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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
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SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS CD 1 74:47 FINNISH ORCHESTRAL WORKS I Jean Sibelius (1865–1957) 1 Andante festivo (1922, orch. Jean Sibelius, 1938) 3:44 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Robert Kajanus (1856–1933) 2 Overtura sinfonica (1926) 9:10 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Leevi Madetoja (1887–1947) 3 Sunday Morning (Sunnuntaiaamu) from Rural Pictures (Maalaiskuvia), Op. 77 (1936) [From music to the filmBattle for the House of Heikkilä] 4:20 Tampere Philharmonic Orchestra & John Storgårds, conductor Ernest Pingoud (1887–1942) 4 Chantecler (1919) 7:33 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Väinö Raitio (1891–1945) 5 Fantasia poetica, Op. 25 (1923) 10:00 Finnish Radio Symphony Orchestra & Jukka-Pekka Saraste, conductor 2 Uuno Klami (1900–1961) 6 Karelian Rhapsody (Karjalainen rapsodia), Op. 15 (1927) 14:24 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Erkki Melartin (1875–1937) Music from the Ballet The Blue Pearl (Sininen helmi), Op. 160 (1928–30) 7 II. Entrée avec pantomime 4:00 8 VIII. Scène (Tempête) 2:32 9 XIV. Pas de deux 3:07 Finnish Radio Symphony Orchestra & Hannu Lintu, conductor Aarre Merikanto (1893–1958) 10 Intrada (1936) 5:40 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Uuno Klami (1900–1961) 11 The Forging of the Sampo (Sammon taonta) from the Kalevala Suite (1943) 7:24 Helsinki Philharmonic Orchestra & John Storgårds, conductor Einar Englund (1916–1999) 12 The Reindeer Ride (Poroajot) (1952) Music from the filmThe White Reindeer (Valkoinen Peura) (1952) 1:24 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor 3 CD 2 66:42 FINNISH ORCHESTRAL WORKS II Heikki Aaltoila (1905–1992) 1 Wedding Waltz of Akseli and Elina (Akselin ja Elinan häävalssi) (1968) 3:53 Music from the filmUnder the North Star (Täällä Pohjantähden alla) Tampere Philharmonic Orchestra & John Storgårds, conductor Aulis Sallinen (b. -
Leevi Madetoja (1887–1947) Symphony No
Leevi Madetoja (1887–1947) Symphony No. 2 / Kullervo / Elegy 1. Kullervo, Symphonic Poem, Op. 15 14:13 Symphony No. 2, Op. 35 2. I. Allegro moderato – 13:23 LEEVI MADETOJA II. Andante 13:36 SYMPHONY NO. 2 III. Allegro non troppo – 9:39 KULLERVO IV. Andantino 4:53 ELEGY 3. Elegy, Op. 4/1 (First movement from the Symphonic Suite, Op. 4) 5:53 –2– Leevi Madetoja To be an orchestral composer in Finland as a contemporary of Sibelius and nevertheless create an independent composer profile was no mean feat, but Leevi Madetoja managed it. Though even he was not LEEVI MADETOJA completely immune to the influence of SYMPHONY NO. 2 his great colleague, he did find a voice for KULLERVO ELEGY himself where the elegiac nature of the landscape and folk songs of his native province of Ostrobothnia merged with a French elegance. Madetoja’s three symphonies did not follow the trail blazed by Sibelius, and another mark of his independence as a composer is that his principal works include two operas, Pohjalaisia (The Ostrobothnians, 1924) and Juha (1935), a genre that Sibelius never embraced. Madetoja emerged as a composer while still a student at the Helsinki Music Institute, when Robert Kajanus conducted his first orchestral work, elegy (1909) for strings, in January 1910. The work was favourably received and was given four further performances in Helsinki that spring. It is a melodically charming and harmonically nuanced miniature that betrays the influence of Tchaikovsky in its achingly tender tones. Later, Madetoja incorporated Elegia into his four-movement Sinfoninen sarja (Symphonic Suite, 1910), but even so it is better known as a separate number. -
