Intermediate/Advanced Ashtangavinyasa

Total Page:16

File Type:pdf, Size:1020Kb

Intermediate/Advanced Ashtangavinyasa Intermediate/Advanced Ashtanga­Vinyasa When, Where, and with Whom Instructor: & Introspective Practices Brinson Leigh Kresge Yoga : DANC491 [email protected] M/W 8:15 - 9:30 am Dance Building: 10 N. Brunswick St | FALL 2018 | Room : 108 Class Website: VCUarts: Department rampages.us/yoga/ of Dance & Required Materials Choreography Yoga mat and towel (block/strap optional) Notebook for printouts and note-taking Meditation cushion (optional) Required Reading The majority of each class will be dedicated to practicing the - Peak: Secrets from the New Science of Expertise By K. Anders Ericsson Primary Ashtanga Series based on the teachings and lineage of - Mindset: The New Psychology of Success Ashtanga Yoga. This modernized and ever evolving system is By Carol S. Dweck derived from ancient Classical Indian Yoga and follows a set - Website materials series of asanas in a dynamic flow that links breath and Things to contemplate movement. Students will learn the asanas of the Primary Series - How does Mysore-style Ashtanga differ from an experiential and anatomic perspective, breathing from other asana-based yoga practices? techniques, and foundations of yoga philosophy that will inform - What are the benefits of Mysore-style practice? other aspects of their life, enrich their mental, physical, - What does it mean to be a productive intellectual and artistic pursuits. practitioner? To have a fixed or growth mindset? To support growth within the Mysore practice, as a productive - How do mindset and practice approach reveal themselves in Mysore-style learner, and as a positive participant in life, students will: practice? And beyond? - Engage in required readings as a means to apply a higher - What are some Pranayama techniques level of consciousness to practice and learning. and benefits? - What experiences and effects arise by - Further explore the introspective practices of pranayama the - Ashtanga-Vinyasa system being a (breathing techniques), meditation (resting in set series of postures? awareness over time), and guided visualization - Is there benefit from knowing the sanskrit names of yoga postures? techniques. Chanting mantras? - Dive deeper into their personal practice following the - What modifications are relevant for traditional Mysore method. your physical yoga practice? Why? - Why sit in silence? - How can we use visualization as a tool? M ain Course Goal - Why Study this? - How can our personal practice serve What can we learn from Yoga & Introspective Practices that will others? serve us on an individual, societal, & global level? COURSE CALENDAR August R 23 Classes begin W 29 Add/drop ends Attendance & Timeliness September Yoga depends on consistency, discipline and regular practice. For this reason and in keeping M 3 University closed with the VCU DEPT of Dance and Choreography absence policy, after one absence, every subsequent absence will result in a full October grade letter deflation. R-F 18 - 19 Reading days ❖ 10 - 30 minutes late = 1/2 absence ❖ 30 minutes or later = full absence November Observing a class with a valid excuse is permitted. Take notes and turn them in at the F 2 Last day to withdraw end of the class (not electronic notes). W-Sn 21 - 25 University closed - classes beginning at 12 p.m. or later Grading do not meet on Nov. 21 Based on: December - ATTENDANCE - 50% - Attitude and participation; Sa 8 Last day of classes for fall semester Understanding of course material and both campuses application; Deepening knowledge and skill - 40% - 3 quizzes and 1 short response to class observation - 10% Safety Ashtanga- Vinyasa Yoga is a physical practice and can be Observation & Response challenging. Please alert your instructor to any pre-existing Students are required to observe one injuries or physical problems before beginning your practice. If at Mysore-style Ashtanga class at Ashtanga Yoga any point you are feeling pain or experiencing an issue, tell your Richmond in Carytown : instructor immediately. Although strong sensations may arise, if ashtangayogarichmond.com you are hurting, you are probably hurting yourself. Pain is NOT the objective of yoga. Fundamental in all yoga practice is to move Observation and Response due by: October 10 with awareness and respond to your body and with compassion and intelligence. Modifications, open dialogue, and exploration of alternative postures or movements are always appropriate, as ultimately, asana is prescribed for the individual. If you keep your instructor informed and proceed in your practice with awareness, there should be no problems. Moreover, you will learn to prevent and counteract injuries in other physical movement and daily life. Touch Disclaimer : This form of yoga often involves adjustments from the instructor as a tool to deepen our understanding of a pose and physical awareness. If you ever feel uncomfortable, please do not hesitate to alert the instructor. .
