S F Commentary #62-66 1981-06
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Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T. -
The Evolution of Lisp
1 The Evolution of Lisp Guy L. Steele Jr. Richard P. Gabriel Thinking Machines Corporation Lucid, Inc. 245 First Street 707 Laurel Street Cambridge, Massachusetts 02142 Menlo Park, California 94025 Phone: (617) 234-2860 Phone: (415) 329-8400 FAX: (617) 243-4444 FAX: (415) 329-8480 E-mail: [email protected] E-mail: [email protected] Abstract Lisp is the world’s greatest programming language—or so its proponents think. The structure of Lisp makes it easy to extend the language or even to implement entirely new dialects without starting from scratch. Overall, the evolution of Lisp has been guided more by institutional rivalry, one-upsmanship, and the glee born of technical cleverness that is characteristic of the “hacker culture” than by sober assessments of technical requirements. Nevertheless this process has eventually produced both an industrial- strength programming language, messy but powerful, and a technically pure dialect, small but powerful, that is suitable for use by programming-language theoreticians. We pick up where McCarthy’s paper in the first HOPL conference left off. We trace the development chronologically from the era of the PDP-6, through the heyday of Interlisp and MacLisp, past the ascension and decline of special purpose Lisp machines, to the present era of standardization activities. We then examine the technical evolution of a few representative language features, including both some notable successes and some notable failures, that illuminate design issues that distinguish Lisp from other programming languages. We also discuss the use of Lisp as a laboratory for designing other programming languages. We conclude with some reflections on the forces that have driven the evolution of Lisp. -
SF&F Newsletter Miller 1977-01
THE S F & F NEWSLETTER News/Info/Advertising Supplement to THE SF&F JOURNAL — (Vol. -2, #1; Whole y/16) Incorporating WASHINGTON S.F. NEWSLETTER '& part of THE JOURNAL SUPPLEMENT/SOTWJ Editor & Publisher: Don Miller - - - 300 ea., U/Sl.OO in U.S. -■-» - 3 Jan. *77 In This Issue — <| IN THIS ISSUE; IN BRIEF (Misc, notes/news/announcements); COLOPHON pg 1 ESFA REPORT: Minutes of ESFA Meetings of 11 & 12/76, by Allan Howard . pg 2 THE LCCAL SCENE: Misc. events coming up locally in January ........... pg 2 S.F. PARADE: Book Reviews, by David Bates, Stan Burns,- Jim Goldfrank, < I x Steve Lewis, Don Miller ................................................................................. 3-5 THE CON GAME: January, 1977 (incl. PRSFS meeting) .................. pg 5 ODDS & ENDS: More from Martin Wooster; The Local Scene (revisited); Miscellany (notes from Jon Coopersmith & T.L. Bohman) ............ pg 6 THE STEADY STREAM....: Of Books and Prozines Rec'd Thru 31/12/76 ..... pp 7-10 In Brief — Several changes taking place in the new year, with a year's experience under our belt with the new 'zines: (1) We have partially solved our publishing problem, with THE MYSTERY NOOK at least temporarily farmed out (anyone want to publish TSJ and/or TG?) and someone to do electrostencilling for us cheaply, but we still urgently need some way of getting our offset work with heavy blacks done cheaply, for covers & folios; (2) Including fanzine "reviews" in SFN and TSJ hasn't worked out; the for mer is too crowded, and the latter is too slow. So—THE JOURNAL SUPPLEMENT will come out bi-monthly, max. -
Remote Debugging and Reflection in Resource Constrained Devices Nikolaos Papoulias
