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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
NEW RELEASE Cds 24/5/19
NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk.. -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
(2020) Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird
Wilkinson, David (2020) Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird. Open Library of Humanities. ISSN 2056- 6700 Downloaded from: https://e-space.mmu.ac.uk/624332/ Version: Published Version Publisher: Open Library of Humanities DOI: https://doi.org/10.16995/olh.535 Usage rights: Creative Commons: Attribution 4.0 Please cite the published version https://e-space.mmu.ac.uk The Working-Class Avant-Garde How to Cite: Wilkinson, D 2020 Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird. Open Library of Humanities, 6(2): 11, pp. 1–26. DOI: https://doi.org/10.16995/olh.535 Published: 09 September 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. David Wilkinson, ‘‘Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird’ (2020) 6(2): 11 Open Library of Humanities. DOI: https://doi. -
The Fall Ebook, Epub
THE FALL PDF, EPUB, EBOOK Albert Camus,Robin Buss | 96 pages | 03 Aug 2015 | Penguin Books Ltd | 9780141187945 | English | London, United Kingdom The Fall PDF Book User Reviews. Spector's storage unit is found. Retrieved 11 October Archived from the original on 23 May Filming began in Lyon on 12 September This era, a favourite period amongst many critics and fans, was marked by Brix's effort to find a wider audience for the Fall. The first season left me hanging for season two. Back to School Picks. Glen Martin 10 episodes, Richard Clements He mentioned how he was drawn to cheap and misspelled posters, amateur layouts of local papers and printed cash and carry signs with "inverted commas where you don't need them". Retrieved 3 February Certified Fresh Pick. I personally recommend this movie to everyone. I have really enjoyed the first 2 episodes. The Fall is an interesting movie with a variety of features such as mystery, suspense, violence, romance etc. Movies I want to watch again! This splits his defenders as Ms. Edit page. Sign up here. Lovecraft , Raymond Chandler and Malcolm Lowry among his favourite writers. Gibson tries to get Spector's surviving victim to remember him; after telling Gibson she'll never catch him, Spector returns to Belfast. Tyler Perry's Sistas. Although it seems a little bit complicated to understand, this movie gives us a lesson of loyalty. The Masked Singer. Main article: List of the Fall band members. Best Horror Movies Top of all time. Just leave us a message here and we will work on getting you verified. -
Guardian and Observer Editorial
≤ Steve Davies Drums/congas, 1980 Now: does music workshops in schools and prisons ‘I refused to tour with a rock band ever again’ ≤ Kay Carroll Backing vocals/man- agement, 1977-83 ≤ Now: doctor’s Dave Milner assistant Drums, 2001-04 ‘Mark never let Now: taxi driver anybody feel part ‘The Fall is the of the Fall’ ≤ band to be in if you Una Baines desire extremes’ Keyboards, 1976-78 ≤ Simon Archer Now: singer Bass, 2003-04 ‘Mark is certainly Now: musician not just an ogre’ ‘All the stories and myths about Mark ≤ ≥ Simon Julia Adamson were true’ Wolstencroft (then Nagle) ≥ Ruth Daniel Drums, 1986-97 Keyboards/guitar, Keyboards, 2002 Now: musician 1995-2001 Now: researcher/ ‘I learned so much Now: works at a record label manager about life, just publishing company ‘Mark would bark listening to Mark’ ‘I was quite poorly like a dog’ after dating Mark’ ≤ Ed Blaney Guitar/tour manager, ≤ Karen Leatham 2000-04 Bass, 1988 Now: ‘free man’ Now: Designer/carer ‘My duties included ‘Looking after keeping ex-members gentlemen with out of the dressing mental needs is room’ not unlike being in a band’ ≤ Dave Tucker ≥ Tommy Crooks ≥ Brix Smith Clarinet, 1980-81 Guitar, 1997-98 Guitar, 1983-89, 94-96 Now: musician Now: artist Now: runs a boutique ‘Mark brought in ‘The Fall are the ‘Mark fired a people like me to best British band soundman for make the other ever, including Excuse me, weren’teating a salad’ yyou in theguys nervous’ Fall?the Beatles’ Mark E Smith’s band is legendary for its ever-changing line-up. -
ULIV Alumni 2020.Indd
ALUMNI TIME FOR A SEA CHANGEOur response to the global climate crisis INSIDE YOUR 2020 EDITION: ❱ Change is coming to campus ❱ Alumni Award winners 2019 ❱ Pioneering in public health ❱ CONTENTS 04 News Vice-Chancellor Professor Dame ALUMNI 20 18 Janet Beer introduces a round-up of In Case of The Yorkshire Vet campus news ver the past year, we have Emergency, Peter Wright, the star of Channel 5’s welcomed many new Break Habits The Yorkshire Vet, reminisces on his 16 Award winners members to the team to Celebrating University of Liverpool O The University of time as a student take a lead on engaging with our alumni and their worldwide impact recent graduates and international Liverpool is transforming networks, managing our to fit into a sustainable 26 Passports to volunteering programme and future – and everyone Possibilities developing our fundraising appeals. has a role to play Driving forward with our commitment In my new role as Head of Alumni to global education Engagement, it has also been a great honour to take the helm as editor of your Alumni magazine. 