Izzy True's Nope,Bruce Hornsby Comes to Rhythm & Roots,Album

Total Page:16

File Type:pdf, Size:1020Kb

Izzy True's Nope,Bruce Hornsby Comes to Rhythm & Roots,Album Album Of The Week: Izzy True’s Nope Everyone likes to talk up the music coming out of New York City, and you can’t really blame them — The Big Apple has been a haven for musical excellence for over 50 years and that won’t be changing anytime soon. But what about upstate New York? Once in a while a band will come out of there and start to impress. Ithaca’s Izzy True and their debut album Nope is doing just that with a rigid, yet laid-back sound. At some points the band’s music is relaxing while at other times it’s raw and emphatic. Isabel Reidy leads the band with songwriting that conveys a message of rolling with the punches while dealing with your inner self. It gives a genuine aesthetic that shows Reidy’s heart on her sleeve with the rest of the band, consisting of Angela DeVivo, Jon Samuels and her brother Silas, providing pristine rhythms. There are bits of garage rock, psychedelic, surf and vintage pop creating a groovy sound. The laid-back vibe of the entire album is what makes it unique. It gives it a distinct quality that you don’t find in a lot of records coming out today. Usually when an artist is dealing with their own demons, they put out their best work. It’s perhaps due to the real emotion behind it without the plastic garbage that you‘ll sometimes find in contemporary music. Lyrically, listeners can tell that performing their own songs is a cathartic experience for Reidy. It’s unapologetic and fearless. For further examination into the deeper meaning of Nope, check out my top tracks off of the Album Of The Week: An excellent example of Izzy True’s subtle grooves is in “Total Body Erasure;” the guitars jump out with their simple and driving riffs. The drums are also extremely present in the lead-up to the chorus. “Gwam Gwam Gwam” has a little bit of surf going on while a few riffs are hard-hitting with a thud. Every time Reidy sings, it gets soft and slow with the rest of the band jumping in at different increments. With a steady beat, “Which Wish” is another groovy track with sliding tones and pleasant rhythms. Izzy True are heading through New England with shows at Aurora in Providence on August 24, The Firehouse in Worcester on August 25 and O’Brien’s Pub on August 26. Those are three chances to see a pretty cool up-and-coming band, so you shouldn’t miss out. It’ll be interesting to see if Reidy and the rest of their band are as good live as the band’s debut album is. While you’re at either one of the upcoming shows grab a copy of Nope. After a while of listening, your ears will make you want to say “Yes.” Stream Izzy True’s Nope on Bandcamp: izzytrue.bandcamp.com/album/nope Bruce Hornsby Comes to Rhythm & Roots There have always been a few artists who seem to have played with everyone and also have some solo success. Bruce Hornsby is an excellent example of this with his ability to play any style of music with any artist, and his creativity has gained him legendary status among numerous generations of music fans. Hornsby will play with his backing band The Noisemakers during the Rhythm & Roots Festival happening in Ninigret Park in Charlestown from September 2 through 4. Ahead of the festivities we had a chat about his musical versatility, who he would like to collaborate with next and his opinion on the state of music today. Rob Duguay: Your material has always been very versatile with you tapping into genres like classical, jazz, bluegrass, jam, blues, folk and Motown. With so many musicians pigeonholing themselves to a certain style, what inspires you to go beyond that and maintain a variety when it comes to your music? Bruce Hornsby: I’m a lifelong student. I’m always pushing into new territory, looking for new inspiration and learning new music, from old-time American music to modern classical music. “Harbor Lights” and “Hot House,” obvious forays into a musical area using more of the jazz language, was just one of several moves I’ve made over the years. So as you say, it was just where “the music was taking me” at that time. RD: You’ve collaborated with The Grateful Dead, Bob Dylan, Eric Clapton, Sting, Dave Matthews and Hall & Oates among many others. Out of everyone who you’ve worked with, who would you say was the most memorable experience? BH: I’ve had lots of memorable studio experiences; recording with Vernon Reid and a string quartet for my score for Spike Lee’s “Sweet Blood of Jesus” film, recording with Justin Vernon and his old high school pals last year, recording with an orchestra two years ago for the Disney film Planes: Fire and Rescue, playing on a Bob Dylan record, with Bob, in 1990, Jerry Garcia recording on our third record, playing on Bonnie Raitt’s I Can’t Make You Love Me record, having Pat Metheny play on two mid-90s records for me, recording with Jack DeJohnette and Christian McBride, bluegrass with the Dirt Band on their second Circle Be Unbroken record, having Wayne Shorter play sax on Henley’s and my “End of the Innocence” song, Clapton playing on my Halcyon Days album, and so many more, I’ll stop here. RD: Is there any artist out there today that you’ve