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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life. -
The Great Hypostyle Hall in the Temple of Amun at Karnak
The Great Hypostyle Hall in the Temple of Amun at Karnak. Volume 1, Part 2 (Translation and Commentary) and Part 3 (Figures and Plates) ISBN: 9781614910275 (hb) by Peter J. Brand, Rosa Erika Feleg and William J. Murnane PRICE: DESCRIPTION: $99.95 (hb) Standing at the heart of Karnak Temple, the Great Hypostyle Hall is a forest of 134 giant sandstone columns enclosed by massive walls. Sety I built the Great Hypostyle Hall ca. 1300 BCE and PUBLICATION DATE: decorated the northern wing with exquisite bas reliefs. After his death, his successor Ramesses II 12 March 2019 (hb) completed the southern wing mostly in sunk relief. This volume provides full translation, epigraphic analysis, and photographic documentation of the elaborate wall reliefs inside the Hall. This vast trove BINDING: of ritual art and texts attest to the richness and vitality of Egyptian civilization at the height of its Hardback imperial power. The present volume builds upon and serves as a companion to an earlier volume of drawings of the wall scenes made by Harold H. Nelson in the 1950s and edited for publication by SIZE: William J. Murnane in 1981. 9 x11 TABLE OF CONTENTS: PAGES: Table of Contents, part 2 (translation and commentary) 800 List of Symbols and Abbreviations List of Plans ILLUSTRATIONS: Preface 373 figures, 265 plates and Acknowledgments 15 plans 1. Constructing and Decorating the Great Hypostyle Hall 2. The Character and Chronology of the Relief Decoration of Sety I and Ramesses II in the Great PUBLISHER: Hypostyle Hall Oriental Institute of the 3. General Characteristics of Nelson's Drawings University of Chicago 4. -
French-Egyptian Centre for the Study of the Temples of Karnak
FRENCH-EGYPTIAN CENTRE FOR THE STUDY OF THE TEMPLES OF KARNAK Luxor, 2017 Ministry of Antiquities of Egypt Centre National de la Recherche Scientifique Ministère des Affaires Étrangères et du Développement International FRENCH-EGYPTIAN CENTRE FOR THE STUDY OF THE TEMPLES OF KARNAK ACTIVITY REPORT 2016 TABLE OF CONTENTS FOREWORD ............................................................................................................................................ 4 1. SCIENTIFIC PROGRAMMES ................................................................................................................ 7 1.1. Power and marks of Power at Karnak ........................................................................................ 7 1.1.1. The Sphinx of Pinudjem ............................................................................................................. 7 1.1.2. The 8th Pylon ............................................................................................................................. 7 1.2. Peripheral areas ............................................................................................................................. 9 1.2.1. The Temple of Ptah ................................................................................................................... 9 1.3. Cults and places of worship .......................................................................................................... 28 1.3.1. The Monuments of Amenhotep I .............................................................................................. -
Antiguo Oriente