27 Legacies The theme of this year’s magazine is ‘facing global Highlighting the enormous challenges’ - from alumna Professor Louise Kenny (MBChB contribution made by our legacy Hons 1993) who is leading on the University’s commitment supporters to improving the health of people in the Liverpool region and beyond, to our research and impact in the areas of climate 28 Class Notes change and sustainability. What happened to your classmates Read on to hear about the winners of our inaugural Alumni after graduation? Awards, which recognise the many and varied achievements 34 In memoriam of our alumni community. -
Download (2063Kb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/153265 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Rolling the Boards: The interplay of representation and recruitment in disability casting in UK theatre and television Jessica Margaret Parrott A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Theatre Studies University of Warwick Department of Theatre Studies September 2019 2 Contents Acknowledgements 4 Declaration 5 Abstract 6 Abbreviations 7 Chapter One: Introduction 8 Wider context and societal links 9 Central themes 11 The power of embodied examples 12 Gaps and binaries 14 What constitutes representation? 16 Mainstream vs. Disability Arts 17 Choice of productions 19 Structure 20 Chapter Two: Contextual Review 25 Models of disability and related theories 25 Disability and Employment 33 Theatre, Television and Employment 47 Disability, theatre and television (and employment) 52 Chapter Three: Methodology 60 My self-situation and its implications 60 My project’s situation and its implications 64 Methodology in theory – designing my study: theoretical bases -
The Big Midweek: Life Inside the Fall PDF Book
THE BIG MIDWEEK: LIFE INSIDE THE FALL PDF, EPUB, EBOOK Steve Hanley,Olivia Piekarski | 448 pages | 15 Jul 2016 | Route Publishing | 9781901927658 | English | Glasshoughton, Yorks, United Kingdom The Big Midweek: Life Inside the Fall PDF Book I love The Fall and MES is clearly a genius imho however it takes a brilliant book by the unsung Steve Hanley to really drive home the contribution of the many other band members over, as MES would say himself, "the long, long days of our youth. Absolutely crushing. A wonderful reminder of what it once meant to be in a genuinely dangerous and groundbreaking group. Utterly essential for The Fall fan in your life. Humorous and engaging. Mar 06, Jay Green rated it liked it. Hanley suffers; all The Fall suffers. One of the best books on music I've read in a long time. Other editions. Also a shout out to Colin, their Scottish roadie, whose proclamations Hanley writes phonetically, very funny. Following along and listening to their discography chronologically while reading was a revelation - would have appreciated an epilogue, though! Mainly this was because of the personality of Mark Edward Smith, one of the more obtuse characters to emerge from the nexus of northern punk. There are priceless Smith quotes that sound verbatim to anyone familiar with his turn of phrase. No trivia or quizzes yet. Nice to see Marc Riley come out of it well. The Fall always give you something other than what you expect: this superb book is just another example of this from the sufficiently, occasionally sober bassist who lived to tell the tale. -
Todd Nudelman
1 Mark's spell reached me through his records, and since always and forever I took it for granted that he would remain unapproachable – in more ways than one. "Never meet your heroes" as MES once said. And that’s how it would remain, apart from close proximity every so often (post-gig in the back stairwell at Krazy House in Liverpool 1997: just me and the man who I flew across the Atlantic to see perform in his indigenous environment. “Up the stairs mister!” I could practically hear MES cackle as he swerved past to avoid physical contact – I was wearing a massive winter coat (I’d imagined that he’d alluded to it derogatorily on stage: “a jacket like that, in weather like this... HUP!”) The Fall gripped me early in life. I didn't ask for it, it came and sought me out with smoky tendrils like the ones portrayed on the Early Years 77-79 compilation. Live at the Witch Trials was purchased for me in Salem MA - of all places. It was exactly one day after my 17th birthday. At Salem Record Exchange my uncle (a distinguished local artisan with finely honed musical tastes) held an armful of Jamaican LPs and said "The Fall are great. I have too many records, but I can't not buy this, so, Happy Birthday." Off we went to his apartment at 12 Cowell Street in Marblehead MA where I listened to the first track, Frightened. "He sounds just like Johnny Rotten" I said, unenthused. "No - he's a bit different, listen." It sounded like a bad Doors album.