considered making music with but you just haven’t gotten the chance yet? BH: As far as a bucket list goes, I don’t have one. Any list I may have had has been pretty much filled in at this point. Paul Simon asked about my playing on his last record, and of course I said an enthusiastic yes, but alas, it never came together. RD: Your main instrument has always been the piano. What made you want to start playing the keys rather than picking up a guitar or any other instrument? BH: I played guitar as a kid, starting when I was about 11. I started playing, like so many in that era, because of the Beatles and the Stones. I had a band in sixth grade playing “Get Off My Cloud”, “Cherry Cherry” etc. We won a battle of the bands because we used my older brother’s band equipment and consequently were louder than everyone else. I was also a jock, and that interest took over until 11th grade when my older brother turned me on to two amazing piano-based records, Elton John’s Tumbleweed Connection and Joe Cocker’s Mad Dogs and Englishmen all with the great Leon Russell piano. Those records hooked me on the piano; I started playing and never stopped. RD: What do you think of the state of music in the 2010s and if you were a young musician starting out today, what would you have done differently than what you did when you were starting out in the ’70s? BH: There’s lots of fantastic music being made today, interesting and innovative, and for me most of it resides in the margins, under the mainstream radar screen. I don’t think I would do anything differently now. To me it’s still about the same thing, finding your own individual, unique voice stylistically, as a writer, instrumentalist and singer, and creating something original that reaches and moves people deeply. Buy tickets to the Rhythm & Roots happening from September 2-4 at Ninigret Park in Charlestown: rhythmandroots.com/ws/pages/tickets.php; Bruce Hornsby’s Website: brucehornsby.com Album Of The Week: Husbandry’s Fera Brooklyn post-hardcore act Husbandry have a chip on their shoulder. With a sound that resonates angst and fury, this quartet can’t go overlooked. They have their debut full-length, Fera, due out on August 25 and it’s an absolute scorcher of an album. Carina Zachary gets ferocious on the mic while guitarist Jordan Usatch’s riffs meld perfectly with the dynamics of bassist Arnau Bosc and Andrew Gottlieb on drums. When it all comes together this band creates a sound that’s uniquely electrifying. Fera is unrelenting and fearless in song structure and artistic themes. There’s also a bit of melody within each track to go along with Zachary’s growls leading the distorted rhythms. It all comes at you in full force and there’s a thunderous tempo that’s abundant from start to finish. Zachary’s lyrics are a mix of observational and political, with topics such as sexual abuse, police violence and social unrest being covered. There are no apologies with Husbandry’s debut; take it as it is and perhaps you’ll learn something. Brooklyn hasn’t really been known as a burgeoning hive of punk. Maybe Husbandry and their upcoming release can turn the tide a bit. A lot of things are in flux when it comes to music and the artform is due for a shift. Who knows? New bands might come to the forefront with abrasive sounds that burn a hole in your mind. While we ponder what the future holds, lets stay in the present and dive into my top tracks off of the Album Of The Week: The lead single “So Long, Capricornian Crone” is powerful and emphatic. Gottlieb’s drumming stands out with pulsating rhythms while Zachary’s vocals rise above Usatch’s guitar. “Nature Vs. Nuture” gets up close and personal with loud beats, and Zachary once again shows how incredible her vocal range is.
Recommended publications
  • A TRAVELLER's GUIDE
    SOMERY A TRAVELLER’s GUIDE Bo Bernvill BO Ber NVILL SOMERY A Tra V E LL er ’S GUID E © 2008 Somerish Rede of Wilfore SRW First print 2008 Photographs provided by www.sxc.hu Maps © 2008 Somerish Board of Chartwrights Printed by The Thedely Thrierhouse, 98 Wildale St, Sibury SY1 FW2 2 3 foreword Dear Reader. This book is intended for the traveller in that special world called Imagination. Some would say that Somery does not exist. That is true, in the same sense that Middle-Earth, Utopia and Hogwarts do not exist. But still, to some people, when reading the books, those places may feel as complex and vivid as if they actually did exist. To me Somery is such a place, even if it is merely there in my head. I see it as a tool for my imagination; a trigger for my creativity. Why, I still hear some of you ask, do grown up men spend hours on something that might seem so meaningless as creating imaginary countries? Well, you could ask the same question about many things. Why do people collect stamps? Why do people dress up as characters out of Tolkien’s books? Why do people spend a whole weekend playing computer games on a network? We all get something back that makes us smile, and enjoy life. Bo Bernvill Kaxholmen 2008 4 5 SUNDRIES HOW TO GET THERE Somery has regular airline connections with a number of large cities. Most flights arrive at Sherthevear International Airhaven outside Sibury, or at Wim- prish Lofthaven near Melster.
