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Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
Indice: 0. Philip K. Dick. Biografía. La Esquizofrenia De Dick. Antonio Rodríguez Babiloni 1
Indice: 0. Philip K. Dick. Biografía. La esquizofrenia de Dick. Antonio Rodríguez Babiloni 1. El cuento final de todos los cuentos. Philip K. Dick. 2. El impostor. Philip K. Dick. 3. 20 años sin Phil. Ivan de la Torre. 4. La mente alien. Philip K. Dick. 5. Philip K. Dick: ¿Aún sueñan los hombres con ovejas de carne y hueso? Jorge Oscar Rossi. 6. Podemos recordarlo todo por usted. Philip K. Dick. 7. Philip K. Dick en el cine 8. Bibliografía general de Philip K. Dick PHILIP K. DICK. BIOGRAFÍA. LA ESQUIZOFRENIA DE DICK. Antonio Rodríguez Babiloni Biografía: Philip. K. Dick (1928-1982) Nació prematuramente, junto a su hermana gemela Jane, el 2 de marzo 1928, en Chicago. Jane murió trágicamente pocas semanas después. La influencia de la muerte de Jane fue una parte dominante de la vida y obra de Philp K. Dick. El biógrafo Lawrence Sutin escribe; ...El trauma de la muerte de Jane quedó como el suceso central de la vida psíquica de Phil Dos años más tarde los padres de Dick, Dorothy Grant y Joseph Edgar Dick se mudaron a Berkeley. A esas alturas el matrimonio estaba prácticamente roto y el divorcio llegó en 1932, Dick se quedó con su madre, con la que se trasladó a Washington. En 1940 volvieron a Berkeley. Fue durante este período cuando Dick comenzó a leer y escribir ciencia ficción. En su adolescencia, publicó regularmente historias cortas en el Club de Autores Jovenes, una columna el Berkeley Gazette. Devoraba todas las revistas de ciencia-ficción que llegaban a sus manos y muy pronto empezó a ser influido por autores como Heinlein y Van Vogt. -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction. -
The Nature and Function of Images in the Science Fiction Works of Philip K
九州大学学術情報リポジトリ Kyushu University Institutional Repository The Nature and Function of Images in the Science Fiction Works of Philip K. Dick ブアリブ, アラン https://doi.org/10.15017/1500468 出版情報:九州大学, 2014, 博士(比較社会文化), 課程博士 バージョン: 権利関係:全文ファイル公表済 The Nature and Function of Images in the Science Fiction Works of Philip K. Dick (フィリップ・K・ディックの SF 作品におけるイメージの性質と機能) Graduate School of Social and Cultural Studies Kyushu University Allan BOUARIB September, 2014 1 Table of Contents Abstract ···································································································· 4 Introduction ································································································ 7 Epistemology and Ontology ···································································· 8 Structure of the Thesis ········································································· 10 Notes ····························································································· 12 Chapter One: Images as Magical Objects ···························································· 14 I. Introduction ················································································ 15 II. Similarity Magic ·········································································· 19 III. Contagious Magic ········································································ 21 IV. Nominal Realism ········································································· 23 V. The Apotheosis of Palmer Eldritch: Simulation and Simulacrum of the -
JAKE JAKAITIS Director of Undergraduate Studies in English
JAKE JAKAITIS Director of Undergraduate Studies in English Indiana State University Terre Haute, IN 47809 E-mail: [email protected] Home Page: http://isu.indstate.edu/jakaitis EDUCATION 1990: Ph.D. (English, with Certification in Critical Theory) University of Illinois, Urbana 1984-88: Ph.D. Candidate, University of Illinois, Urbana 1974-76: A.M. (English) University of Illinois, Urbana 1972-74: A.B. (English) University of Illinois, Urbana PROFESSIONAL EXPERIENCE Indiana State University, 1988 to Present Director of Undergraduate Studies, Department of English, January 2006-Present Coordinator of General Education, July 2001-January 2006 Acting Director of International Studies Program, ISU, 1996-1997 Courses: Freshman Writing, Introduction to Fiction, Major American Authors, Advanced Expository Writing (Cultural Criticism), Advanced Expository Writing (Writing About Film), Literature and Life: Film As Literature, Science Fiction, Multicultural American Literature, Women Writers of Great Britain, Seminar in Literary Criticism and Theory, Seminar in Postmodern Realism, Seminar in American Literature from 1945-Present, Seminar in American Literature and the Two Cultures. Editor and Referee: College Literature, Referee 1990-2000; Advisory Editor Spring 2000-Present College English, Referee 1989-1994 Shandong University (Jinan, People’s Republic of China), January 1995 to January 1996 Fulbright Scholar Seminars in 19th & 20th Century American Literature, Metafiction and Postmodernism, and Literary Theory and Criticism PUBLICATIONS AND RESEARCH Published Work: Crossing Boundaries in Graphic Narrative: Essays on Forms, Series, and Genres. Jefferson, North Carolina: McFarland and Company, Inc., 2012. Print. [Edited with James F. Wurtz.] “The Terror of Nature Not Understood: Science, Mysticism, and the Unknowable in Don DeLillo’s Ratner’s Star.” in Science Fiction and the Two Cultures. -