Vuosikertomus 2015 WIHURIN KANSAINVÄLISTEN PALKINTOJEN RAHASTON VUOSIKERTOMUS 2015 SISÄLLYSLUETTELO
Vuosikertomus 2015 WIHURIN KANSAINVÄLISTEN PALKINTOJEN RAHASTON VUOSIKERTOMUS 2015 SISÄLLYSLUETTELO 6 Wihurin kansainvälisten palkintojen rahasto Juhlavuosi 2015 8 Wihurin Sibelius-palkinto Palkinnonsaajat 1953-2015 10 Sir Harrison Birtwistle 12 Wihurin kansainvälinen palkinto Palkinnonsaajat 1958-2015 14 Thania Paffenholz 18 Talous ja hallinto Talous ja sijoitukset Viestintäuudistus Hallinto 20 Tuloslaskelma ja tase WIHURIN KANSAINVÄLISTEN PALKINTOJEN RAHASTO KALLIOLINNANTIE 4, 00140 HELSINKI 09 454 2400 WWW.WIHURIPRIZES.FI KANNEN KUVA: EMMA SARPANIEMI · GRAAFINEN SUUNNITTELU: WERKLIG · PAINO: GRANO © 2016 WIHURIN KANSAINVÄLISTEN PALKINTOJEN RAHASTO ALL PHOTOS ARE COPYRIGHTED TO THEIR RESPECTIVE RIGHTFUL OWNERS VALOKUVAT: JAAKKO KAHILANIEMI S. 7, 11, 15, 17, 19 (4) WIHURIN KANSAINVÄLISTEN PALKINTOJEN RAHASTON KUVA-ARKISTOT S. 8, 9, 12, 13 5 Wihurin kansainvälisten palkintojen rahasto Wihurin kansainvälisten palkintojen rahasto jakoi Wihurin Sibelius- palkinnon Sir Harrison Birtwistlelle ja Wihurin kansainvälisen palkin- non Ph.D Thania Paffenholzille 9. lokakuuta 2015 Finlandia- talossa ja toteutti näin tarkoitustaan ihmiskunnan henkisen ja taloudellisen kehityksen tukijana. Kumpikin palkinto oli määrältään 150 000 euroa. Wihurin kansainvälisten palkintojen rahaston pe- kintoa, joista 18 Wihurin kansainvälistä palkintoa rusti ja peruspääoman lahjoitti merenkulkuneuvos tieteentekijöille ja 17 Wihurin Sibelius-palkintoa Antti Wihuri vuonna 1953. Yleishyödyllisen sää- säveltäjille. Palkintojen suuruus on ollut nyky- tiön tarkoituksena on -
PROKOFIEV Hannu Lintu Piano Concertos Nos
Olli Mustonen Finnish Radio Symphony Orchestra PROKOFIEV Hannu Lintu Piano Concertos Nos. 2 & 5 SERGEI PROKOFIEV (1891–1953) Piano Concerto No. 2 in G minor, Op. 16 33:55 1 I Andantino 11:57 2 II Scherzo. Vivace 2:59 3 III Intermezzo. Allegro moderato 7:04 4 IV Finale. Allegro tempestoso 11:55 Piano Concerto No. 5 in G major, Op. 55 23:43 5 I Allegro con brio 5:15 6 II Moderato ben accentuato 4:02 7 III Toccata. Allegro con fuoco 1:58 8 IV Larghetto 6:27 9 V Vivo 6:01 OLLI MUSTONEN, piano Finnish Radio Symphony Orchestra HANNU LINTU, conductor 3 Prokofiev Piano Concertos Nos. 2 and 5 Honestly frank, or just plain rude? Prokofiev was renowned for his uncompromisingly direct behaviour. On one occasion he berated a famous singer saying – within the hearing of her many admirers – that she understood nothing of his music. Seeing her eyes brim, he mercilessly sharpened his tongue and humiliated her still further: ‘All of you women take refuge in tears instead of listening to what one has to say and learning how to correct your faults.’ One of Prokofiev’s long-suffering friends in France, fellow Russian émigré Nicolas Nabokov, sought to explain the composer’s boorishness by saying ‘Prokofiev, by nature, cannot tell a lie. He cannot even say the most conventional lie, such as “This is a charming piece”, when he believes the piece has no charm. […] On the contrary he would say exactly what he thought of it and discuss at great length its faults and its qualities and give valuable suggestions as to how to improve the piece.’ Nabokov said that for anyone with the resilience to withstand Prokofiev’s gruff manner and biting sarcasm he was an invaluable friend. -
BRICUP Newsletter 68 September 2013