ORE Open Research Exeter TITLE Peftjauawybast, King of Nen-nesut: genealogy, art history, and the chronology of Late-Libyan Egypt AUTHORS Morkot, RG; James, PJ JOURNAL Antiguo Oriente DEPOSITED IN ORE 14 March 2017 This version available at http://hdl.handle.net/10871/26545 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication CUADERNOS DEL CENTRO DE ESTUDIOS DE HISTORIA DEL ANTIGUO ORIENTE ANTIGUO ORIENTE Volumen 7 2009 Pontificia Universidad Católica Argentina Facultad de Filosofía y Letras Centro de Estudios de Historia del Antiguo Oriente Ciudad Autónoma de Buenos Aires - Argentina Facultad de Filosofía y Letras, Departamento de Historia Centro de Estudios de Historia del Antiguo Oriente Av. Alicia Moreau de Justo 1500 P. B. Edificio San Alberto Magno (C1107AFD) Buenos Aires Argentina Sitio Web: www.uca.edu.ar/cehao Dirección electrónica: [email protected] Teléfono: (54-11) 4349-0200 int. 1189 Fax: (54-11) 4338-0791 Antiguo Oriente se encuentra indizada en: BiBIL, University of Lausanne, Suiza. DIALNET, Universidad de La Rioja, España. INIST, Centre Nationale de la Recherche Scientifique, Francia. LATINDEX, Catálogo, México. LIBRARY of CONGRESS, Washington DC, EE.UU. Núcleo Básico de Publicaciones Periódicas Científicas y Tecnológicas Argentinas (CONICET). RAMBI, Jewish National and University Library, Jerusalén, Israel. Hecho el depósito que marca la Ley 11.723 Impreso en la Argentina © 2010 UCA ISSN 1667-9202 AUTORIDADES DE LA UNIVERSIDAD CATÓLICA ARGENTINA Rector Monseñor Dr. -
Origin of the Great Hypostyle Hall at Karnak
ANCIENT EGYPT. ORIGIN OF THE GREAT HYPOS1YLE HALL AT KARNAK. There seems to be a good deal of uncertainty in the text and guide books as to the name of the founder of the Great Hypostyle Hall at Karnak. One authority says that Ramesses I set up one column, Seti I, 79, and Ramesses II, 54; another says that it was founded by l.Iareml~ab and so far finished in the time of Ramesses I that he was able to put his name on one column ;1 a third merely states that Seti I used the pylon ("No. III ") of Amenophis III as the back to his Hall of Columns. Though future excavation and possibly fresh documentary matter may settle the attribution once and for all, we have already two pieces of evidence which, to my mind, throw a great deal of light on it. Up to the present, I have not seen them brought forward together. In the inscription of Amenophis Ill on the ea~t face of Pylon III at Karnak, shewn in Fig. I, he tells how magnificently he decorated it. The inscription is very imperfect as the pylon is in ruins, only the ends of each of its 71 columns of inscription being left. After a long speech of praise to Amen-Re', followed by an account in general terms of his gifts to the god, the king describes the decoration of the pylon. Columns 53-57 are as follows (BREASTED, Ancient Records, !I, p. 368). (53)---· great doorway of electrum. (54) of the land that sees it, every land [---- --]. -
Sample Text Template
SHIP OF THE GOD: THE AMUN-USERHET IN NEW KINGDOM EGYPT A Thesis by MEGAN ELIZABETH COLLIER Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Shelley Wachsmann Committee Members, Deborah Carlson Kevin Glowacki Head of Department, Cynthia Werner December 2013 Major Subject: Anthropology Copyright 2013 Megan Elizabeth Collier ABSTRACT The Amun-Userhet was a ship which played a crucial role in the development of religious thought in New Kingdom Egypt. The pharaoh and his entourage sailed down the Nile on its deck as part of a religious celebration called the Opet festival. This festival commemorated the annual renewal of the royal Ka and reinforced the order of the universe. This ship was the bridge between the human world and the divine. No one has found any archaeological remains of the ship, but iconography, artifacts that would have adorned a miniature version of the Amun-Userhet, and written sources offer an accurate depiction. From this evidence we know that this ship was gilded and covered in precious gems. It also had a specific formula of symbols attached to it that can give us insight into its function in New Kingdom religion. Through the review of the surviving iconography, artifacts, and written accounts of the Amun-Userhet, this thesis looks at the role this ship played in the development of New Kingdom religion. This ship was not only the bridge between the human and divine, but was also the bridge between the state religion of the Old and Middle Kingdom and the new idea of personal piety that arose in the New Kingdom. -
