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Exploring the Poetry of John Agard and Grace Nichols Part
Exploring the poetry of John Agard and Grace Nichols Part Two: Grace Nichols As you discovered last week, husband and wife, John Agard and Grace Nichols, are two very well-known and well-regarded poets who are both still living, writing and performing poetry in Britain today. Last week, you looked at a selection of poems by John Agard. This week, the focus is on the poetry of his wife Grace Nichols. Grace Nichols (b. 1950) Grace Nichols was born in Georgetown, Guyana, and lived in a small village on the country's coast until her family moved to the city when she was eight years old. She took a Diploma in Communications from the University of Guyana, and subsequently worked as a teacher (1967–70), as a journalist and in government information services, before she immigrated to the United Kingdom in 1977. Much of her poetry is characterised by Caribbean rhythms and culture, and influenced by Guyanese and Amerindian folklore. Her first collection of poetry, I is a Long-Memoried Woman, won the THINK: What similarities 1983 Commonwealth Poetry Prize. She has written several further books of poetry can you draw between the and a novel for adults, Whole of a Morning Sky, 1986. Her books for children early life of Grace Nichols include collections of short stories and poetry anthologies. Her religion is with that of her husband Christianity after she was influenced by the UK's many religions and multi-cultural John Agard? society. For example, they are both She lives in Lewes, East Sussex, with her partner, the Guyanese poet John Agard. -
Talking Poetry
School Radio Talking Poetry Age 7 – 11 Audio on demand: These programmes are available as audio on demand following transmission. Refer to the transmission dates below to find out when programmes are available as podcasts and audio on demand. Credits: Photographs: Jackie Kay – Denise Else, Michael Rosen – Goldsmiths, University of London, John Agard – Paul Taylor. Grace Nichols – Martin Poynor. Actors: Maxine Peake and Julian Rhind-Tutt. Teacher's Notes: Victoria Elliott Artist: Laurie Pink Produced by: Marie Crook School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio School Radio Contents These programmes are available as audio on demand from the BBC iPlayer Radio and the School Radio website following transmission. Refer to dates below to find out when each one is available. Introduction 1 1: Michael Rosen 2 AOD begins 30/04/2015 2: Grace Nichols 4 AOD begins 07/05/2015 3: Roger McGough 7 AOD begins 14/05/2015 4: Jackie Kay 10 AOD begins 21/05/2015 5: John Agard 12 AOD begins 04/06/2015 6: Mandy Coe 14 AOD begins 11/06/2015 7: Classic poetry I 17 AOD begins 18/06/2015 8: Classic poetry II 20 AOD begins 25/06/201 School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio www.bbc.co.uk/schoolradio © BBC 2015 School Radio School Radio Introduction Left to right: Michael Rosen, Grace Nichols, Roger McGough, Jackie Kay, John Agard, Mandy Coe. There are eight programmes in the series. Each of the first 6 programmes profiles a different contemporary children’s poet who introduces and then reads a selection of his or her work. -
John Agard Hans Christian Andersen Awards 2019 UK Writer Nomination
John Agard Hans Christian Andersen Awards 2019 UK Writer Nomination PHOTO : ZELMA PLAYER PHOTO 1 John Agard Biography John Agard A Critical Appreciation John Agard is described as “a unique and energetic followed by Poet in Residence at the BBC in London John Agard has lived in Britain since 1977, but it was his wife Grace Nichols, also a significant poet with Guyanese force in contemporary British poetry”1. He is also a in 1998, an appointment created as part of a scheme Guyanese childhood which strongly shaped the writer and heritage. In No Hickory, No Dickory, No Dock (1991) tradi- playwright and short story writer. He was born in 1949 run by the Poetry Society. At the BBC he worked in electrifying performer he was to become. Agard worked for tional rhymes are interspersed with the editors’ own poems in Guyana; and he credits his passion for words to the association with the Windrush project, which included the Commonwealth Institute for several years, travelling all which play with these verses. For example, in the title childhood inspirations of the Latin Mass, Calypso, and a season of TV programmes on Afro-Caribbean migra- over the UK to many different schools, festivals and librar- poem, a mouse humorously protests that, although it did all BBC radio cricket commentary. He began writing poetry tion to the United Kingdom. As part of the project he ies, educating, entertaining and learning what appealed to sorts of other things, it ‘didn’t run up no clock’ as described in his teens and worked as a teacher, a librarian and a appeared on the long running children’s programme his youthful audience. -
