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United States Bureau of Education
'UNITED STATES BUREAU OF EDUCATION BULLETIN, 1914, 1;0. 6 - - - - WHOLE NUMBER 577 I KINDERGARTENS IN THE UNITED STATES STATISTICS AND PRESENT PROBLEMS it WASHINGTON GOVERNMENT PRINTING OFFICE 1914 BUREAU OF EDUCATION BULLET IN1914, NO. 6 PLATE 1 r1,3r,h giv. to ,-ry"FOLLOWir t.r. MY t A Or' R : I A DDITIONAL CoPTES OP TAIS runTiocnox MAT BE PROCURED PROM THE SUPERINTENDENT OF 1OCI-MENTS GON ERNMENT PRINTING OFFICE WASHINGTON, D. C. AT 20 CENTS PER COPY Page. Lefler of transmittal ....... 5 I. Introduction 7 11. Statistics Ili Table I.Summary of sta:islii sif public kindergartens for year ended JUite 30. 1912 16 Tel 2. Statist its of kindergarten other than public tot'year ended June 30. 1912 17 Table 3.-1'i t ie.. having a supervisor of public kindergartensSalary 18 Table 4.K indergartens (other 1 ban public) having a superisor 18 Table 5. Slat 'stirs of public-srlmol kindergartens foryear ended June 30, 1912 19 Table 6. Statistics of kindergartens.other than public foryear ended June 30, 1912 I.ist of kindergartens for which no stAtistical data are availitble 86 Kindergartens not represented in t he foregoing tables 89 Ill. Kinderzartens as viewed by superintendents. primary supers: or. and tirst-grade teachers 93 A. Opinions of supennt endents 96 Opinions of primary supervisors 103 ('. Opinions of primary I eachers 1b9 IV. Abstracts el papers read at the meeting of the International lAdergarten Union. Washington. I). C.. April-May, 1913 The standardizing of kindergarten training 114 The kindergarten and general ed two innal principles. -
Workonprogress Work in Progress On
STUDIENWERK Doktorand_innen Jahrbuch 2017 ORK ON PROGRESS WORK INPROGRESS ON Leistungsprinzip Neurose Besatzung Urban Citizenship Partisan*innen Queere Räume Gewalt Positives Denken Ernst Simmel Polittunte Regierungstechniken Ukraine Drone Warfare Biopolitics China Worldmaking Rekolonialisierung Identität Foucault Yugoslavia Neue Frauenbewegung Sentipensar Venezuela Wohnungsgenossenschaft Beiträge kritischer Wissenschaft Herausgegeben von Marcus Hawel & Herausgeber_innen- kollektiv VSA: WORK IN PROGRESS. WORK ON PROGRESS Doktorand_innen-Jahrbuch 2017 der Rosa-Luxemburg-Stiftung WORK IN PROGRESS. WORK ON PROGRESS. Beiträge kritischer Wissenschaft Doktorand_innenjahrbuch 2017 der Rosa-Luxemburg-Stiftung Herausgegeben von Marcus Hawel Herausgeber_innenkollektiv: Christine Braunersreuther, Philipp Frey, Sebastian Fritsch, Lucas Pohl und Julia Schwanke VSA: Verlag Hamburg www.vsa-verlag.de Inhalt www.rosalux.de/studienwerk Einleitung: Gewalt und Identität ......................................................... 9 Die Doktorand_innenjahrbücher 2012 (ISBN 978-3-89965-548-3), ZUSAMMENFASSUNGEN .................................................................. 23 2013 (ISBN 978-3-89965-583-4), 2014 (ISBN 978-3-89965-628-2), 2015 (ISBN 978-3-89965-684-8) und 2016 (ISBN 978-3-89965-738-8) der Rosa-Luxemburg-Stiftung sind ebenfalls im VSA: Verlag ERKENNTNISTHEORIE UND METHODIK erschienen und können unter www.rosalux.de als pdf-Datei heruntergeladen werden. Kerstin Meißner Gefühlte Welt_en ............................................................................ -
By Dagmar Schultz AUDRE LORDE – HER STRUGGLES and HER Visionsi in This Presentation I Will Try to Explain How Audre Lorde Came
By Dagmar Schultz AUDRE LORDE – HER STRUGGLES AND HER VISIONSi In this presentation I will try to explain how Audre Lorde came to Germany, what she meant to me personally and to Orlanda Women’s Publishers, and what effect her work had in Germany on Black and white women. In 1980, I met Audre Lorde for the first time at the UN World Women’s Conference in Copenhagen in a discussion following her reading. I knew nothing about her then, nor was I familiar with her books. I was spellbound and very much impressed with the openness with which Audre Lorde addressed us white women. She told us about the importance of her work as a poet, about racism and differences among women, about women in Europe, the USA and South Africa, and stressed the need for a vision of the future to guide our political praxis. On that evening it became clear to me: Audre Lorde must come to Germany for