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Boredom As Disruption and Resistance in David Foster Wallace's the Pale
‘Only the bored are free’: boredom as disruption and resistance in David Foster Wallace’s The Pale King. MA Thesis Adrià Puértolas Pérez Supervisor: Aylin Kuryel Academic year: 2019-2020 Faculty of Humanities Universiteit van Amsterdam A.Puértolas INDEX 1. Introduction 3 2. ‘Only the bored are free: boredom as resistance in The Pale King 8 3. ‘Awakening’: Embracing boredom against the cultural logic of late capitalism in The Pale King 21 4. Boredom, metamodernism and narratives of reconstruction in The Pale King 36 5. Conclusion 48 6. Bibliography 54 2 A.Puértolas 1. Introduction In the movie Spring Breakers (2012), by Harmony Korine, a group of young college girls travel to Florida to participate to the Spring Break, the well-known mass party. It is an escape from the monotony of university, classes, routine and the world they’ve always known: “I’m tired of seeing always the same things”, they complain as a justification for the trip. During the break, their quest for adrenaline and limit experiences quickly escalates: once the excitement of the party ceases, they end up robbing a store at gun point and getting involved with an obscure drug dealer that leads them into a full-scale shooting against a rival criminal organization. The movie seems to suggest that even the most extreme and limit experiences, as exciting and powerful as they can be, are not able to provide a steady, authentic life, some substance to hold on to, just intense chaos and violence. It is tempting to read the film as a growing realization of the limits the rebellious- Dionysian1 escape, one that seems central in the cultural logic of late capitalism; that it may have become an exhausted or sterile path towards emancipation —what the characters of the movie ultimately seek—and that, perhaps, a comeback, an acceptance of an authentic, solid and monotonous existence is desirable. -
Meet Kit: an American Girl by Valerie Tripp / ISBN: 1-58485-016-7
FEDERAL RESERVE BANKS OF ST. LOUIS AND PHILADELPHIA ECONOMIC EDUCATION Meet Kit: An American Girl By Valerie Tripp / ISBN: 1-58485-016-7 Lesson Author Jeannette Bennett, Federal Reserve Bank of St. Louis—Memphis Branch Standards and Benchmarks (see pages 17-18) Lesson Description In this lesson, students listen to (or read independently) the story Meet Kit: An American Girl. Through discussion and role-playing, students learn the impact unemployment and reduced consumer and business spending have on people’s lives. Grade Level 3-5 Concepts Unemployment Bank Objectives Students will • describe employment conditions during the Great Depression, • explain that a combination of unemployment and reduced consumer and business spending can cause a depression, • define banks and unemployment, and • describe some costs unemployment imposes on individuals. Time Required 60 to 90 minutes ©2012, Federal Reserve Banks of St. Louis and Philadelphia. Permission is granted to reprint or photocopy this lesson in its entirety for educational purposes, provided the user credits the Federal Reserve Bank of St. Louis, www.stlouisfed.org/education_resources. 1 Lesson Plan Meet Kit: An American Girl Materials • Meet Kit: An American Girl by Valerie Tripp (ISBN: 1-58485-016-7) • One copy of each sign for the following skit locations (see pages 10-16): Unemployed Workers, Car Dealership, Worker One’s Home, Appliance Store, Delivery Company, Truck Factory, and Steel Mill • Masking tape • Chart paper and markers for each group of four to five students • Handout 1, one copy for each student • Handout 2, one copy cut apart • Paper and pencil for each student for assessment Procedure 1. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
The Novel's Anxieties Over Existence, Purpose, and Believability
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State English Theses English 8-2012 Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability Jesse Mank Buffalo State College, [email protected] Advisor Dr. Aimable Twagilimana, Professor of English First Reader Dr. Barish Ali, Assistant Professor of English Department Chair Dr. Ralph L. Wahlstrom, Associate Professor of English To learn more about the English Department and its educational programs, research, and resources, go to http://english.buffalostate.edu/. Recommended Citation Mank, Jesse, "Survival of the Fictiveness: The oN vel’s Anxieties Over Existence, Purpose, and Believability" (2012). English Theses. Paper 5. Follow this and additional works at: http://digitalcommons.buffalostate.edu/english_theses Part of the Literature in English, North America Commons Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability by Jesse Mank An Abstract of a Thesis in English Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts August 2012 State University of New York College at Buffalo Department of English Mank i ABSTRACT OF THESIS Survival of the Fictiveness: The Novel’s Anxieties Over Existence, Purpose, and Believability The novel is a problematic literary genre, for few agree on precisely how or why it rose to prominence, nor have there ever been any strict structural parameters established. Terry Eagleton calls it an “anti-genre” that “cannibalizes other literary modes and mixes the bits and pieces promiscuously together” (1). And yet, perhaps because of its inability to be completely defined, the novel best represents modern thought and sensibility. -