GCSE English Literature Poetry Anthology
IN THE THIRD-CLASS SEAT SAT THE JOURNEYING BOY, AND THE ROOF-LAMP’S OILY FLAME PLAYED DOWN ON HIS LISTLESS FORM AND FACE, BEWRAPT PAST KNOWING TO WHAT HE WAS GOING, INOR THE WHENCEBAND OF HIS HAT THE HE JOURNEYING CAME. BOY HAD A TICKET STUCK; AND A STRING AROUND HIS NECK BORE THE KEY OF HIS BOX, THAT TWINKLED GLEAMS OF THE LAMP’S SAD BEAMS WHATLIKE PAST A CAN LIVING BE YOURS, O JOURNEYING THING. BOY TOWARDS A WORLD UNKNOWN,UNKNOWN, WHO CALMLY, AS IF INCURIOUS QUITE ON ALL AT STAKE, CAN UNDERTAKE KNOWSTHIS YOUR PLUNGE SOUL A SPHERE, 0ALONE? JOURNEYING BOY, OUR RUDE REALMS FAR ABOVE, WHENCE WITH SPACIOUS VISION YOU MARK AND METE THIS REGION OF SIN THAT YOU FIND YOU IN, BUTUPDATED EDITION: ARE SEPTEMBER 2020 NOT OF? 1 OCR (Oxford, Cambridge and RSA Examinations) The Triangle Building, Shaftesbury Road, Cambridge, CB2 8EA © Oxford, Cambridge and RSA Examinations 2020 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. This book must not be circulated in any other binding or cover and this same condition must be imposed on any acquirer. ISBN 978 019 834090 4 Designed and produced by Oxford University Press Printed by Rotolito SpA 10 9 8 7 6 5 4 3 ACKNOWLEDGEMENTS We are grateful for permission to reprint the following copyright material in this anthology. -
Power and Conflict Poetry
Poetry of Power and Conflict 1. William Blake: ‘London’ 1794 2. William Wordsworth: ‘The Prelude: Stealing the Boat’ 1798 3. Percy Bysshe Shelley: ‘Ozymandias’ 1817 4. Robert Browning: ‘My Last Duchess’ 1842 5. Alfred Lord Tennyson: ‘The Charge of the Light Brigade’ 1854 6. Wilfred Owen: ‘Exposure’ 1917 7. Seamus Heaney: ‘Storm on the Island’ 1966 8. Ted Hughes: ‘Bayonet Charge’ 1957 9. Carol Ann Duffy: ‘War Photographer’ 1985 10. Carol Rumens: ‘The émigree’ 1993 11. John Agard: ‘Checking Out Me History’ 1996 12. Imtiaz Dharker: ‘Tissue’ 2006 13. Simon Armitage: ‘Remains’ 2007 14. Jane Weir: ‘Poppies’ 2009 15. Beatrice Garland: ‘Kamikaze’ 2013 16. Approaching an unseen poem 1 Introduction 1 Power and conflict 2 All of the poems in this anthology take as their subject the themes of power and conflict. These themes can be 3 seen in all the poems, but are rarely identical: we see the power of nature and the power of man; physical 4 conflict like war and emotional conflict, taking place in a person’s inner psychology. 5 6 In times of conflict, people often write poetry, as we learned in year 9. Conflict, where the normal aspects of 7 people’s lives are uprooted, often spurs people to write contemplatively or in protest at what is happening. 8 Many of these poems are linked to specific historical conflicts: Tennyson’s ‘The Charge of the Light Brigade’ is 9 written about the 1854 Battle of Balaclava in the Crimean War, Wilfred Owen’s ‘Exposure’ is about World War 10 One, as is Ted Hughes’ ‘Bayonet Charge’, Simon Armitage’s ‘Remains’ is about an unidentified modern conflict, 11 and Beatrice Garland’s ‘Kamikaze’ imagines a Japanese suicide bomber in World War II. -
Land Surveyor's Licenses Issued
LAND SURVEYOR’S LICENSES ISSUED (Numerically Arranged) The following numerical list includes all licenses issued from 1891 to 5/12/00, under provision of Chapter 15, Division 3, of the Business and Professions Code. 1 Healey, Charles T. 78 Vail, Randolph M. 155 Crowe, H. S. 231 Bulpin, Thomas W. 2 Gleaves, James M. 79 Kaerth, Jacob W. 156 Allin, Thomas D. 232 Lesley, John P. 3 Vischer, Hubert 80 Dexter, Edward 157 Weston, Joshua F. 233 Gilbert, William Baruch 4 Geldern, Otto V. 81 Brackins, Samuel E. 158 Shorth, Lawrence H. 234 Spencer, George H. 5 Holcomb, Charles H. 82 Lownes, Edward 159 Whitaker, Herbert M. 235 O’Shaughnessy, Michael 6 Knock, Thomas L. 83 Stendel, Charles W. 160 Wheeler, Rosco, Jr. Maurice 7 McCoy, Benjamin L. 84 Finley, James H. 161 Heeren, Henry A. 236 Edmiston, Robert H. 8 Peck, William F. 85 Taylor, Charles C. 162 Pioda, Charles L. 237 Cowdin, James B. 9 Ashley, Pallas N. 86 Hamlin, Homer 163 Spurrier, Green 238 de St. Maurice, Charles A. 10 McCullough, Ernest 87 Willberg, Ernst N. 164 Spurrier, Charles Albert 239 Gleaves, James Malcolm, Jr. 11 Smith, S. H. 88 Herrick, Frank E. 165 Randle, George N. 240 Wilkinson, Joseph Rogers 12 Herrmann, Adolph T. 89 Meddock, Jesse T. 166 Doyle, George A. 241 Applegate, George B. 13 Vander Naillen, Edmund L. 90 Shaw, Thomas M. 167 Cook, Marion Lee 242 Rogers, Charles S. 14 Keddie, Arthur W. 91 Ward, Samson L. 168 Winn, Adolphus G. 243 Huebner, Oscar Constantine 15 Bassell, Burr 92 Jones, Everett G. -
