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Arteconte To ARTEYCONTEXTO.indd 1 elranchitomadrid.wordpress.com 15 DIC 2011 / 29 ABR 2012 —— EL RANCHITO MATADER O MADRID Promotores Organiza 26/01/12 16:58 ARTECONTEXTO ARTE CULTURA NUEVOS MEDIOS - ART CULTURE NEW MEDIA Revista trimestral. Número 33 • Quarterly magazine. Issue 33 • España 18! ARTE CULTURA NUEVOS MEDIOS - 2012 / 1 33 ARTECONTEXTO ART CULTURE NEW MEDIA - 2012 / 1 A A R TE C UL T UR R A N U E V O S M E TECONTE DI O S Música /Music • Libros /Books • Críticas /Reviews Jeff Wall • Lara Almarcegui • Antoni Muntadas Muntadas • Antoni Almarcegui • Lara Wall Jeff Dossier: ARTE, INTERNETYFEMINISMO Dossier: ARTE, ART, THEINTERNETANDFEMINISM ART, (Remedios Zafra, Xabier Arakistain) (Remedios Zafra, XabierArakistain) X A R TO T C UL T UR E NEW M E DI A ARTECONTEX TO Editora y Directora / Director & Editor: ARTECONTEXTO arte cultura nuevos medios Alicia Murría es una publicación trimestral de ARTEHOY Publicaciones y Gestión, S.L. Impreso en España por Akasa S.L. Equipo de Redacción / Editorial Staff: Producción gráfica: El viajero / Eva Bonilla. Eva Navarro ISSN: 1697-2341. Depósito legal: M-1968–2004 Santiago Olmo Todos los derechos reservados. Ninguna parte de esta publicación puede ser Begoña Mateos reproducida o transmitida por ningún medio sin el permiso escrito del editor. [email protected] All rights reserved. No part of this publication may be reproduced or transmitted by any means without written permission from the publisher. Administración / Accounting Department: © de la edición, ARTEHOY Publicaciones y Gestión, S.L. Carmen Villalba © de las imágenes, sus autores [email protected] © de los textos, sus autores © de las traducciones, sus autores Publicidad / Advertising: © de las reproducciones autorizadas, VEGAP. Madrid, 2012 [email protected] Esta publicación es miembro de la Asociación de Revistas Culturales de España (ARCE) y de FIRC Suscripciones / Subscriptions: [email protected] Distribución / Distribution: [email protected] ARTECONTEXTO reúne diversos puntos de vista para activar el debate y no se Oficinas / Office: identifica forzosamente con todas las opiniones de sus autores. Tel. + 34 913 640 486 C/ Santa Ana 14, 2º C. ARTECONTEXTO does not necessarily share the opinions expressed by the authors. 28005 Madrid. (España) www.artecontexto.com La editorial ARTEHOY Publicaciones y Gestión S.L., a los efectos previstos en el art. 32,1, párrafo segundo, del TRLPI se opone expresamente a que cualquiera de las páginas de ARTECONTEXTO sea utilizada para la realización de resúmenes de Diseño / Design: prensa. Jacinto Martín El viajero: www.elviajero.org ARTEHOY Publicaciones y Gestión S.L., as stated in the second paragraph of article 32,1 of the TRLPI (Intellectual Property Law amended text) expressly forbids the use of any of the pages of ARTECONTEXTO for the production of press summaries. Traducciones / Translations: Joanna Porter Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra sólo puede ser realizada con la autorización de sus Especial agradecimiento / Special thanks titulares, salvo excepción prevista por la ley. Diríjase a CEDRO (Centro Español de A Antoni Muntadas por su colaboración en este número Derechos Reprográficos: www.cedro.org), si necesita fotocopiar o escanear algún To Antoni Muntadas for his contribution to this issue fragmento de esta obra. Any form of reproduction, distribution, public communication or transformation of this work may only be carried out with the express authorisation of its holders, with the exceptions contemplated by law. Please get in touch with CEDRO (Centro Español de Derechos Reprográficos: www.cedro.org), if you need to photocopy or Portada / Cover: scan any fragments of this work. Intervención de / Intervention by Antoni Muntadas www.artecontexto.com Nuevas secciones en nuestra plataforma de información on-line ¡Date de alta y recibe toda la actualidad cultural y el boletín ArtecontextoPlus! Accede a la lectura on-line de la revista y a nuestros artículos de actualidad DOSSIER · ARTECONTEXTO · 3 anuncio-act-33.indd 1 30/1/12 16:15:38 Dossier: Arte, Internet y Feminismo / Art, the Internet and Feminism 6 Una habitación propia –conectada– Feminismo e Internet desde la esfera público-privada A Room of One’s Own –Online– Feminism and the Internet from the Public-Private Sphere REMEDIOS ZAFRA 26 Pero ¿es qué hay sexismo en el arte? Oh, cielos Entrevista a Xabier Arakistain But, is there sexism in art? Oh, my God Interview with Xabier Arakistain ALICIA MURRÍA SUMARIO / INDEX / 33 / INDEX SUMARIO Páginas Centrales / Central Pages 36 Entrevista a Jeff Wall La fotografía falla al contar historias Interview with Jeff Wall Photography fails when telling stories JOSÉ MANUEL COSTA 50 Lara Almarcegui ¿Desde dónde se