Remote Debugging and Reflection in Resource Constrained Devices Nikolaos Papoulias To cite this version: Nikolaos Papoulias. Remote Debugging and Reflection in Resource Constrained Devices. Program- ming Languages [cs.PL]. Université des Sciences et Technologie de Lille - Lille I, 2013. English. tel-00932796 HAL Id: tel-00932796 https://tel.archives-ouvertes.fr/tel-00932796 Submitted on 17 Jan 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. N° d’ordre : 41342 THESE présentée en vue d’obtenir le grade de DOCTEUR en Spécialité : informatique par Nikolaos Papoulias DOCTORAT DELIVRE CONJOINTEMENT PAR MINES DOUAI ET L’UNIVERSITE DE LILLE 1 Titre de la thèse : Remote Debugging and Reflection in Resource Constrained Devices Soutenue le 19/12/2013 à 10h devant le jury d’examen : Président Roel WUYTS (Professeur – Université de Leuven) Directeur de thèse Stéphane DUCASSE (Directeur de recherche – INRIA Lille) Rapporteur Marianne HUCHARD (Professeur – Université Montpellier 2) Rapporteur Alain PLANTEC (Maître-Conf-HDR – Université de Bretagne Occ.) Examinateur Serge STINCKWICH (Maître-Conf – Université de Caen) co-Encadrant Noury BOURAQADI (Maître-Assistant – Mines de Douai) co-Encadrant Marcus DENKER (Chargé de recherche – INRIA Lille) co-Encadrant Luc FABRESSE (Maître-Assistant – Mines de Douai) Laboratoire(s) d’accueil : Dépt. -
The Cosmic Puppets Pdf Free Download
THE COSMIC PUPPETS PDF, EPUB, EBOOK Philip K. Dick | 176 pages | 27 Jul 2011 | Orion Publishing Co | 9780575076709 | English | London, United Kingdom The Cosmic Puppets PDF Book Accept Reject Read More. An extended orchestral passage dominated by a skein of rhythms from the piano follows. Although I have little lastchaos money , I will on the way of the game for long time. I'm writing up a fairly lengthy post about the book because Mike Philbin has offered me some space on his cool Philip K Dick Discussion Board over at Goodreads. Search Search for:. Barton plays it cool and Peter ends up giving away more of his secrets than he probably intended to. It should be intellectually entertaining and imaginative. He had given away too much information. Both local practices, including animism and shamanism, and transnational religions, including Tantric Hinduism, Mahayana Buddhism, Daoism, and Sufi Islam, have embraced the arts as allowing a clearer understanding of the cosmos. Each county has its own specifics but one finds common threads. Andris Nelsons , Conductor. Here's the offer Dick received from Donald Wollheim as quoted by Lord RC: "Scott hasn't yet shown us anything of yours in that non-sf category; probably he's trying them out on hardcover markets first. Here's the Satellite cover: In the recent coverage of Disney's announced adaptation of "King of the Elves" several articles have falsely claimed the story is the only fantasy PKD wrote. He realizes that his marriage has probably collapsed. You are commenting using your Facebook account. First off, I don't know if my education is just lacking, but I'd never even heard of Ahriman or Ormazd let alone understand their significance in a cultural context. -
Indice: 0. Philip K. Dick. Biografía. La Esquizofrenia De Dick. Antonio Rodríguez Babiloni 1
Indice: 0. Philip K. Dick. Biografía. La esquizofrenia de Dick. Antonio Rodríguez Babiloni 1. El cuento final de todos los cuentos. Philip K. Dick. 2. El impostor. Philip K. Dick. 3. 20 años sin Phil. Ivan de la Torre. 4. La mente alien. Philip K. Dick. 5. Philip K. Dick: ¿Aún sueñan los hombres con ovejas de carne y hueso? Jorge Oscar Rossi. 