Albert Nobbs Notes FINAL 10.8.11 ITA
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Salafists Scuttle Bid to Appoint Elbaradei As PM
SUBSCRIPTION SUNDAY, JULY 7, 2013 SHAABAN 28, 1434 AH www.kuwaittimes.net US leaker Gunmen Runaway Bartoli routs Snowden’s kill 42 in train explodes, Lisicki to hopes rise on Nigeria levels center of win first asylum8 offers school attack8 Canada15 town Wimbledon20 title Salafists scuttle bid to Max 48º Min 35º appoint ElBaradei as PM High Tide 00:20 & 10:20 Low Tide Islamists mass again • Qaradawi: Egyptians should back Morsi 05:01& 18:37 40 PAGES NO: 15862 150 FILS CAIRO: Egyptian state television said the interim prime 418 hopefuls in minister had not yet been chosen, after named officials Jet crash-lands in US and state media earlier said Mohamed ElBaradei would race as oppn be appointed yesterday. The late-night report followed Egypt’s second biggest Islamist group, which had initially backed a military-led political roadmap to guide the boycotts polls country to new elections, opposing the nomination of liberal politician ElBaradei. The military ousted Islamist By B Izzak President Mohamed Morsi on Wednesday, and his Muslim Brotherhood movement has led protests in KUWAIT: Registration for the July 27 election closed which dozens of people have yesterday after 418 candidates filed nomination been killed. papers including only eight women as the opposi- The Tamarod movement, tion remained steadfast by almost completely boy- which engineered mass cotting the second polls in a row in protest against protests culminating in the the amendment of the electoral law. Withdrawal of overthrow of Morsi, had earlier candidacy will remain open until seven days before announced the appointment of the election day, or on July 19. -
Fotogramas.9.1 Maquetación 3
RMC Medicina en fotogramas/ Medicine in Film Stills JMM Enfermedades infecciosas: fiebre tifoidea Ficha técnica Título: Albert Nobbs. Título original: Albert Nobbs. Otros títulos: El secreto de Albert Nobbs (Argentina, Chile, Perú). La increíble historia de Albert Nobbs (Méjico). País: Reino Unido, Irlanda, Francia, Estados Unidos. Año: 2011. Director: Rodrigo García. Música: Brian Byrne. Fotografía: Michael McDonough. Montaje: Steven Weisberg. Guión: Glenn Close, John Banville, Gabriella Prekop sobre el argumento de István Szabó basado en el relato corto The Singular Life of Albert Nobbs de George Moore. Intérpretes: Glenn Close, Antonia Campbell-Hughes, Mia Wasikowska, Pauline Collins, Maria Doyle Kennedy, Mark Williams, James Greene, Serena Brabazon, Michael McElhatton, Dolores Mullally, Bonnie McCormack, Phyllida Law, Brendan Gleeson, Kenneth Collard, Judy Donovan, Janet McTeer,… Color: color. Duración: 113 minutos. Género: drama. Idioma original: inglés. Productoras: Chrysalis Films, Canal+, Irish Film Board, Mockingbird Pictures, Morrison Films, Parallel Film Productions, Trillian Productions, WestEnd Films. Sinopsis: Albert Nobbs (Glenn Close) es una mujer, hija bastarda de madre desconocida, que desde los 14 años asumió la condición de varón para poder trabajar de camarero, empleo en el que alcanzó un prestigio tanto en el Reino Unido como en Irlanda. Durante la trama lo hace en un hotel de Dublín en el que vive y en el que hay Acción: finales del siglo XIX (Dublín). un brote de fiebre tifoidea. Cartel español. Premios: tres nominaciones al Óscar, a la Mejor Actriz Principal (Glenn Close), Mejor Actriz Secundaria (Janet McTeer) y maquillaje (2012). Enlaces: Albert Nobbs (2011). Disponible en: http://www.imdb.com/title/ tt1602098 Brusch JL. Typhoid Fever. -
Understanding Steven Spielberg
Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1. -
The Manor CONTINUED on PAGE 1