    [Show full text]
  • Album of the Week: Descendents’ Hypercaffium
    Album Of The Week: Descendents’ Hypercaffium Spazzinate In this crazy year we need punk rock more than ever. We need to listen to some amplified, angst-filled, guitar-driven music that ignites the rambunctiousness in all of us. Seems like the perfect time for the Descendents to put out their first album in 12 years, right? The punk legends from Manhattan Beach, California, have their seventh album, Hypercaffium Spazzinate, out and the fearsome foursome have gone back to what they do best. That’s unleashing feverish riffs, pristine drumming and lyrics that come straight from the heart. The title is an ode to frontman Milo Aukerman’s former career as a research biochemist while the album itself harks back to the Descendents’ earlier material in tone and style. When the band’s previous album Cool To Be You came out in 2004, polished pop punk was all over the place. Being a band that are considered to be pioneers of pop punk (which I find to be weird), the Descendents went with the times with Cool To Be You and put out a clean sounding album. Hypercaffium Spazzinate brings back the band’s edge that they had in the ’80s. The album’s production quality has a little bit of grit and that’s what a punk band should sound like. Pop punk is a bit of an oxymoron in my opinion. Punk started out as a genre that counteracted what pop music was in the ’70s and then punk bands started bringing melody. That’s what makes it pop? Maybe that’s why we have crappy bands like All Time Low and The Maine corrupting the youth, though that’s not the Descendents’ fault.
    [Show full text]
  • Originally from Brookings, South Dakota, Del Lyren Is Retired As Professor of High Brass and Jazz at Bemidji State University. L
    Originally from Brookings, South Dakota, Del Lyren is retired as Professor of High Brass and Jazz at Bemidji State University. Lyren co-hosted the 2011 conference of the International Trumpet Guild held in Minneapolis and attended by over 1400 trumpet players from throughout the world. He presented a lecture on Conrad Gozzo at the ITG conference in Ft. Worth, as well as lectures presented throughout the world on Rafael Méndez, and recitals at the Euro-ITG conferences in Bad Sackingen, Germany and Kiev, Ukraine. Other guest artist appearances have taken him to England (London, York), Scotland (Edinburgh Fringe Festival), Sweden, Canada, and Mexico. In addition to numerous clinics throughout the region, Lyren has appeared on Prairie Home Companion with Garrison Keillor. In the summer of 2012, he toured with Dave Matthews Band while shadowing Rashawn Ross for an article in the ITG Journal (March 2013 issue). In addition to his BSU duties, Lyren serves as the Assistant Festival Director for the JENerations Jazz Festival at the Jazz Education Network Conference each January. Students of Dr. Lyren have achieved success in nearly every arena of the music world. With acceptance to nearly every major graduate program in the United States, many have completed doctoral degrees and teach at the university level. Graduates have performed with major popular artists such as Adele, Boyz II Men, and The Temptations. Others have performed numerous times for the President of the United States and played taps at the Tomb of the Unknown Soldier while serving in the top military bands in Washington, D.C. Dr.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • Hopkins County
    Vol. 142 | No. 15 Tuesday, February 4, 2020 ssnewstelegram.com | Hopkins County | Shooting VFDs 2 dead of gunshot injuries at TAMUC The sign at the Pride Rock 1 victim hospitalized battle Residence Hall where Monday’s Staff Reports shooting took [email protected] place at 20-acre Texas A&M- Two people are dead and one hospitalized from gunshot injuries Commerce. after an incident at one of the Texas A&M University-Commerce Staff photo residence halls Monday afternoon. grass fire by Taylor Nye See TAMUC, page 2A By TAYLOR NYE [email protected] Area VFDs battled a nearly 20- acre grass fire on Sunday evening that Closing the (skills) gap caused property damage and put one house in danger. At 3:01 p.m., two callers alerted sta- tions 20 (county), 17 (Arbala) and 13 (Brinker) to a possible grass fire at 740 County Road 1181, where callers could see and smell smoke, according to 911 call logs. “We would hit the head of the fire, and by the time we got around, the wind would pick back up and it would take off again,” said Arbala station’s Christy Fairchild. Although one home approximately 50 yards from the fire was in the path of the flames, the home was not damaged. Fairchild estimated the total damaged area of the fire to be greater than or equal to 20 acres. The Texas Forestry Service re- mained on scene after the fire was ex- tinguished to establish a cordon around the home and continue monitoring for safety, Fairchild said.