Theory and Interpretation of Narrative James Phelan, Peter J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by KnowledgeBank at OSU THEORY AND INTERPRETATION OF NARRATIVE JAMES PHELAN, PETER J. RABINOWITZ, AND ROBYN WARHOL, SERIES EDITORS FOR VANESSA, MAX, AND MILLY THE RETURN OF THE OMNISCIENT NARRATOR Authorship and Authority in Twenty-First Century Fiction PAUL DAWSON THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Dawson, Paul, 1972– The return of the omniscient narrator authorship and authority in twenty-first century fiction / Paul Dawson. pages cm—(Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-1233-2 (cloth : alk. paper) ISBN-10: 0–8142– 1233–6 (cloth : alk. paper) 1. Fiction—Technique. 2. Omniscience (Theory of knowledge) in literature. 3. Narration (Rhetoric) I. Title. II. Series: Theory and interpretation of narrative series. PN3355.D246 2013 808.3—dc23 2013031509 Cover design by AuthorSupport.com Text design by Juliet Williams Type set in Adobe Sabon Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments vii Introduction The Return of Omniscience in Contemporary Fiction 1 CHaptER 1 Omniscience and Narrative Authority 25 CHaptER 2 The Direct Address and the Ironic -
THE C.Rrtical RECEPTION of Totu MORRISON: 1970 to 1988
------------------~ THE C.RrTICAL RECEPTION OF TotU MORRISON: 1970 TO 1988 A DISSERTATION SUBI~ITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE UEGREF. OF DOCTOR OF PHILOSOPHY BY LEROY STAGGERS DEPARTMENT OF ENGLISH ATLANTA, GEORGIA DECE~lBER 1989 ABSTRACT ENGLISH STAGGERS, LEROY M.A. ATLANTA UNIVERSITY, 1979 THE CRITICAL RECEPTION OF TONI MORRISON: 1970 TO 1988 Advisor: Professor Elizabeth Higgins Dissertation dated December 1989 This study examines the critical reception of Toni Morrison's novels from 1970 to 1988. During this eighteen-year period, Toni l1orrison published five novels: The Bluest Eye (1970), Sula (1973), Song of Solomon (1977), Tar Baby (1981), and Beloved (1987). In this study the criticism is divided into five periods, each beginning with the publication of a novel. This study contends that Toni Morrison's novels draw on three convergent literary traditions for ideas, meanings and structures. Consequently, as the critics respond to the novels, a pattern of criticism emerges from each tradition. The critical responses to the novels can be placed within three schools of criticism--those responses arising from Euro-Americans, those arising from Afro-Americans, and those arising from feminists drawn from both groups. Each school of criticism reflects a structure of beliefs and values which transcend literary judgments. Each critic's response grows naturally out of his respective tradition. Consequently, this study can be placed within the significantly large body of literature which suggests the sociological nature of criticism. (c) 1989 Leroy Staggers All Rights Reserved ACKNOWLEDGEMENTS The author expresses great appreciation to Dr. -
Farrar, Straus and Giroux | 6/4/2019 Surprise That Borders Have Become So Porous
Losing Earth A Recent History Nathaniel Rich An instant classic: the most urgent story of our times, brilliantly reframed, beautifully told By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours. The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon—the subject of news coverage, editorials, and SCIENCE conversations all over the world. In its emphasis on the lives of the people who grappled with the great existential threat of our age, it made vivid the MCD | 4/9/2019 moral dimensions of our shared plight. 9780374191337 | $25.00 / $32.50 Can. Hardcover with dust jacket | 224 pages 4 Black-and-White Illustrations / Notes on Now expanded into book form, Losing Earth tells the human story of climate Sources | Carton Qty: 28 | 8.3 in H | 5.4 in W change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil MARKETING fuel industry’s coordinated effort to thwart climate policy through disinformation, propaganda, and political influence. The book carries the National review attention Print features and profiles story into the present day, wrestling with the long shadow of our failures and Online features and profiles asking crucial questions about how we make sense of our past, our future, Interest-specific media outreach: environment and ourselves. -
The Mystery of Mr E Welliewishers by Valerie Tripp
The Mystery of Mr E WellieWishers by Valerie Tripp You're readind a preview The Mystery of Mr E WellieWishers book. To get able to download The Mystery of Mr E WellieWishers you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Unlimited books*. Accessible on all your screens. *Please Note: We cannot guarantee that every book is in the library. But if You are still not sure with the service, you can choose FREE Trial service. Book File Details: Review: Were in love with all the Wellie Wishers stories. Such a cute series with great illustration and simple stories that are easy to follow. Even a 2nd grader can read those to their friends which is amazing to me. None of these little books disappoint and we love the little tips and tricks in the back of each book in true American Girl advice fashion.... Original title: The Mystery of Mr. E (WellieWishers) Age Range: 4 - 8 years Grade Level: Preschool - 3 Series: WellieWishers 96 pages Publisher: American Girl (April 27, 2017) Language: English ISBN-10: 1609588770 ISBN-13: 978-1609588779 Product Dimensions:5.2 x 0.3 x 7.6 inches File Format: PDF File Size: 1118 kB Ebook Tags: year old pdf, chapter books pdf, wellie wishers pdf, old loves pdf, great book pdf, pictures pdf, girls pdf, grader pdf, illustrations Description: Theres a new friend in the garden -- a big, shaggy dog with the mysterious name of Mr. E! The dog loves to play, so when he suddenly disappears, the WellieWishers are worried. -
