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Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
The Evolution of the Steam Locomotive, 1803 to 1898 (1899)
> g s J> ° "^ Q as : F7 lA-dh-**^) THE EVOLUTION OF THE STEAM LOCOMOTIVE (1803 to 1898.) BY Q. A. SEKON, Editor of the "Railway Magazine" and "Hallway Year Book, Author of "A History of the Great Western Railway," *•., 4*. SECOND EDITION (Enlarged). £on&on THE RAILWAY PUBLISHING CO., Ltd., 79 and 80, Temple Chambers, Temple Avenue, E.C. 1899. T3 in PKEFACE TO SECOND EDITION. When, ten days ago, the first copy of the " Evolution of the Steam Locomotive" was ready for sale, I did not expect to be called upon to write a preface for a new edition before 240 hours had expired. The author cannot but be gratified to know that the whole of the extremely large first edition was exhausted practically upon publication, and since many would-be readers are still unsupplied, the demand for another edition is pressing. Under these circumstances but slight modifications have been made in the original text, although additional particulars and illustrations have been inserted in the new edition. The new matter relates to the locomotives of the North Staffordshire, London., Tilbury, and Southend, Great Western, and London and North Western Railways. I sincerely thank the many correspondents who, in the few days that have elapsed since the publication: of the "Evolution of the , Steam Locomotive," have so readily assured me of - their hearty appreciation of the book. rj .;! G. A. SEKON. -! January, 1899. PREFACE TO FIRST EDITION. In connection with the marvellous growth of our railway system there is nothing of so paramount importance and interest as the evolution of the locomotive steam engine. -
The Rhetorics of the Voltron: Legendary Defender Fandom
"FANS ARE GOING TO SEE IT ANY WAY THEY WANT": THE RHETORICS OF THE VOLTRON: LEGENDARY DEFENDER FANDOM Renee Ann Drouin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 Committee: Lee Nickoson, Advisor Salim A Elwazani Graduate Faculty Representative Neil Baird Montana Miller © 2021 Renee Ann Drouin All Rights Reserved iii ABSTRACT Lee Nickoson, Advisor The following dissertation explores the rhetorics of a contentious online fan community, the Voltron: Legendary Defender fandom. The fandom is known for its diversity, as most in the fandom were either queer and/or female. Primarily, however, the fandom was infamous for a subsection of fans, antis, who performed online harassment, including blackmailing, stalking, sending death threats and child porn to other fans, and abusing the cast and crew. Their motivation was primarily shipping, the act of wanting two characters to enter a romantic relationship. Those who opposed their chosen ship were targets of harassment, despite their shared identity markers of female and/or queer. Inspired by ethnographically and autoethnography informed methods, I performed a survey of the Voltron: Legendary Defender fandom about their experiences with harassment and their feelings over the show’s universally panned conclusion. In implementing my research, I prioritized only using data given to me, a form of ethical consideration on how to best represent the trauma of others. Unfortunately, in performing this research, I became a target of harassment and altered my research trajectory. In response, I collected the various threats against me and used them to analyze online fandom harassment and the motivations of antis. -
? Download Free Voltron: Defender of The