Recommended publications
  • Ashtanga Yoga As Taught by Shri K. Pattabhi Jois Copyright ©2000 by Larry Schultz
    y Ashtanga Yoga as taught by Shri K. Pattabhi Jois y Shri K. Pattabhi Jois Do your practice and all is coming (Guruji) To my guru and my inspiration I dedicate this book. Larry Schultz San Francisco, Califórnia, 1999 Ashtanga Ashtanga Yoga as taught by shri k. pattabhi jois Copyright ©2000 By Larry Schultz All rights reserved. No part of this work may be reprinted without the written permission of the author. Published by Nauli Press San Francisco, CA Cover and graphic design: Maurício Wolff graphics by: Maurício Wolff & Karin Heuser Photos by: Ro Reitz, Camila Reitz Asanas: Pedro Kupfer, Karin Heuser, Larry Schultz y I would like to express my deepest gratitude to Bob Weir of the Grateful Dead. His faithful support and teachings helped make this manual possible. forward wenty years ago Ashtanga yoga was very much a fringe the past 5,000 years Ashtanga yoga has existed as an oral tradition, activity. Our small, dedicated group of students in so when beginning students asked for a practice guide we would TEncinitas, California were mostly young, hippie types hand them a piece of paper with stick figures of the first series with little money and few material possessions. We did have one postures. Larry gave Bob Weir such a sheet of paper a couple of precious thing – Ashtanga practice, which we all knew was very years ago, to which Bob responded, “You’ve got to be kidding. I powerful and deeply transformative. Practicing together created a need a manual.” unique and magical bond, a real sense of family.
    [Show full text]
  • The Alexander Technique and Ashtanga Vinyasa Yoga
    “THE EXPERIENCE YOU WANT IS IN THE PROCESS OF GETTING IT... “ An Alexander Teacher's reflections on Ashtanga Vinyasa Yoga in the tradition of Pattabhi Jois Aino Klippel, January23rd 2011 “THE EXPERIENCE YOU WANT IS IN THE PROCESS OF GETTING IT…” An Alexander Teacher's reflections on Ashtanga Vinyasa Yoga in the tradition of Pattabhi Jois In this essay I describe how to teach the basics of the Alexander Technique in a way that would be approachable to a student of ashtanga yoga. Yoga, especially ashtanga, has become a popular pastime (Singleton, 2010, p.211) and my questioning of the teachers of the Alexander Teacher Training School reflected that popularity. All of them told, they had pupils who were involved with yoga, while some had negative experiences of working with yoga teachers. I will point out similarities and differences between the two disciplines, with a purpose of providing tools of communication to Alexander Teachers unfamiliar with the conventions of yoga. In 1997 I started to practise yoga while training as a clarinettist, and took on ashtanga and the Alexander Technique almost simultaneously in 2003. Alexander Technique and ashtanga seems to be a challenging combination, prejudices prevailing in both disciplines. My approach to yoga is one of practical exploration and I write here about the philosophy of yoga in a simple form that is easily understandable for Alexander teachers. Writing this essay has demanded me to look carefully at my yoga practice, in order to see how the principles of the Alexander Technique have become part of it. The essay will start with reflections on the shared history of the Alexander Technique and yoga.
    [Show full text]
  • A Survey of Musculoskeletal Injury Among Ashtanga Vinyasa Yoga Practitioners
    INTERNATIONAL JOURNAL OF YOGA THERAPY – No. 18 (2008) 59 Research A Survey of Musculoskeletal Injury among Ashtanga Vinyasa Yoga Practitioners Jani Mikkonen, Palle Pedersen, DC, MPhil, DPMSA, Peter William McCarthy, PhD Welsh Institute of Chiropractic, University of Glamorgan, Pontypridd, CF37 1DL, Wales, UK Abstract: Context: Ashtanga Vinyasa Yoga is a popular and physically demanding Yoga style. Although there is growing concern about the potential risk of injury from Yoga practice, there has been no research to date on the relationship between this form of Yoga and musculoskeletal injuries. Objectives: The first objective of this survey was to determine the proportion ofAshtanga Vinyasa practitioners who are injured and the injury rate per 1,000 hours of practice. The secondary objective was to determine the location, type, and outcome of musculoskeletal injuries. Design: Data was collected via a survey questionnaire from two Yoga centers in Helsinki, Finland and one Yoga center in Tampere, Finland in 2005. All Ashtanga Vinyasa Yoga practitioners at these centers (estimated total of 300) were invited to complete the survey, whether or not they had suffered from injuries. Setting: Certified and authorized Ashtanga Vinyasa Yoga teachers teach at these centers, and they all follow the Ashtanga Vinyasa Yoga method as authorized by the Ashtanga Vinyasa Yoga Research Institute (Director Sri K Pattabhi Jois). Participants: Practitioners (approximate total N = 300) from three different Finnish Ashtanga Vinyasa Yoga centers were invited to complete the questionnaires. Of these, 110 (37%) completed surveys were received. Main outcome measurements: Primary outcome measurements were the number of injured practitioners and injury rate per 1,000 hours of practice.