Politics, Religion, and Philosophy in the Fiction of Philip K. Dick
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2005 How Much Does Chaos Scare You?: Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] How Much Does Chaos Scare You? Politics, Religion, and Philosophy in the Fiction of Philip K. Dick Aaron Barlow Shakespeare’s Sister, Inc. Brooklyn, NY & lulu.com 2005 © Aaron Barlow, Creative Commons Attribution-NonCommercial-ShareAlike Foreword n 1989, while I was serving in Peace Corps in West Africa, II received a letter from an American academic publisher asking if I were interested in submitting for publication the doctoral dissertation I had completed the year before at the University of Iowa. “Why would I want to do that?” I asked. One disserta- tion on Philip K. Dick had already appeared as a book (by Kim Stanley Robinson) and Dick, though I loved his work, just wasn’t that well known or respected (not then). Plus, I was liv- ing in a mud hut and teaching people to use oxen for plowing: how would I ever be able to do the work that would be needed to turn my study from dissertation to book? When I defended the dissertation, I had imagined myself finished with studies of Philip K. -
Redalyc.Exegesis Ou «Ele Está No Meio De Nós»
Revista FAMECOS: mídia, cultura e tecnologia ISSN: 1415-0549 [email protected] Pontifícia Universidade Católica do Rio Grande do Sul Brasil Martins Rosa, Jorge Exegesis ou «Ele está no meio de nós» Revista FAMECOS: mídia, cultura e tecnologia, núm. 34, diciembre, 2007, pp. 7-13 Pontifícia Universidade Católica do Rio Grande do Sul Porto Alegre, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=495550190001 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto CINEMA E REPRESENTAÇÃO Exegesis ou «Ele está no meio de nós» «Emptiness is loneliness ntre Philip K. Dick e os mundos que criou poder- And loneliness is cleanliness se-ia dizer que parecem concretizar, mesmo que And cleanliness is godliness E no plano da ficção, a conhecida sugestão de Des- And God is empty cartes acerca do demónio maligno que se compraz em Just like me» iludir os seres que, aliás, criou com esse fito perverso. Smashing Pumpkins, «Zero», Mellon Collie and A realidade é aí ilusória; é um tapete que desliza por the Infinite Sadness debaixo dos pés para revelar que nada há sob eles (porventura nem mesmo os pés). As personagens des- RESUMO cobrem que não são seres humanos e sim andróides Apesar do seu estatuto de género (literário e cinema- [«Impostor» e «The Electric Ant»], o mundo objectivo tográfico) algo desprezado, a ficção científica -
PKD Otaku 9 - April 2003 1 What I Was Trying to Do in That Book Was True, It Is Real, Hence VALIS Is a Realist Novel
THE TRANSMIGRATION OF TIMOTHY ARCHER: Science Fiction, Fantasy or Realism? By David Hyde In June 1981 Philip K. Dick was waiting to hear from his agent on acceptance of THE TRANSMIGRATION OF TIMOTHY ARCHER. His agent at the Scott Meredith Literary Agency, Russ Galen, had read the novel and commented: You know, in your science fiction they drive things called flobbles and quibbles, and in this one they drive Hondas -- but it's still essentially a science fiction novel. Although I can't explain exactly how. 1. So is the novel science fiction? Or fantasy? Or realism? The answer depends on how you define these terms. The main distinction between them is that science fiction, to be defined as such, proceeds from a basis of consensual possibility. For example, it is possible that mankind will develop a gravity drive and go on to the stars. It’s also possible that we will develop a time- machine or attain immortality. But it is not possible according to the consensus of Western thought that fairies will sprinkle one’s St. Bernard with magic dust and the dog will rise into the air and fly. Or, more to the point, that ancient Zoroastrian deities will take over a town and conduct a cosmic battle in and above it. Fantasy deals with the impossible. That’s why ghost stories are considered fantasies and why THE COSMIC PUPPETS is fantasy. Realism is all about the actual; the consensual world or Koinos Kosmos as PKD calls it. In this world the impossible doesn’t happen and the possible happens only along accepted scientific lines. -
With This Issue See Back Cover for Details!!