Register Free To Download Files | File Name : Voltron: Defender Of The Universe, Vol. Ii Issue 9; Sept. 2004 PDF VOLTRON: DEFENDER OF THE UNIVERSE, VOL. II ISSUE 9; SEPT. 2004 Comic January 1, 2004 Author : Did You Check eBay? Fill Your Cart With Color Today!","adext":{"sitelinks":{"l":[],"tid":""},"tid":"1"},"ae":null,"c":"https://duckduckgo.com/y.js?ad_pro vider=bingv7aa&eddgt=lh5HGrMrELRYGz7Ixo81ww%3D%3D&rut=90035036a569acfd4d9530e7a 3a2c68fe52d553c84408fc996e0ebdc30859aae&u3=https%3A%2F%2Fwww.bing.com%2Faclick %3Fld%3De8ODmrwqtfbkPDJaJKkZEU_TVUCUwLvWPwAkQEFpp81DEAbXhaEMwjtFfSPbiLJd CDugMJkfxd7QeJrdE5GuES_YH8oDl9hqG_KaShAgPd8J2YBZ6PkYj1XDOiePQAwiKFBxOjkCt8 UZlahCL0WzL_%2D1FHa0uGOzQ3vnH0iP_%2Dsp0WMGNZK0RE28knSnSEGxypd4631g%26u %3DaHR0cCUzYSUyZiUyZnd3dy5lYmF5LmNvbSUyZnVsayUyZnNjaCUyZiUzZl9ua3clM2R2b2x0 cm9uJTI2bm9yb3ZlciUzZDElMjZta2V2dCUzZDElMjZta3JpZCUzZDcxMS0zNDAwMC0xMzA3OC0 wJTI2bWtjaWQlM2QyJTI2a2V5d29yZCUzZHZvbHRyb24lMjZjcmxwJTNkXyUyNk1UX0lEJTNkJTI 2Z2VvX2lkJTNkJTI2cmxzYXRhcmdldCUzZGt3ZC03NjY5MTA3MTAyNzgwMiUzYWxvYy0xNTYlM jZhZHBvcyUzZCUyNmRldmljZSUzZGMlMjZta3R5cGUlM2QlMjZsb2MlM2QxNTYlMjZwb2klM2QlM jZhYmNJZCUzZCUyNmNtcGduJTNkMzI5ODU0Njk0JTI2c2l0ZWxuayUzZCUyNmFkZ3JvdXBpZC UzZDEyMjcwNTUxMjg2NTM1MDYlMjZuZXR3b3JrJTNkcyUyNm1hdGNodHlwZSUzZHAlMjZtc2N sa2lkJTNkNjhiZWNlNGU2ZjcwMTM5MWViODhhZTk1YTIyZTUzYjU%26rlid%3D68bece4e6f7013 91eb88ae95a22e53b5&vqd=3-276754780307400450561506926103426315680- 149382371238630188221044527126906250971&iurl=%7B1%7DIG%3DFF9851BF5D9F4411A9 A8759113D75E75%26CID%3D2FC3FC7AA3E36EE126E9EC1CA2486F72%26ID%3DDevEx%2 C5649.1","d":"ebay.com","h":0,"i":"","k":0,"m":0,"o":"","p":1,"relevancy":{"abstract":"Did%20You%20 -
Television for Children: Problems of National Specificity and Globalisation
Television for children: problems of national specificity and globalisation Book or Report Section Accepted Version Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546 Available at http://centaur.reading.ac.uk/21378/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online NOTE: This is a chapter published as Bignell, J., ‘Television for children: problems of national specificity and globalisation’ in K. Lesnik-Oberstein (ed.), Children in Culture, Revisited: Further Approaches to Childhood (Basingstoke: Palgrave Macmillan 2011), pp. 167-185. The whole book is available to buy from Palgrave at http://www.palgrave.com/gb/book/9780230275546. My published work is listed and more PDFs can be downloaded at http://www.reading.ac.uk/ftt/about/staff/j-bignell.aspx. Jonathan Bignell Television for children: problems of national specificity and globalisation In the developed nations of Europe, and in the USA, it has long been assumed that television should address children. Thus, notions of what ‘children’ are have been constructed, and children are routinely discussed as an audience category and as a market for programmes. -
Voltron Script Script
VOLTRON By Chris Harris 549 North Laburnum Ave. Apt.3 Richmond, VA 23223 Cell: 252/258-0978 [email protected] FADE IN: INT. OBSERVATORY - DAY Doctor LARRY MOSLEY is standing at a refreshment table at the far wall pouring himself a cup of coffee. SUPER: CALIFORNIA Three BEEPS come from a computer behind him. Larry drops the cup to the floor and runs over to the monitor. Larry picks up the phone. LARRY Come in here fast. You won’t believe this. Larry hangs the phone up. He continues to stare at the monitor. A SCIENTIST walks up and looks over Larry’s shoulder. The BEEPS increase in frequency. There are readings on the monitor. SCIENTIST What is it? LARRY Contact. All these years we've been sending signals up and finally we were responded to. INT. APARTMENT BEDROOM - DAY ROCK MUSIC is being played from another room. SUPER: ARIZONA KEITH KOGANE, 28, sits up in the bed. He smiles, shakes his head and gets up. Keith goes into the bathroom. 