German women to hear her, her voice speaking to white women in an era when the movement had begun to show reactionary tendencies. She would help to pull it out of its provinciality, its over-reliance, in its politics, on the exclusive experience of white women. At that time I was teaching at the Free University of Berlin and thus had the opportunity to invite Audre Lorde to be a guest professor. In the spring of 1984 she agreed to come to Berlin for a semester to teach literature and creative writing. Earlier, in 1981, I had heard Audre Lorde and Jewish poet Adrienne Rich speaking about racism and antisemitism at the National Women’s Studies Association annual convention. -
Khwaja Abdul Hamied
On the Margins <UN> Muslim Minorities Editorial Board Jørgen S. Nielsen (University of Copenhagen) Aminah McCloud (DePaul University, Chicago) Jörn Thielmann (Erlangen University) volume 34 The titles published in this series are listed at brill.com/mumi <UN> On the Margins Jews and Muslims in Interwar Berlin By Gerdien Jonker leiden | boston <UN> This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: The hiking club in Grunewald, 1934. PA Oettinger, courtesy Suhail Ahmad. Library of Congress Cataloging-in-Publication Data Names: Jonker, Gerdien, author. Title: On the margins : Jews and Muslims in interwar Berlin / by Gerdien Jonker. Description: Leiden ; Boston : Brill, [2020] | Series: Muslim minorities, 1570–7571 ; volume 34 | Includes bibliographical references and index. Identifiers: LCCN 2019051623 (print) | LCCN 2019051624 (ebook) | ISBN 9789004418738 (hardback) | ISBN 9789004421813 (ebook) Subjects: LCSH: Jews--Germany--Berlin--Social conditions--20th century. | Muslims--Germany--Berlin--Social conditions--20th century. | Muslims --Cultural assimilation--Germany--Berlin. | Jews --Cultural assimilation --Germany--Berlin. | Judaism--Relations--Islam. | Islam --Relations--Judaism. | Social integration--Germany--Berlin. -
The Script - Freedom Child Album Campaign Amp Visual Creative Review Lighting the Way the Script, Freedom Child Album Campaign
THE SCRIPT - FREEDOM CHILD ALBUM CAMPAIGN AMP VISUAL CREATIVE REVIEW LIGHTING THE WAY THE SCRIPT, FREEDOM CHILD ALBUM CAMPAIGN A SHORT EMAIL ARRIVES IN. IT’S FROM brain, a heart, a dove, a pair of angel’s wings MARK, THE SCRIPT’S GUITARIST. “… ALBUM’S and so on. The band were positive, particularly JUST FINISHED, GET OVER TO THE LONDON about the angel wings. They immediately saw STUDIO AND WE’LL HAVE A LISTEN AND the branding potential, across videos, staging CHAT”. JUST LIKE THAT, THE NEW ALBUM and merchandise. We also explored neon light DESIGN CAMPAIGN BEGINS. along with the wings and gradually, the image of a solitary figure on a dark, rainy, urban street When we consider any large packaging and began to emerge. It wasn’t our innocent child identity campaign, we look for a unique image, any more. Somehow we’d settled on a young a special element that will translate and evolve man, our Freedom Child, viewed from behind, across all media. with the angel’s wings on his back. It illustrated our narrative perfectly. At the studio, an excited Danny (O’Donoghue, lead singer) shows us a powerful image on his Now came the challenge of creating and phone. It shows a young girl, standing facing shooting the image. This involved finding the a line of armed police in full riot gear. Danny ideal street, manufacturing a complicated life- says, “So, the album is called Freedom Child, sized set of wings for the angel character and is this girl our mascot?” It’s fantastic but it’ll be making small scale models. -
Prelims May 2005.Qxd
German Historical Institute London Bulletin Bd. 27 2005 Nr. 1 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. REVIEW ARTICLES GERMANS AND BLACKS—BLACK GERMANS by Matthias Reiss MICHAEL SCHUBERT, Der schwarze Fremde: Das Bild des Schwarz- afrikaners in der parlamentarischen und publizistischen Kolonialdiskussion in Deutschland von den 1870er bis in die 1930er Jahren, Beitäge zur Ko- lonial- und Überseegeschichte, 86 (Stuttgart: Franz Steiner Verlag, 2003), 446 pp. ISBN 3 515 08267 0. EUR 79.00 TINA M. CAMPT, Other Germans: Black Germans and the Politics of Race, Gender, and Memory in the Third Reich, Social History, Popular Culture, and Politics in Germany (Ann Arbor: University of Michig- an Press, 2004), x + 283 pp. ISBN 0 472 11360 7. $ 29.95 MARIANNE BECHHAUS-GERST and REINHARD KLEIN-ARENDT (eds.), AfrikanerInnen in Deutschland und schwarze Deutsche: Geschichte und Gegenwart, Encounters. History and Present of the African–Euro- pean Encounter/Begegnungen. Geschichte und Gegenwart der afri- kanisch-eruopäischen Begegnung, 3 (Münster: Lit Verlag, 2004), 261 pp. ISBN 3 8258 6824 9. EUR 20.90 In June 1972, the Allensbach Institut für Demoskopie conducted a poll on what the Germans thought about ‘the Negroes’ (die Neger). -