Between Thebes and Elephantine: Busy Lives of Egyptian Officials
Originalveröffentlichung in: Alejandro Jiménez-Serrano und Cornelius von Pilgrim (Hg.): From the Delta to the Cataract. Studies Dedicated to Mohamed el-Bialy, Leiden & Boston 2015, S. 12–23 CHAPTER2 Between Thebes and Elephantine: Busy Lives of Egyptian Officials Julia Budka Austrian Academy of Sciences, Vienna Abstract (_j O-a® L» jjj! IJ-* lj*! L»-* I (j* 0»-lj 4)1 X/C mj <Uj A a !I^^4* (_j (_-SJ^** J»\ (jjj- »«-o 'I(JJl- (_j<ij»i-^)l !j*^-*i-j . j>l(J>[o^*(j*'-J' ,l-\>'*-LlyjLj4-i»c«Jlol.sL*!l<J.iLj jv>t>o)l(Jl/'l^^(j\S^JLoJliiU J$j<> jLt*»JI 4JaO Vl^jJajjoJljj-9 lifi^ VI jl <ol>*<'L-J^ *■ • *■ Ij>I OI2LaP <ci>tJI 43jjll^. ALj . ^ V-JI 4S_jsX* <-V -» UaX>1 L-JLo 0!£"* <_£JuJI»^^yasOLISU^Oi&jp)__p<a»J I (jj jOL 10 l(_^p L* IjiSj^XXn) l^ OjO .4i-tJ-l a Ij jJ I^-aP^bJl <Os Iuj (jooJI^(_j VjL*lOl <*J olSj <uJ>(j*(_jl Lj! I^^p(Jj^_»«J a J l>. 4—> I j j^t-oj LoS 4X>-jjj<_£jj>- . » jus JJidl »L> IjLuj i_Ji^ (jvjL VI (jciLjLI JO^*110(^4*) 4 > l?> (J Ij L-^Jsj. J, [» Jj*) I o lojj L fcj <j^J [ <j <jL>j! I u^*i L-5C* ^j^L-^-Oj I ^j* (_£j»- I Ij* (_j j Ua> I4! -Ojs (_£ jj^ L-ISL-J lj> VI OIJ Lap . Au-lal I L_$j I J'jjc* 4_w«lp_JI j*OS- #lil - <_£ ij jl fcTjb->J!(^ <C-1> W> (_j!l (J^j-a JI JI.-j^Ljj ^a* *■ ! I jjb 4jjj ^I (j*J • 4J>mJI 4fl.3j~**J ■S_/*! I jJsjL <_£j*as \jljI 4UaP- V (j<_jj lj (jj jL—JJ _^>- Jj*JI SLA-I JaOJ S^^L* • Ipj I 4~«>-(_j <tJaJ Oj_l jC*JI (JjL—Jldi!i(_^jj>- .l>j^L^*4>^jo>tJI Ja >4>-*j^pl^-la:...iL_*_^Lol£L-£>VJi-jl >«L(j«l$Lol Dlp l$xS3 Ijili 'jL* O-—^J (jCOsJ(3 c£ ‘-C^5 4C*0i-j (_^JaJI .<j* LJI jj*jr^S^-4p »j^»-4->-U-l 4lj-t! I__^-aP (_j » j L *^i! © KONINKLIJKE BRILL NV, LEIDEN, 2015 | DOI 10.1163/9789004293458_003 BETWEEN THEBES AND ELEPHANTINE 13 My first encounter with Mohamed el-Bialy was in 2002, during his time as the Director General of the West Bank, on the occasion of my initial campaign working on material from Austrian excavations in the Asasif. -
Decoding the Medinet Habu Inscriptions: the Ideological Subtext of Ramesses III’S War Accounts
Peters 1 Decoding the Medinet Habu Inscriptions: The Ideological Subtext of Ramesses III’s War Accounts Abstract: The temple of Medinet Habu in Thebes stands as Ramesses III‘s lasting legacy to Ancient Egyptian history. This monumental structure not only contained luxury goods within, but also a goldmine of information inscribed on its outside walls. Here, Ramesses adorned the temple with stories of military campaigns he led against enemies in the north who hoped to gain control of Egypt. These war accounts have posed a series of problems to modern scholars. Today, the debate still rages over how the inscriptions should be interpreted. This work analyzes Ramesses‘s records through the lens of socioeconomic decline that occurred during his rule in order to demonstrate the role ideology—namely ma‘at—played in his self-representation and his methodology to ensure and legitimize his rule during these precarious times. Scott M. Peters Senior Thesis, Department of History Columbia College, Columbia University April 2011 Advisors: Professor Marc Van De Mieroop and Professor Martha Howell Word Count: 17,070 (with footnotes + bibliography included) Peters 2 Figure 1: Map of Ancient Egypt with key sites. Image reproduced from Marc Van De Mieroop, A History of Ancient Egypt (Malden: Wiley-Blackwell, 2011), 28. Peters 3 Introduction When describing his victory over invading forces in the north of Egypt, Ramesses III, ruler at the time, wrote: …Those who came on land were overthrown and slaughtered…Amon-Re was after them destroying them. Those who entered the river mouths were like birds ensnared in the net…their leaders were carried off and slain. -