    [Show full text]
  • Ashtanga Yoga, Is Still Used Today
    December 2018 COLLECTORS’ EDITION Simply living A Journey to the Center of Being with DAAJI THE PROFOUND www.heartfulnessmagazine.com beauty of YOGA Heartfulness Creative Team Editorial Team – Meghana Anand, Sylvie Berti Rossi, Genia Catala, Elizabeth Denley, Emma Ivaturi Design Team – Hélène Camilleri, Emma Ivaturi, Uma Maheswari, Jasmee Rathod Photography – Cameron Ballard, Giulia Bertelli, Phil Botha, Aaron Burden, Ester Marie Doysabas, Chris Ensey, Tim Huyghe, Olena Ivanova, Evan Kirby, Bino Le, Nathan Peterson, Jonatan Pie, Carlos Quintero, Chris Sabor, Sasha Stories, Norbert Turi, Artiom Vallat, Pan Xiaozhen Art – Claire Bigand, Stephanie Rappl, Arati Shedde Writers – Kamlesh Patel ISSN 2455-7684 Contributions – [email protected] Advertising – [email protected] Subscriptions – [email protected] www.heartfulnessmagazine.com/subscriptions Editor – Rishabh Kothari Printed by – Sunil Kumar Kala Jyothi Process Pvt. Limited, 1-1-60/5, RT C Cross Roads, Musheerabad, Hyderabad-500 020, Telangana Publisher – Sunil Kumar representing Spiritual Hierarchy Publication Trust on behalf of Sahaj Marg Spirituality Foundation, Chennai. © 2015 Sahaj Marg Spirituality Foundation Printing, publishing, distribution, sales, sponsorship and revenue collection rights vests with the Publisher alone. www.heartfulnessmagazine.com All rights reserved. ‘Heartfulness’, ‘Heartfulness Relaxation’, ‘Heartfulness Meditation’, ‘Sahaj Marg Spirituality Foundation’, ‘SMSF’, ‘www.Heartfulness.org’, the ‘Learn to Meditate’ logo, the ‘Heartfulness’ logo are registered Service Marks and/or Trademarks of Sahaj Marg Spirituality Foundation. No part of this magazine may be reproduced in any form or by any means without prior written permission from the Publisher. The views expressed in the contributions in this publication do not always reflect those of the editors, the Heartfulness Institute, or the Sahaj Marg Spirituality Foundation.
    [Show full text]
  • A S H T a N G a Ashtanga Yoga As Taught by Shri K
    A S H T A N G A ASHTANGA YOGA AS TAUGHT BY SHRI K. PATTABHI JOIS • WRITTEN BY LARRY SCHULTZ SHRI K PATTABHI JOIS “DO YOUR PRACTICE AND ALL IS COMING” (GURUJI) To my guru and my inspiration I dedicate this book. Larry Schultz San Francisco, California 2004 1 ASHTANGA ASHTANGA YOGA AS TAUGHT BY SHRI K. PATTABHI JOIS Copyright ©2006 By Larry Schultz All rights reserved. No part of this work may be reprinted without the written permission of the author. Published by Nauli Press San Francisco, CA Asana Illustrations by Monika Reimann 2 ACKNOWLEDGEMENT ❇ I would like to express my deepest gratitude to Bob Weir of the Grateful Dead. His faithful support and teachings helped make this manual possible. 3 4 FORWARD Twenty years ago Ashtanga yoga was very much a fringe activity. A problem that Larry and I have encountered over the years is how Our small, dedicated group of students in Encinitas, California to keep beginning students going with the practice when they are were mostly young, hippie types with little money and few material unable to attend class due to work, travel, family, etc. For the past possessions. We did have one precious thing – Ashtanga practice, 5,000 years Ashtanga yoga has existed as an oral tradition, so when which we all knew was very powerful and deeply transformative. beginning students asked for a practice guide we would hand them Practicing together created a unique and magical bond, a real sense a piece of paper with stick figures of the first series postures. Larry of family.