2. KITCHEN Keith walks in. The music is turned off but the television is on in the living-room. Keith opens the refrigerator and looks inside. Keith speaks without turning around. KEITH Did you save me anything to eat? LIVING ROOM HUNK GARETT, 27, belches. HUNK I’m not that greedy. KITCHEN KEITH Who told you that? Keith pulls out a cartoon of milk and closes the refrigerator. He reaches into the cabinet and pulls down a box of cereal. Keith fixes a bowl of cereal and sits down at the kitchen bar. -
BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019
BANDAI NAMCO Group FACT BOOK 2019 BANDAI NAMCO Group FACT BOOK 2019 TABLE OF CONTENTS 1 BANDAI NAMCO Group Outline 3 Related Market Data Group Organization Toys and Hobby 01 Overview of Group Organization 20 Toy Market 21 Plastic Model Market Results of Operations Figure Market 02 Consolidated Business Performance Capsule Toy Market Management Indicators Card Product Market 03 Sales by Category 22 Candy Toy Market Children’s Lifestyle (Sundries) Market Products / Service Data Babies’ / Children’s Clothing Market 04 Sales of IPs Toys and Hobby Unit Network Entertainment 06 Network Entertainment Unit 22 Game App Market 07 Real Entertainment Unit Top Publishers in the Global App Market Visual and Music Production Unit 23 Home Video Game Market IP Creation Unit Real Entertainment 23 Amusement Machine Market 2 BANDAI NAMCO Group’s History Amusement Facility Market History 08 BANDAI’s History Visual and Music Production NAMCO’s History 24 Visual Software Market 16 BANDAI NAMCO Group’s History Music Content Market IP Creation 24 Animation Market Notes: 1. Figures in this report have been rounded down. 2. This English-language fact book is based on a translation of the Japanese-language fact book. 1 BANDAI NAMCO Group Outline GROUP ORGANIZATION OVERVIEW OF GROUP ORGANIZATION Units Core Company Toys and Hobby BANDAI CO., LTD. Network Entertainment BANDAI NAMCO Entertainment Inc. BANDAI NAMCO Holdings Inc. Real Entertainment BANDAI NAMCO Amusement Inc. Visual and Music Production BANDAI NAMCO Arts Inc. IP Creation SUNRISE INC. Affiliated Business -
La Guía Del Paladín
dâctilos Javier Barrera La guía del Paladín EL DEFENSOR LEGENDARIO Cartoné 150 x 222 mm Aprende todo lo que necesitas para ser un paladín VOLTRON 155 x 228 mm de Voltron con esta increíble guía. Lee todas las curiosidades acerca de Voltron, conoce el Castillo de los Leones, descubre la verdad que se esconde 15 mm detrás de la Misión Cerbero… ¡y averigua qué león pilotarías si fueses un defensor del universo! 4 0 La guía del Paladín LA GUÍA DEL PALADÍN PVP 11,95 € 10239132 UVI brillo en zonas (VER PDF “UVI”, están en color magenta www.planetadelibrosinfantilyjuvenil.com 100%). DreamWorks Voltron Legendary Defender © 2019 DreamWorks Animation LLC. TM World Events Productions LLC. All Rights reserved. 26 de Abril de 2019 10239132_La_guia_del_paladin.indd 1 26/4/19 11:32 LA GUÍA DEL PALADÍN T_10239132_La_guia_del_paladin.indd 1 26/4/19 11:38 DreamWorks Voltron Legendary Defender © 2019 DreamWorks Animation LLC. TM World Events Productions LLC. All rights reserved. Publicado en España por Editorial Planeta, S. A., 2019 Avda. Diagonal, 662-664, 08034 Barcelona (España) www.planetadelibrosinfantilyjuvenil.com www.planetadelibros.com Primera edición: junio de 2019 ISBN: 978-84-08-21061-0 Depósito legal: B. 9.558-2019 Impreso en España El papel utilizado para la impresión de este libro está calificado como papel ecológico y procede de bosques gestionados de manera sostenible. No se permite la reproducción total o parcial de este libro, ni su incorporación a un sistema informático, ni su transmisión en cualquier forma o por cualquier medio, sea este electrónico, mecánico, por fotocopia, por grabación u otros métodos, sin el permiso previo y por escrito del editor. -