6. Podemos recordarlo todo por usted. Philip K. Dick. 7. Philip K. Dick en el cine 8. Bibliografía general de Philip K. Dick PHILIP K. DICK. BIOGRAFÍA. LA ESQUIZOFRENIA DE DICK. Antonio Rodríguez Babiloni Biografía: Philip. K. Dick (1928-1982) Nació prematuramente, junto a su hermana gemela Jane, el 2 de marzo 1928, en Chicago. Jane murió trágicamente pocas semanas después. La influencia de la muerte de Jane fue una parte dominante de la vida y obra de Philp K. Dick. El biógrafo Lawrence Sutin escribe; ...El trauma de la muerte de Jane quedó como el suceso central de la vida psíquica de Phil Dos años más tarde los padres de Dick, Dorothy Grant y Joseph Edgar Dick se mudaron a Berkeley. A esas alturas el matrimonio estaba prácticamente roto y el divorcio llegó en 1932, Dick se quedó con su madre, con la que se trasladó a Washington. En 1940 volvieron a Berkeley. Fue durante este período cuando Dick comenzó a leer y escribir ciencia ficción. En su adolescencia, publicó regularmente historias cortas en el Club de Autores Jovenes, una columna el Berkeley Gazette. Devoraba todas las revistas de ciencia-ficción que llegaban a sus manos y muy pronto empezó a ser influido por autores como Heinlein y Van Vogt. -
SCIENCE FICTION REVIEW SFR INTERVIEWS $I-25 Jmy Poumelle ALIEN THOUGHTS Reject up to 10? of the Completed Mss
SCIENCE FICTION REVIEW SFR INTERVIEWS $i-25 Jmy Poumelle ALIEN THOUGHTS reject up to 10? of the completed mss. he has contracted for. This is an expensive NOTE FROM W. G. BLISS luxury. Because it is unlikely that any 'JUST HEARD RATHER BELATEDLY THAT AN editor or publisher is going to casually OLD FRIEND AND CORRESPONDENT, RICHARD throw away thousands of dollars in advance S. SHAVER, DIED ON THE 5tt OF NOVEMBER money; rejecting a manuscript under penalty AT THE AGE OF 68. OUTSIDE OF A LARGE of losing or tying up a bundle of cash is LITERARY LEGACY (PALMER HAS KEPT I RE¬ not a happy thing to do. Editors don't MEMBER LEMURIA IN PRINT), HIS MOST IM¬ last long if they have that habit, and pub¬ PORTANT WORK WAS WITH ROCK IMAGES.' lishers who do it or allow it too often end up in bankrupcy court. Because—let's face it: how often will a publisher actually be paid back his ad¬ You probably noticed, as you flipped vance money even if the manuscript is later through this issue before settling down to Not all publishers are ogres... sold to another publisher with perhaps low¬ read this section: no heavy cover, and no And not all writers are saints. er editorial standards who pays less money advertising. even if the later sale is discovered? The So why no cover and ads? It has come to my attention (I get let¬ publisher of the first part is faced with ters, I get phone calls) that some major having to probably sue an author who prob- The cover first: I didn't think the hardcover and pocketbook publishers are now ablt hasn't the money to give back in any cover for SFR 15 would cost as much as it inserting into their contracts with authors event, having spent the second publisher's did. -
Souvenir Book Are Copyright© 1996 by Readercon, Inc
COMING TO BOOKSTORES EVERYWHERE SEPTEMBER 1O THE LONG-AWAITED NEW NOVEL Available in hardcover from G- P. PUTNAM'S SONS READERCON EIGHT JULY 12-14, 1996 WESTBOROUGH, MASS. Hello From the Chairman • B. Diane Martin • 3 Discovering Gibson • Barnaby Rapoport • 5 Burning Gibson • Paul Di Filippo • 6 Thoughts and Observations on William Gibson • Paul T. Riddell • 8 Junk Art City • Takayuki Tatsumi *10 Academy Leader • William Gibson *14 Idoru • William Gibson *16 William Gibson: A Bibliography • 18 Jackdaw • Stephen Brown • 20 Avant-Pop 101 • Larry McCaffrey • 22 Larry McCaffery: A Bibliography • 42 Alfred Bester & Me • William Gibson • 45 The Magpie Mind of Alfred Bester • Robert Ingria • 47 Alfred Bester: A Bibliography • 50 Richard M. Powers • David Hartwell • 53 The Readercon Committee • 55 B. Diane Martin • Con Committee Chair David G. Shaw • Programming Chair D. Shaw/B. Ingria • Track management Merryl Gross • Dealer's Room D. Walrath • Operations John O'Neil • At-con Treasurer Karl Wurst/R. Duffy • Registration