SEPTEMBER / OCTOBER 2013 PROGRAM THE MANOR CONTINUED ON PAGE 1 NEW WORLD Documentaries SPECIAL ED CANADIAN & INTERNATIONAL FEATURES TO THE WONDER SPECIAL EVENTS 40 YEARS ON: THE NARRATION OF CHILEAN RESISTANCE AND EXILE IN CINEMA WWW.WINNIPEGCINEMATHEQUE.COM NEW WORLD Documentaries THE MANOR CHARLES BRADLEY: SOUL OF AMERICA THE MANOR DIR. POULL BRIEN DIR. SHAWNEY COHEN 2012 | USA | 74 MIN 2013 | CANADA | 78 MIN SUN SEPT 1 - 7:00 PM WED SEPT 18 & THU SEPT 19 - 7:00 PM WED SEPT 4 & THU SEPT 5 - 7:00 PM SAT SEPT 21 - 7:00 PM Co-presented with the Winnipeg Folk Festival SUN SEPT 22 - 2:00 PM Charles Bradley: Soul of America follows the extraordinary journey of singer THU SEPT 26 - 7:00 PM Charles Bradley during the electrifying and transformative months leading up to the release of his debut album "No Time for Dreaming." Following his sold Opening night selection at Hot Docs, The Manor is a riveting portrait of a family out album release show, Charles' life changed completely. Championed by who run a strip club. The Cohens were a tight-knit, Jewish suburban family critics and fans alike, the album became one of the most incredible success – the very picture of a happy family. Roger, an Israeli immigrant and Brenda, stories of the year, landing on Rolling Stone’s Top 50 albums of 2011 and a homemaker, were in love and devoted to their two sons, Shawney and catapulting Charles to over 110 performances in 17 countries on 3 continents Sammy. When Shawney was six years old his father bought “The Manor,” over the next year alone, including last year's amazing performance at the a small-town strip club. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
February Issue.Indd
Joe Paterno’s living legacyy rememberedremembered 116A Legalization of Writing across the marijuana debated curriculum 1B-4B 6A The Students’ Newspaper of Neshaminy High School Volume 80 Issue 5 February 14, 2012 www.playwickian.com 2001 Old Lincoln Highway Langhorne, Pa. 19047 Neshaminy presents ‘Phantom’ By Shealyn Miles News Editor NEWS FLASH On Feb. 8 students stole the spotlight, taking the legendary “Phantom of the Opera” to the Neshaminy stage. From the performances right down to the incredible atmosphere, students proved they were FCS Receives Nutrition Grant worthy of such a diffi cult production. “A lot of work was put into this The Family and Consumer Science production, it was the most difficult Department’s Nutrition Program role I’ve ever had to play,” senior Grace received the Consumer Wellness Sweeney, who plays Carlotta said. Center’s Nutrition Grant of $2000 for Indeed, this particular play had been the third consecutive year. The grant is a step up in the level of emotion and currently being funded for the 2011-2012 outstanding vocals from the cast. Students school year from applicants all over the kept their professionalism throughout country. Neshaminy was selected once the entire performance, wowing even the again due to the thorough reporting in many original “Phantom” fans. previous years that contributed to the Perhaps it was the prestigious props on-line CWC Natural Newsletter. that were utilized. Some of which included the boat that actually moved Annual Food Drive Begins Christine and the Phantom across the stage, the mirror in which the Phantom Interact and Gym Night have teamed stole Christine away in, and who could up again this year with a food drive. -
Albert Nobbs
Albert Nobbs Albert Nobbs, ALBERT NOBBS, RODRIGO GARCIA, Golden Globe Award, role, characters, film credits, John Banville, John Boorman, Julie Lynn, starring role, television, Simone Benmussa, Brendan Gleeson, Radha Mitchell, Harry Potter, Aaron Johnson, Los Angeles Film Critics Association, Los Angeles Drama Critics Circle Award, George Roy Hill, Kerry Washington, Margarethe Cammermeyer, Mia Wasikowska, Joe Layton, Directors' Fortnight, Neil Jordan, BBC comedy series, Florida Film Festival, European Film Academy, award nomination, Arlene Kelly, Sweet Emma Dear Bobe, Dublin Theatre Festival, television drama, Michael Cristofer, Franco Zeffirelli, Harvey Goldsmith, Winner Locarno Film Festival, Harold Prince, Irish actor, Fountain House, Andrew Lloyd Webber, Richard Pearce, Norma Desmond, Merchant Ivory, Stephen Frears, Jack Hofsiss, Stephen Herek, Royal National Theatre, Tony Awards, Richard Marquand, Fatal Attraction, Feature Film Commission, Christopher Walken, Barbet Schroeder, Joe, MAIN characters, National Association of Theatre Owners, Andrei Konchalovsky, International Mental Health Research Organization, Monica Rawling, Glenn Jordan, Rose Troche, Panthera Conservation Advisory Committee, Julian Morris, Danny Boyle, JOE Aaron Johnson, British independent film, Kristen Scott Thomas, Golden Globe nomination, Simon Wincer, Colin Farrell, RODRIGO GARCIA GABRIELLA PREKOP JOHN BANVILLE GLENN CLOSE, GLENN CLOSE, Bonnie Curtis, John Travolta, Golden Globe, Michael Vartan, John Lennon, Rhys Meyers, Jonathan Rhys Meyers, London Film Critics, -