    [Show full text]
  • Monday, June 14 Tuesday, June 15
    MONDAY, JUNE 14 TUESDAY, JUNE 15 10 am 10 am Jazz Theory and Fundamentals Jazz Theory and Fundamentals Scott Wilson Scott Wilson 11 am 11 am Meet the Artist: Wycliffe Gordon Meet the Artist: Wordsmith Masterclass and Q&A Masterclass and Q&A www.wycliffegordon.com www.wordsmithmusic.com Wycliffe Gordon is one of the nation’s foremost music Baltimore-based rapper, musician and entrepreneur educators having held positions at Juilliard School of Wordsmith makes hip-hop with a strong motivational Music, Michigan State University and Manhattan School of message. His mission is to entertain and educate through Music in the Jazz Arts Program. He currently is Artist in a message of purpose while providing clean, quality, Residence at Georgia Regents University in Augusta, marketable music for the masses. As of July 2020, GA. Gordon is regularly featured as guest faculty, teacher, Wordsmith officially opened his nonprofit, "Rise With A clinician and conductor for All-State festivals, band clinics, Purpose, Inc." the Louis Armstrong Summer Jazz Camp, the Int’l Trumpet Guild, the Int’l Trombone Festival and countless other high 12 pm school and university programs and guest appearances. Lunch He is also the Artist in Residence for the third year now with the Louis Armstrong Legacy Project in Chicago. 1 pm Basics of Home Recording 12 pm Jose Valentino Lunch 2 pm 1 pm Jazz Transcriptions and Jazz Vocabulary Basics of Home Recording Scott Wilson Jose Valentino 3 pm 2 pm Instrumental Masterclass: Becoming a Monster Sight Reader Bass and Guitar Scott Wilson Erik Abernathy 3 pm Instrumental Masterclass: Trumpets and Trombones Ben Elgan and Jacob Hardy Jazz Academy, the Savannah Music Festival Swing City WEDNESDAY, JUNE 16 Competition and an adjunct faculty member of the New School in Manhattan.
    [Show full text]
  • Called Largest in Southwest Michigan
    HrM * SONS J 45 SPRINGPfJRT, m 49284 ADULTS ONLY...It's never too late BALLOT BLUES...Despite tax reform there'll LEAGUE LEADERS...The Indians & Comets to go back to school... see page 5 still be school millages... see page 7 are enjoying winning seasons... see page 9 | NEWS & ADVERTISING FOR THE WATERVLIET RECORD, COLOMA COURIER & HARTFORD NEWS TO SUBSCRIBE, CALL 463-6397 DEADLINE for news and advertising in next week's Record is noon Monday. Call the Record at 463-N-E-W-S. February 23, 1994 110th Year Issue No. 8 mnFIFTY CENTS Fax the Record at 463-U-F-A-X. $4,000,000 in marijuana nabbed in Hartford drug bust; called largest in Southwest Michigan Information that the Berrien location of a semi tractor and Shirley, age 42, from Stockton, County Narcotics Squad received trailer at Ma's Truck Stop in South Missouri, were arraigned in 7th from the DEA ultimately led to the Haven. The semi and two other District Court in South Haven on arrest of seven suspects and the pickup trucks were then followed to marijuana charges. confiscation of over 3,000 pounds of a location on 62nd Street in Hartford Other suspects to be arraigned marijuana last weekend. Township. are Jack Mance Cobum, age 57, of According to the Van Buren Coun- Police then kept the vehicles Hartford; John Edward Manning, ty Sheriff's Dept., the DEA told the under surveillance until an attempt age 28, from Covington, Georgia; Berrien County Narcotics Squad to was made to unload the tractor and Gregory Paul Kralis from be on the lookout for a semi truck trailer, and then they moved in.