EL ORIGEN DE VOLTRON Javier Barrera
dâctilos EL ORIGEN DE VOLTRON Javier Barrera El origen de Voltron Rústica con solapas Cinco pilotos adolescentes 140 x 205 mm de la Tierra han descubierto 142 x 205 mm EL DEFENSOR LEGENDARIO en mitad del desierto el León Azul, un robot gigante. Ninguno de ellos sabe que están a punto de embarcarse VOLTRON en una aventura intergaláctica. 4 ¿Serán capaces de dejar a 0 un lado sus diferencias y de aprender a formar a Voltron, la única esperanza para derrotar el malvado imperio Galra? El destino del universo está en juego... www.planetadelibrosinfantilyjuvenil.com El origen de Voltron PVP 9,95 € 10239129 Adaptado por CALA SPINNER Y NATALIE SHAW UVI brillo en zonas (VER PDF DreamWorks Voltron Legendary Defender © 2019 “UVI”, están en color magenta DreamWorks Animation LLC. TM World Events Productions LLC. All rights reserved. 100%). 26 de Marzo 2019 10239129_El_origen_de_Voltron.indd 1 25/4/19 17:00 El origen de Voltron Adaptado por Cala Spinner y Natalie Shaw T_10239129_El_origen_de_Voltron.indd 1 25/4/19 17:05 DreamWorks Voltron Legendary Defender © 2019 DreamWorks Animation LLC. TM World Events Productions LLC. All rights reserved. Publicado en España por Editorial Planeta, S. A., 2019 Avda. Diagonal, 662-664, 08034 Barcelona (España) www.planetadelibrosinfantilyjuvenil.com www.planetadelibros.com Primera edición: junio de 2019 ISBN: 978-84-08-21059-7 Depósito legal: B. 9.557-2019 Impreso en España El papel utilizado para la impresión de este libro está calificado como papel ecológico y procede de bosques gestionados de manera sostenible. No se permite la reproducción total o parcial de este libro, ni su incorporación a un sistema informático, ni su transmisión en cualquier forma o por cualquier medio, sea este electrónico, mecánico, por fotocopia, por graba- ción u otros métodos, sin el permiso previo y por escrito del editor. -
CS67 E5 Script (Final Draft)
"SPECTRUM IS MAROON" CAPTAIN SCARLET AND THE MYSTERONS "Spectrum is Maroon" Written by Richard O'Neill Adapted by Andrew Hsieh Teleplay based on the mini-album Captain Scarlet versus Captain Black Captain Scarlet and the Mysterons © ITC Entertainment Group Limited 1967 and 2017 1 FADE IN: EXT. CORNISH COAST - DAY It is very sunny. Along the fields of grass, we see a small figure running for his life. He isn't too far from the coast - the brink of death. Captain Blue hides beneath a tree stump, using binoculars and his cap mike. CAPTAIN BLUE Here he goes! Over that rise, about 300 yards right on my position. Can you see him, Captain Ochre? CAPTAIN OCHRE (V.O.) I see him, Captain Blue, and he's trapped. There's nothing on his back, but the sea. And he'll never make it down the cliff faces in a sheer drop. He'll have to give up. CAPTAIN BLUE Give up? Don't you believe it, you've had field experience. Have you ever known a Mysteron agent who'd give himself up? CAPTAIN OCHRE (V.O.) Will you call in the Angel strike? CAPTAIN BLUE No. You have the new electro- ray rifle, and this is your chance to give it a real test. The Spectrum scientist claimed it'll be effective on Mysteronised subjects, and you're gonna see if you're right. Can you get a clear shot of him? CAPTAIN OCHRE (V.O.) SIG, Captain. We reveal Captain Ochre, holding a long futuristic rifle, but feeling nervous at the same time. -