BRICUP Newsletter 68 September 2013 www.bricup.org.uk [email protected] CONTENTS Kennedy, an enfant terrible of the classical music world , had not played at the Proms for years but P 1. Sound and fury at the Proms over took advantage of a radical mix of programmes this “apartheid” remark time to revisit the Four Seasons with a number of jazz musicians, his own largely Polish Orchestra of P 2. The PACBI Column Life and 17 players from the Palestine Strings wearing trademark keffiyehs. Aged between 12 and On the Academic Boycott Front: A 23, these protégées of the Edward Said National Pioneering Campaign Conservatory of Music demonstrated considerable artistry in one of the world’s greatest performance spaces. No wonder the Zionist reaction to their P 4. The turning of the screw mentor’s solidarity comment was so swift and strong. P 6. Hasbara arrives at the Edinburgh Within days the Jewish Chronicle announced with Fringe satisfaction that the BBC intended deleting Kennedy’s remark from its edited TV broadcast of the concert. Baroness Ruth Deech, a prominent P 7. Notices. Zionist and former BBC governor, had pronounced his words “offensive and untrue” and unfit to be **** heard during a Prom concert. The BBC, saying they Sound and fury at the Proms over did not “fall within the editorial remit of the proms as a classical music festival,” duly obliged. The “apartheid” remark critically-acclaimed concert went out on BBC4 on August 23 without the offending comments. Violinist Nigel Kennedy sent Israel’s apologists into a mighty spin during a Promenade concert in In the interim BRICUP chairman Jonathan London on August 8 when he used the word Rosenhead had joined supporters of Jews for “apartheid” to refer to the life circumstances of the Boycotting Israeli Goods, among them actress young Palestinian musicians with whom he was Miriam Margolyes and writer/comedian Alexei sharing the stage. -
Jon Lord June 9 1941 – July 16 2012
Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar. -
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 Famously Banned
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 famously banned. In the 1970s he moved away from what he Mario Angelov (piano), Bulgarian National Radio Symphony called his 'saucy' songs and became a Rastafarian, writing songs SAT 01:00 Through the Night (b00rs742) Orchestra, Milen Nachev (conductor) such as 'War in-a Babylon'. Carlinhos Brown's music has its Susan Sharpe presents rarities, archive and concert recordings roots in religious music of the African Yoruba deities, but his from Europe's leading broadcasters 06:40AM style ranges far and wide. He is seen as hugely influential in Rózycki, Ludomir (1884-1953) Brazil, not only because of his music, but also because of his 01:01AM Stanczyk - Symphoni Scherzo (Op.1) (1904) work in the favelas of northern Brazil, where he runs a music Ravel, Maurice (1875-1937) National Polish Radio Symphony Orchestra, Janusz Przbylski school. L'Heure espagnole (The Spanish Hour) (conductor) Philippe Do (tenor - Torquemada, a clockmaker), Marie-Ange WORLD ROUTES Todorovitch (mezzo-soprano - Concepción, Torquemada's 06:49AM wife), Nicolas Rivenq (baritone - Ramiro, a muleteer), Alain Chopin, Frédéric (1810-1849) Presented by Lucy Duran Vernhes (bass - Don Iñigo Gomez, a banker), Yves Saelens Scherzo no.1 in B minor (Op.20) Produced by Roger Short (tenor - Gonzalve, a student poet), Orchestre National de Lille Valerie Tryon (piano). (Lille National Orchestra), Jean-Claude Casadesus (conductor) Tel. 020 7765 4661 Fax. 020 7765 5052 01:50AM SAT 07:00 Breakfast (b00rwnsy) e-mail [email protected] Poulenc, Francis (Jean Marcel) (1899-1963) Saturday - Suzy Klein Sonata for Two Pianos (1953) Saturday 10th April, 3:00pm Roland Pöntinen & Love Derwinger (pianos) Suzy Klein presents Breakfast. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
