt of the Application in the Jersey Gazette and on its website on 17 August 2010, inviting comments on the Acquisition by 31 August 2010. During this period, the JCRA received one written submission concerning the Acquisition. This submission is discussed in more detail in paragraph 29 below. In addition to public consultation, the JCRA conducted its own market enquiries concerning the Acquisition. 3. In addition to Jersey, the parties stated that the acquisition had been notified with the relevant authorities in the UK and the Republic of Ireland. On 29 June 2010 the Irish Competition Authority approved the Acquisition. The JCRA has had contact with the Office of Fair Trading (“ OFT ”), the UK authority, regarding the acquisition. The Parties (a) Sky 4. Sky is incorporated in England and Wales and its shares are listed on the London Stock Exchange. The worldwide turnover in the year ending June 2009 was approximately £5.4 billion. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
New Men's Basketball Coach Implement
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Tom Freston, Viacom Inc. Co-President, Co-Chief Operating
Tom Freston, Viacom Inc. Co-President, Co-Chief Operating Officer Presentation Transcript Merrill Lynch Media and Entertainment Conference Event Date/Time: September 13, 2005, 4:45pm E.D.S.T. Filed by: Viacom Inc. Pursuant to Rule 425 under the Securities Act of 1933, as amended Commission File No.: 001-09533 Subject Company: Viacom Inc. - -------------------------------------------------------------------------------- Jessica Reif Cohen - Analyst - Merrill Lynch All right, we will get started with the afternoon. With the split up of Viacom expected no later than the first quarter of 2006, Tom Freston's role will change again. Having led the most successful cable network for the past 25-plus years, although he doesn't look it, Tom Freston's challenge is to extend this brand success with consumers across multiple platforms, both wired and wireless, while satisfying investors' demand for growth across multiple metrics. We certainly believe that management is up to this task. Please welcome Tom Freston, Co-President and Co-COO of Viacom. But before Tom takes the stage, we have a video to show you. (shows video, playing "Desire" by U2) - -------------------------------------------------------------------------------- Tom Freston - Viacom - Co-President, Co-COO Well, that ought to wake you a little bit after lunch. Good afternoon, everybody. I'm Tom Freston. Thank you, Jessica. It's nice to be here in Pasadena. This time last year, Leslie Moonves and I were settling into our new positions in a Company that was a really wide conglomeration of media assets with varying growth rates and prospects. You can see them all up there now. And by now, most of you are familiar with the rationale behind the split of Viacom, which we expect to happen at the end of this year or the beginning of next year. -
Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels. -
Important Notice
IMPORTANT NOTICE THIS OFFERING IS AVAILABLE ONLY TO INVESTORS WHO ARE NON-U.S. PERSONS (AS DEFINED IN REGULATION S UNDER THE UNITED STATES SECURITIES ACT OF 1933 (THE “SECURITIES ACT”) (“REGULATION S”)) LOCATED OUTSIDE OF THE UNITED STATES. IMPORTANT: You must read the following before continuing. The following applies to the attached document (the “document”) and you are therefore advised to read this carefully before reading, accessing or making any other use of the document. In accessing the document, you agree to be bound by the following terms and conditions, including any modifications to them any time you receive any information from Sky plc (formerly known as British Sky Broadcasting Group plc) (the “Issuer”), Sky Group Finance plc (formerly known as BSkyB Finance UK plc), Sky UK Limited (formerly known as British Sky Broadcasting Limited), Sky Subscribers Services Limited or Sky Telecommunications Services Limited (formerly known as BSkyB Telecommunications Services Limited) (together, the “Guarantors”) or Barclays Bank PLC or Société Générale (together, the “Joint Lead Managers”) as a result of such access. NOTHING IN THIS ELECTRONIC TRANSMISSION CONSTITUTES AN OFFER OF SECURITIES FOR SALE IN THE UNITED STATES OR ANY OTHER JURISDICTION WHERE IT IS UNLAWFUL TO DO SO. THE SECURITIES AND THE GUARANTEES HAVE NOT BEEN, AND WILL NOT BE, REGISTERED UNDER THE SECURITIES ACT, OR THE SECURITIES LAWS OF ANY STATE OF THE UNITED STATES OR OTHER JURISDICTION AND THE SECURITIES AND THE GUARANTEES MAY NOT BE OFFERED OR SOLD, DIRECTLY OR INDIRECTLY, WITHIN THE UNITED STATES OR TO, OR FOR THE ACCOUNT OR BENEFIT OF, U.S. -
Sky Chooses Vizrt for Stereo 3D Channel
Sky Chooses Vizrt for Stereo 3D Channel Bergen, Norway, March 23, 2010. Vizrt Ltd. (Oslo Main List: VIZ) Sky Sports today announced that it has chosen Vizrt as the core graphics platform for its 3DTV channel, due to launch in April. Darren Long, Sky Sports’ Director of Operations described his reasons for the decision, “We have worked with Vizrt for more than ten years. They have supported us with excellent graphics for our SD sports coverage, then later for HD and now they will do so again for 3D. Vizrt has always been a real-time 3D system and this meant it was easy for our designers to convert Sky Sports’ current HD designs to their stereo 3D equivalents. The results are stunning and the graphics drew special attention from viewers when we recently ran our world’s first stereo 3D football match trial. I am sure that Vizrt’s graphics will enhance our new 3D channel, just as they do for all our other channels.” The stereoscopic Vizrt system uses a Viz Trio CG operator interface, controlling a Viz render engine PC. This powerful graphics engine uses two graphics cards and the separately rendered HD channels for each eye are synchronised by a new application developed for the process. The stereoscopic convergence point and depth are also adjustable on the fly to allow for changing camera views. The system can also be driven by GPI triggers from the vision- mixing desk. Vizrt UK’s Managing Director, Rex Jenkins added, “Sky Sports demands the highest quality from its graphics systems and we are glad to meet their needs.