Jamie Siglar • Bake Sale Brian Youmans • Hotel banquet Sheila Lightsey • Green Room & CS/GR logistics A. West/N.K. Wurst • Con Suite Kathei Logue • Kaffee Klatsches George Flynn • Fanzine display The contents of this souvenir book are Copyright© 1996 by Readercon, Inc. except where noted. Design and production by Bryan Cholfin, except the Jackdaw spread on pages 20-21 by Stephen Brown. Cover design and artwork by Joey Zone. The New York Review of Science Fiction | . A somewhat unusual critical semiprozine. It publishes general articles of remarkably varying quality on sf, as well as some of the best long reviews in the field. -
Psychological Terror and Social Fears in Philip K. Dick's Science Fiction
Belphégor Giuliano Bettanin Psychological Terror and Social Fears in Philip K. Dick's Science Fiction As it developed during the twentieth century, the genre of science fiction has often used themes belonging to horror literature. In point of fact, these two genres have a good deal in common. Most obviously, science fiction and horror share a fantastic background and a detachment from the probabilities of realistic fiction. Also, the birth of science fiction is closely connected to the development of the gothic novel. Mary Shelley's Frankenstein, which is commonly considered proto-science fiction, also represents a nineteenth-century development of the gothic novel. In addition, Herbert George Wells, whose work lies at the basis of modern science fiction, wrote at least one gothic novel, The Island of Doctor Moreau.1 The fusion of horror and science fiction has often generated figures of terrifying and evil aliens, robots that rebel against their human creators, and apocalyptic, post-thermonuclear-global-war scenarios. In this brief essay I shall analyze the ways in which Philip K. Dick incorporated horror themes into his oeuvre and the highly original results he obtained by mingling the two genres. For this purpose I shall discuss several of his short stories and his early novel Eye in the Sky. Besides the already mentioned motifs of the alien, the rebel robot and the atomic holocaust, Dick develops a mystical-religious motif as he explores a number of metaphysical problems that are strictly connected to his most characteristic interest in epistemological questions. From the moment of the publication of his first short stories and novels in the 1950s, Dick became one of the most representative authors of American social science fiction. -
Only in America
Only in America MICHAEL BISHOP On Wings of Song, by Thomas M. Disch. Bantam Books, 359 pp., $2.25. AS I WRITE (LATE DECEM- ber), our nation's President- elect (the inspiration in the late 1960s for both an irreverent California poetry magazine and a dazzingly disorienting story by English writer J. G. Ballard) must wait less than a month before appointing his wife Sec- retary of Interior Decoration at the White House, while bril- liant ex-Beatle and brutally X'd-out human being John Lennon (the Egg Man whose quirky imagination hatched hundreds of hummable mel- odies and a dozen or so ideal- istic crusades) has now had in- timate communion with non- existence for exactly sixteen days. What a strange, strange juxtaposition, the impending inauguration and this latest shocking death. Only in America. In On Wings of Song, his most successful novel to date, Thomas M. Disch has envision- ed a day-after-tomorrow Amer- ica in which the election of Ronald Reagan and the murder of John Lennon have credibly grotesque analogues. Indeed, I would argue that Disch's mor- dant imaginings of our short- range future (a period appar- ently encompassing about fif- ulations of its protagonist—in selves out of their prisons of the entire social fabric of Iowa teen years on either side of this case, a young man from flesh through song. Harnessed and the other Farm Belt "police the turn of the next century, al- Iowa named Daniel Weinreb— to an apparatus designed to states," where one can be jailed though Disch refuses to hand us in his quest to become an Artist. -