September 1, 2018
September 1, 2018: (Full-page version) Close Window “To achieve great things, two things are needed; a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, Awake! 00:01 Buy Now! Wagner Prelude to Act 1 ~ Parsifal Royal Concertgebouw/Haitink Philips 420 886 028942088627 00:14 Buy Now! Strauss, R. Don Juan, Op. 20 (Symphonic Poem) Pittsburgh Symphony/Honeck Reference Recordings 707 030911270728 00:33 Buy Now! Brahms Clarinet Trio in A minor, Op. 114 Schmidl/Dolezal/Schiff London 410 114 028941011428 01:01 Buy Now! Pachelbel Suite in B flat for Strings Paillard Chamber Orchestra/Paillard Erato 98475 745099847524 01:13 Buy Now! Lalo Symphonie espagnole, Op. 21 Mutter/French National Orchestra/Ozawa EMI 547318 n/a 01:48 Buy Now! Geminiani Concerto No. 9 in A I Musici Philips 438 766 028943876629 02:01 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 Czecho-Slovak Radio 02:14 Buy Now! Humperdinck Prelude ~ The Canteen Woman Marco Polo 8.223369 4891030233630 Symphony/Fischer-Dieskau 02:23 Buy Now! Nicolai Symphony No. 2 in D Bamberg Symphony/Rickenbacher Virgin 91079 075679107923 03:00 Buy Now! Chopin Two Waltzes, Op. 18 & Op. 34 No. 1 Vladimir Ashkenazy London 414 600 028941460028 03:11 Buy Now! Reicha Horn Quintet in E, Op. 106 Klanska/Panocha Quartet Supraphon 73081 081757308120 03:40 Buy Now! Brahms Violin Sonata No. 2 in A, Op. 100 Perlman/Barenboim Sony 45819 07464458192 04:00 Buy Now! Bach Trio Sonata in G, BWV 1039 Florilegium Channel Classics 14598 723385145981 04:13 Buy Now! Haydn Symphony No. -
Complete Beethoven Sonatas
4 | MUSIC Joanna MacGregor plays Beethoven’s 32 Sonatas Thursday 22 October - Sunday 25 October Shirley Hall, King's School Tickets £20 per concert Any 3 concerts £50 Complete series £120 Introductory Talk £10 Joanna MacGregor CBE is one of the world's most innovative musicians. As a solo pianist she has appeared with the world's leading orchestras, performing in over eighty countries, with eminent conductors Pierre Boulez, Colin Davis, Valery Gergiev, Simon Rattle and Michael Tilson Thomas. Joanna has premiered many landmark works - from Harrison Birtwistle to John Adams and James MacMillan – and is a regular broadcaster, making numerous appearances at the BBC Proms. Joanna is Head of Piano at the Royal Academy of Music and runs two annual piano festivals for young musicians. She has been the Artistic Director of Dartington Summer School, of Bath International Festival, and Deloitte Ignite at the Royal Opera House. Her many recordings, on her own record label SoundCircus, range from Chopin and Piazzolla to Bach and John Cage. She chairs the Paul Hamlyn Composers Awards and was a 2019 Booker Prize Judge. Joanna has just been appointed Principal Conductor and Music Director of Brighton Philharmonic, as it approaches its centenary. Sponsored by Box Office: 01227 457568 | canterburyfestival.co.uk MUSIC | 5 ‘What better companion than Beethoven's Sonatas: Beethoven? For his 250th an Introductory Talk by birthday I’ll play his thirty-two Joanna MacGregor Thursday 22 October, 7.30pm Shirley Hall, King's School Concerts Friday 23 October - Sunday 25 October Friday 23 October, 4pm Saturday 24 October, 7pm Op 2 no 1 F minor Op 31 no 2 D minor The Tempest Op 2 no 2 A major Op 31 no 3 E flat major The Hunt Op 2 no 3 C major (interval) Op 7 E flat major Grand Sonata Op 106 B flat major Hammerklavier 107 mins (incl. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.