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SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS CD 1 74:47 FINNISH ORCHESTRAL WORKS I Jean Sibelius (1865–1957) 1 Andante festivo (1922, orch. Jean Sibelius, 1938) 3:44 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Robert Kajanus (1856–1933) 2 Overtura sinfonica (1926) 9:10 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Leevi Madetoja (1887–1947) 3 Sunday Morning (Sunnuntaiaamu) from Rural Pictures (Maalaiskuvia), Op. 77 (1936) [From music to the filmBattle for the House of Heikkilä] 4:20 Tampere Philharmonic Orchestra & John Storgårds, conductor Ernest Pingoud (1887–1942) 4 Chantecler (1919) 7:33 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Väinö Raitio (1891–1945) 5 Fantasia poetica, Op. 25 (1923) 10:00 Finnish Radio Symphony Orchestra & Jukka-Pekka Saraste, conductor 2 Uuno Klami (1900–1961) 6 Karelian Rhapsody (Karjalainen rapsodia), Op. 15 (1927) 14:24 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Erkki Melartin (1875–1937) Music from the Ballet The Blue Pearl (Sininen helmi), Op. 160 (1928–30) 7 II. Entrée avec pantomime 4:00 8 VIII. Scène (Tempête) 2:32 9 XIV. Pas de deux 3:07 Finnish Radio Symphony Orchestra & Hannu Lintu, conductor Aarre Merikanto (1893–1958) 10 Intrada (1936) 5:40 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Uuno Klami (1900–1961) 11 The Forging of the Sampo (Sammon taonta) from the Kalevala Suite (1943) 7:24 Helsinki Philharmonic Orchestra & John Storgårds, conductor Einar Englund (1916–1999) 12 The Reindeer Ride (Poroajot) (1952) Music from the filmThe White Reindeer (Valkoinen Peura) (1952) 1:24 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor 3 CD 2 66:42 FINNISH ORCHESTRAL WORKS II Heikki Aaltoila (1905–1992) 1 Wedding Waltz of Akseli and Elina (Akselin ja Elinan häävalssi) (1968) 3:53 Music from the filmUnder the North Star (Täällä Pohjantähden alla) Tampere Philharmonic Orchestra & John Storgårds, conductor Aulis Sallinen (b. -
Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-7-2018 12:30 PM Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse Renee MacKenzie The University of Western Ontario Supervisor Nolan, Catherine The University of Western Ontario Sylvestre, Stéphan The University of Western Ontario Kinton, Leslie The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Renee MacKenzie 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Music Performance Commons Recommended Citation MacKenzie, Renee, "Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse" (2018). Electronic Thesis and Dissertation Repository. 5572. https://ir.lib.uwo.ca/etd/5572 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the post-exile, multi-version works of Sergei Rachmaninoff with a view to unravelling the sophisticated web of meanings and values attached to them. Compositional revision is an important and complex aspect of creating musical meaning. Considering revision offers an important perspective on the construction and circulation of meanings and discourses attending Rachmaninoff’s music. While Rachmaninoff achieved international recognition during the 1890s as a distinctively Russian musician, I argue that Rachmaninoff’s return to certain compositions through revision played a crucial role in the creation of a narrative and set of tropes representing “Russian diaspora” following the 1917 Bolshevik Revolution. -
Choral Festivals Training Courses and More
CHORAL FESTIVALS TRAINING COURSES AND MORE PROGRAMME2020 | JAHRESPROGRAMM @EuropeanChoralAssociation @ECA_EC European Choral Association – Europa Cantat c/o Haus der Kultur Weberstr. 