Combat Casualty Care and Lessons Learned from the Last 100 Years of War
Author’s Accepted Manuscript Combat Casualty Care and Lessons Learned from the Last 100 Years of War Matthew Bradley, Matthew Nealiegh, John Oh, Philip Rothberg, Eric Elster, Norman Rich www.elsevier.com/locate/cpsurg PII: S0011-3840(16)30157-5 DOI: http://dx.doi.org/10.1067/j.cpsurg.2017.02.004 Reference: YMSG552 To appear in: Current Problems in Surgery Cite this article as: Matthew Bradley, Matthew Nealiegh, John Oh, Philip Rothberg, Eric Elster and Norman Rich, Combat Casualty Care and Lessons Learned from the Last 100 Years of War, Current Problems in Surgery, http://dx.doi.org/10.1067/j.cpsurg.2017.02.004 This is a PDF file of an unedited manuscript that has been accepted for publication. As a service to our customers we are providing this early version of the manuscript. The manuscript will undergo copyediting, typesetting, and review of the resulting galley proof before it is published in its final citable form. Please note that during the production process errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. COMBAT CASUALTY CARE AND LESSONS LEARNED FROM THE LAST 100 YEARS OF WAR Matthew Bradley, M.D. 1, 2, Matthew Nealiegh, M.D. 1, John Oh, M.D. 1, Philip Rothberg, M.D. 1, Eric Elster M.D. 1, 2, Norman Rich M.D. 1 1 Department of Surgery, Uniformed Services University -Walter Reed National Military Medical Center, 8901 Wisconsin Ave., Bethesda, MD 20889 2Naval Medical Research Center, 503 Robert Grant Ave., Silver Spring, MD 20910 Corresponding Author: Matthew J. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Tsetusuo Wakabayashi, Revealed
Tsetusuo Wakabayashi, Revealed By Dwight R. Rider Edited by Eric DeLaBarre Preface Most great works of art begin with an objective in mind; this is not one of them. What follows in the pages below had its genesis in a research effort to determine what, if anything the Japanese General Staff knew of the Manhattan Project and the threat of atomic weapons, in the years before the detonation of an atomic bomb over Hiroshima in August 1945. That project drew out of an intense research effort into Japan’s weapons of mass destruction programs stretching back more than two decades; a project that remains on-going. Unlike a work of art, this paper is actually the result of an epiphany; a sudden realization that allows a problem, in this case the Japanese atomic energy and weapons program of World War II, to be understood from a different perspective. There is nothing in this paper that is not readily accessible to the general public; no access to secret documents, unreported interviews or hidden diaries only recently discovered. The information used in this paper has been, for the most part, available to researchers for nearly 30 years but only rarely reviewed. The paper that follows is simply a narrative of a realization drawn from intense research into the subject. The discoveries revealed herein are the consequence of a closer reading of that information. Other papers will follow. In October of 1946, a young journalist only recently discharged from the US Army in the drawdown following World War II, wrote an article for the Atlanta Constitution, the premier newspaper of the American south. -
Rioting and Time