    [Show full text]
  • The Benefits of Ashtanga Yoga Posture Practice by Caroline Klebl
    THE BENEFITS OF Ashtanga Yoga POSTURE PRACTICE Ashtanga yoga is a style of yoga asana practice, which was taught by Sri K Pattabhi Jois in Mysore, India. Ashtanga yoga is a vinyasa based yoga posture practice. Vinyasa or ‘breath initiated movements’ connect one posture to the next. Ashtanga yoga consists of a primary, intermediate and advanced series of yoga postures. Each series begins with two types of Sun Salutations, which are practised five times each. The Sun Salutations are followed by a sequence of standing postures. Then the postures unique to each series are practised. 16 YOGAMAGAZINE.COM YOGAMAGAZINE.COM 17 OCTSEPT 18.indd 17 04/09/2018 15:58 The Ashtanga yoga practice is completed with Ashtanga vinyasa yoga is a dynamic style of yoga Urdhva Dhanurasana (Upward Facing Bow posture) posture practice which quickly builds strength, and the finishing sequence, which includes increases flexibility and improves cardiovascular Sarvangasana (Shoulderstand), Matsyasana (Fish fitness. Ashtanga yoga is to be practised 5 or 6 days posture), Sirsasana (Headstand), Padmasana (Lotus a week. Practice is suspended on Saturdays and on posture) and Shavasana (Corpse posture). Ashtanga the full moon and new moon days each month. yoga also includes a pranayama sequence, which is taught after the practice of the primary, For women, three additional rest days are taken intermediate and advanced series are mastered. for ladies’ holiday during menstruation. Pattabhi Beginners to Ashtanga yoga start with the practice Jois also advised women not to practise during of the primary series. the first trimester of pregnancy and three months postpartum. Sri K Pattabhi Jois was a student of Sri Krishnamacharya, who was a student of Guru Rama The Ashtanga yoga sequences are a pathway Mohan Brahmachari.
    [Show full text]
  • Ashtanga Vinyasa Yoga
    Om / Vande Gurunam charanaravinde / Sandarshita svatmasukuvabodhe / Nishreyase NaradaYoga ASHTANGA VINYASA YOGA jangalikayamane / Samsara halahala Integrale Yogaschule mohashantyai / Abahu Purushakaram / Ralph Otto Primary Series - Yoga Chikitsa (Yoga therapy) Shankhacakrsi dahrinam / Sahasra sirasam www.naradayoga.com Opening Mantra svetam / Pranamami patanjalim / Om Suryanamaskara A - 9 Vinyasas - 5 Times 1.IN Urdhva 2. EX Uttanasana 3. IN Uttanasana B 4. EX Chaturanga 5. IN Urdhva Mukha 6. EX Adho Mukha 7. IN Uttanasana B 8. EX Uttanasana 9. IN Urdhva EX Samasthitihi Vrikasana Dandasana Shvanasana Shvanasana Vrikasana Suryanamaskara B - 17 Vinyasas - 5 Times 1. IN Utkatasana 2. EX Uttanasana 3. IN Uttanasana B 4. EX Chaturanga 5. IN Urdhva Mukha 6. EX Adho Mukha 7. IN Virabhadrasana 8. EX Chaturanga 9. IN Urdhva Mukha 10. EX Adho Mukha 11. IN Virabhadrasana Dandasana Shvanasana Shvanasana Dandasana Shvanasana Shvanasana 12. EX Chaturanga 13. IN Urdhva Mukha 14. EX Adho Mukha 15. IN Uttanasana B 16. EX Uttanasana 17. IN Utkatasana EX Samasthitihi Dandasana Shvanasana Fundamental Asanas Padangusthasana Padahastasana Utthita Trikonasana Paravritta Utthita Paravritta Prasarita Prasarita Prasarita Prasarita Parshvottanasana Trikonasana Pasvakonasana Pasvakonasana Padottanasana A Padottanasana B Padottanasana C Padottanasana D Primary Series - Yoga Chikitsa Vinyasa IN EX IN IN EX Utthita Hasta Utthita Parsvasahita Padangusthasana Ardha Baddha Utkatasana Virabhadrasana A Virabhadrasana B Padmottanasana Sitting Asanas Dandasana Paschimattanasana
    [Show full text]
  • Yoga in the Modern World: the Es Arch for the "Authentic" Practice Grace Heerman University of Puget Sound
    University of Puget Sound Sound Ideas Sociology & Anthropology Theses Sociology & Anthropology May 2014 Yoga in the Modern World: The eS arch for the "Authentic" Practice Grace Heerman University of Puget Sound Follow this and additional works at: https://soundideas.pugetsound.edu/csoc_theses Part of the Social and Behavioral Sciences Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Heerman, Grace, "Yoga in the Modern World: The eS arch for the "Authentic" Practice" (2014). Sociology & Anthropology Theses. 