1968 Commencement Program
UNIVERSITY of PENNSYLVANIA - Two Hundred and Twelfth Commencement for the Conferring of Degrees PHILADELPHIA CIVIC CENTER Monday, May 20, 1968 10:00 A.M. jJ STAGE (1, ......II ,........I " Official Guests Medicine College for Women Graduate Medicine Wharton Law College Nursing Graduate Allied Fine Arts Medical Professions Dental Medicine Veterinary Medicine Wharton Graduate Graduate Arts& Sciences Civil& Mechanical Engineering Chemical Graduate Engineering Education Electrical Engineering Social Work Metallurgy Annenberg Guests will find this diagram helpful in locating the opposite page under Degrees in Course. Reference approximate seating of the degree candidates. The to the paragraph on page seven describing the seating and the order of march in the student pro colors of the candidates' hoods according to their cession correspond closely to the order by school fields of study may further assist guests in placing in which the candidates for degrees are presented. the locations of the various schools. This sequence is shown in the Contents on the Contents Page Seating Diagram of the Graduating Students .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 2 The Commencement Ceremony . 4 Background of the Ceremonies . .. .. .. 6 Degrees in Course . .. .. .. 8 The College of Arts and Sciences . 8 The Engineering Schools . .. .. .. 14 The Towne School of Civil and Mechanical Engineering ... ........ ......... 14 The School of Chemical Engineering . .. .. .. 15 The Moore School of Electrical Engineering . .. 16 The School of Metallurgy and Materials Science . .. .. 18 The Wharton School of Finance and Commerce . 19 The College of Liberal Arts for Women ....... .. ... ...... .. .. .... ............ ..... .. ......... 26 The School of Nursing ... ........................... .... ................ ... ................... ........ 31 The School of Allied Medical Professions . .. .. 3 3 The Graduate School of Arts and Sciences . .. .. .. 34 The School of Medicine . -
Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits. -
John Agard John Agard Is a Poet, Performer and Anthologist. He Was Born in Guyana and Came to Britain in 1977
John Agard John Agard is a poet, performer and anthologist. He was born in Guyana and came to Britain in 1977. His many books include six collections from Bloodaxe, From the Devil’s Pulpit (1997),Weblines (2000), We Brits (2006), Alternative Anthem: Selected Poems (2009), Clever Backbone (2009), and Travel Light Travel Dark (2013). He is the winner of the Queen's Gold Medal for Poetry for 2012, presented to him by The Queen on 12 March 2013. He won the Casa de las Américas Prize in 1982, a Paul Hamlyn Award in 1997, and a Cholmondeley Award in 2004. We Brits was shortlisted for the 2007 Decibel Writer of the Year Award, and he has won the Guyana Prize twice, for his From the Devil's Pulpit andWeblines. As a touring speaker with the Commonwealth Institute, he visited nearly 2000 schools promoting Caribbean culture and poetry, and has performed on television and around the world. In 1989 he became the first Writer in Residence at London’s South Bank Centre, who published A Stone’s Throw from Embankment, a collection written during that residency. In 1998 he was writer-in-residence for the BBC with the Windrush project, and Bard at the Beeb, a selection of poems written during that residency, was published by BBC Learning Support. He was writer in residence at the National Maritime Museum in Greenwich in 2007. He is popular writer for children and younger readers, with titles including Get Back Pimple(Viking), Laughter is an Egg (Puffin), Grandfather’s Old Bruk-a-down Car (Red Fox), I Din Do Nuttin (Red Fox), Points of View with Professor Peekaboo (Bodley Head) and We Animals Would Like a Word with You (Bodley Head), which won a Smarties Award. -
War and Conflict Poetry Anthology and Home Learning