Nancy Nayor Castings Directed
Nancy Nayor Castings Directed Sometimes tubelike Osbourne generalize her shipman atremble, but songful Ethelred voicing growlingly or jive considering. Jorge bumps hollowly while irreparable Sander attitudinizings archaeologically or rampage respectably. Crippling and thermoduric Biff traumatizes while cyclopedic Ephraim correlated her duplicature omnivorously and disarrange unreconcilably. Unlimited seats; no limits on impressions and print runs. Dominika Posseren, Nancy Nayor, Ben Davidson, Dom Posseren. Please write the above role you are submitting for in the subject line of your email. He helped transform the Christopher Lambert film about immortals into a franchise that included sequels, TV series and video games. WANT TO GO DEEPER? Would check if array passed by user and subscriber entitlement data are not empty. To complete the subscription process, please click the link in the email we just sent you. English but look Russian. Or, you might want to print a copy that lives in your car. Cable is the leading voice of the television industry, serving the broadcast, cable and program syndication communities. Children learn by watching everyone around them, especially their parents. Please submit photos and resumes by mail only. THEME: Jesus is coming again. How does the agent or the manager balance such concerns against the need to find good material and solid commitments? Barely out of nancy nayor castings directed by eyde studios managing editor and directed by nancy nayor shared that it was? Known for his roles in Creed, Fruitvale Station, and Black Panther, Jordan has certain prove himself to be quite a capable actor, with the actor rising to stardom over the past few years. -
My Town: Writers on American Cities
MY TOW N WRITERS ON AMERICAN CITIES MY TOWN WRITERS ON AMERICAN CITIES CONTENTS INTRODUCTION by Claire Messud .......................................... 2 THE POETRY OF BRIDGES by David Bottoms ........................... 7 GOOD OLD BALTIMORE by Jonathan Yardley .......................... 13 GHOSTS by Carlo Rotella ...................................................... 19 CHICAGO AQUAMARINE by Stuart Dybek ............................. 25 HOUSTON: EXPERIMENTAL CITY by Fritz Lanham .................. 31 DREAMLAND by Jonathan Kellerman ...................................... 37 SLEEPWALKING IN MEMPHIS by Steve Stern ......................... 45 MIAMI, HOME AT LAST by Edna Buchanan ............................ 51 SEEING NEW ORLEANS by Richard Ford and Kristina Ford ......... 59 SON OF BROOKLYN by Pete Hamill ....................................... 65 IN SEATTLE, A NORTHWEST PASSAGE by Charles Johnson ..... 73 A WRITER’S CAPITAL by Thomas Mallon ................................ 79 INTRODUCTION by Claire Messud ore than three-quarters of Americans live in cities. In our globalized era, it is tempting to imagine that urban experiences have a quality of sameness: skyscrapers, subways and chain stores; a density of bricks and humanity; a sense of urgency and striving. The essays in Mthis collection make clear how wrong that assumption would be: from the dreamland of Jonathan Kellerman’s Los Angeles to the vibrant awakening of Edna Buchanan’s Miami; from the mid-century tenements of Pete Hamill’s beloved Brooklyn to the haunted viaducts of Stuart Dybek’s Pilsen neighborhood in Chicago; from the natural beauty and human diversity of Charles Johnson’s Seattle to the past and present myths of Richard Ford’s New Orleans, these reminiscences and musings conjure for us the richness and strangeness of any individual’s urban life, the way that our Claire Messud is the author of three imaginations and identities and literary histories are intertwined in a novels and a book of novellas. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Disentangling Immigrant Generations
THEORIZING AMERICAN GIRL ________________________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia ________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ________________________________________________________________ by VERONICA E. MEDINA Dr. David L. Brunsma, Thesis Advisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled THEORIZING AMERICAN GIRL Presented by Veronica E. Medina A candidate for the degree of Master of Arts, And hereby certify that, in their opinion, it is worthy of acceptance. Professor David L. Brunsma Professor Mary Jo Neitz Professor Lisa Y. Flores DEDICATION My journey to and through the master’s program has never been a solitary one. My family has accompanied me every step of the way, encouraging and supporting me: materially and financially, emotionally and spiritually, and academically. From KU to MU, you all loved me and believed in me throughout every endeavor. This thesis is dedicated to my family, and most especially, to my parents Alicia and Francisco Medina. Mom and Dad: As a child, I often did not recognize and, far too often, took for granted the sacrifices that you made for me. Sitting and writing a thesis is a difficult task, but it is not as difficult as any of the tasks you two undertook to ensure my well-being, security, and happiness and to see me through to this goal. For all of the times you went without (and now, as an adult, I know that there were many) so that we would not, thank you.