Mythology in the Garden Hyacinth

Total Page:16

File Type:pdf, Size:1020Kb

Mythology in the Garden Hyacinth JULY 2020 Life at Crowfields Did You Know? Who wrote the first draft of the Declaration of Independence? The preamble, which begins with “We hold these truths to be self-evident, that all men are created equal…” and in just five sentences, it lays out the entire American Inside This Issue philosophy of government. In regards to the writing of the Declaration of Independence, on June 7, 1776, a committee of five were tasked with drafting it. Roger Did You Know? 1 Sherman, Benjamin Franklin, Thomas Jefferson, John From the Editor 2 Adams and Robert Livingston. They debated over who The President’s Report 5 should actually write the first draft. Jefferson wanted Update from Gifted Funds 7 Adams to do it, but the Massachusetts delegate refused. Gods, Goddesses, and Heroes An excerpt from a letter Adams wrote in 1822, recounts in the Garden 8 how he managed to convince Jefferson to do it. Activities and More in July 10 Governor Cooper’s “Reason first, you are a Virginian, and Virginian ought to appear at the head of this business. Reason second, I Phase 1 & 2 12 am obnoxious, suspected and unpopular. You are very Announcements and Reminders 13 much otherwise. Reason third, you can write 10 times Resident’s Contributions 15 better than I can.” From the Kitchen 16 Since 1776, there have been 120 declarations of independence issued by 120 nations and other The Crowfields Chatter is Edited by sovereign peoples. Jefferson wrote to a friend in 1795: Janet Moore and Published by Gayle Connell. If you have ideas, an “This ball of liberty…is now so well in motion that it will article or photos you would like to roll around the globe. At least the enlightened part of it, submit, contact Janet at 778-9300 or [email protected] for light and liberty go together.” America was not built on fear. American was built on courage, on imagination, and an unbeatable determination to do the job at hand. --Harry S. Truman Page 2 From the Editor By Janet Moore In preparation for exterior painting, which begins for us the first week of July, Parker and I have been getting rid of stuff. Some of it, like the porch settee from our old place, has just never fit in, despite my numerous attempts to make it work. We uncovered cache pots for the orchids that had flourished in our large, sunny living room that looked out onto Westridge Drive. We sorted through garden tools, accumulated in the dismantling of our parents’ households, and asked ourselves, “Just how many shovels do we really need?” The answer was not nearly as many as we have. Funny how it often takes an outside force and a looming deadline, in this case the arrival of the paint crew on Monday, July 6, to rid ourselves of the dross. Suffice it to say that there have been numerous donations made to the WNC Bridge Foundation Estate Sale. There are times, of course, when want and need align. One such case occurred in 1949 when a group of Western N.C. businessmen, led by George Cecil and his fellow members of the newly-formed Western N.C. Agricultural Commission (WNCAC), took a road trip to Tupelo, MS. Cecil drove his car because, as one fellow-traveler pointed out, it was the only one guaranteed to get them down and back. They were on a fact-finding mission to learn about a successful rural economic development program. Along the way they saw mile after mile of abject poverty, Cecil recalls. “When we arrived in Tupelo, it was like night and day.” Instead of the sharecropper shacks, there were tidy houses and well-tended yards. Even the mailboxes were painted. “People had pride in what they were doing,” Cecil says. And there was an abundance of hope. At the time, there wasn’t much hope to be found in Western NC. Rural communities lacked electricity and running water. Families subsisted on small farms. Tobacco was the biggest cash crop. There were no interstate highways, only state and local roads, and many of them were in poor From the Editor By Janet Moore condition. The region was, as it had always been, isolated from the rest of the state. The man responsible for Tupelo’s renaissance was Morris McGough (pronounced McGoo). He’d grown up on a farm in Louisiana, raised chickens and participated in 4-H. He knew the challenges facing the rural South following World War II. And on the long trip home, Cecil and his fellow travelers decided that they needed to hire someone like McGough to ignite rural economic growth in the West. Cecil had a better idea. Why not hire McGough? They did, and the rest, as they say, is history. As executive director of WNCAC (later WNC Community Development and currently WNC Communities), McGough worked with TVA and various power companies to electrify the region. He partnered with NC Cooperative Extension to build the bedrock of his growth strategy, a robust network of community clubs that could address the needs and wants unique to each community. Who better to help them accomplish their goals than their counties’ Cooperative Extension Agents? That partnership continues today. Board members worked behind the scenes to ensure the timely completion of I-26 and I-40. From 1970-1989, McGough worked with the region’s legislators and Madison County native and Speaker of the House Liston Ramsey in particular to secure funding to build and then expand the WNC Farmers Market, the WNC Agricultural Center and Mountain State Fair, and NCSU’s Mountain Crops Horticultural Research and