59a, 53113 Bonn, Germany Tel: +492289125663 | Fax: +492289125658 E-Mail: [email protected] www.EuropeanChoralAssociation.org Dear friends, in this brochure, you will find a careful selection of international activities organised, co-organised or promoted by the European Choral Association. All these activities are open to singers, conductors, composers or other choral lovers from Europe and beyond. Members of our association benefit from reduced prices in most events, another good reason to join the biggest European choral network! We hope to have a chance to meet you along one of these events, and we would be happy to exchange about music, projects and the future of collective singing in Europe. See you soon! More detailed information on all the events on our website on www.EuropeanChoralOrganisation.org Currently the association is supported by the German Federal Ministry for Family, Seniors, Women and Youth and the City of Bonn and co-funded by the European Co-funded by the For singers Creative Europe Programme Union Creative Europe. of the European Union For choirs For conductors For composers The content of this brochure does not reflect the official opinion of the For choral managers European Union. Responsibility for the information and views expressed in the brochure lies entirely with the author(s). Activities of ECA-EC Layout: credia communications GmbH Bonn · www.credia.de In partnership with ECA-EC Photos: ECA-EC and organisers of the different projects Cover: EUROPA CANTAT Pécs Promoted by ECA-EC 2 Printed by: Messner Medien GmbH Rheinbach Contents. -
Troika.Pdf (128.9
TROIKA ALEKO, MISERLY KNIGHT, FRANCESCA DA RIMINI Composer: SERGEI RACHMANINOV ALEKO Librettist: VLADIMIR NEMIROVICH DANCHENKO, AFTER THE GYPSIES, ALEXANDER PUSHKIN Musical version: BOLSHOI THEATER, MOSKVA, 27/4/1893 Piano Score: BOOSEY & HAWKES Orchestra Score: BOOSEY & HAWKES THE MISERLY KNIGHT Librettist: ALEXANDER PUSHKIN Musical version: BOLSHOI THEATER, MOSKVA, 11/1/1906 Piano score: EDITION RUSSE DE MUSIQUE VIA B & H Orchestra score: EDITION RUSSE DE MUSIQUE VIA B & H FRANCESCA DA RIMINI Librettist: MODEST TCHAIKOVSKY AFTER DANTE Musical version: BOLSHOI THEATER, MOSKVA, 11/1/1906 Piano score: BOOSEY & HAWKES Orchestra score: BOOSEY & HAWKES Timing: 1H/50MIN/1H – 3H40 INCLUDING 2 INTERMISSIONS Production by: THÉÂTRE ROYAL DE LAMONNAIE-DEMUNT Season: 2014/2015 Storage: BRUSSELS Premièred at Théâtre National for LaMonnaie-DeMunt on 16 June 2015 sets destroyed ; costumes and video available for rent and sale ARTISTIC TEAM Conductor: MIKHAIL TATARNIKOV Stage director: KIRSTEN DEHLHOLM (Hotel pro Forma) Co-director: JON R. SKULBERG Sets: MAJA ZISKA Costumes: MANON KÜNDIG Lighting: JESPER KONGSHAUG Video: MAGNUS PIND BJERRE Dramaturg: KRYSTIAN LADA CAST Aleko Principals: ♂:3 ♀:2 Chorus: ♂:22 ♀:18 The Miserly knight Principals: ♂:5 Chorus: 0 Francesca da Rimini Principals: ♂:4 ♀:1 Chorus: ♂:22 ♀:18 SCENERY/PROPS Number oF containers: 1 For costumes ORCHESTRA COSTUMES & MAKE UP Violin I: 12 Aleko Violin II: 11 Aleko: 1 Alto: 8 Young gipsy: 1 Cello: 7 Old gipsy: 1 Contrabass: 5 ZemFira: 1 Flute: 3 Gipsy woman: 1 Oboe: 3 Chorus: ♂:22 ♀:18 -
International Conference on the Concepts and Practices of Choral Singing Lund, Sweden, October 17-20, 2012
Choir in Focus International Conference on the Concepts and Practices of Choral Singing Lund, Sweden, October 17-20, 2012 This conference is organised by the network Choir in Focus in connection with Southern Choral Centre and Musik i Syd and supported by Allhemsstiftelsen. It will take place within the framework of Lund Choral Festival 2012 (http://www.lundchoralfestival.org/in-english/). In order to make visible and available the contemporary dynamic development of choral research, this conference aims at encouraging communication between theory and practice. With the integration of the conference into Lund Choral Festival, the purpose is to highlight interdisciplinary investigations and interaction between practice-based and historical approaches in choral research. Researching choir culture demands and encourages a multitude of research strategies in different disciplines. The papers focus the interaction of choral concepts and practices since the 18th century, especially on the following themes: 1. Conceptualisations of Choral Practices and Musics, 2. Theories and Methods of Choral Research and 3. Psychological and Social Dimensions of Choral Singing Keynote speakers: Prof. Andreas C. Lehmann, Systematic Musicology and Music Psychology, University of Music, Würzburg, Germany Prof. Karin Rehnqvist, Composition, Royal College of Music, Stockholm, Sweden Venue: Department of Arts and Cultural Sciences, Lund University, Biskopsgatan 7, 22100 Lund, Sweden Conference convenors: Dr. Ursula Geisler, Department of Arts and Cultural Sciences, -