Photo of Phil © Tessa Dick, by kind permission April 2012 SEE BACK COVER FOR DETAILS!! 1 FREE ‘SCHOL-O-MATIC’ WITH THIS ISSUE Background Illustration from Chris Moore’s wraparound cover for UBIK cover wraparound Chris Moore’s from Illustration Background Otaku is a zine made by fans for fans. It exists to celebrate, explore and discuss the work of Philip K Dick. The Otaku Team have enjoyed the writing and ideas of Philip K. Dick for decades, and continue to do so. The subject of Philip K. Dick benefits from diverse perspectives, opinions, and insights. In this zine we hope to explore the Novels, Short-Fiction, Non-fiction and ideas of Philip K Dick. If you would like to contribute (a letter of comment, an article, essay or review) please make your submission in MS Doc, Rtf or Txt form to the Otaku Team c/o Patrick Clark via email: [email protected] All submissions are welcome and considered, but we cannot promise that all will see print. Thank you for maintaining the dialogue! -- The PKD OTAKU Team PKD Otaku Layout, Logo, Graphics and Typesetting by Nick Buchanan [email protected] © Copyright Please note: Every article, letter, review, illustration and design is used here by consent of the author/ originator. Such work may not be reproduced in any form without their express permission. If in doubt, please contact Otaku, we will be happy to help you. 2 Nothing was familiar. All was strange. Alien...He could feel the difference. couldn’t stop taking notes. Maybe VALIS is that disserta- tion Phil was working on – except if that were true than Editorial the EXEGESIS would have ended in early December 1978 when Phil sent the manuscript to his agent in New York. -
Exhibition Handlist
MARCH-JUNE 2012 35c : (): - Poul Anderson, Un-Man and Other Novellas. New York: Ace Life in the Twenty-First Century. Edited by M. Vassiliev and S. Books, 1962 Gouschev. London: Souvenir Press, 1960 Charles L. Fontenay, Rebels of the Red Planet. New York: Ace Murray Leinster, ‘First Contact’ in Stories for Tomorrow. Books, 1961 Selections and prefaces by William Sloane. London: Eyre & Gordon R. Dickson, Delusion World. New York: Ace Books, 1961 Spottiswoode, 1955 ___, Spacial Delivery. New York: Ace Books, 1961 I.M. Levitt, A Space Traveller’s Guide to Mars. London: Victor Margaret St. Clair, The Green Queen. New York: Ace Books, 1956 Gollancz, 1957 ____, The Games of Neith. New York: Ace Books, 1960 Men Against the Stars. Edited by Martin Greenberg. London: The Fred Fastier Science Fiction Collection Ray Cummings, Wandl the Invader. New York: Ace Books, 1961 Grayson & Grayson, 1951 Fritz Leiber, The Big Time. New York: Ace Books, 1961 Martin Caidin, Worlds in Space. London: Sidgwick and Poul Anderson, War of the Wing-Men. New York: Ace Books, 1958 Jackson, 1954 G. McDonald Wallis, The Light of Lilith. New York: Ace Patrick Moore, Science and Fiction. London: George G. Harrap Books, 1961 & Co., 1957 Exhibition List Jack Sharkey, The Secret Martians. New York: Ace Books, [1960] Aldous Huxley, Brave New World Revisited. London: Chatto & Eric Frank Russell, The Space Willies. New York: Ace Books, 1958 Windus, 1959 Robert A. W. Lowndes, The Puzzle Planet. New York: Ace J. B. Rhine, The Reach of the Mind. London: Faber and Faber, 1948 3 March to 15 June 2012 Books, 1961 P. -
Exegesis Ou «Ele Está No Meio De Nós»