Rioting and time Collective violence in Manchester, Liverpool and Glasgow, 1800-1939 A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 Matteo Tiratelli School of Social Sciences 1 Table of contents Abstract 4 Declaration & Copyright 5 Acknowledgements 6 Chapter 1 — Rioting and time 7 Chapter 2 — Don’t call it a riot 24 Chapter 3 — Finding riots and describing them 42 Chapter 4 — Riots in space, time and society 64 Chapter 5 — The changing practice of rioting 102 Chapter 6 — The career of a riot: triggers and causes 132 Chapter 7 — How do riots sustain themselves? 155 Chapter 8 — Riots: the past and the future 177 Bibliography 187 Appendix 215 Word count: 70,193 2 List of tables Table 1: The spaces where riots started 69 Table 2: The places where riots started 70 Table 3: The number of riots happening during normal working hours 73 Table 4: The number of riots which happen during particular calendrical events 73 Table 5: The proportion of non-industrial riots by day of the week 75 Table 6: The likelihood of a given non-industrial riot being on a certain day of the week 75 Table 7: The likelihood of a given riot outside of Glasgow involving prison rescues 98 Table 8: The likelihood of a given riot involving begging or factory visits 111 Table 9: The likelihood of a given riot targeting specific individuals or people in their homes 119 List of figures Figure 1: Angelus Novus (1920) by Paul Klee 16 Figure 2: Geographic spread of rioting in Liverpool 67 Figure 3: Geographic spread of rioting in Manchester 68 Figure 4: Geographic spread of rioting in Glasgow 68 Figure 5: The number of riots per year 78 Figure 6: The number of riots involving prison rescues per year 98 3 Abstract The 19th century is seen by many as a crucial turning point in the history of protest in Britain and across the global north. -
{Dоwnlоаd/Rеаd PDF Bооk} Maude Kindle
MAUDE PDF, EPUB, EBOOK Donna Foley Mabry | 496 pages | 16 Oct 2014 | Createspace | 9781501086137 | English | [Place of publication not identified, United States Manufacturer and User Facility Device Experience Database - (MAUDE) | FDA S1, Ep6. After Maude fails to argue her way out of a speeding ticket, she proceeds to traffic court to plead her case and ignores Arthur's attempts to fix it behind the scenes. S1, Ep7. Tired of being single, Carol agrees to marry a man she doesn't love much to Maude's chagrin. S1, Ep8. The early returns of the presidential election find Maude and Walter reminiscing to four years earlier when they were first dating. S1, Ep9. Maude must make a difficult decision when she finds out she's pregnant at S1, Ep Walter does not want to be a father, Maude decides not to have the baby. Maude welcomes her old college friend for a visit but is stricken with regret when she sees how successful the friend has become. Maude and her friends are determined to get arrested in protest after a 17 year-old kid is arrested for possession of marijuana. Walter and Maude purchase an apartment building for an investment. The residents being to picket in front of the Findley house, calling Walter and Maude slumlords. During a trip to attend Walter's convention, Maude tells Walter she is discouraged about finding a job and thinks it is because she is a woman Maude decides to speak about woman's lib at Walter's convention. Maude throws a party for Walter's 50th birthday. -
The Civil War: a Collaboration in Direction and Choreography
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2005 The Civil War: A Collaboration in Direction and Choreography Cara E. Rawlings Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/751 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. O Cara Elizabeth Rawlings 2005 All Rights Reserved THE CIVIL WAR: A COLLABORATION IN DIRECTION AND CHOREOGRAPHY A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University. CARA ELIZABETH RAWLINGS Bachelor of Science in Public Relations, Middle Tennessee State University, 1997 Director: DAVID S. LEONG CHAIRMAN, DEPARTMENT OF THEATRE Virginia Commonwealth University Richmond, Virginia May 2005 Acknowledgements Many thanks are owed to many people instrumental not only in the development of this thesis, but also in my developn~entas a teacher, artist and person. I will forever hold dear the lessons, laughter, love and friendship shared by those mentioned below. Thanks to David Leong, chair, teacher, friend and mentor. There are not enough words to express my gratitude for all he taught -- and continues to teach me about theatre, life and myself. Thanks to Patti D'Beck for sharing her infectious passion for work and life - and for welcoming my input as both a colleague and friend.