Workshop a STABAT MATER by J. B Pergolesi for Woman Voices
Workshop A Workshop B Workshop C Workshop D Conductor: Josep Vila Jover Conductor: Jan Schumacher Conductor: Joan Company Conductor: Juan Carlos Asensio (Catalonia) (Germany) (Balearic Islands) (Spain) STABAT MATER ROMANTIC MUSIC EL MIRADOR, GREGORIAN CHANT by J. B Pergolesi for woman voices by Josep Vila Casañas Granollers 1970. He studied choral He‘s Professor of Choral Conducting at He’s one of the conductors with more He studied Gregorian Chant and conducting with Enric Ribó, Conxita the College of Church Music in presence in the most important choral liturgical music in the Escolanía de Santa Garcia and Christian Grube. He is the Rottenburg, music director of the circuits of Spain. Has a degree in General Cruz of the Valle de los Caídos, at the artistic director of the Societat Coral Goethe University in Frankfurt/Main and History. He studied choral conducting Conservatory of Madrid (Piano, Flute, Amics de la Unió, a prestigious choir the conductor of Camerata Musica with P. Cao, M. Cabero and O. Martorell. choir conducting and musicology) and school which has more than six hundred Limburg and the Choir of TU Darmstadt. Since 1999 he’s the artistic director of the Abbey of Solesmes. Collaborator students and ten choirs. In this Having received his degree in School the Coro de la Orquesta Sinfónica de with the Répértoire International des institution he conducts the Cor Infantil Music and German from Johannes Galicia, which has prepared an extensive Sources Musicales (RISM) and the Atêlier Amics de la Unió, an equal voices choir Gutenberg University Mainz, Jan went and varied repertoire of symphonic de Paléographie Musicale. -
Order Form Package Pricing*
NEW YORK 2016 2017 SEASON PACKAGE ORDER FORM NUMBER 1ST CHOICE 1ST CHOICE 2ND CHOICE 2ND CHOICE SUB * OF SEATS LOCATION PRICE LOCATION PRICE PRICING TOTAL ALEKO/PAGLIACCI Rose Theater, Jazz at Lincoln Center ON SALE NOW! * Does not apply to multiple dates September 8 at 7:30pm of same production. September 10 at 7:30pm September 11 at 4:00pm CREATE YOUR OWN September 13 at 7:30pm SEASON PACKAGE NEW YORK CITY OPERA CONCERTS “PASIÓN LATINA” The Appel Room, Jazz at Lincoln Center 10% of when you buy 3 Events* October 26 at 7:30pm 15% of when you buy 4 Events* CANDIDE Rose Theater, Jazz at Lincoln Center 20% of when you buy 6 Events* January 6 at 7:30pm January 7 at 2:00pm January 7 at 8:00pm EARLY BIRD SPECIAL January 8 at 4:00pm Order by September 14, 2016 and get an early January 11 at 7:30pm bird discount on Create Your Own Packages January 12 at 7:30pm 20% of when you buy 3 Events* NEW YORK CITY OPERA CONCERTS “VALENTINE’S CONCERT” The Appel Room, Jazz at Lincoln Center 25% of when you buy 4 Events* February 14 at 7:00pm 30% of when you buy 6 Events* LA CAMPANA SOMMERSA Rose Theater, Jazz at Lincoln Center March 31 at 7:30pm Single Ticket Pricing on reverse side. April 1 at 8:00pm April 4 at 7:30pm April 5 at 7:30pm ROSE THEATER ANGELS in AMERICA Rose Theater, Jazz at Lincoln Center JAZZ AT LINCOLN CENTER June 10 at 8:00pm Orchestra Prime $150 / $125 June 12 at 7:30pm June 14 at 7:30pm Orchestra Rear $95 / $75 June 16 at 7:30pm Orchestra Boxes $150 / $95 Mezzanine Boxes $125 / $95 / $75 SUB-TOTAL Mezzanine $75 / $55 EARLY BIRD DISCOUNT by 9/14/2016: 20% of 3 Events, 25% of 4 Events, 30% of 6 Events Balcony Boxes $55 / $20 PACKAGE DISCOUNT after 9/14/2016: 10% of 3 Events, $15% of 4 Events, 20% of 6 Events Balcony $25 / $20 FACILITY FEE: $3.50 x number of tickets HANDLING FEE $10 THE APPEL ROOM CONTRIBUTION to The People’s Fund ** JAZZ AT LINCOLN CENTER TOTAL Orchestra Prime $95 / $65 Orchestra Rear $35 ** The People’s Fund enables City Opera to ensure that every production will have tickets starting at $20 or $25. -
Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice Tanya Gabrielian The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2762 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] RACHMANINOFF AND THE FLEXIBILITY OF THE SCORE: ISSUES REGARDING PERFORMANCE PRACTICE by TANYA GABRIELIAN A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 Ó 2018 TANYA GABRIELIAN All Rights Reserved ii Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Anne Swartz Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Geoffrey Burleson Sylvia Kahan Ursula Oppens THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice by Tanya Gabrielian Advisor: Geoffrey Burleson Sergei Rachmaninoff’s piano music is a staple of piano literature, but academia has been slower to embrace his works. Because he continued to compose firmly in the Romantic tradition at a time when Debussy, Stravinsky, and Schoenberg variously represented the vanguard of composition, Rachmaninoff’s popularity has consequently not been as robust in the musicological community. -
GULF COAST REGION AUDITIONS SUNDAY, FEBRUARY 28, 2021 the 2020 National Council Finalists Photo: Fay Fox / Met Opera
NATIONAL COUNCIL 2020–21 SEASON GULF COAST REGION AUDITIONS SUNDAY, FEBRUARY 28, 2021 The 2020 National Council Finalists photo: fay fox / met opera CAMILLE LABARRE NATIONAL COUNCIL AUDITIONS chairman The Metropolitan Opera National Council AuDitions program cultivates young opera CAROL E. DOMINA singers and assists in the development of their careers. The AuDitions are held annually president in 39 districts and 12 regions of the United States, CanaDa, and Mexico—all aDministered MELISSA WEGNER by deDicated National Council members and volunteers. Winners of the region auDitions executive director advance to compete in the national semifnals. National fnalists are then selected and BRADY WALSH compete in the Grand Finals Concert. During the 2020–21 season, the auDitions are being administrator held virtually via livestream. Singers compete for prize money and receive feeDback from LISETTE OROPESA juDges at all levels of the competition. national advisor Many of the worlD’s greatest singers, among them Lawrence Brownlee, Anthony Roth Costanzo, Renée Fleming, Lisette Oropesa, Eric Owens, anD FreDerica von StaDe, have won National Semifnals the AuDitions. More than 100 former auDitioners appear appear on the Met roster each season. SunDay, May 9, 2021 The National Council is grateful to its donors for prizes at the national level and to the Tobin Grand Finals Concert Endowment for the Mrs. Edgar Tobin Award, given to each frst-place region winner. SunDay, May 16, 2021 Support for this program is generously proviDed by the Charles H. Dyson National Council For up to date auDitions results, alumni AuDition Program EnDowment Fund at the Metropolitan Opera. news, and other general information, follow @MONCAuDitions on Facebook and Instagram. -
Download the Application Form on Contact: Andrea Angelini, [email protected]
September 2017 IFCMeNEWS Volunteers connecting our choral world In Chinese - 中文版 2017 CHINA (QIANDONGNAN) INTERNATIONAL FOLK SONG CHORAL FESTIVAL In English AND IFCM WORLD VOICES CONFERENCE In French - en français KAILI CITY, 8-12 August 2017 In German - auf Deutsch Read the report on this fantastic festival, the IFCM World Voices Conference in Kaili In Italian - in italiano City and much more on IFCM In Inner Mongolia HERE In Japanese - 日本語で In Korean – 한국어 In Spanish – en español THIRD IFCM INTERNATIONAL COMPETITION FOR CHORAL COMPOSITION The Competition is dedicated to choral compositions a cappella (SATB or divided into as many as eight parts, SSAATTBB) with a maximum duration of 5 minutes, specifically for medium to advanced youth choirs. Entries must arrive by the entry form no later than 1st December 2017. Download the application form on https://goo.gl/fyfHpe Contact: Andrea Angelini, [email protected] INTERNATIONAL FEDERATION FOR CHORAL MUSIC monthly electronic newsletter www.ifcm.net © 2017 IFCM - All rights