puede conocer un lugar? From Where Can One Know a Place? PEDRO MEDINA 64 Intervención de / Intervention by Antoni Muntadas 73 Antoni Muntadas Mecanismos de resistencia Resistance Mechanisms ALICIA MURRÍA TO X Música / Music 86 Fabricando poetas: Sexo, mentiras y Video Games Manufacturing Poets: Sex, Lies and Video Games IRENE BONILLA Libros / Books 87 ¡No te fíes de los hippies! TECONTE Don’t Believe the Hippies! R ELENA MEDEL A 4 · ARTECONTEXTO · DOSSIER Críticas de exposiciones / Reviews of Exhibitions 90 Sherrie Levine 110 Roland Fisher 128 Laura F. Gibellini Whitney Museum, New York Centro de Arte La Regenta, Las Palmas Variaciones en el paisaje IÑAKI ESTELLA GOPI SADARANGANI Variations on a Landscape Galería ASM28, Madrid 92 La quema del Diablo 112 Gregor Schneider SUSET SÁNCHEZ Burning the Devil Punto muerto Ultravioleta, ciudad de Guatemala Deadlock 130 Libia Castro / Ólafur Ólafsson SANTIAGO OLMO CA2m, Móstoles (Madrid) Tu país no existe MÓNICA NÚÑEZ LUIS Your Country Does Not Exist 94 Ante la Ley. Escultura de posguerra CAAC, Sevilla y espacios del arte contemporáneo 114 Ficciones urbanas CARLOS G. DE CASTRO Before the Law. Post-War Sculptures Urban Fictions and Spaces of Contemporary Art Koldo Mitxelena Kulturunea, San Sebastián 132 Campos invisibles. Geografías Museum Ludwig, Colonia JOSÉ ÁNGEL ARTETXE de las ondas de radio UTA MARIA REINDL Invisible Fields. Geographies 116 Sergio Prego of the Radio Waves 96 El sentimiento de las cosas Galería Soledad Lorenzo, Madrid Arts Santa Mònica, Barcelona The Feeling of Things MARIANO NAVARRO PABLO G. POLITE FRAC Île-de-France, Le Plateau, París MANUEL SEGADE 118 Esther Ferrer 134 Javier Codesal En cuatro movimientos Las estructuras elementales 98 ¡Volumen! In Four Movements The Elementary Structures Volume! Artium, Vitoria-Gasteiz Casa Sin Fin, Madrid MACBA, Barcelona JOSÉ ÁNGEL ARTETXE LUIS FRANCISCO PÉREZ ALFONSO LÓPEZ ROJO 120 Lenguajes en papel 2012 136 Matt Mullican 100 Luis Camnitzer Lenguages on Paper 2012 Ciudad Reflejos y Reflexiones Galería Fernando Pradilla, Madrid City Galería Parra & Romero, Madrid MIREIA A. PUIGVENTÓS ProjecteSD, Barcelona MIREIA A. PUIGVENTÓS PABLO G. POLITE 122 La persistencia de la geometría 102 Claude Cahun The Persistence of Geometry 138 Darcy Lange Virreina Centre de la imatge, Barcelona CaixaForum, Madrid EACC, Castellón JEFFREY SWARTZ SANTIAGO OLMO JAVIER MARROQUÍ 104 Hans Op de Beeck 124 Figuras de la exclusión 140 Doug Aitken Mar de la tranquilidad Figures of Exclusion Black Mirror Sea of Tranquility Patio Herreriano y Museo Nacional de Galería Helga de Alvear, Madrid CAB, Burgos Escultura, Valladolid LUIS FRANCISCO PÉREZ MARIANO NAVARRO SEMA D’ACOSTA 142 El Ranchito 106 Emilia Azcárate 126 La Caballería Roja. Creación y poder Matadero Madrid Galería Distrito 4, Madrid en la Rusa soviética de 1917 a 1945 SARA GARCÍA SARA GARCÍA The Red Cavalry. Art and Power in Soviet Russia 1917 - 1945 108 Brancusi-Serra La Casa Encendida, Madrid Museo Guggenheim, Bilbao JOSÉ MANUEL COSTA SEMA D’ACOSTA 6 · ARTECONTEXTO · DOSSIER Una habitación propia –conectada– Feminismo e Internet desde la esfera público-privada REMEDIOS ZAFRA* «La Red ha dividido mi vida en 300 tareas, de las cuales 98 tanto para la subjetividad creadora como para el feminismo y la tienen que ver con escribir y teclear; 35 corresponden a ¡buscar, colectividad política suscita este nuevo escenario biopolítico1. Un buscar!; 6 a actualizar software; 51 a almacenar archivos; 67 escenario que marca cada vez más nuestras relaciones laborales a minimizar-maximizar; 18 a descubrir mi cuerpo (¡oh, cielos, y afectivas con los otros, pero que también rearticula la gestión mi cuerpo!); 34 a esperar que llegue “ese” correo; 19 a derivar de nuestros tiempos propios y nuestra producción creativa en la online, 45 a contactar contigo; contigo; contigo; 36: “do it pantalla. Me refiero no sólo a una potencial práctica explícitamente yourself” (myself); 21 a “no me están viendo”; 9 a “que mañana artística, sino también a todas aquellas prácticas relacionales y de será otro día”. La Red no rehúsa otras tareas heterogéneas para conocimiento de las que se deriva la autogestión de nuestra vida en hacer en la intimidad de mi cuarto propio. La suma no coincide un mundo conectado. De forma que nos interesarán tanto las posi- con la división prevista porque constantemente surgen tareas y bilidades de emancipación, concentración y producción artística a clasificaciones nuevas» través de las redes, como las posibles formas de neutralización, ais- Laura Bey. Mi vida en la primera IP, 2010. lamiento e invisibilización derivadas de la reconfiguración de estos espacios. «Es necesario tener quinientas libras al año y una habitación La sensación que opera como
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