    [Show full text]
  • Vf & Tso Mofo Mr
    VIOLENT FEMMES AND THE TASMANIAN SYMPHONY ORCHESTRA World Premiere Monday 22 & Tuesday 23 January Due to popular demand Mona Foma today announced an extra show for the world premiere of the Violent Femmes performing with the TSO. For two nights only, the Violent Femmes will take their acoustic punk-rock and work with the Tasmanian Symphony Orchestra to reimagine it as a full orchestra experience. Conducted by Hamish McKeich they’ll perform a long list of cult classics such as Add It Up, Blister In The Sun, Kiss Off, Gone Daddy Gone, American Song and Gimme The Car at The Federation Concert Hall on Monday 22 and Tuesday 23 January. “Most rock bands would blow off an orchestra with the amplifiers, but for these two shows we’re prepared to back off on the volume and actually play almost at the same volume as the orchestra musicians and create a more unified approach, “ said Brian Ritchie. The Violent Femmes were formed in 1981 as an acoustic band playing on the streets of Milwaukee. Their main influences at that time were Gene Vincent and the Blue Caps and The Velvet Underground. Enduring a couple of hiatuses throughout their 36-plus year career, the band — original members Gordon Gano and Brian Ritchie, along with drummer John Sparrow have been performing steadily since reuniting again in 2013. The TSO’s performance with the Violent Femmes represents another innovative collaboration for the orchestra, which in 2017 alone has seen sold out concerts with vocal star Kate Miller-Heidke, a Dark MOFO collaboration with Norwegian metal band Ulver, an original show with comedy trio Tripod and a sold out concert with ARIA award-winning and multi-platinum artist Megan Washington.
    [Show full text]
  • Violent Femmes Hotel Last Resort Bio FINAL 2
    VIOLENT FEMMES HOTEL LAST RESORT bio Gordon Gano: lead vocal, guitar Brian Ritchie: acoustic bass guitar, baritone guitar, vocal, percussion John Sparrow: BBQ, snare, tom, percussion, vocal Blaise Garza: baritone, contrabass and sopranino saxophones, vocal, piano, harmonium, theremin, percussion Violent Femmes 10th studio album, HOTEL LAST RESORT, resides among the groundbreaking band’s finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post punk, spiritual jazz, country blues, avant garde minimalism and golden age rock ‘n’ roll into something still altogether their own. Founded and fronted of course by singer/ guitarist Gordon Gano and acoustic bass guitarist Brian Ritchie, the Milwaukee-born combo remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity and organic sonic craftsmanship that has characterized the band’s body of work since their landmark self-titled 1983 debut. “I think it’s probably the best [album] we’ve made since HALLOWED GROUND,” Ritchie says. “We didn’t really know that we had something to say, but it turns out that the songs are really good and we were able to sink our teeth into them and come up with something which is just as good as anything we’ve ever done. I’m even a little bit surprised myself.” Violent Femmes are undeniably one of the most inventive and original bands of this or any other era, constantly pushing forward with their singular blend of folk and punk, sarcasm and spirituality.
    [Show full text]
  • The Creightonian, 1994-04-29
    M m£/ ma ^^70/® Reznicek Announced as Dean of Business Administration On Thursday, April 28, Creighton Reznicek moved to Boston Edison Administration as we move toward officials announced Bernard W. in 1987 as president and chief the next century." Reznicek as the new dean of the operating officer. By 1990, he was Reznicek has continued to be College of Business Administration. named chief executive officer. affiliated with Creighton as a Reznicek , a 1958 Creighton "Creighton is fortunate to have founding member and former graduate, is currently the chief someone of Bernard Reznicek' s chairman of the Creighton University executive officer of Boston Edison. He caliber as dean of the College of College of Business Administration will be retiring from this position on Business Administration ," said the Executive Advisory Board Council. He July" 1 but will remain on the Rev. Michael Morrison , S.J. was the 1990 recipient of Creighton's company's board of directors. Dr. John Carlson , vice president Alumni Merit award for the College of Reznicek began working at the for academic affairs , said , "Mr. Business Administration and in 1987 Omaha Public Power District as an Reznicek's intimate knowledge of and was Inducted into Alpha Sigma Nu , accountant following his college success in business as well as his the national Jesuit honor society. graduation. He gradually rose to the natural leadership abilities made him Reznicek will be replacing Dr. Photo Courtesy of Public Relations , top and served as president and chief an excellent candidate for dean. He Guy Banvllle who served as dean for Bernard Reznicek. CEO of Boston executive officer of the OPPD from has the talent and experience to lead 12 years.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Stanley Cowell Samuel Blaser Shunzo Ohno Barney
    JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.
    [Show full text]