reserved September 2017 IFCMeNEWS Volunteers connecting our choral world WORLD YOUTH CHOIR SUMMER SESSION 2017 The WYC summer session is now over. To discover the best moments of the rehearsals, concerts and more, please visit the Facebook Page INTERNATIONAL CHORUS FESTIVAL AND IFCM WORLD CHORAL EDUCATION CONFERENCE The 14th China International Chorus Festival and IFCM World Choral Education Conference will be held in Beijing from 19 July to 25 July 2018. More information: http://en.cicfbj.cn/ English http://www.cicfbj.cn/ Chinese NEWS FROM IFCM FOUNDING MEMBERS AMERICAN CHORAL DIRECTORS ASSOCIATION — ACDA Boychoir Biennial Symposium November 17-18, 2017 Aronoff Center for the Arts, Cincinnati, Ohio USA This is a two-day retreat & symposium for those who teach boys to sing. -
COMPLETE Joonas Kokkonen Inauguratio
Joonas Kokkonen (b.1921) composed his orchestral piece Inauguratio in r971, after the slmphonic sketchesand cello concerto andjust before the Foirth symphon;y(all three pieces are available on BIS-cD-468). The piece was a commission from the Helsinki Festival and the intention was for it to be performed at the opening of the 'Inauguration'indicates). Finlandia Hall (as the title The Hall was not completed in time, however, and the composition was premidred at a Helsinki Festival concerr in the House of Culture. According to the composer the work deals more with the inausuration of a person's work or life than with the opening of a building. It has not been Kokkonen's custom to compose two works of the same genre in direct succession; he has always wished to examine the material from a fresh standpoint. The only exception to his principle is the second sltmphonlt, written immediately after the Firsrslmphony (BIS-cD-485). According to the composer, the basic idea of the work dates back to the period he spent working on the Firsr 'simply S1mphon1,and he had to set about this work-,, even thotieh 'promised'and two other already sketched works were already waiting their turn. In his 'take suond slmphonT Kokkonen wanted to further those ideas which alreadv appeared in the first Slmphony'. Much of the secondslmphonl was composed on the shore of Lake Zririch in the small village of Herrlieberg, where the composer worked thanks to an arts scholarship from UNESCo from rhe beginning of Argt,rt 1960 until the end of the fbllowingJanuary. -
Concert Program
CONCERT PROGRAM PRESENTED BY 1 – 12 aPRIL 2014 | MELBOURNe rECITAl cENTRE MSO PARTNERS PRINCIPAL PARTNER GOVERNMENT partners MAESTRO PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS 2 CONTENTS CONCERT GUIDES PROGRAM Joanna MacGregor - Musical Toys (1 April) 5 INFORMATION Plexus - Pantheon (2 April) 12 Forest Collective - The Garden of Ice (4 April) 13 MSO Programs can be read online or downloaded up to a Six Degrees Ensemble - Garden of Earthly Desire (5 April) 14 week before each concert, from mso.com.au Stefan Cassomenos and Judith Dodsworth - Sappho's Butterflies (9 April) 15 If you do not need this printed program after the concert, (5 April) 16 The MSO and Olli Mustonen - Tapiola we encourage you to return it to The MSO and Olli Mustonen - Frescoes of Dionysius (9 April) 28 a member of staff. Please share one program between two people ( ) Syzygy - Logic 10 April 33 where possible. The MSO and Olli Mustonen - Concert Champêtre (12 April) 34 This program has been printed Aura Go - Dichotomie (12 April) 39 on FSC accredited paper. For news and updates on the Melbourne Symphony Orchestra MSO Partners 2 (MSO) follow us on Facebook MSO Supporters 25 or Twitter. Commissioning the Future 27 Sign up for MSO's monthly e-news, at mso.com.au, to receive Meet Your Musician 40 special offers from the MSO and partner organisations. The Orchestra 41 Sign up for Melbourne Recital Melbourne Recital Centre Supporters 42 Centre's eNews for special offers, priority booking and giveaways at melbournerecital.com.au COVER image: Soundscape: Sibelius Tapiola Find your work-life groove From laid back to more upbeat, you’ll find a range of inspirations in our Business Class.