Extension Center in Mills River. The N.C. Arboretum is located here due to their efforts. In 2011, they secured the funding needed to build the Haywood County Livestock Market, following the closure of the remaining private market in Asheville. Those community clubs are still hard at work. As we navigate our way through the COVID-19 pandemic, they have become rural distribution points for surplus chicken and produce from local farmers. With restaurants closed or partially open, demand for their products has dropped precipitously. WNC Communities’ network has provided them with a ready market and the communities with needed food. From the Editor By Janet Moore Recently I had the opportunity to talk to George Cecil about the lessons learned from WNC Communities and its successes. “The basic tenents haven’t changed,” he said. Success starts with listening to what the community wants, and helping them achieve it, which creates success, which generates hope and ultimately builds pride. “You build from the bottom up rather than the top down.” It is my hope that this remarkable story of teamwork, motivated not for personal gain but rather to make Western N.C. a better place to live for everyone, will reach a wider audience. Currently I’m co-authoring a book about McGough, the organization he built, and the leaders he recruited. Many of those folks are gone. McGough died in 2011. My co-author Jay Fields and I are reaching out to those still living to capture their stories. We hope to have the book completed by year-end. I’ll keep you posted. For my part, I’m pushing to have my sections of the book completed before shoulder replacement surgery on July 9. Typing in a sling is no easy task. So, I’ll be taking a break from my regular column in August. The length of this one, more than makes up for that absence. Photography courtesy of Darrell Hardister The President’s Report Page 5 By George Watson Hello Neighbors, I certainly hope everyone is keeping safe and well in these troubled times. The BOD has continued to function even under these rigid restrictions. Thank goodness for ZOOM! With safety in mind, we have been brainstorming on an effective way to conduct our Members Meeting on July 30. At that meeting, we must have a vote on the amended budget and the proposed Nominating Committee. It is also a meeting where members may participate during the meeting with comments or questions as opposed to a regular BOD meeting, and that is important. At the moment, we are considering several small meetings in the breezeway outside the clubhouse. Whatever we do cannot be decided until we see what the virus impact is over the next few weeks. We will notify Residents in advance of how we will hold the meeting. No matter how it is held, whether small groups or Zoom, please try to attend. We have moved forward with our own “Phase 2" by opening the pool and the clubhouse for some limited activities. During this time, everything has restrictions, and these are posted outside the clubhouse and at the pool. I did want to mention, in case you haven’t seen it, that Duke Energy has made repairs from the damage done by removing trees to reposition their poles along Hendersonville Road and Overlook. They fixed our broken sidewalk, cleaned up, and planted grass behind our trees to stabilize the soil and help prevent erosion, replaced three of our trees that were damaged, and added gravel to the walking path. However, don’t expect any more work on the road widening project this year due to DOT budget problems and politics. Thank goodness they agreed not to take down any more trees until the project actually begins. We have had an excessive number of outsiders using our campus as a public park, walking, jogging, biking, walking dogs, and fishing. To address this, I spoke with the management at Weirbridge to put out the word that we are not a park and that we are private property.
Recommended publications
  • Flowers in Greek Mythology
    Flowers in Greek Mythology Everybody knows how rich and exciting Greek Mythology is. Everybody also knows how rich and exciting Greek Flora is. Find out some of the famous Greek myths flower inspired. Find out how feelings and passions were mixed together with flowers to make wonderful stories still famous in nowadays. Anemone:The name of the plant is directly linked to the well known ancient erotic myth of Adonis and Aphrodite (Venus). It has been inspired great poets like Ovidius or, much later, Shakespeare, to compose hymns dedicated to love. According to this myth, while Adonis was hunting in the forest, the ex- lover of Aphrodite, Ares, disguised himself as a wild boar and attacked Adonis causing him lethal injuries. Aphrodite heard the groans of Adonis and rushed to him, but it was too late. Aphrodite got in her arms the lifeless body of her beloved Adonis and it is said the she used nectar in order to spray the wood. The mixture of the nectar and blood sprang a beautiful flower. However, the life of this 1 beautiful flower doesn’t not last. When the wind blows, makes the buds of the plant to bloom and then drifted away. This flower is called Anemone because the wind helps the flowering and its decline. Adonis:It would be an omission if we do not mention that there is a flower named Adonis, which has medicinal properties. According to the myth, this flower is familiar to us as poppy meadows with the beautiful red colour. (Adonis blood). Iris: The flower got its name from the Greek goddess Iris, goddess of the rainbow.