War and conflict poetry anthology and home learning. Week 1 Lesson 1 – In this lesson we are looking at the ideas of war and conflict. Task 1 – mind map what both words ‘War’ and ‘conflict’ mean. Task 2 - Consider examples of war and conflict today and in the past. Task 3 - Read the non-fiction text from The Guardian by Carol Ann Duffy. Consider why poets focus on war and Conflict in their poetry. Answer questions on the article. (on the next page) 1. What does Plato believe is the poet's obligation? 2. Name one First World War poet or 'war poet'. 3. What does Duffy mean in the simile, 'such lines are part of the English poetry DNA, injected during school days like a vaccine.' 4. Did poets in the early 21st century always go to war? 5. What does Duffy mean when she says, 'war, it seems, makes poets of soldiers and not the other way round.' 6. How do poets largely experience war today? Consider ‘The Main Image’ – this is the main idea in a piece of writing. Task 4 - Look at a selection of modern poems written by a selection of poets. Consider the main image in each poem. PLENARY – consider why poets write about conflict and war – what perspectives might they have on these different themes and ideas? Exit wounds July 2009 With the conflict in Afghanistan escalating and the Iraq inquiry pending, poet laureate Carol Ann Duffy commissions war poetry for today Poets, from ancient times, have written about war. It is the poet's obligation, wrote Plato, to bear witness. -
Dancing in the Rain by John Lyons (Peepal Tree Press)
Dancing in the Rain by John Lyons (Peepal Tree Press) John Lyons provides an insight into his Trinidadian childhood in this collection which the judges described as breath of fresh air. He describes the climate, dancing in the warm rain after recognising the signs of a gathering storm in the title poem, contrasting with the cold in England in ‘Monica’s Winter’ and ‘Happy Snowman’. Nature comes to life in the words and the pictures drawn by the poet, whether it’s the happy hummingbird, the marsupial Trini ‘manicou with its pouchy tum’, ‘Tobago land crabs with a mangrove smell’, ‘wild and swift’ ‘nervous and shy agoutis’ or the iguana ‘this big lizard at large’ who ‘is talented with camouflage.’ There are some striking encounters with ghosts and ghouls from Caribbean folklore such as ‘Setting a Trap for Soucouyant’, ‘Looking for Douennes’ and ‘The Climbing Skeleton’, shown in suitable scary fashion shinning up a tree. Sharing food brings out relationships with family and friends, especially between generations, and is where the poet often writes in the nation language of Trinidad, saying ‘How ah love de sugarcake/meh Granny does mek’ and ‘At home wid meh sticky-mango-juice face,/meh grandma gimmeh ah good lickin/wid ah tamarind switch.’ This collection is shortlisted for the 2016 CLPE Poetry Award. Overall aims of this teaching sequence. To experience poetry as pleasurable and meaningful . To compare how a common theme is presented in poetry . To explore the language and style of poetry through talk, performance, visual art, reading and writing . To learn how to bring out the meaning of a poem through performance . -
The Oxford Companion to English Literature, 6Th Edition
B Bab Ballads, a collection of humorous ballads by W. S. lated by J. Harland in 1929 and most of his work is ^Gilbert (who was called 'Bab' as a child by his parents), available in English translation. first published in Fun, 1866-71. They appeared in Babylon, an old ballad, the plot of which is known 'to volume form as Bab Ballads (1869); More Bab Ballads all branches of the Scandinavian race', of three sisters, (1873); Fifty Bab Ballads (1877). to each of whom in turn an outlaw proposes the alternative of becoming a 'rank robber's wife' or death. Babbitt, a novel by S. *Lewis. The first two chose death and are killed by the outlaw. The third threatens the vengeance of her brother 'Baby BABBITT, Irving (1865-1933), American critic and Lon'. This is the outlaw himself, who thus discovers professor at Harvard, born in Ohio. He was, with Paul that he has unwittingly murdered his own sisters, and Elmer More (1864-1937), a leader of the New Hu thereupon takes his own life. The ballad is in *Child's manism, a philosophical and critical movement of the collection (1883-98). 1920s which fiercely criticized *Romanticism, stress ing the value of reason and restraint. His works include BACH, German family of musicians, of which Johann The New Laokoon (1910), Rousseau and Romanticism Sebastian (1685-1750) has become a central figure in (1919), and Democracy and Leadership (1924). T. S. British musical appreciation since a revival of interest *Eliot, who described himself as having once been a in the early 19th cent, led by Samuel Wesley (1766- disciple, grew to find Babbitt's concept of humanism 1837, son of C.