5. https://soundideas.pugetsound.edu/csoc_theses/5 This Dissertation/Thesis is brought to you for free and open access by the Sociology & Anthropology at Sound Ideas. It has been accepted for inclusion in Sociology & Anthropology Theses by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Yoga in the Modern World: The Search for the “Authentic” Practice Grace Heerman Asia 489, Independent Research Project Advisor: Prof. Sunil Kukreja 13 April, 2012 Heerman, 2 Introduction Since its early twentieth century debut into Western consciousness, yoga has quickly gained widespread appeal, resonating in the minds of the health-conscious, freedom-seeking American public. Considered to be the “spiritual capital” with which India hoped to garner material and financial support from the West, yoga was originally presented by its Eastern disseminators as “an antidote to the stresses of modern, urban, industrial life” and “a way to reconnect with the spiritual world” without having to compromise the “productive capitalist base upon which Americans [stake] their futures.”1 Though exact practitioner statistics are hard to come by, it is clear that the popularity of yoga in the U.S.
    [Show full text]
  • Ashtanga Yoga
    Yoga Club Teacher Training Manual Ashtanga Yoga Ashtanga Immersion Teacher Training www.yogaclub.us Page 1 Yoga Club Teacher Training Manual Ashtanga Yoga Ashtanga Yoga versus Ashtanga Vinyasa Yoga There is a distinction between “Ashtanga Yoga” (the eight limb path as defined by Patanjali in the Yoga Sutras) and “Ashtanga Vinyasa Yoga” (the asana system defined in the modern day by Sri K. Pattabhi Jois, handed down from Sri T. Krishnamacharya). The “history” of ashtanga yoga, the eight limb path is thousands and thousands of years old. Patanjali codefied this system in the Yoga Sutras and Vyasa helped us interpret Patanjali’s writings with his commentaries that are now considered a part of the yoga sutras. The ashtanga vinyasa yoga system has undergone many changes and modifications across generations. The teachings were traditionally handed down from guru to disciple and made to fit the needs of the student. BKS Iyengar and Sri. K. Pattabhi Jois and Indra Devi all received direct instruction from Sri. T. Krishnamacharya, but because of their individuals needs as students, the systems they teach appear different. They each teach as they were taught. Ashtanga Vinyasa Yoga Overview The Ashtanga Yoga practice consists of the Primary, Intermediate and Advanced Series of postures. Each series begins with Surya Namaskara (Sun Salutations) and continues with a set of standing postures. The student then continues with the set of postures unique to one series (primary, intermediate, advanced) based on their current practice. The practice is completed with back bending and the finishing sequence. The finishing sequence includes shoulder stand, headstand and lotus.
    [Show full text]
  • Ashtanga Yoga: Practice and Philosophy
    Praise for Ashtanga Yoga: Practice and Philosophy “I love Ashtanga Yoga: Practice and Philosophy. At last there is a book that is not just on asana but coupled with that, the real beauty of asana and philosophy.” — Frances Liotta, founder of Yogamat “Gregor Maehle’s Ashtanga Yoga: Practice and Philosophy weaves philosophy and integrated knowledge of anatomy into our yoga practice to keep us centered in the heart of a profound tradition. He also gives us a brilliant translation and com- mentary on the Yoga Sutra, revealing a deep philosophical and historical context in which to ground and stimulate our entire lives.” — Richard Freeman, founder of the Yoga Workshop in Boulder, Colorado, and author of The Yoga Matrix CD “A much-needed new tool for practicing the method with greater safety in the physical form and with much needed depth in the inner form of the practice. I especially appreciate the comprehensive approach, which includes philosophical perspectives, anatomy, vedic lore, a thorough description of the physical method itself as well as a complete copy of Patanjala Yoga Darshana. A valuable contribution to the evolving understanding of this profound system and method of yoga.” — Chuck Miller, Ashtanga yoga teacher, senior student of Sri K. Pattabhi Jois since 1980 ii ASHTANGA YOGA Practice and Philosophy ASHTANGA YOGA Practice and Philosophy A Comprehensive Description of the Primary Series of Ashtanga Yoga, Following the Traditional Vinyasa Count, and an Authentic Explanation of the Yoga Sutra of Patanjali Gregor Maehle New World Library Novato, California New World Library 14 Pamaron Way Novato, California 94949 Copyright © 2006 by Gregor Maehle All rights reserved.