    [Show full text]
  • Book Xiii Neil Hopkinson
    OVID BOOK XIII edited by NEIL HOPKINSON Fellow of Trinity College, Cambridge ab published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb22ru, UK www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in 10/12 Baskerville and New Hellenic Greek [ao] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Ovid, 43 bc±ad 17 or 18 [Metamorphoses. Liber 13] Metamorphoses. Book xiii /Ovid;editedbyNeilHopkinson. p. cm. ± (Cambridge Greek and Latin classics) Text in Latin; introduction and commentary in English. Includes bibliographical references and index. isbn 0 521 55421 7 (hardback) isbn 0 521 55620 1 (paperback) 1. Mythology, Classical ± Poetry. 2. Metamorphosis ± Poetry. i.Hopkinson, N. ii.Title.iii. Series. pa6519.m6 a13 2000 8730.01±dc21 99-087439 isbn 0 521 55421 7 hardback isbn 0 521 55620 1 paperback CONTENTS Preface page vii Map viii±ix Introduction 1 1 Metamorphosis 1 2 Structure and themes 6 3 Lines 1±398: the Judgement of Arms 9 4 Lines 408±571: Hecuba 22 5 Lines 576±622: Memnon 27 6 Lines 632±704: Anius and his daughters 29 7 Lines 13.730±14.222: Acis, Galatea and Polyphemus; Scylla, Glaucus and Circe 34 The text and apparatus criticus 44 P.
    [Show full text]
  • Anemoi - Wikipedia, the Free Encyclopedia
    זפירוס زيفيروس زپيروس Ζέφυρος - Wiktionary http://en.wiktionary.org/wiki/ Ζέφυρος Ζέφυρος Definition from Wiktionary, the free dictionary Contents 1 Ancient Greek 1.1 Etymology 1.2 Pronunciation 1.3 Proper noun 1.3.1 Inflection 1.3.2 Descendants 1.4 References Ancient Greek Etymology Probably related to ζόφος ( zóphos , “darkness, west”) Pronunciation (5th BC Attic ): IPA: /zdépʰyros/ (1st BC Egyptian ): IPA: /zɛ́pʰyros/ (4th AD Koine ): IPA: /zéɸyros/ (10th AD Byzantine ): IPA: /zéfyros/ (15th AD Constantinopolitan ): IPA: /zéfiɾos/ Proper noun Ζέφυρος • (Zéphuros) ( genitive Ζεφύρου ) m, second declension 1. Zephyrus, the west wind Inflection Second declension of Ζέφῠρος , Ζεφύρου [show ▼] Descendants Breton: Zefyros Japanese: ゼピュロス (Zepyurosu) 1 of 2 2/26/2015 6:59 PM Ζέφυρος - Wiktionary http://en.wiktionary.org/wiki/ Ζέφυρος Czech: Zefyros Latin: Zephyrus Dutch: Zephyros Lithuanian: Zefyras English: Zephyrus, Zephyr Old Armenian: զեփիւռ (zep ʿiw ṙ) French: Zéphyr Armenian: զեփյուռ (zep ʿyu ṙ) German: Zephyr Polish: Zefir Greek: Ζέφυρος (Zéfyros) Portuguese: Zéfiro Spanish: Céfiro זפירוס , זפיר :Hebrew Hungarian: Zephürosz Swedish: Zefyros Italian: Zefiro References Woodhouse’s English-Greek Dictionary page 1029 (http://artflx.uchicago.edu/cgi-bin/efts/dicos /woodhouse_test.pl?pageturn=1&pagenumber=1029) Retrieved from "http://en.wiktionary.org/w/index.php?title= Ζέφυρος &oldid=23089011" Categories: Ancient Greek lemmas Ancient Greek proper nouns Ancient Greek second declension proper nouns This page was last modified on 19 September
    [Show full text]
  • Poems of Sappho
    POEMS OF SAPPHO TRANSLATED BY JULIA DUBNOFF Focus Questions: 1. Sappho presents herself, espectially in #1, as having a close relationship with Aphrodite. What are the dynamics of this relationship? What does it say about the religious perspectives possible to women? 2. How does Sappho portray herself as a lover? What is her relationship to the objects of her love? Is her love reciprocated, or is the focus of the love of others? 3. What is the community of women implied by Sappho’s poems? What are their activities? How do they feel about one another? Who are they? What stage of life? 4. Do men have a place in Sappho’s poetry? If so, what is it? Do you get a sense of male/female relationships from this poetry? 5. Is there anything about Sappho’s poetry that makes it particularly feminine? 6. What is it about Sappho’s poetry that would appeal enough to the male readers/listeners so much that she was the only really famous female poet of her period, the best-known female poet ever in the Greco-Roman world, and know as the “tenth Muse”? ≈1≈ Immortal Aphrodite, on your intricately brocaded throne,1 child of Zeus, weaver of wiles, this I pray: Dear Lady, don't crush my heart with pains and sorrows. But come here, if ever before, when you heard my far-off cry, you listened. And you came, leaving your father's house, yoking your chariot of gold. Then beautiful swift sparrows led you over the black earth from the sky through the middle air, whirling their wings into a blur.