Postmodern Love, Postmodern Death and God-Like Authors in Irish Fiction: the Case of John Banville
Postmodern Love, Postmodern Death and God-like Authors in Irish Fiction: The Case of John Banville Roberta Gefter Wondrich University of Trieste Abstract This article aims at exploring the crucial correlation between love (erosldesire) and writing, death and writing and God-like authorial strategies as a relevant feature of postmodernist fiction mainly as it unfolds in the work of Ireland's most important (postmodernist) novelist, John Banville. This issue is highly relevant in the context of postmodernism as, according to Brian McHale, postmodern fiction has thoroughly exploited both love and death not only as topics but essentially as formally relevant features of the novel, by systematically foregrounding the relation existing between author, characters and reader, al1 entangled in a web of love, seduction and deferred annihilation, and by transgressing the related ontological boundaries. In this regard, then, Banville's novels (notably the 'tetralogy of art', narnely The Book ofEvidence (1989), Ghosts (1993), Athena (1995) and The Untouchable (1998)) thoroughly explore and foregromd-probably for the first time in Irish writing-both the notion of love and desire as a creative activity, of textual narrative as necessarily seductive and, finally, the time-hoiioured equation of life with discourse/narration, thus recalling the problematic motif of the impossibility and necessity of discourse. In the context of Irish fiction, postmodernist literary strategies have not been practised too extensively in the last decades, while it is by now widely acknowledged that a great many of the main features of postmodernist writing had already been inaugurated by the titans of the protean Irish 'modernism': 1 am obviously thinking of Joyce-especially in Finnegan S Wake-and Flann O'Brien. -
The Image of Man in Metafictional Novels by John Banville: Celebrating the Power of the Imagination
ROCZNIKI HUMANISTYCZNE Tom LXI, zeszyt 5 – 2013 MACIEJ CZERNIAKOWSKI * THE IMAGE OF MAN IN METAFICTIONAL NOVELS BY JOHN BANVILLE: CELEBRATING THE POWER OF THE IMAGINATION A b s t r a c t. THe essay analyzes How JoHn Banville reconstructs tHe image of man in His two novels Kepler and Doctor Copernicus by means of broadly understood metafiction. The Author of tHe essay discusses tHe following elements: implied autHor’s and narrator’s power of creative imagination and RHeticus’s self-consciousness wHicH enables to create fiction and intertextuality of tHe novel. WHen analyzing tHe last aspect of tHe novels, tHe AutHor mentions also MicHel Foucault’s term, Heterotopia. THe results of tHis analysis are twofold. On tHe one Hand, man Has got practically unlimited creative imagination on tHeir part. On tHe otHer Hand, man seems to be lost in tHe world of unclear ontological boundaries, wHicH proves a paradoxical image of man. In tHe critical works approacHing Doctor Copernicus and Kepler as metafictions, tHat is “fictional writing wHicH self-consciously and systematically draws atten- tion to its status as an artefact in order to pose questions about tHe relationsHip between fiction and reality” (2), critics most often comment on tHese two novels in a fairly general way. For instance, Eve Patten explains tHat “[m]etafictional and pHilosopHical writing in Ireland continues to be dominated . by JoHn Banville (b. 1945). Since tHe mid1980s, Banville’s fiction Has continued its analysis of alternative languages and structures of perception” (272). JosepH McMinn also concentrates on language, claiming tHat it “is largely self-referential and simply cannot contain or explain tHe world outside itself, tHis body of work belongs firmly in tHe international context of postmodernism, botH stylistically and pHilo- sopHically” (“Versions of Banville” 87). -
The Writing of a Historical Novel (Entitled Chimera), Together with an Analytical Commentary