CINEMA E REPRESENTAÇÃO Exegesis ou «Ele está no meio de nós» «Emptiness is loneliness ntre Philip K. Dick e os mundos que criou poder- And loneliness is cleanliness se-ia dizer que parecem concretizar, mesmo que And cleanliness is godliness E no plano da ficção, a conhecida sugestão de Des- And God is empty cartes acerca do demónio maligno que se compraz em Just like me» iludir os seres que, aliás, criou com esse fito perverso. Smashing Pumpkins, «Zero», Mellon Collie and A realidade é aí ilusória; é um tapete que desliza por the Infinite Sadness debaixo dos pés para revelar que nada há sob eles (porventura nem mesmo os pés). As personagens des- RESUMO cobrem que não são seres humanos e sim andróides Apesar do seu estatuto de género (literário e cinema- [«Impostor» e «The Electric Ant»], o mundo objectivo tográfico) algo desprezado, a ficção científica – em revela-se uma encenação [Time out of Joint], um acto particular em anos mais recentes como é visível pelo volitivo [«The World she Wanted»] ou um delírio de percurso que vai de Neuromancer à trilogia cinemato- outra mente [The Three Stigmata of Palmer Eldritch] ou gráfica The Matrix – tem servido de mediador entre os de uma mente colectiva [A Maze of Death]; o próprio campos aparentemente inconciliáveis da tecnociên- estatuto da realidade deriva muito rapidamente para cia e da religião, constituindo-se assim como compo- a possibilidade de não ser mais do que um mero nente fundamental da cibercultura. Deve contudo ave- sonho ou alucinação alheios [Eye in the Sky, Flow my riguar-se o quanto essas ligações recuam a um período Tears, the Policeman Said]. -
'Fhe UNIVERSITY of HULL 3Litology and Ethics in the Writings of Philip K
'fHE UNIVERSITY OF HULL 3litology and Ethics in the Writings of Philip K Dick being a Thesis submitted for the Degree of Phd. in the University of Hull by Andrew Mark Butler, B.A. (Wons) October 1995 Contents Acknowledgements A Note on References, Abbreviations and Editions vii Introduction 1 Chapter One: "Possible maybes" Realism and the Fantastic 6 Realism 7 Literary Realism 9 Author and Reader 15 Realism vs The Fantastic 19 Sf ,20) The "New Wave" (26) Realism or the Fantastic: In Milton Lumky Territory 29 Familiarization 31 Character Types 32 Conclusion Chapter Two: "Life is turning into a Philip K. Dick Novel": Ontology and its Discontents The Real 38 Access to the Real: Philosophical Realism 45 Access to the "Real": Dick's use of viewpoint 48 Postmodernism Fredric Jameson on Dick Jean Baudrillard on Dick 57 Other Postmodern Readings of Dick 60 Cyberpunk 63 Dick as postmodern icon 65 Conclusion 68 Chapter Three: "Can a person hallucinate without being psychotic?": Hallucinatory Environments 69 Basic Plots 69 Eye in the Sky 70 The Left and McCarthyism 72 Black Politics 76 Return to Reality? 77 Flow My Tears, the Policeman Said 79 The Left by 1970 81 The Position of Blacks 82 The Nature of the Conditional Environment 86 Conclusion 94 ii Chapter Four: "Skim milk masquerades as cream": Attempts to penetrate the veil 96 Time Out of Joint 96 Representing the 1950s 98 Misrepresenting the 1950s 101 From Time Out of Joint to The Man in the High Castle 105 The Man in the High Castle 106 Alternate Worlds 106 The "reality" of the conditional environment 108 False Identities 111 The 1-Ching - 113 "Inner Truth" 118 Fiction and Reality 121 Conclusion 125 Chapter Five: "Where are we really?": The Failure of Authenticity 126 Lies, Inc.