La Fabbrica Dei Sogni ??? Di Fabio Pasquetto, Redazione Brandforum.It 1
Bandai: ll’impero’impero dei giochi o la fabbrica dei sogni ??? Di Fabio Pasquetto, Redazione Brandforum.it 1 Premessa Piccolo dilemma scaturito sostanzialmente dalla caratteristica “duale” della brand essence di BANDAI: da una parte quella materiale o fisica, composta da una galassia di aziende, da una serie innumerevole di giochi, giocattoli, toy models ecc. dalle più svariate e impensabili tipologie, ma tutti fisicamente reali, veri, tangibili, dall’altra quella “metafisica”, che spazia e che viene generata dalla fantasia e intuita dalla creatività delle menti che hanno fatto di BANDAI una vera e propria fabbrica dei sogni o della felicità…. BANDAI non è solo un brand ma soprattutto non è un brand qualsiasi. Ripercorrendo la storia della BANDAI e mettendo in evidenza gli aspetti e le fasi che l’hanno resa celebre in tutto il mondo anche e soprattutto attraverso i numerosi character , personaggi delle serie animate ( Anime ) o dei fumetti ( Manga ), constateremo come BANDAI abbia rappresentato la diffusione di un fenomeno culturale. Quindi al di là dei successi commerciali e delle vaste e complesse operazioni societarie che avremo modo di ripercorrere, uno dei meriti che senza ombra di dubbio va riconosciuto alla Casa Nipponica è quello di aver contribuito per massima parte a diffondere nel mondo la cultura giapponese, in particolare quella legata all’universo dei Manga e di Anime 2 L’aspetto della cultura a cui abbiamo accennato è un valore che incide profondamente sulle caratteristiche del brand; BANDAI infatti è percepita anche per aver contribuito, ancora oggi, a diffondere un modello di cultura condiviso da moltissime generazioni e in diverse parti del globo, creando quindi importanti legami interculturali e intergenerazionali lungo un intero arco di cinquantanni di attività e che incontra un numero sempre maggiore di pubblico, acquirenti e cultori appassionati, collezionisti e non. -
Scanned Using Book Scancenter 5030
//-/ fs 'Argo Newspaper Stockton State College Bulk Rate Pomona, N.J 08240 U.S. Postage Offities C-004- PAID (604) -^6 ext. 573 Pomopa, N.J. 08240 Permit No. 24 First Class Mnil 'Arqb' is watching." "Argo is not an official publication of Stockton State College but is published by an independent corporation licensed • Volume 25, Number fO- •POMONA/N.J.- • November 19,1982 in N.J. ' ¥ Strong Stance Taken On Budget Cuts By Helen MacMurray onHand TLiz it Johnson _x_>u.; i _i i o • . « . >• starting, "it would be unfair to reduce Substantial cuts were suggested in which will save approximately $90,000, After reviewing the revised budget e'mployee's salaries, since I believe there other areas. Mitchell called fof a shut will be already scheduled intercollegiate * proposals allowing for a 3 percent cut are other steps we could take." He also down of all college facilities on week athletics, the computer lab and the Per submitted-by all state coljege presidents, noted that the Chancellor does have, a ends from'Cji.ln. on Friday until Monday forming Arts Center. the Chancellor of Higher Education has broa'der perspective oh the situation'that morning) and weeknights at 10 p.m. Pending This would not affect G-Wing, C- recommended to Govemer Kean salary should, be taken into .account. talks with local^unions, Stockton would,, Wing or^he new Student Center, since reductions for employees equal to the MitclieU's budget proposals reflect this also close from December 24" to January 'they are funded by student fee money proposed budget cut.