CLX — Common LISP X Interface
CLX Common LISP X Interface 1988, 1989 Texas Instruments Incorporated Permission is granted to any individual or institution to use, copy, modify and distribute this document, provided that this complete copyright and permission notice is maintained, intact, in all copies and supporting documentation. Texas Instruments Incorporated makes no representations about the suitability of this document or the software described herein for any purpose. It is provided ”as is” without express or implied warranty. CLX Programmer’s Reference i ACKNOWLEDGMENTS Primary Interface Author: Robert W. Scheifler MIT Laboratory for Computer Science 545 Technology Square, Room 418 Cambridge, MA 02139 [email protected] Primary Implementation Author: LaMott Oren Texas Instruments PO Box 655474, MS 238 Dallas, TX 75265 [email protected] Design Contributors: Dan Cerys, BBN Scott Fahlman, CMU Kerry Kimbrough, Texas Instruments Chris Lindblad, MIT Rob MacLachlan, CMU Mike McMahon, Symbolics David Moon, Symbolics LaMott Oren, Texas Instruments Daniel Weinreb, Symbolics John Wroclawski, MIT Richard Zippel, Symbolics Documentation Contributors: Keith Cessna, Texas Instruments Kerry Kimbrough, Texas Instruments Mike Myjak LaMott Oren, Texas Instruments Dan Stenger, Texas Instruments The X Window System is a trademark of MIT. UNIX is a trademark of AT&T Bell Laboratories. ULTRIX, ULTRIX–32, ULTRIX–32m, ULTRIX–32w, and VAX/VMS are trademarks of Digital Equipment Corporation. ii CLX Programmer’s Reference CONTENTS Section Title 1 INTRODUCTION TO CLX 2 DISPLAYS 3 SCREENS 4 WINDOWS AND PIXMAPS 5 GRAPHICS CONTEXTS 6 GRAPHIC OPERATIONS 7 IMAGES 8 FONTS AND CHARACTERS 9 COLORS 10 CURSORS 11 ATOMS, PROPERTIES, AND SELECTIONS 12 EVENTS AND INPUT 13 RESOURCES 14 CONTROL FUNCTIONS 15 EXTENSIONS 16 ERRORS A PROTOCOL VS. -
Australian SF News 21 Binns 1980-11
SECOND ISSUE OF NEW AUSTRALIAN A.BERTRAM CHANDLER PROFESSIONAL SF MAG PUBLISHED Chicago World Con Guest of Honor THE ORGANISERS OF THE 40TH WORLD SCIENCE ■; FICTION CONVENTION, TO BE HELD AT THE :FHYATT REGENCY HOTEL OX SEPTEMBER 2-6 '81, HAVE ANNOUNCED THEIR GUESTS OF HONOR: WRITER - A.BERTRAM CHANDLER ARTIST - KELLY FREAS FAN - LEE HOFFMANN It gives us the greatest of pleasure to see Bert up there as GOH of a World con. He has a very large following throughout th'e world particularly in the USA and Japan. He is known to most fans as the creator of the "Homblower of the Space ways" John Grimes, but he has written a number of other books. THE BITTER PILL published by Wren in 1975, was the most notable departure from his usual style. He recently paid a visit to Melbourne from his home in Sydney, to do some research on a book he is writing on Ned Kelly the bushranger. Kelly becomes the leader of a successful revolution and The second issue of FUTURISTIC TALES founds a dynasty of Australian rulers, was published in November . It bears which lasts until 1980. The book will a cover date of December and features include a number of 'what if concepts, a "robot" story by Banjo Paterson and Ci that make it sound like a story very much to look forward to. an article on engineer Laurie Hogan & and his book MAN MADE MOUNTAIN. § co WILD&WOOLLEY PUBLISH RSN<QBB@LORVISON SF ART BOOK BY RON COBB Australian readers will remember particularly RON COBB'S brilliant political cartoons, most | of which originated in THE LOS ANGELES FREE I PRESS and were reprinted in local newspapers.