    [Show full text]
  • Birch & Singelton
    Journal of Yoga Studies 2019 • Volume 2 | 3 – 70 Submitted: 4th October 2019 Published: 29th December 2019 DOI: https://doi.org/10.34000/JoYS.2019.V2.002 ISSN: 2664-1739 THE YOGA OF THE HAṬHĀBHYĀSAPADDHATI: HAṬHAYOGA ON THE CUSP OF MODERNITY Jason Birch and Mark Singleton SOAS University of London Abstract T he Haṭhābhyāsapaddhati is a Sanskrit text on the practice of Haṭhayoga, probably composed in the eighteenth century in Maharashtra. This article discusses, among other things, the dating, authorship, sectarian affiliation, and unique features of the text, its relationship to other yoga texts, and its significance for the history of modern yoga. The most remarkable feature of this text is its section on āsana (yogic posture), which contains six groups of postures, many of which are unusual or unique among yoga texts. Another unique feature of this section is that the postures appear to be arranged into sequences intended to be practised in order. A manuscript of the text exists in the Mysore Palace; this (possibly along with other texts) was the basis for the illustrated āsana descriptions in Mysore’s famous book, the Śrītattvanidhi. As we discuss, it is highly likely that the Haṭhābhyāsapaddhati was known to the most influential teacher of ‘modern postural yoga,’ T. Krishnamacharya, and therefore has a special significance for certain schools of transnational yoga. KEYWORDS Yoga, Āsana, Body Culture, Haṭha, Haṭhābhyāsapaddhati, Haṭhayoga, India, Krishnamacharya, Mysore, Modern Postural Yoga, Śrītattvanidhi, Saṅkhyāratnamālā, Vyāyāma, Vyāyāmadīpike JOURNAL OF YOGA STUDIES 2019 • Volume 2 1. Introduction The Haṭhābhyāsapaddhati is a Sanskrit text on the practice of Haṭhayoga that was most probably composed in the eighteenth century.
    [Show full text]
  • Real-World Fnirs Brain Activity Measurements During Ashtanga Vinyasa Yoga
    brain sciences Article Real-World fNIRS Brain Activity Measurements during Ashtanga Vinyasa Yoga Henrikke Dybvik * and Martin Steinert TrollLABS, Department of Mechanical and Industrial Engineering, Norwegian University of Science and Technology (NTNU), 7491 Trondheim, Norway; [email protected] * Correspondence: [email protected]; Tel.: +47-95-41-72-45 Abstract: Functional near-infrared spectroscopy (fNIRS) is often praised for its portability and robustness towards motion artifacts. While an increasing body of fNIRS research in real-world envi- ronments is emerging, most fNIRS studies are still conducted in laboratories, and do not incorporate larger movements performed by participants. This study extends fNIRS applications in real-world environments by conducting a single-subject observational study of a yoga practice with considerable movement (Ashtanga Vinyasa Yoga) in a participant’s natural environment (their apartment). The results show differences in cognitive load (prefrontal cortex activation) when comparing technically complex postures to relatively simple ones, but also some contrasts with surprisingly little difference. This study explores the boundaries of real-world cognitive load measurements, and contributes to the empirical knowledge base of using fNIRS in realistic settings. To the best of our knowledge, this is the first demonstration of fNIRS brain imaging recorded during any moving yoga practice. Future work with fNIRS should take advantage of this by accomplishing studies with considerable real-world movement. Keywords: fNIRS; cognitive load; human cognition; real-world; in situ; ecological validity; ashtanga; yoga Citation: Dybvik, H.; Steinert, M. Real-World fNIRS Brain Activity 1. Introduction Measurements during Ashtanga Functional near-infrared spectroscopy (fNIRS) is a non-invasive, lightweight, and Vinyasa Yoga.
    [Show full text]