Western Processional Way
Western Processional Way Originally built by Pinedjem - 1054 BCE to 1039 BCE Modified by Shoshenq I - 945 BCE to 924 BCE Modified by Taharqo - 690 BCE to 664 BCE Modified by Unknown Roman ruler - 29 BCE to 395 CE Other works initiated by Shoshenq I: Bubastite Portal, Shoshenq I Court Other works initiated by Taharqo: Taharqo Kiosk, Taharqo Edifice and Nilom- eter, Ramesses II Eastern Temple, Khonsu Temple Introduction Recumbent, ram-headed sphinxes on rectangular pedestals line the western entrance into Karnak temple. Osiride statuettes of Ramesses II stand between the front paws of the sphinxes. At the temple today, forty sphinxes grace the entrance to Pylon I, and fifty-two are contained within the Shoshenq Court. Traces of the original paint still remains on the some of the sphinxes. Measurements: The pedestals measure 1.35m across by 1.70m deep, with a height of 0.43m. The sphinxes themselves vary between 3.6m-3.8m in length and 1.1m-1.2m in width. Phase: Pinudjem Pinedjem, a “high priest of Amun” at Karnak temple, placed some 100 sphinxes Western Processional Way in its existing state. along the 200m processional pathway that stretched from the entrance of the temple of the time (Pylon II) to the temple quay. The sphinxes (originally carved during the reign of Amenhotep III and Thutmose IV) were probably cited at Luxor temple (about 2km south of Karnak) since the 19th Dynasty, where they were moved and usurped by Ramesses II. Pinedjem seems to have shifted the sphinxes from Luxor to Karnak, adding his name to them as well. -
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Journal of Ancient Egyptian Interconnections CULTURAL AND RELIGIOUS IMPACTS OF LONG -T ERM CROSS -C ULTURAL MIGRATION BETWEEN EGYPT AND THE LEVANT Thomas Staubli university of fribourg, switzerland ABSTRACT An increase of cross-cultural learning as a consequence of increased travel and migration between Egypt and the Levant during the Iron Age occurred after millennia of migration in earlier times. The result was an Egyptian-Levantine koine, often not recognized as relevant by historians due to an uncritical reproduction of ancient myths of separation. However, the cultural exchange triggered by migration is attested in the language, in the iconography of the region, in the history of the alphabet, in literary motifs, in the characterization of central characters of the Hebrew Bible and, last but not least, in the rise of new religions, which integrated the experience of otherness in a new ethos. Egypt and the Levant: two areas that have countries. in reality, the relations between the eastern continually shaped societies and the advancement of Delta and the Levant were probably, for many centuries, civilization in both the past and the present.” more intense than the relations between the eastern delta “ —Anna-Latifa Mourad (2015, i) and Thebes. in other words, in order to deal seriously with the 1. I NTRODUCTION 1 Levant and northern Egypt as an area of intensive 1.1. T hE ChALLEngE : T hE EsTAbLishED usE of “E gypT ” AnD migration over many millennia and with a focus of the “C AnAAn ” As sEpArATE EnTiTiEs hinDErs ThE rECogniTion effects of this migration on culture, and especially religion, of ThE CrEoLizing EffECTs of MigrATion As highLy rELEvAnT the magic of the biblical Exodus paradigm and its for ThE hisTory of CuLTurEs AnD rELigions in ThE rEgion counterpart, the Egyptian expulsion paradigm, must be The impact of migration on religious development both in removed.