    [Show full text]
  • Legacy of the Ancient World: an Educational Guide
    DOCUMENT RESUME ED 399 215 SO 026 842 AUTHOR Whitelaw, R. Lynn TITLE Legacy of the Ancient World: An Educational Guide. Understanding Ancient Culture through Art at the Tampa Museum of Art. INSTITUTION Hillsborough County Public Schools, Tampa, FL. SPONS AGENCY Arts Council of Tampa-Hillsborough County, FL.; Florida State Dept. of Education, Tallahassee. PUB DATE 95 NOTE 50p.; Funding also received from the Junior League of Tampa. AVAILABLE FROMEducation Department, Tampa Museum of Art, 600 N. Ashley Drive, Tampa, FL 33629 ($5). PUB TYPE Guides Classroom Use Instructional Materials (For Learner) (051) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Ancient History; Architecture; *Art; Art Education; *Greek Civilization; Junior High Schools; Museums; Mythology; Visual Arts; Western Civilization IDENTIFIERS *Classical Period; Florida (Tampa); Greek Vases; *Roman Civilization ABSTRACT Among the many contributions made by Ancient Greeks and Romans to contemporary life, are those which influence art, architecture, literature, philosophy, mathematics and science, theater, athletics, religion, and the founding of democracy. The Tampa Museum of Art's classical collection offers a unique opportunity to learn about Ancient Greeks and Romans through primary source artifacts. This booklet, which contains information and activities related to the museum collection, may be adapted for independent use with middle school level students. Suggested activities and activity worksheets are organized
    [Show full text]
  • [PDF]The Myths and Legends of Ancient Greece and Rome
    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
    [Show full text]
  • {TEXTBOOK} Change Me Stories of Sexual Transformation from Ovid 1St Edition
    CHANGE ME STORIES OF SEXUAL TRANSFORMATION FROM OVID 1ST EDITION PDF, EPUB, EBOOK Jane Alison | 9780199941650 | | | | | Change Me Stories of Sexual Transformation from Ovid 1st edition PDF Book More Details Change Me will transform forever readers' experience of this most ingenious of poets. When these selections are taken together, Alison's Ovid comes alive; the Roman poet's great ability to perform contemporary themes through mythical subject matter, and vice versa, is Alison's guiding principle and Muse. Isis answers her prayer and, to the delight of Telethusa and Iphis, transforms Iphis into a young man. Themes Motifs Symbols Key Facts. Trivia About Change Me: Storie Seller rating : This seller has earned a 4 of 5 Stars rating from Biblio customers. Pygmalion Add to Wishlist. Books by Ovid. The narrator jumps to the story of a centaur, Nessus, who attempts to rape Deianira. What is a self, and where are its edges? Byblis tries to find him, and when she fails her weeping turns her into a spring. It is a FREE and modern web-browser which supports the latest web technologies offering you a cleaner and more secure browsing experience. When she realizes this love is unnatural and socially unacceptable, she tries to rationalize it by thinking of gods who have sex with their sisters. Her request will ensure she's never raped again. Kelsey marked it as to-read Apr 16, Best of all, it's free. Callisto 2. Add to want list. Important Quotations Explained. And if your outer form changes, what lasts? It would of course be unfair to criticize any work for not being what it does not seek to be.
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]
  • An Online Textbook for Classical Mythology
    Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it.