The writing of a historical novel (entitled Chimera), together with an analytical commentary Item Type Thesis or dissertation Authors Simon, Christine A. Citation Simon, C.A. (2006). Chimera. (Unpublished master's thesis). University of Chester, United Kingdom. Publisher University of Chester Download date 25/09/2021 07:54:57 Link to Item http://hdl.handle.net/10034/216810 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Christine Simon Title: The writing of a historical novel (entitled Chimera), together with an analytical commentary Date: August 2011 Originally published as: University of Chester PhD thesis Example citation: Simon, C. (2011). The writing of a historical novel (entitled Chimera), together with an analytical commentary. (Unpublished doctoral dissertation). 2 vols. University of Chester, United Kingdom. Version of item: Submitted version Available at: http://hdl.handle.net/10034/216810 Simon, C. A. August 2011 Ph.D. Volume 2 of 2 The Writing of a Historical Novel (entitled Chimera), Together with an Analytical Commentary Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Christine Anne Simon August 2011 Volume 2: Analytical Commentary Table of Contents Volume II: Analytical Commentary Abstract ............................................................................................................. 3 Acknowledgements ........................................................................................ -
The Sea. John Banville. Knopf: New York, 2005. Paperback, 195 Pages
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 4 8-18-2006 The eS a. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8. Matthew rB own University of Massachusetts – Boston Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation Brown, Matthew (2006) "The eS a. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 4. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/4 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. The Sea. John Banville. Knopf: New York, 2005. Paperback, 195 pages. ISBN 0-30726- 311-8. $23.00. Matthew Brown, University of Massachusetts-Boston To the surprise of many, John Banville's The Sea won the 2005 Booker prize for fiction, surprising because of all of Banville's dazzlingly sophisticated novels, The Sea seems something of an afterthought, a remainder of other and better books. Everything about The Sea rings familiar to readers of Banville's oeuvre, especially its narrator, who is enthusiastically learned and sardonic and who casts weighty meditations on knowledge, identity, and art through the murk of personal tragedy. This is Max Morden, who sounds very much like Alexander Cleave from Eclipse (2000), or Victor Maskell from The Untouchable (1997). -
“The Ghost of That Ineluctable Past”: Trauma and Memory in John Banville’S Frames Trilogy GPA: 3.9
“THE GHOST OF THAT INELUCTABLE PAST”: TRAUMA AND MEMORY IN JOHN BANVILLE’S FRAMES TRILOGY BY SCOTT JOSEPH BERRY A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December, 2016 Winston-Salem, North Carolina Approved By: Jefferson Holdridge, PhD, Advisor Barry Maine, PhD, Chair Philip Kuberski, PhD ACKNOWLEDGEMENTS To paraphrase John Banville, this finished thesis is the record of its own gestation and birth. As such, what follows represents an intensely personal, creative journey for me, one that would not have been possible without the love and support of some very important people in my life. First and foremost, I would like to thank my wonderful wife, Kelly, for all of her love, patience, and unflinching confidence in me throughout this entire process. It brings me such pride—not to mention great relief—to be able to show her this work in its completion. I would also like to thank my parents, Stephen and Cathyann Berry, for their wisdom, generosity, and support of my every endeavor. I am very grateful to Jefferson Holdridge, Omaar Hena, Mary Burgess-Smyth, and Kevin Whelan for their encouragement, mentorship, and friendship across many years of study. And to all of my Wake Forest friends and colleagues—you know who you are—thank you for your companionship on this journey. Finally, to Maeve, Nora, and Sheilagh: Daddy finally finished his book. Let’s go play. ii TABLE OF CONTENTS Abstract…………………………………………………………………………………...iv