    [Show full text]
  • Agorapicbk-8.Pdf
    EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. PotsandPansofClassical Athens(1951) 2. The Stoa ofAttalos I1 in Athens (1959) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (1960) 5. Ancient Portraitsfrom the Athenian Agora (1960) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore ofAncient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfiom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (1971) I 3. Early Burialsfrom the Agora Cemeteries (1973) 14. Grafiti in the Athenian Agora (1974) I 5. Greek and Roman Coins in the Athenian Agora (1975) I 6. The Athenian Agora: A Short Guide (revised 1980) German and French editions (1977) 17. Socrates in the Agora (1978) 18. Mediaeval and Modem Coins in the Athenian Agora (1978) 19. Gods andHeroes in the Athenian Agora (1980) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A. They are also available in the Agora Museum, Stoa of Attalos, Athens EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOK NO. 8 ISBN 87661-608-2 Prepared by Dorothy Burr Thompson with Ralph E. Griswold, Landscape Consultant Color Plates by Aspioti-Elka Graphic Arts Co., Ltd., Athens, Greece Produced by The Meriden Gravure Company, Meriden, Connecticut 0 American School of Classical Studies at Athens, 1982 Dedicated to the Donors who have made possible the planting of the Agora Park GARDEN LORE OF ANCIENT ATHENS AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON * NEW JERSEY 1963 I.
    [Show full text]
  • Szepessymaster.Pdf (713.9Kb)
    The Marriage Maker The Pergamon Hermaphrodite as the God Hermaphroditos, Divine Ideal and Erotic Object Victor Ljunggren Szepessy Master of Arts Thesis in Art History Faculty of Humanities Department of Philosophy, Classics, History of Art and Ideas Advisors: Sven Ahrens & Lena Liepe University of Oslo Spring 2014 Abstract The Pergamon Hermaphrodite depicts the god Hermaphroditos, an image that stands for the idea of marriage, fertility, heterosexual union, and civilization. Textual evidence in the form of the recently uncovered Salmacis Inscription, and an extensive iconography of 175 images corroborate this identity. The Pergamon Hermaphrodite is a document of a Hellenistic religious attitude, which forms part of the large artistic programme of The Great Altar at Pergamon. The Hellenistic World gives rise to a change in form expressed by the eroticised aesthetics of the divine cult statue, emphasizing the feminine shape due to the prominence of heterosexual marriage and increased participation of women in society. The Pergamon Hermaphrodite combines this with a pederastic eroticism and static calm, keeping one foot in the Classical past. Acknowledgements I would like to give special thanks to my advisors, Sven Ahrens and Lena Liepe, who tirelessly read and re-read all the material I sent them, and unfailingly produced commentaries that lifted the project a level or two. I imagine they never knew they would be this committed to hermaphrodites. It's been a real pleasure and the experience of a lifetime to work with two such astute academic minds. My warmest thanks to Aileen Ajootian who provided me with an introductory bibliography on hermaphrodite sculpture in Antiquity, when I wrote to her regarding her dissertation.
    [Show full text]
  • Greek Mythology #27: APOLLO by Joy Journeay
    Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #27: APOLLO by Joy Journeay God of: Music, poetry, art, oracles, archery, plague, medicine, sun, light and knowledge Home: MOUNT OLYMPUS Symbols: Laurel tree & wreath, lyre, python, raven, silver bow, dolphin, mouse Parents: Zeus and Leto Sibling: Artemis, who was a day older Children: Asclepius, Troilus, Aristaeus, Orpheus Consorts: Daphne, Leocothea, Cyrene, Marpessa, Castalia, Hecuba, Cassandra, Coronis, Hyacinth, Cyparissus Friends: The Pythia, Poseidon, Dionysus, Hermes Enemies: Hera, Eros, Agamemnon, Niobe, Marsyas, Orion Roman Counterpart: Apollo Zeus’s wife Hera was displeased by his consorting with other females, and when his lover Leto was in labor, Hera forbade the birth to occur on land. Poseidon took pity on Leto, and showed her a floating island, technically not attached to the Apollo Belvedere. earthen land. Artemis was born first, and 120-140 AD was present at the birth of her brother Apollo a day later. Hera then sent a giant to rape her. Apollo and Artemis protected Large stamped copper their mother, and finally Zeus came to their button, painted to aid hurling the giant to the underworld. resemble Wedgewood Apollo was the most beautiful Olympian jasper, depicting Apollo & male god, with golden locks, a muscular body Daphne. Chased and gilt and a seductive voice.
    [Show full text]